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BLADE Show

Hosted in Atlanta, Georgia in May or June every year, the BLADE Show truly is the World’s Largest Knife Show. It features the most diverse array of knives from manufacturers, knifemakers, collectors, dealers and purveyors, all under one roof. The BLADE Show plays host to the Blade Magazine Knife-Of-The-Year® Awards, the Blade Magazine Cutlery Hall of Fame© induction ceremony, seminars, demonstrations and much more.

Visit BladeShow.com for tickets, travel information, exhibitor registration and sponsorship opportunities.

2026 BLADE Show Preview: New Wrapper, Same Steel

BLADE Show’s home sharpens up for the event’s 45th Anniversary.

Longtime BLADE Show patrons, get ready for a brand-new venue. Calm your heart palpitations. The world’s largest knife show isn’t picking up stakes from Atlanta when it unsheathes its 45th iteration June 5-7. Simply put, the longtime home of our favorite edgy shindig is undergoing a massive $190 million facelift.

The Cobb Galleria Centre—now officially the Cobb Convention Center—is in the midst of a multi-year renovation to upgrade its facilities and amenities. While the project stretches into early 2027, it will be at its midway point when the BLADE Show doors open this June.

Diehard knifeaholics needn’t worry, the upgrade project won’t derail the aspects of the show you love. Factory knife debuts, the educational instruction of BLADE University (see sidebar) and action-packed demos still await show patrons. The BLADE Magazine 2025 Knife-Of-The-Year® Awards and the custom knife judging competition remain center stage. Furthermore, the American Bladesmith Society (ABS) will still name its latest master and journeyman smiths, and some of the best knives from the ABS, The Knifemakers’ Guild and unaffiliated makers will be on display in all their sharpest glory.

John Horrigan’s majestic fixed blade turned more than a few heads during the 2025 show. (Jocelyn Frasier image)
John Horrigan’s majestic fixed blade turned more than a few heads during the 2025 show. (Jocelyn Frasier image)

Additionally, the show floor welcomes more than 900 exhibitors from 35 countries, offering a global masterclass in modern cutlery. From the latest production folders and custom fixed blades to rare handle materials and high-tech shop equipment, the sheer volume of gear is staggering. All of this comes in the brand-new wrapper of the convention center, honing the BLADE Show to a razor’s edge.

The main exhibit hall and the ballroom—better known to the faithful as the Baller Room—are already complete. These renovations will immediately improve the show with new LED lighting, fixed concession outlets, renovated restrooms and an improved PA system. The Baller Room and lobby area also sport new wall coverings, chandeliers and carpet, while the rotunda has an entirely new look.
While the show floor is unaffected, attendees will feel some impact. The renovation of the specialty shops and meeting rooms below and across from the main hall will run congruent to the show. This means BLADE University has a new campus. Look for classes in the newly constructed ballrooms just off the Renaissance Atlanta Waverly.

And for those who love the food, libation (lots of that), knife boasting and lie swapping of “The Pit”, that is slated to proceed unchecked. The sunken bar of the Waverly is untouched by hammers, saws or fresh sheetrock. Get your sleep so you can haunt it until cock’s crow.

Jordan Berthelot discusses next-level damascus etching while Greyson Weltyk shows a student a result of the process during one of many BLADE University classes.
Jordan Berthelot discusses next-level damascus etching while Greyson Weltyk shows a student a result of the process during one of many BLADE University classes.

When the dust finally settles, the Cobb Convention Center will be a major boon. By 2027, showgoers can look forward to more than 50,000 square feet of new meeting rooms, event courtyards and indoor space. As the BLADE Show grows in global reach, its longtime home has the room to grow along with its marquee event.

Edge Of The World

Perhaps the most intriguing aspect of the BLADE Show in recent years is the global reach of the brothers and sisters of sharps. No one knife-specific event gathers more makers and companies from around the world—including the good ol’ U.S. of A—into one venue.

The outstanding international makers include: the CAS Brothers, Mauricio Daletzky and Javier Vogt (Argentina); Bertie Rietveld, Theuns Prinsloo, Henning Wilkinson and Neels van den Berg (South Africa); Franco de Souza, Rodrigo Sfreddo, Fabio Barros and Gus Cecchini (Brazil); Bruce Barnett (Australia); Kizer Cutlery, Reate and Ketuo (China); Koji Hara (Japan); Lionsteel, Alfredo Faccipieri, Fox Cutlery, Maniago Knife Makers (MKM) and Maserin (Italy); Damasteel (Sweden); Jens Anso (Denmark); Helle Knives (Norway); Jean-Louis Regel and Veronique Laurent (Belgium); Carlos Queiros (Portugal); Sergey Shirogorov (Russia); and Grace Horne (United Kingdom).

The Baller Room buzzed all three days of the show. The room comes with some notable improvements this year, including new carpet and wall coverings.
The Baller Room buzzed all three days of the show. The room comes with some notable improvements this year, including new carpet and wall coverings.

Some of the leading American exhibiting makers will be BLADE Magazine Cutlery Hall-Of-Fame® members Bill Ruple, Steve Schwarzer and Harvey Dean; ABS master smiths Mike Quesenberry, Shane Taylor, David Lisch, Jordan LaMothe, Josh and Karis Fisher, and Andrew Meers; slipjoint makers Stanley Buzek, Tom Ploppert, Luke Swenson and Tim Robertson; Allen Elishewitz; Les George; Walter Brend; Strider Knives; Hawk Knives; Vince Evans; factory companies Spyderco, Case, TOPS Knives, Chris Reeve Knives, Spartan Blades, Pro-Tech, Microtech, Kershaw, Squid Industries, KA-BAR and Heretic Knives; and many more.

Knives Of The Year

BLADE Magazine Knife-Of-The-Year® Awards is the factory knife industry’s highest honors, pitting the companies’ sharpest designs again each other. In an effort to keep the awards’ distinguished position and recognize the changing landscape of the industry, BLADE Show added a new category for this year.

New for the 2026 competition is the Best Slip Joint category, breaking off the traditional design from the Best Imported Folder and Best American Made Folder categories. This is the third new category added in as many years, with Best Of The Rest created in 2025 and the Automatic Knife Of The Year sponsored by PVK.com that debuted in 2024.

 New knives aren’t the only draw in Atlanta. Antique Randall knives and their collectors were in abundance at the show.
New knives aren’t the only draw in Atlanta. Antique Randall knives and their collectors were in abundance at the show.

As in the past, the entries are limited to BLADE Show factory booth exhibitors, all of whom received the rules well before the show outlining the new changes. Like last year, the winners will be announced and presented during the BLADE Magazine Awards Reception on Saturday at 8 p.m. in the room on the floor above The Pit. The winners will be listed on BLADE’s blademag.com website after the awards reception, and a list will be posted outside the show entrance Sunday morning.

