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Richard D. White

Antique Switchblades: World War II And Beyond

Harking back to American military glory and post-war prosperity, antique switchblades from the 1940s and 1950 have enduring appeal.

From its first patent in 1884, the switchblade was an important addition to most early U.S. cutlery companies.

According to Mark Erickson, author of Antique American Switchblades, between 35-to-40 companies made and/or sold switchblades, including almost all of whose names long-time collectors recognize: Aerial, Camillus, Case, Challenge, Colonial, George Schrade, KA-BAR, L.L. Bean, Novel Shapleigh Hardware, Queen, Remington, Schrade Cutlery Co., Utica, Wade and Butcher, and Shapleigh Hardware, to list a few.

 These two switchblades with the Presto stamping by George Schrade Knife Co., are among those that played an important part in the success of American paratroopers during World War II. On the facing page, the one at left has “jigged iron” scales and the one at right has jigged bone.
These two switchblades with the Presto stamping by George Schrade Knife Co., are among those that played an important part in the success of American paratroopers during World War II.

Because of the collectibility of the named companies and the significant variety of styles, sizes and handle materials associated with them, switchblades have become a serious endeavor for many collectors of antique knives.

Invention Of The Switchblade

As a serious cutlery collector, my downfall has been fingernails that bend backward with even the smoothest opening blades. The switchblade innovators had fingernails in mind when they produced a knife that could be opened without using a nail. In fact, some of the best switchblades are found in women’s old sewing baskets.

In fact, early switchblade ads tout the folder’s ability to be used by people with weak fingernails. “These knives will be a wonder for those who have difficulty opening a traditional knife” stated one such ad.

Celluloid was a very popular handle material on antique switchblades. Celluloid types, from top: a George Schrade in imitation tortoise, another George Schrade model in candy stripe, and one from Flylock Knife Co., in blue, pink and black swirl.
Celluloid was a very popular handle material on antique switchblades. Celluloid types, from top: a George Schrade in imitation tortoise, another George Schrade model in candy stripe, and one from Flylock Knife Co., in blue, pink and black swirl.

For many other occupations, the switchblade and its ability to be opened with one hand has proven immensely important. Mechanics, fishermen, ranchers, soldiers, veterinarians and even Boy Scouts were frequent users of the pocketknives. With a wiggling fish in one hand, it is easy to see how a switchblade could be a valuable asset to most fishermen when cutting a line.

Moreover, most switchblades have a lock/safety that keeps the blade from opening accidentally and the open blade from closing on the hand. An early Flylock Knife Co. ad touted, “The ideal knife for all outdoors and sports use. One hand only required to open or close, leaving the other hand free to grip a rod or gun.”

World War II Switchblades

World War II brought with it the necessity of supporting soldiers who parachuted behind enemy lines. Switchblades procured for the U.S. military were designed to cut the parachute suspension lines that became entangled during landing. The knives were carried in what has been described as “neck pockets’ in jump uniforms.

Military switchblades designated “MC1” included models in orange handles for heightened visibility. They were made by Schrade until 1960, when Camillus took over the contract. The knives have a master blade opened by a push button and a manual shroud cutter.
Military switchblades designated “MC1” included models in orange handles for heightened visibility. They were made by Schrade until 1960, when Camillus took over the contract. The knives have a master blade opened by a push button and a manual shroud cutter.

There are continuing discussions about the knives specifically made for and used by the U.S. military during the war. The discussions center around whether switchblades issued to troops all had jigged bone handles or jigged metal sides. Another discussion is whether all switchblades used by paratroopers had a bail—known in the military as a “lanyard staple”—or whether knives without bails also were used.

Units that used the knives included paratroopers in the 82nd Airborne and 101st Airborne Divisions, which included the 505th, 507th and 508th parachute infantry regiments. The 505th Infantry Regiment website shows switchblades made by Schrade Cutlery Co. stamped “Presto” with jigged bone handles and metal handles made to look like jigged bone painted black. Knives both with and without bails are included in the photographs. Switchblades made for World War II paratroopers also include those stamped Schrade-Walden and Schrade Cut. Co.

