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Steve Shackleford

Military Knives: Historic Star-Spangled Steel

Few knives have served America more than those of the U.S. military.

Editor’s Note: This is the first of a two-part series on the most influential knives to serve the U.S. Military and explores some of the early influences on military knife design.

As what many call the greatest country in the history of countries approaches its 250th birthday, now’s a good time to salute some of the top knives that played pivotal military roles in the forging of the world beacon that is the United States of America.

It is, of course, impossible to recognize in one magazine story every single knife that played a crucial role in the many battles of the wars fought by the USA. However, with the help of some of the knife industry’s leading military authorities—including several of whom have seen the elephant in service to our nation—BLADE® will endeavor to touch on some of the more consequential knives of U.S. military history.

Before embarking on such a quest, the first task is to identify a basic group of the most indispensable knife types over two-and-a-half centuries of American land warfare. At the risk of omitting one or more, five stand out: bayonet, all-purpose utility fixed blade and/or bowie, dagger, machete/chopper and utility folder.

Michael Price recognized that to create a viable knife for self-defense and combat, form must follow function. His solution was to use the full-tang construction method, here on one of his classic mid-19th-century daggers. (Image courtesy of Louis Chow)
Michael Price recognized that to create a viable knife for self-defense and combat, form must follow function. His solution was to use the full-tang construction method, here on one of his classic mid-19th-century daggers. (Image courtesy of Louis Chow)

“These encapsulate everything that an infantryman used during the 250-year history of our country,” noted Louis Chow, a 24-year U.S. Army veteran who retired with the rank of major and is one of the leading collectors of the knives of BLADE Magazine Cutlery Hall-of-Fame® member Bob Loveless. “The bayonet, of course, from the get-go, from the Revolution to today.”

Louis indicated the all-purpose utility fixed blade/bowie could include privately purchased knives such as the Randall Model 1 and, of course, double-guard bowie types like the USMC fighting utility knife, aka the Ka-Bar. He pointed to the mid-19th-century designs of Michael Price as highly influential on daggers through to today, and machetes such as those made by Collins used in the Spanish-American War and before to Vietnam as vital to U.S. war efforts. Though pocketknives were indeed carried by American patriots during the Revolutionary War, the utility folders to which Louis referred are more of the modern Leatherman/Gerber multi-tool type, not to mention the Buck 110, Al Mar SERE, CRKT M-16 and others. As Louis noted, almost every soldier, male or female, in the modern military carries a multi-tool folder.

Many knife enthusiasts know that bayonets are rarely, if ever, used in combat today, nor have they been for well over a century. “It’s hard to actually find someone who used one in combat,” Louis said. Probably the most legendary American bayonet charge was the eminently successful one by Union forces led by Col. Joshua Chamberlain against Confederate troops down a hill called Little Round Top, a major turning point in the Battle of Gettysburg and, of course, the entire Civil War. Ironically, as Louis noted, “the most famous bayonet charge of all was the last one.”

While bayonets have rarely been used in American combat for many decades, that does not mean they do not remain significant teaching tools in today’s U.S. military. “When I was a company commander in 1990, we trained with the bayonet,” Louis recalled. “There are established bayonet courses on every installation, such as Fort Hood in Texas and Fort Benning in Georgia, and we would go there and train with the bayonet.” The rifles and bayonets have changed over the years but the bayonet training techniques remain the same.
Throughout U.S. and nearly all other nations’ histories, governments have been responsible for the issuance of combat knives in the form of bayonets for their infantry fighting forces. During World War II, the USA issued all-purpose fighters and utility knives to many soldiers, sailors and airmen. However, as Louis noted, privately purchased edged tools and weapons have always been the mainstay of our servicemen. During the earliest American conflicts, including the Revolutionary through the Civil Wars, kitchen, utility, farrier-forged and European-imported cutlery were the sidearms of the multitude of militiamen and patriotic volunteers.