BLADE University

Get current on the latest knifemaking techniques and other trending sharp subjects during the 13th Annual BLADE University on Thursday, Friday and Saturday. See the sidebar for a complete rundown of classes, days, times and instructors.

Sponsored by Work Sharp, BLADE University has the most extensive schedule of knife, knifemaking and other instruction held at any knife show. For enrollment and other information, visit https://bladeshow.com/show-info/classes.

Custom Knife Awards

Among the most testing custom knife competitions in the nation, the BLADE Show Custom Knife Awards is one of the most coveted honors in knifemaking. In a continuing effort to keep it the premier award in the handmade knives, the competition’s categories have been expanded. Best Slip Joint has been split into Best Single-Blade Slip Joint and Best Multi-Blade Slip Joint categories, allowing more subtlety in judging the nuanced class of knives.

From left, Karen Shook and Daniel Winkler accept their Hall of Fame plaque after Kevin Holland (right) delivered their induction speech.
From left, Karen Shook and Daniel Winkler accept their Hall of Fame plaque after Kevin Holland (right) delivered their induction speech.

Leading industry authorities will pick the best custom knives by BLADE Show exhibitors in the annual knife judging competition, with the winners announced during the BLADE Magazine Awards Reception Saturday at 8 p.m.

The categories are: Best of Show; Best Art Knife; Best Bowie; Best Collaboration; Best Collaboration; Best Damascus; Best Fighter; Best Fixed Blade; Best Folder; Best Handle Design; Most Innovative Design; Best Kitchen Knife; Best M.A.C.K.; Best Miniature; Best New Maker; Best Single-Blade Slip Joint; Best Multi-Blade Slip Joint; Best Sword; Best Tactical Folder; Best Utility Hunter; Best of the Rest.

The competition is open to the show’s custom knife exhibitors only. The winners will be announced on BLADE’s blademag.com website after the awards ceremony, and a list will be posted outside the show entrance Sunday morning.

World Championship

The BLADE Show World Championship Cutting Competition will be conducted by BladeSports International (BSI) and held in The Courtyard, the parking lot of the host hotel, the Renaissance Atlanta Waverly, Saturday at 4:30 p.m. Attendance is free to BLADE Show ticketholders.

Paul DiStefano always produces stunning work, which certainly goes for his 14-inch spiderweb mosaic damascus-bladed dagger, which he brought to the BLADE Show. That’s a carved buffalo horn handle, by the way. (SharpByCoop image)
Paul DiStefano always produces stunning work, which certainly goes for his 14-inch spiderweb mosaic damascus-bladed dagger, which he brought to the BLADE Show. That’s a carved buffalo horn handle, by the way. (SharpByCoop image)

For a second year in a row the men’s and women’s divisions were won by a husband and wife: Mr. and Mrs. Ben and Sue Ann Propst. The championship results were as follows: Men’s Division: Ben Propst (Niagara Specialty Metals), world champion; 2nd: Donavon Phillips (Spyderco); 3rd: David Moore (Pops Knife Supplies); and 4th: James Clifton (Spyderco). Women’s Division: Sue Ann Propst (Niagara Specialty Metals), world champion; 2nd: Lauren Kalns; 3rd: Sara Maly (Pops Knife Supplies); and 4th: Jo Carothers (Carothers Performance Knives).

Bali Grand Master

Top balisong flippers will vie for the title of “Grand Master” in the 10th Annual Battle for Bali Champion sponsored and conducted by Blade HQ.

BLADE Show ticketholders are invited to watch the competition on the second floor above The Pit of the Renaissance Atlanta Waverly Hotel on show Saturday from 12:45 p.m. to 2 p.m. Competitors will start flipping knives at 1 p.m.

When it comes to slip joints, Bubba Crouch is a must-stop at BLADE Show. His skinner, with a 3 1/2-inch copper san mai blade, came complete with a sheath by Will Anderson, with beadwork done by Kelly Faulcorer. (SharpByCoop image)
When it comes to slip joints, Bubba Crouch is a must-stop at BLADE Show. His skinner, with a 3 1/2-inch copper san mai blade, came complete with a sheath by Will Anderson, with beadwork done by Kelly Faulcorer. (SharpByCoop image)

The top three finishers will receive prizes and all participants will get swag bags. Brycen Nelson flipped his way to the top of the podium in the competition, Steve Ash placed second and Landon Morrison third.

Cutlery Hall Of Fame

The BLADE Magazine Cutlery Hall Of Fame® will formally induct its new members at 8 a.m. show Saturday in the Kennesaw Room of the Renaissance Atlanta Waverly Hotel. (At press time, the new members had not been determined. For updates, visit blademag.com.) Tickets are required ahead of time for the ceremony, which includes breakfast. Seating is limited. For ticket information, email [email protected].

What’s Next

The final BLADE Show-sponsored event for 2026 will be BLADE Show West, Oct. 9-10 at the Salt Palace Convention Center in Salt Lake City, Utah. For details, visit bladeshowwest.com. BLADE Show Texas 2027 will be March 12-13 at the Fort Worth Convention Center. Visit bladeshowtexas.com for more on it. And, of course, it’s never too late to start thinking about BLADE Show 2027 June 4-6 at the Cobb Convention Center in Atlanta. For details, visit bladeshow.com.

It’s easy to get mesmerized by knives at the BLADE Show, here at the table of Alex Hossom (left).
It’s easy to get mesmerized by knives at the BLADE Show, here at the table of Alex Hossom (left).

Editor’s note: Kizer Cutlery is The Pit sponsor. Work Sharp sponsors BLADE University. Nottingham Tactical is the lanyard sponsor. Hogue Knives is the housing sponsor. EKnives is the concessions sponsor. Vosteed is the Wi-Fi sponsor. The other sponsors are Heretic Knives, Reate Knives, Poikilo Blade, McNees Knives, Ketuo/Rike Knife, Artisan Cutlery/CJRB, Reate Knives and HORL Corporation.

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BLADE Show 2026: Thriving At 45

Forty-five shows in, the edge-travaganz’s remains the beating heart of the knife world.

Each year, the BLADE Show draws thousands as the knife industry’s perennially premier event. Now celebrating its 45th anniversary, BLADE Show has grown from humble beginnings at the Drawbridge Motor Inn in Fort Mitchell, Kentucky, in 1982 to a hub that stirs enthusiasm, sparks lively discourse, facilitates buying and selling and energizes the world of cutlery like no other.