The book, 4 Stars of Valor: The History of the 505th Parachute Infantry, describes the equipment carried by paratroopers. In addition to main and reserve chutes, full uniform and helmet, the paratroopers carried over 70 pounds of equipment, including an M-1 carbine with ammo, Mae West life jacket, switchblade, water-filled canteen, trench knife, fragmentation and smoke grenades, mess kits, three days of K rations, escape map and compass, gas masks, toiletry items, 30 feet of rope, blanket, half a shelter and first-aid kit.

Post-War Military Switchblades

After World War II, several companies made switchblades for military personnel. According to one website, the first such knife was produced for the armed forces by Schrade Cutlery Co., designated as MC-1, an airman’s paratrooper knife, in 1957. Sometimes the knives are referred to as aircrew survival knives.

Three jigged bone switchblades, from top: Schrade Cutlery Co., George Schrade Knife Co. and one of the rarest of antique models, one stamped “Keen Kutter,” a trademark of Shapleigh Hardware. Schrade made the knife.
Three jigged bone switchblades, from top: Schrade Cutlery Co., George Schrade Knife Co. and one of the rarest of antique models, one stamped “Keen Kutter,” a trademark of Shapleigh Hardware. Schrade made the knife.

The first contract was awarded to Schrade Cutlery followed by a second contract to Camillus, and a third to Logan-Smyth. The orange-handle switchblades had two blades: one a master spear pattern opened by depressing the button, and a second blade shaped like a hook to cut parachute suspension lines. In my estimation, the hooked blade is not sharp enough to easily cut parachute lines and must be resharpened.

Civilian Switchblades

The early 1950s brought a renewed interest in cheap, colorful switchblades, with thousands of knives made by Imperial in its Jack-O-Matic Texas toothpick model, and Colonial, which used the Shur-Sharp stamp on its colorful models. The fishtail jackknives and the Texas toothpick styles were by far the favorite examples produced by the two companies.

The George Schrade Knife Co. continued to produce popular switchblades with celluloid handles stamped Presto. The knives were made with a single blade, double blades (the latter with a push button for each blade) and even a letter opener with a push button in one end.

Celluloid Handles On Antique Switchblades: Why?

The handle material for most of the inexpensive switchblades was celluloid. Thin sheets of the versatile plastic-like substance were molded around the knife’s metal sides. The most popular celluloid style was candy stripe. The knives also can be found in a wide variety of swirled celluloid handles in a myriad of different color combos, some with such recognizable celluloids as cracked ice and imitation tortoise.

Because the knives were inexpensively priced, they were extremely popular with boys in the 1950s. Because of the knives’ widespread use, some advertisers saw an opportunity to emboss various ads on them, giving them away as a novel company promotion gimmick.

Allure Of Antique Switchblades

Because of their connection with the heroic actions of airborne troops during World War II, antique switchblades have continued to be a popular cutlery collecting niche. Moreover, since almost three dozen companies, each producing a vast array of sizes and handle materials, made the knives, the collecting field is wide open.

Even in the 1950s cheap construction, made more evident by the continuous opening and closing of the blades, the knives remain popular collectibles. No doubt one reason for the popularity is that antique switchblades remind many of the Golden Age of the 1950s and ’60s when kids played outside all day, shot their BB guns, and hit the corner gas station for a cold soda and a candy bar.

Ah, those were the days!

More On Switchblades:

What is a Shadow-Pattern Penknife?

What is a Shadow-Pattern Penknife?

Shadow-pattern penknives form a distinctive niche in the pocketknife world and own a tradition related to their original purpose, which was, as with other forms of penknives, to sharpen writing quills or feathers.

Before the introduction of mass-produced, steel-pointed pens in the early 1800s, feathered quills were the only utensil available for writing with ink and paper. Since the smaller blade on penknives was almost always used to sharpen quills into “pens,” the blade became known as a “pen blade.”

Even after the development of steel pens, the penknife continued to be a most popular style found in the pockets of most townspeople, who used them for opening mail and trimming candle wicks.

What’s the Difference Between Jackknives and Penknives?

Mother of pearl knives
A pen style of pocketknife, shadow patterns have blades that open from opposite ends of the handle. These three in mother-of-pearl were all made in Solingen, Germany.