The original Applegate-Fairbairn Folder was a collaboration between Col. Rex Applegate and knifemakers Bill Harsey and Butch Vallotton. Harsey stated that a Gerber official said the Army ordered 50,000 of the knife at one time for the troops. At bottom is the original prototype and at top is a first-production Gerber version autographed by Applegate. (From the collection of Michael Janich)
The original Applegate-Fairbairn Folder was a collaboration between Col. Rex Applegate and knifemakers Bill Harsey and Butch Vallotton. Harsey stated that a Gerber official said the Army ordered 50,000 of the knife at one time for the troops. At bottom is the original prototype and at top is a first-production Gerber version autographed by Applegate. (From the collection of Michael Janich)

The knife carried and made famous by Cutlery Hall-of-Famer James Bowie in the 1820s and 1830s was copied in various forms by makers worldwide and served as inspiration to any number of fixed blades carried in the U.S. military. Another large fixed blade that met with success in military circles was the Rifleman’s Knife made by the Ames Mfg. Co. circa 1860. Ames also made the Dahlgren Bowie Bayonet around the same time. Collins & Co. made a variety of bowies/machetes, the most famous probably being the No. 18, also incorrectly called the V-44 by many (according to D.E. Henry in his book Collins Machetes and Bowies 1845-1865, V-44 was the real name of a 1944 Case Survival Knife, not the No. 18).

Generational Blades

Circa the mid-19th century, Michael Price was considered one of the premier cutlers in the western United States. He was best known for exquisite presentation knives that incorporated marine ivory and a variety of beautiful shells. However, as Louis wrote, to create a viable knife for self-defense and combat, Price recognized that form must follow function. His solution was to use the full-tang construction method. And for a century and a half, some of the most notable American cutlers adopted the full-tang method that significantly improved a knife’s dependability and durability.

Early in 20th-century Michigan, Cutlery Hall-of-Famer William Scagel began forging axes and knives of various sizes and styles. He made most of his utility, hunting and bowie knives via the hidden-tang method. Though some of his combat knives were also hidden tang, many others employed the full-tang method.

“It was purported that the Scagel hidden-tang fighters with stacked leather washers were made for the European theater, while the full-tang fighters with wood-slab handles were made for the Pacific theater,” Louis wrote. “It was believed that stacked leather washers would be too susceptible to the humidity, high temperatures and salty air” of the applicable Pacific region. As a testament to Scagel’s outstanding craftsmanship and exceptional design, many of his fighters survived the war in good condition.

William Scagel’s hidden-tang fighters with stacked leather washers reportedly were made for the European theater during World War II, while the full-tang wood-slab fighters were made for the Pacific. The stacked leather washers were thought to be too susceptible to the humidity, high temperatures and salty air of the applicable Pacific region. (Image courtesy of Louis Chow)
William Scagel’s hidden-tang fighters with stacked leather washers reportedly were made for the European theater during World War II, while the full-tang wood-slab fighters were made for the Pacific. The stacked leather washers were thought to be too susceptible to the humidity, high temperatures and salty air of the applicable Pacific region. (Image courtesy of Louis Chow)

In 1937, Cutlery Hall-of-Famer W.D. “Bo” Randall observed an older man scraping the bottom of a boat with a knife that appeared undamaged by the abuse. Intrigued by the improvised tool, Bo purchased it from the owner and contacted its maker, who just so happened to be Scagel. Randall eventually became Scagel’s student and soon opened his own shop, making Scagel-style knives.

“At the onset of World War II, Randall designed and produced some of the most recognizable combat knives ever made,” Louis stated. “Nonetheless, all were made with the hidden-tang method. It was not until the early 1960s that Randall introduced the full-tang Model 14-Attack and the Model 15-Airman combat knives.”
Continuing the generational theme, Cutlery Hall-of-Famer Bob Loveless read a magazine article about Randall knives in 1953. He corresponded with Bo and made his interpretations of Randall knives before experimenting with and then making his own full-tang models.

From the mid-1960s through the early ’70s, Loveless accepted many orders from service members awaiting assignment to Vietnam. He also received bulk orders from units stationed there. One bulk order in early March 1967 from a unit commander in the 1st Cavalry Division was for 37 fighting knives.

“The unit commander and his troopers were stationed in Saigon and were supporting Operation Junction City, one of the largest airmobile operations in the war,” Louis wrote. “As a patriot and former veteran himself, Loveless would temporarily halt all other orders and place top priority on knives destined for combat. As for those 37 fighters, he worked day and night and completed the order in less than a month. For the next four decades, the Loveless full-tang designs were copied and reinterpreted by countless knifemakers and knife companies in the United States and abroad.”