Knife enthusiasts and aficionados of all types, makers, purveyors, factory representatives and collectors have crowded the floor of the show regularly, from the greater Cincinnati, Ohio, area to the World Trade Center in Knoxville, Tennessee, to its present home in Atlanta. Memories have been made, deals struck and a rising tide has lifted all.

“We originally said we were going to do one show a year,” remembered Bruce Voyles, BLADE Magazine Cutlery Hall of Fame® member and longtime publisher of BLADE® Magazine. “The goal was to make it more than a show. We loved the original venue in the Cincinnati area, but we outgrew it in two years, moving to 70,000 square feet in Knoxville by 1985 or so, with 700 tables, and then to Atlanta, where there is an airline hub and more international people were able to attend.

From the right, Bob Loveless, J.W. Denton and Myra and Durvyn Howard enjoy a dinner after a day on the BLADE Show floor. The show is as much a social gathering as it is an industry event. (John Denton image)
From the right, Bob Loveless, J.W. Denton and Myra and Durvyn Howard enjoy a dinner after a day on the BLADE Show floor. The show is as much a social gathering as it is an industry event. (John Denton image)

“Nobody had gotten such an incredible group of people together in one room before, and from it some amazing things happened,” Voyles reflected. “Sal Glesser of Spyderco came up with the idea for collaborations, and that really began at the BLADE Show as manufacturing people wandered into the handmade area–and it happened! We built the show on borrowing ideas from others and adapted it for all we could, trying to minimize mistakes we had seen in other shows.”

Through the years, the BLADE Show has been characterized by its exchange of ideas, vigorous commerce, displays of remarkable collections, professional demonstrations, honors for the industry greats and much more. Voyles smiled, “It just went gangbusters!”

And so, while the BLADE Show is in its 45th year, many have made the annual pilgrimage time and again. They acknowledge the impact the event has had on the knife industry and reflect on their memories and its true significance. The show has evolved, experienced growing pains and reached new heights of influence–but its dynamic energy has never waned, even in these days of the internet and instant access to information.

Knife Family Reunion

From the start, BLADE Show was red hot. Documenting the first show at the Drawdridge Motor Inn near Cincinnati, Ohio, the article from the July/August 1982 American BLADE estimates more than 7,000 knife enthusiasts showed up.
From the start, BLADE Show was red hot. Documenting the first show at the Drawdridge Motor Inn near Cincinnati, Ohio, the article from the July/August 1982 American BLADE estimates more than 7,000 knife enthusiasts showed up.

“The early BLADE Shows were run by Bruce,” commented ABS master smith and custom purveyor Dave Ellis. “Over the years, ownership has changed and the crowds have grown. Now there are two rooms to hold all of the table holders. The lines to attend start days in advance and eager folks flood in to be first to their tables of choice. The seminars have grown, and celebrities, musicians and folks from all walks of life attend with the expectation of purchasing that special piece they have saved all year for.”

During his active days as a bladesmith, Ellis attended shows with greats like Hall of Fame legend Bill Moran and master smith Jerry Fisk. He remembers sitting in “the Pit” at Atlanta’s Waverly Hotel, where friendships were forged and discussion flourished.

Hall of Famers Daniel Winkler and Karen Shook were attendees in the 1980s, and their first impressions were lasting. “It was overwhelming to know there were that many people making knives and to see the diversity,” Karen recalled. “The most striking memory is the sense of community and camaraderie. We did not know who the legends were at the time, but when we got to know them, we learned of a group of great talents with great passion for knives and the knife community.”

Among the aspects that set BLADE Show apart from other knife shows is the inclusion of factory knives. This has become an important part of the industry, as companies vie for the coveted Knife Of The Year award. Spartan Blade nabbed the honor in 2024 with its wicked Clandestina.
Among the aspects that set BLADE Show apart from other knife shows is the inclusion of factory knives. This has become an important part of the industry, as companies vie for the coveted Knife Of The Year award. Spartan Blade nabbed the honor in 2024 with its wicked Clandestina.

Karen fondly remembers sitting in the Pit. “It was like a family reunion. Almost every face became familiar. The show and the promotion of the same have attracted interested parties and given makers the opportunity to meet people and educate attendees as to why custom knives cost more than your typical hardware store hunting knife.”

Magic Of Knives In Person

When UK-based custom scissor maker Grace Horn attended her first BLADE Show in 2003, she was expecting her second child. “That child was conceived with the knowledge that I had to attend and not be too pregnant to do the transatlantic flight,” she laughed. “I have been attending every year since, and the changes have been fascinating. The fluxes of the industry are so much easier to see in a microcosm at a show … a snapshot of the industry at a point in time. Even in this world of increased social media engagement, nothing replaces the actual interaction between people. I love the sense of community that comes with the BLADE Show.”

Collector Chris Schluter agrees. “These days, so much of knife collecting takes place via social media,” he said. “It’s been great for sure–online sales, frequent interaction with makers and collectors. There’s still not a substitute, though, for meeting people in person and handling knives in person. For collectors, this is seeing your favorite makers in person and also walking by that table with a maker you’ve never heard of and stopping because something caught your eye. It’s not just meeting people during the show. It’s also after hours in “The Pit” and nearby restaurants and bars where people have time to chat. The BLADE Show is always something I look forward to, and I think many makers and collectors see the show as a sort of annual ritual that they really try to go to each year.”

From top, knives from Hall of Famer Bill Scagel, CAS and Hall memeber Bill Moran. Imagine seeing so many great creations in one case. Through the years, it's become commonplace at BLADE Show. (Dave Ellis image)
From top, knives from Hall of Famer Bill Scagel, CAS and Hall memeber Bill Moran. Imagine seeing so many great creations in one case. Through the years, it’s become commonplace at BLADE Show. (Dave Ellis image)

That pervasive energy, the smiles and the renewal of each acquaintance team up with the latest across the knife world to make the BLADE Show even more relevant in today’s environment. “The BLADE Show has made the careers of custom makers,” declared renowned knife innovator Ernest Emerson. “Before the internet, how could you find out about custom makers and their knives? BLADE Magazine was it, and the readers of BLADE Magazine would go to that show. Still, there is no motivation like seeing what the other guys are making.”

Emerson’s following is proof positive that the BLADE Show complements a career. The throng that gathers at each show to purchase his knives and those of other makers gave rise to the lotteries that are commonplace these days.

“The BLADE Show has pushed the knife world to outer space,” assessed Loveless knives expert and purveyor John Denton. “People keep coming back because it has something to do with the love of custom knives—one on one with makers, dealers, collectors—we all love the same thing. So, it is so much fun to see everyone. It feels like family. We all come back because we have all we need at the BLADE Show. The future is here, and now, so I just hope the magic stays.”