Before exploring shadow-pattern penknives, some categorization about pocketknives in general is in order. In basic terms, pocketknives fall into two large categories: jackknives and penknives. By examining a typical pocketknife, you can quickly discern the difference between the two styles.

Jackknives have both blades opening from the same end of the knife, while penknives have blades opposite each other and open from either end of the knife. During production, the cutlery worker must frequently “crimp” or slightly bend one of the blades sideways so the opposing pair of blades can pass each other in the same slot without one blade landing atop the other. This step results in a costlier knife.

It is interesting that penknives, being more expensive to produce, have not held their value when compared to jackknives. Collectible jackknives consistently have been priced higher than penknives because of their larger size. Hence, the old adage applies to jackknives: “Bigger is better.”

Shadow Pattern Definition

Shadow pattern knife examples
Western Cutlery addressed the lack of bolsters on these two- and three-blade shadow patterns by adding oversized bird’s-eye rivets.

In order for a knife to be a shadow pattern, it must have one important characteristic that separates it from other penknives. Unlike almost all other types of penknives, the shadow pattern does not have a bolster at either end. In fact, the shadow pattern is the only penknife style missing bolsters.

Why is that significant? Bolsters on each end strengthen the knife since the pin that goes through the pivot portion of the blade also goes through both sides of the knife and passes through a hole in the bolsters.

Since many knife users pry the blade sideways from time to time, this action dislodges the pin holding the blade in place, and frequently damages the knife. Shadow patterns defined as having no bolsters at either end of the knife are substantially more delicate than penknives that have bolsters.

Shadow patterns have blades held in place by a pin that passes only through a thin piece of brass and the handle material itself. When you use the knife to pry sideways you quickly widen the pin hole, and, frequently, crack the handle material.

Of special significance is that many of the expensive shadow patterns had either jigged bone, tortoise shell, or mother-of-pearl or abalone sides.

Given the fragile nature of the natural handle materials, an examination of many shadow patterns reveals cracks or missing handle parts.

Advantages

Antique shadow pattern knives
A Schrade Cutlery mint shadow-pattern advertising knife in French ivory celluloid sports a bail for attachment to a watch chain.

Why produce a pocketknife with no bolsters that is prone to the cracking or breaking of the handle material? The answer lies in the beauty of the vintage penknives. Handled in tortoise shell, abalone, mother-of-pearl or even fancy celluloids, the small shadow patterns have sides not limited by bolsters at each end.

A mother-of-pearl side with iridescent shades of pinks, purples, blues and greens are displayed without being “bordered” by bolsters. Even bone, especially those with peachseed- or Rodgers-style jigging, outfit the knives’ sides.

Another reason for eschewing the bolsters was understanding the knives’ general uses. Lightly constructed, small in nature and finely finished, the knives were never intended for opening paint cans or scraping rust from a piece of metal as with standard pocketknives.

Instead, they were designed to handle such delicate tasks as cutting a loose thread, cleaning fingernails, removing splinters, opening packages and loosening a stamp from a piece of mail.

Collecting Shadow-Pattern Knives

In terms of overall beauty, the shadow pattern has few equals. Because of its slight size and rather thin cross section, the knife can be fully appreciated for the work involved in producing such a subtle style. Because the blades oppose each other there is some fascination with the craftsmanship needed to produce a knife with limited clearance between blades.

Some manufacturers found yet another use for shadow patterns—as advertising knives. Because the sides of shadow patterns have no bolsters, the entire side could be used to advertise various products.

Western States Cutlery used the technique often. Western States also found that without the bolsters and by using less expensive handle materials, engraved “tourist knives” could be produced inexpensively and distributed to souvenir shops across the Western USA.

Shadow patterns are under collected and underpriced compared to other knives of similar size and handle material. As an added bonus to collectors, any number of American and foreign cutlery companies made the knives, especially those in mother-of-pearl.

When examining them, look especially close to where the pin comes through the handle material. Here is where the cracks will appear.

Meanwhile, you can amass an outstanding group of these delicate pocketknives for a reasonable price.

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