BLADE Show launched during the golden years of custom knives in the 1980s. But don't think the best years are behind. Contemporary makers, such as Brazilian Dionatam Franco, continue to wow with creations like his 2023 Best of Show dagger.
BLADE Show launched during the golden years of custom knives in the 1980s. But don’t think the best years are behind. Contemporary makers, such as Brazilian Dionatam Franco, continue to wow with creations like his 2023 Best of Show dagger.

That magic was indeed, at times, like catching lightning in a bottle. “It was things like [Hall of Famer] Bob Loveless staying with Wayne Clay, and once the show ended for the day, we all went out to eat,” Denton commented. “Then, at the hotel, you just looked around the room, and the knifemakers of the world were all pretty much in the same place. You could listen to Loveless and [Hall of Famer] A.G. Russell discussing things. Over on the couch was [Hall member] George Herron. Then you saw Bill Moran relaxed next to him. It was all bigger than life.”

From Show To Spectacle

Les George was a young knifemaker when he attended his first BLADE Show at age 25. “I don’t know if I can say it’s better now because it’s been amazing from the very first time,” he remarked. “On top of being a trade show for knives, it’s the number one social event for this business. I see some friends only at the BLADE Show, even though I’m in touch with them all the time. The BLADE Show is a huge fixture in my life, and the whole year pivots around the June trip to Atlanta.”

Of course, many others would say the same thing. Like the proverbial sun, the BLADE Show is the center of the knife community’s solar system. Its atmosphere sheds radiant light on the industry. Its gravitational pull is virtually irresistible. Its intensity is nothing short of “white hot”.

A couple of master smiths—Jason Knight (left) and Dave Ellis (right)—rub elbows at the BLADE Show. (Dave Ellis image)
A couple of master smiths—Jason Knight (left) and Dave Ellis (right)—rub elbows at the BLADE Show. (Dave Ellis image)

Through change and reinvention, the BLADE Show remains a driving force in its 45th year. And even though the computer screen and cell phone add to the communication milieu, those who know what the BLADE Show is will accept no substitute. Here’s to 45 more years.

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BLADE University: Knife Knowledge Honed

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Staying Sharp With The 13th Annual BLADE University.

Knifemaking is a never-ending journey of exploration and learning, making the 13th Annual BLADE University a must-attend event. Delving into topics from up leveling your knife business acumen to unveiling the secrets of new knife steel and leather sheath creation, the U is where you get your PhD in sharps.

BLADE University runs in conjunction with the 45th Annual BLADE Show, June 5-9 at the Cobb Galleria Centre in Atlanta. However, there are some wrinkles to where the classes will be held this year. Given the convention center is undergoing renovations, all BLADE U classes have been moved to rooms in the adjoining Renaissance Atlanta Waverly Hotel.

BLADE University assembles some of the world’s best knifemakers, bladesmiths and other cutlery and steel professionals to teach a wide range of subjects for the knife user, knifemaker, knife hobbyist, knife entrepreneur, knife designer, knife aficionado and novice alike. If you love knives or are just beginning to, BLADE University has a topic for you. The complete course schedule, with subjects, teachers, times and venues:

Thursday, June 5

  • The Art of Selling, Tom Krein, 4-5 p.m., Wilton Room—A long-time maker of utilitarian fixed blades and folders, Tom Krein will outline what a knifemaker who is serious about selling knives should do and how he/she should behave behind a knife show exhibitor table. Table etiquette, sales and customer relations strategies and more are just some of the subjects Tom will cover. The class will be held the day before the BLADE Show begins so attendees can put some of Tom’s recommendations into practice during the main event Friday through Sunday.

REGISTER FOR BLADE UNIVERSITY CLASSES

Friday, June 6

The "Designing Knives" class has award-winning knifemaker Jens Anso sharing his approach to knife design, including how he thinks about form and function, the tools he uses and where he finds inspiration.
The “Designing Knives” class has award-winning knifemaker Jens Anso sharing his approach to knife design, including how he thinks about form and function, the tools he uses and where he finds inspiration.
  • Pro-Critique Panel, Rick Dunkerley/Karis Fisher/ Richard Rogers/Mike Quesenberry, Noon-1 p.m., Wilton Room—Have a panel of award-winning knifemakers share their decades of knowledge and experience in critiquing your custom knife. An expert panel to include: Rick Dunkerley, Karis Fisher, Mike Quesenberry and Richard Rogers, will go over every square inch of your knife and tell you what is good about it, what is not and how you can make it better. Bring one knife only. Questions from attendees will be entertained throughout.
  • Damascus Appreciation, Mareko Maumasi, Noon-1 p.m., Grand Ballroom 3—Mareko Maumasi will break down the processes for developing numerous damascus patterns, helping makers and collectors alike appreciate the skill and talent required to create the most unique and enigmatic patterns in the world.
  • Why Does It Look Wonky?, Evan Nicolaides/Daniel Keown, 1-2 p.m., Grand Ballroom 4—Award winning custom slipjoint makers Evan Nicolaides of Esnyx Knives and Daniel Keown provide insight on slipjoint design theory from modern and traditional perspectives, and how to strive for a timeless design.
  • Factors that Affect Edge Retention, Larrin Thomas, 1:30-2:30 p.m., Grand Ballroom 3—Edge retention can be one of the most mysterious aspects of knives. Which factors are most important? Dr. Larrin Thomas delves into the effects of edge geometry, sharpening, steel type, heat treatment and more. Not only will he discuss this important and often misunderstood facet of knives, but he’ll also present results of real experiments on the topic. Even end users can greatly improve edge retention by optimizing sharpening and geometry. The good doctor will show how.
  • Leveling Up As A Knifemaker, Jason Knight, 2:30-3:30 p.m., Grand Ballroom 4—Led by Jason Knight, the seminar covers essential steps for improving the craft through bladesmithing, stock removal or hybrid methods. Beyond the workbench, the discussion addresses the business of knives, detailing effective marketing and identifying the best sales venues. Attendees will learn to streamline production and position their work to attract serious buyers, providing a guide to turning a passion for knifemaking into a professional venture.
  • Hands-on Sharpening, Work Sharp, 3:30-4:30 p.m., Wilton Room—Join Work Sharp for a hands-on class that teaches the fundamentals of knife sharpening. They’ll break down the science behind the edge, covering angles, abrasives and grit progression. Then, you’ll get time to practice sharpening your own knife using a Work Sharp-provided sharpener. Bring a favorite (non-serrated) blade and learn to create a razor-sharp edge with confidence. Work Sharp’s expert instructors will guide you step by step—so you leave with sharp skills and sharper knives.
  • Leather Sheaths: Crafting World-Class Sheaths The SoulBound Way, Sarah Blakeley, 4:30-5:30 p.m., Grand Ballroom 4—A world-class blade deserves more than a generic carry system. Join Sarah Blakeley, the professional force behind SoulBound Leather, to elevate your cutlery with elite leatherwork. This masterclass strips away the guesswork of construction, teaching you the mechanical foundations of a perfect carry. Learn to select ideal hides and accurately measure any knife profile for a secure, “click-fit” every time. From high-end finishing to durable hand-stitching, Sarah provides the blueprint for heirloom-quality results that complement the world’s premier blades.

Saturday, June 7

  Jason Knight's "Leveling Up As A Knifemaker" teaches makers how to streamline production and position their work to attract serious buyers, providing a guide to turning a passion for knifemaking into a professional venture.
Jason Knight’s “Leveling Up As A Knifemaker” teaches makers how to streamline production and position their work to attract serious buyers, providing a guide to turning a passion for knifemaking into a professional venture.
  • Elevating Your Handle Appearance: Spine Filework, Handle Shapes, and Pin Placement, Kyle Daily, 8:30-9:30 a.m., Grand Ballroom 1—Enhance the appearance of your knife with unique features that go far beyond standard production models! Knifemaker Kyle Daily from KHDaily Knives guides you through the intricate art of filework on the spine, while also sharing insights into handle design and the pin placement on your handle. Discover Kyle’s preferred files and specialized equipment for crafting his five most popular filework patterns, ensuring your knife not only looks exceptional but also feels comfortable and functional. From laying out your pattern to a step-by-step tutorial, this class provides the essential knowledge to achieve a professional and eye-catching finish. A Q&A session at the end will ensure you leave with the skills and knowledge to take your knifemaking to the next level. Your customers will undoubtedly be impressed, asking, “WOW! How did you do that?”
  • Frame Handle Knife Construction (Discussion & Technical Presentation), Mike Quesenberry, 9:30-10:30 a.m., Grand Ballroom 2—This class is a discussion-based seminar supported by a detailed PowerPoint presentation designed for makers looking to elevate their knife-making skills. This course shows the process from beginning to end, while exploring proper sequencing and design considerations that define a well-constructed frame handle knife. Students will leave with a clear conceptual roadmap for executing frame handle construction in their own shops, along with a deeper understanding of the discipline and design philosophy behind this method.
  • The Art of Discovery, Steve Schwarzer, 10:30-11:30 a.m., Grand Ballroom 1—Join ABS master smith Steve Schwarzer for an exploration of the invention process and the evolution of modern pattern welding. This seminar offers a rare look into the methodology Schwarzer used to pioneer techniques currently utilized by bladesmiths worldwide. A central highlight is the discovery of 3D-printed damascus, a breakthrough born from a 1980s technical error and realized through collaborative research. Attendees will learn to adapt industrial-scale concepts for a home shop, repurposing existing tools to achieve high-level results. Beyond the technical, Schwarzer will lead a forum on the ethics of sharing ideas, professional trust, and the necessity of proper attribution. This session is designed for makers who believe we have only just scratched the surface of damascus as an art form.
  • Designing Knives – Philosophy, Tools, and Inspiration, Jens Anso, 11:30-12:30 p.m., Grand Ballroom 2—Award-winning knifemaker Jens Anso shares his approach to knife design, including how he thinks about form and function, the tools he uses and where he finds inspiration. With decades of experience in the industry, he’s developed a clear design philosophy that balances aesthetics, ergonomics and real-world usability. He explains his workflow, from sketching and CAD modeling, to prototyping and refining details. His goal is to provide insight into the design process and share practical takeaways for makers and enthusiasts who want to push their work further.
  • The Last 10%: Where Good Knives Fail and Great Knives Begin, Neels van den Berg, 12:30-1:30 p.m., Grand Ballroom 1—Warning: This talk will permanently ruin how you look at your own knives. The difference between good and great is not talent. It is the last 10 percent, and most makers lose it without even realizing it. Your lines drift. Your transitions soften. Your symmetry lies to you. And you call it done. ABS Master Smith Neels van den Berg dissects the subtle inconsistencies in geometry, flow and finish that quietly separate respectable work from undeniable craftsmanship. You will learn why makers plateau, how to spot the blind spots you have trained yourself to ignore, and how to build a ruthless system that forces your work to level up. If you are comfortable with good enough, skip this. If you want your knives to stand out in a room full of makers, show up ready to have your standards reset.
  • Damascus Pattern Flow, Mareko Maumasi, 2-3 p.m., Grand Ballroom 1—Mareko Maumasi discusses his approach to anticipating mosaic damascus pattern expansion as well as various blade forging techniques that can be used to influence material flow to enhance the presentation of Damascus patterns.
  • Hands on Sharpening, Work Sharp, 2:15-3:15 p.m., Wilton Room—Join Work Sharp for a hands-on class that teaches the fundamentals of knife sharpening. They’ll break down the science behind the edge, covering angles, abrasives, and grit progression. Then, you’ll get time to practice sharpening your own knife using a Work Sharp-provided sharpener. Bring a favorite (non-serrated) blade and learn to create a razor-sharp edge with confidence. Their expert instructors will guide you step by step—so you leave with sharp skills and sharper knives.
  • What is Coming Next for Knife Steel?, Larrin Thomas, 4-5 p.m., Grand Ballroom 1—What is possible for knife steel in the future? Dr. Larrin Thomas will look at what is next. New knife steel continues to be released, including Dr. Thomas’ MagnaMax, a steel in the same family as MagnaCut that boasts a higher edge retention. Dr. Thomas will discuss what new steels are worth looking into for knifemakers and knife buyers. He’ll also explore which existing knife steels are still underrated.

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7 Join BLADE Magazine Cutlery Hall of Fame®

New inductees span the world of custom and factory knives.

A notable assortment of those who for many years enhanced or continue to enhance the overall improvement of the knife industry highlights the 2026 class of inductees into the BLADE Magazine Cutlery Hall of Fame®.

The new honorees include three living and four deceased members. Among the former are CRKT co-founder Rod Bremer and Anne Reeve, owner/president of Chris Reeve Knives, on the factory side, and American Bladesmith Society master smith Larry Fuegen from the custom realm.

The posthumous inductees are bladesmith/writer Ed Fowler, custom knife purveyor Nate Posner, knifemaker/knifemaking supplier Bob Engnath and ABS master smith Tim Hancock.

All will be formally inducted in a special ceremony during the BLADE Magazine Cutlery Hall-of-Fame Breakfast the Saturday morning of the BLADE Show, June 6, in the Renaissance Waverly, the host hotel adjoining the Cobb Convention Center in Atlanta. For ticket information email [email protected].

Rod Bremer

Rod Bremer

Along with partner Paul Gillespie, Rod Bremer started Columbia River Knife & Tool (CRKT) in 1994. The concept was to bring world-class-quality knives to the U.S. market in the designs of custom knifemakers—as of today, CRKT has used the designs of over 50 such makers—and innovation at a price that virtually all consumers can afford.

According to a nominator, Rod’s integrity qualifies him for the Hall of Fame, a good example being that “CRKT pays the makers/designers royalties for as long as the knife sells. To this day, Rod is still paying royalties to the estates of Ed Halligan, Jon Graham, Cutlery Hall-of-Famer Kit Carson and several others.” Added the nominator, “CRKT started the Forged by War program to help veterans and their charities. So far the program has donated over $500,000 to the charities of the veteran’s choice.”

Under Rod’s leadership, CRKT has won a number of BLADE Magazine Knife-of-The-Year® Awards. In the process, he helped enhance Southeast Asia knife manufacturing by teaching and demanding that the Taiwanese factories produce the highest-quality knives possible.
He has bolstered pro-knife initiatives through his work as an American Knife & Tool (AKTI) Board of Regents member, working on issues that benefit the knife industry. His resume includes: 1) Election to the AKTI Board of Regents (2009); 2) Playing an active role in the monumental defeat of U.S. Customs’ attempt to classify all one-hand knives as switchblades (2009); 3) Recipient of Knife Rights’ inaugural Freedom’s Guardian Award for his role in upholding knife rights industry wide (2011); 4) Elected AKTI vice president (2011); 5) Organized and hosted AKTI anti-counterfeiting round table and presented related seminars for BLADE University at BLADE Show 2013; and 6) Elected (2014) AKTI president, a position he held through 2016.

Anne Reeve

Anne Reeve

According to a nominator, in 1986 Anne Reeve joined the then-fledgling Chris Reeve Knives and quickly became an integral part of the company. Her partner, both in life and business, Cutlery Hall-Of-Famer Chris Reeve, was the craftsman, and a great one at that. While Chris’s forte was knife design, Anne’s strengths were administration and bookkeeping. Anne spent many of the following years lending a hand where she could, helping to build a company known for quality and excellence.

For most of the early years, Chris Reeve Knives was just Anne and Chris plus a handful of employees, which meant Anne wore many hats. As the company grew, Anne stepped more into working behind the scenes in administration and customer service. Her years of answering the phone and meeting customers, partnered with her determination to ‘do the right thing,’ laid the groundwork for the knife manufacturer’s international reputation for excellence. Today, the company has around 150 dealers worldwide.

On the knife legislation front, Anne showed support for both the American Knife & Tool Institute and Knife Rights with encouragement, donations of knives and cash, and attending and sponsoring related functions. She has been treasurer of the Idaho Knife Association since 2018 and is an active member of the organizing committee for the IKA’s annual show.

After a nearly 30-year partnership, Chris retired, and Anne took a massive leap of faith and bought Chris’s share of the company. With the help of their son, Tim, and a team of young, talented and enthusiastic leaders, Anne has trailblazed Chris Reeve Knives into new territory. As the nominator concluded, “Investment in equipment and employees has resulted in revenue more than doubling under her leadership, the quantity of knives produced each month continues to increase, the quality of those knives is better than ever, and demand continues to significantly outpace production. Her determination to keep the integrity of Chris Reeve Knives, coupled with the highest quality products and customer service, has set a standard in the knife industry.” Helping cap it off, Anne won the BLADE Magazine 2025 Industry Achievement Award for her many contributions to the craft and cutlery community.

Bob Engnath

Bob Engnath

Bob Engnath built his first knife in 1972 and went full-time in ’79, making kit blades, tantos, swords and assorted knives in carbon steel. His base of operations was Blades ‘N’ Stuff, a retail shop he ran in Glendale, California, that offered tools, supplies and materials for knifemakers, bladesmiths and swordsmiths.

He produced several editions of a comprehensive publication he also called Blades ‘n’ Stuff, a 70-or-so-page 8-by-11-inch “Catalog and Instruction Manual featuring Handcrafted Blades by Bob Engnath and Knifemakers’ Supplies.” Sold for $5, it contained copious amounts of knowledge and instruction for anyone who wanted to make a knife or sword, including line art of his many patterns, knifemaking how-to’s with diagrams, tips and do’s and don’ts, and tons of sage advice on various steels, heat treating, knifemaking machines and materials, finishing, how to forge damascus, shop safety and other invaluable information. In addition to his catalogs, Bob also wrote the books The Scrimshaw Connection and The Second Scrimshaw Connection.

Engnath was a dedicated blade grinder and considered by many the best grinder of the time, providing blanks his customers could finish on their own. He gave many makers their start and dispensed an untold amount of knifemaking knowledge to anyone interested enough to listen, usually free of charge. According to one source, “Bob was a mentor to countless new makers through his knife kits, leaving a lasting legacy in the knife community.”

Summed up another source, Bob “was an excellent role model for any man in the knife business. He never said a bad word about anyone, took the knife business where it had not been before, his ethics were outstanding, his word was ironclad. I’d rather have had a handshake with Bob Engnath than a lawyered-up contract with any other knife name you care to mention. He was a hero and an example to a lot of people.”

Ed Fowler

Ed Fowler

Selling his first knife in 1962, Ed Fowler epitomized “the philosophy of the cutlery fabricator,” noted one nominator. Though not the first to use 52100 carbon steel for knife blades, Ed helped popularize it as it became a go-to material among today’s bladesmiths. He long performed and encouraged the multiple quenching of blades during heat treatment.

He wrote the monthly column “Knife Talk” for BLADE® for well over a quarter century. In BLADE’s reader surveys, along with Cutlery Hall-of-Famer Wayne Goddard, Ed completed the top one-two team of most popular BLADE writers year-in and year-out. Ed compiled his “Knife Talk” columns into two books: Knife Talk I: The Art & Science of Knife Making and Knife Talk II: The High Performance Blade. He conducted demos for many years on a variety of subjects at the BLADE Show, plus a class at BLADE University.

Formerly an ABS master smith, he went on to create the High Endurance Performance Knife Association, an organization dedicated to a greater understanding of the knives its members make, the steels they use, the process necessary for the knives to reach their maximum performance potential, and to share this understanding with any and all who seek it. He taught knifemaking to many, including more than a few who have gone on to become ABS journeyman and master smiths, including Audra Draper, Wade Colter, Shane Taylor, Bill Burke and Cutlery Hall-of-Famer Rick Dunkerley among the latter.

Wrote one nominator, Ed was “very passionate about what a knife should do. He indulged anyone who wanted to share time or debate ‘the concept of cut,’ as he called it.” Ed would pit his high-performance 52100 knives against all comers in what he called “real world tests,” cutting and doing things with the knives many consider abusive, until the knives failed. Ed continued using this testing regimen, observing that though you may never have to use a knife in such a manner, “What if you had to and the only tool you had at your disposal was your knife? Wouldn’t you take comfort in knowing that if ever push came to shove, you had a knife you could stake your life on?”

Larry Fuegen

Larry Fuegen

Larry Fuegen started forging knives in 1975. According to a sitting Hall of Famer, from that time on all of Larry’s knives were sole authorship. He became a full-time knifemaker in 1987 and earned his American Bladesmith Society master smith rating in 1989.

“Since I’ve known Larry he has been a unique person who made unique knives,” the Hall of Famer wrote. “He started making friction folders after meeting Cutlery Hall-of-Famer Jim Schmidt at an ABS hammer-in. Years later Larry took those folders to a whole new level. For years he did gargoyle-type carvings on them and later started doing other renditions, like his folder featuring the Spanish explorer Hernan Cortes wearing a gold helmet and Larry’s carved face of his idea of what Cortes looked like. Besides these great folders he made many ornate bowies, daggers and hunters that had carving, texturing and engraving done in a way to set his work apart from anyone else.

“For me what stood out most were his push daggers. I believe if you Googled push daggers a picture of Larry Fuegen would come up. He not only crafted knives, he also did his own leatherwork, which was top quality. He also made some of the best bits and spurs anywhere. In addition to his quality work he designed and built the tools he needed to produce his knives, leatherwork, and bits and spurs.”

He was voted into the Art Knife Invitational in 1999 and every year thereafter until 2022. Circa 2008 another of his ornately done friction folders, entitled Alaric, King of the Visigoths, went on permanent display at the Smithsonian American Art Museum’s Luce Foundation. He has been featured in many magazine articles and books, among the latter including Greatest Living Knifemakers by Cutlery Hall-of-Famer Steve Shackleford.

Larry passed his knowledge on, teaching at numerous hammer-ins and seminars around the country. He is very knowledgeable and is willing to share with anyone. He is the personification of the traits required for induction into the Cutlery Hall of Fame.

Tim Hancock

Tim Hancock

Teaching others how to make “the total knife” played a huge role in defining Tim Hancock. “He taught and demonstrated at many hammer-ins in the areas of embellishment, design, blade forging, grinding, heat treating and sheath making,” ABS master smith Larry Fuegen observed. “He wanted to share his methods and thoughts with others. He also gave private lessons in his shop to many aspiring makers. The influence of his recognizable style can be seen in the work of many makers. Just as [Cutlery Hall-of-Famers] Bill Moran and Bob Loveless influenced many with their designs, so did Tim with his work.”

Added knifemaker Michael Vagnino, “I suppose the most important thing I learned from Tim was integrity. The knife you make is in fact a part of you. How it turns out is more about how honest you were when making it. When Tim told me that, it really made me pause. From that moment on, I viewed making knives in a new light.”

Tim earned his ABS master smith rating in 1993 and won an impressive number of honors for his knives, including the 2010 W.F. Moran Award. He was known for his award-winning period bowies, including though not limited to dog-bone bowies. Dr. David Darom dedicated an entire hardback book, Tim Hancock: The Western Bladesmith, to highlighting Tim’s knives and knifemaking career, even his penchant for forging silver-mounted bits and spurs and other Western gear. From 2001-2015 Tim was a member of the Art Knife Invitational, an organization of the world’s 25 greatest knifemakers spearheaded by Cutlery Hall-of-Famer Phil Lobred.

Nate Posner

Nate Posner

Nate Posner started the San Francisco Gun Exchange in 1948 and built it into what he called the “Firearms Center of the West.” It had most everything firearm related but it was his displays of custom and factory knives that pertain here.

Along with Cutlery Hall-of-Famers A.G. Russell and Dan Delavan and also Bob Gaddis and Dave Harvey of Nordic Knives, Posner was among the first custom knife purveyors. He was known for telling his customers that to get the best price, instead of buying custom knives from middlemen such as him they should buy directly from the maker. Of course, if the customers wanted the handmade knife in question immediately, they often had to buy it from one of the few purveyors such as Nate to avoid spending what might be years on a waiting list. However, it was being up front that put Nate in good stead not only with his knife customers but the Guild, too—for both buying/selling the makers’ knives and treating what often were the makers’ customers/prospective customers in a professional manner.

At one time he had over 350 custom knives on display, with at least that many others in stock. Circa 1975 he ordered knives from dozens of makers, most active or past Guild members. Eventually he culled his list to about 25 or 30, including one of his favorites, D. E. Henry. Others included Tommy Lee, Jess Horn, Herman Schneider, Corbet Sigman, the-then-team of Scott Sawby and Steve Mullin, and future Cutlery Hall-of-Famers Frank Centofante, Jimmy Lile, Bob Loveless, George Herron, Bo Randall and more.

Thanks to the high store profile he gave custom knives and their makers to knife and gun buyers alike, Nate was one of the most important custom knife promoters of his or any era. As a result, the honor the Guild gives annually to an individual who provides “Outstanding Service in the Promotion of Handcrafted Cutlery” is called the Nate Posner Award.

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2026 BLADE Show Texas Custom Knife Award Winners

See who took home the hardware from the BLADE Show Texas Custom Knife competition.

With deep roots in fine custom knifemaking, BLADE Show Texas consistently attracts the top names in the industry, making its Custom Knife Awards a true showdown of elite craftsmanship. The 2025 competition, held March 20-21 at the Fort Worth Convention Center, was no exception.

The judging hall overflowed with exceptional entries in 13 categories, pushing the three-judge panel to their limits. After intense deliberation, the judges selected the finest blades of the year—including Best of Show and Best Art Knife, awarded to Jean-Louis Regel for his stunning dagger.


Best Art Knife & Best In Show: Jean-Louis Regel

Best Art Knife & Best In Show: Jean-Louis Regel
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Best Bowie: Franco

Best Bowie: Franco
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Best Damascus: Pedro Fornari

Best Damascus: Pedro Fornari
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Best EDC: Emmanuel Le Brun

Best EDC: Emmanuel Le Brun
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Best Fighter Contender: Karis Fisher

Best Fighter Contender: Karis Fisher
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Best Fighter: Jason Knight

Best Fighter: Jason Knight
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Best Folding Knife: T.R. Overeynder

Best Folding Knife: T.R. Overeynder
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Best Hunting Knife Contender: Josh Fisher

Best Hunting Knife Contender: Josh Fisher
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Best Hunting Knife: Franco

Best Hunting Knife: Franco
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Best Kitchen Knife: Jason Knight

Best Kitchen Knife: Jason Knight
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Best Multi-Blade Slip Joint: Evan Nicolaides

Best Multi-Blade Slip Joint: Evan Nicolaides
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Best Single-Blade Slip Joint: Evan Nicolaides

Best Single-Blade Slip Joint: Evan Nicolaides
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Best M.A.C.K.: Fellhoelter Toolwerks

Best M.A.C.K.: Fellhoelter Toolwerks
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Best Of The Rest: Jean-Louis Regel

Best Of The Rest: Jean-Louis Regel
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2026 BLADE Show Texas Factory Knife Award Winners

See which factory knives took home the coveted hardware from the BLADE Show Texas Factory Knife Awards.

The BLADE Show Texas, held March 20-21 at the Fort Worth Convention Center, saw an intense factory knife competition. With an excellent turnout of competitors and a high-level of execution on the knives, it was most definitely a showcase of the top-tier production knives at the show.

With such an impressive lineup, the three-judge panel faced a tough challenge in determining which blade best represented each of the seven categories. In short, competition was hot. With the dust settled, here are the winners who claimed top honors, including Best in Show.


Best Folder And Best Of Show: Null Knives Voodoo

Null Knives VooDoo
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Null Knives Voodoo Lock Knife Natural Micarta

Null Knives Voodoo Lock Knife Natural Micarta

$350.00
Prices accurate at time of publishing. Affiliate disclosure.

Best EDC: Arcane Design Automation

Arcane Design Automation
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Best Fixed Blade: Tenable Knives Loki

Best Fixed Blade: Tenable Knives Loki
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Tenable Knives Tenable Loki Fixed Blade Knife Olive G-10

Tenable Knives Tenable Loki Fixed Blade Knife Olive G-10

$49.89
Prices accurate at time of publishing. Affiliate disclosure.

Best American-Made Knife: Zero Tolerance 0117

Best American-Made Knife: Zero Tolerance 0117
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Zero Tolerance 0117 Pocket Knife Drop Point CPM MagnaCut Satin Blade Carbon

Zero Tolerance 0117 Pocket Knife Drop Point CPM MagnaCut Satin Blade Carbon

$240.00
Prices accurate at time of publishing. Affiliate disclosure.

Best Imported Knife: Null Knives Vandal

Best Imported Knife: Null Knives Vandal
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Best of the Rest: Tactile Turn Anso

Best of the Rest: Tactile Turn Anso
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2026 BLADE Show Texas: Get Lone Star Sharp

BLADE Show Texas will kick off the ’26 show slate in style.

Knives and knifemakers planetwide and most everything else keen, utilitarian and covetable will inundate the 5th Annual BLADE Show Texas March 20-21 in the Fort Worth Convention Center.

The show will host over 400 exhibitors and thousands of knives from such countries as Australia, Austria, Belgium, Brazil, Canada, China, France, Germany, Italy, Russia, South Africa, Spain, Sweden and elsewhere, not to mention top American custom knifemakers, ABS master and journeyman smiths and knifemaking members of the Knifemakers’ Guild; the lion’s share of members of the South Texas Slipjoint Cartel; the BLADE Show Texas custom and factory knife judging awards; and some of the world’s leading factory knife companies, including current and past winners of BLADE Magazine Knife-Of-The-Year® Awards.

Get ready for some Texas steel set on sizzle.
Get ready for some Texas steel set on sizzle.

The Fort Worth Convention Center will be crawling with cutters, with gobs of custom and factory knives—from low end to high end, stock removal to forged, fixed blade to folder—tomahawks, swords, sharpeners and more. And if the exhibiting makers don’t have what you want, the exhibiting custom knife purveyors and factory retailers probably will—and if they don’t, they can put you in touch with who does.

Get Your BLADE Show Texas Tickets Now!

For knife hobbyists and novice and veteran makers alike, the show’s comprehensive selection of knifemaking supplies and suppliers will have the materials, tools and equipment to make the knife of your dreams. From the latest steels, handle materials, hardware and sheath materials to most every knife part extant, the show’s suppliers should have it.

Knife Awards

Zero Tolerance will be among the top factory exhibitors featuring the sleekest folders and fixed blades. ZT’s ultra-lightweight (1.9 ounce) 0117 Duralock folder in CPM MagnaCut stainless 
steel and carbon fiber will be among them. 
Country of origin: USA. MSRP: $300.
Zero Tolerance will be among the top factory exhibitors featuring the sleekest folders and fixed blades. ZT’s ultra-lightweight (1.9 ounce) 0117 Duralock folder in CPM MagnaCut stainless steel and carbon fiber will be among them. Country of origin: USA. MSRP: $300.

The knife judging competitions will recognize the best of the show’s custom and factory knives that are entered. The custom award categories, with last year’s winners in parentheses: Best in Show (Dionatam Franco); Best Bowie (David Lisch); Best Fighter (Dionatam Franco); Best Damascus (Pedro Fornari); Best Hunting Knife (Josh Fisher); Best Folding Knife (Tom Overeynder); Best Kitchen Knife (a Luke Dellmyer/Richard Patterson collaboration); Best M.A.C.K. (Jared Oeser); Best EDC (Evan Nicolaides); Best Art Knife (Paul DiStefano); Best of the Rest (Josh Taylor); and Best Slipjoint (Evan Nicolaides).

The factory award categories, with last year’s winners in parentheses: Best in Show (Poikiloblade); Best EDC (Dauntless Manufacturing); Best American Made (Dauntless Manufacturing); Best Imported (Poikiloblade); Best Fixed Blade (QSP); Best Folder (a Pro-Tech/Vero Engineering collaboration); and Best of the Rest (Vero Engineering).
The custom and factory knife judging is reserved exclusively for show exhibitors, all of whom received packets with complete details on category descriptions, judging rules and more prior to checking into the show.

What’s Next

World-class South African knifemaker Bertie Rietveld (left) returns to help headline the international contingent of knifemakers.
World-class South African knifemaker Bertie Rietveld (left) returns to help headline the international contingent of knifemakers.

BLADE Show Texas will be the first of three BLADE-Show-sponsored events for 2026, the other two being the grandaddy of them all, the 45th Annual BLADE Show June 5-7 at the newly named Cobb Convention Centre-Atlanta (formerly the Cobb Galleria Centre), and BLADE Show West 2026 at the Salt Palace Convention Center Oct. 9-10 in Salt Lake City, Utah.

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