In addition to the foregoing cutlery legends, the full-tang method was also preferred by many other U.S. World War II knifemakers. Among them: Alfred Bimson, John Ek, Taylor Huff, A.R. Kephart, Kennedy Arms, Bob Riggs, Ernest Warther and Cutlery Hall-of-Famer M.H. Cole. Cole also authored the comprehensive U.S. Military Knives, Bayonets & Machetes series of books and has been dubbed the “Sage of Military Knives” by Cutlery Hall-of-Famer Bruce Voyles. Continuing Cole’s legacy is knifemaker/author Michael Silvey through his reproductions of Cole’s designs and his lavishly illustrated books on the knives of the United States military in World War II and Vietnam, and other works.

More On Military Knives:

7 Join BLADE Magazine Cutlery Hall of Fame®

New inductees span the world of custom and factory knives.

A notable assortment of those who for many years enhanced or continue to enhance the overall improvement of the knife industry highlights the 2026 class of inductees into the BLADE Magazine Cutlery Hall of Fame®.

The new honorees include three living and four deceased members. Among the former are CRKT co-founder Rod Bremer and Anne Reeve, owner/president of Chris Reeve Knives, on the factory side, and American Bladesmith Society master smith Larry Fuegen from the custom realm.

The posthumous inductees are bladesmith/writer Ed Fowler, custom knife purveyor Nate Posner, knifemaker/knifemaking supplier Bob Engnath and ABS master smith Tim Hancock.

All will be formally inducted in a special ceremony during the BLADE Magazine Cutlery Hall-of-Fame Breakfast the Saturday morning of the BLADE Show, June 6, in the Renaissance Waverly, the host hotel adjoining the Cobb Convention Center in Atlanta. For ticket information email [email protected].

Rod Bremer

Rod Bremer

Along with partner Paul Gillespie, Rod Bremer started Columbia River Knife & Tool (CRKT) in 1994. The concept was to bring world-class-quality knives to the U.S. market in the designs of custom knifemakers—as of today, CRKT has used the designs of over 50 such makers—and innovation at a price that virtually all consumers can afford.

According to a nominator, Rod’s integrity qualifies him for the Hall of Fame, a good example being that “CRKT pays the makers/designers royalties for as long as the knife sells. To this day, Rod is still paying royalties to the estates of Ed Halligan, Jon Graham, Cutlery Hall-of-Famer Kit Carson and several others.” Added the nominator, “CRKT started the Forged by War program to help veterans and their charities. So far the program has donated over $500,000 to the charities of the veteran’s choice.”

Under Rod’s leadership, CRKT has won a number of BLADE Magazine Knife-of-The-Year® Awards. In the process, he helped enhance Southeast Asia knife manufacturing by teaching and demanding that the Taiwanese factories produce the highest-quality knives possible.
He has bolstered pro-knife initiatives through his work as an American Knife & Tool (AKTI) Board of Regents member, working on issues that benefit the knife industry. His resume includes: 1) Election to the AKTI Board of Regents (2009); 2) Playing an active role in the monumental defeat of U.S. Customs’ attempt to classify all one-hand knives as switchblades (2009); 3) Recipient of Knife Rights’ inaugural Freedom’s Guardian Award for his role in upholding knife rights industry wide (2011); 4) Elected AKTI vice president (2011); 5) Organized and hosted AKTI anti-counterfeiting round table and presented related seminars for BLADE University at BLADE Show 2013; and 6) Elected (2014) AKTI president, a position he held through 2016.

Anne Reeve

Anne Reeve

According to a nominator, in 1986 Anne Reeve joined the then-fledgling Chris Reeve Knives and quickly became an integral part of the company. Her partner, both in life and business, Cutlery Hall-Of-Famer Chris Reeve, was the craftsman, and a great one at that. While Chris’s forte was knife design, Anne’s strengths were administration and bookkeeping. Anne spent many of the following years lending a hand where she could, helping to build a company known for quality and excellence.

For most of the early years, Chris Reeve Knives was just Anne and Chris plus a handful of employees, which meant Anne wore many hats. As the company grew, Anne stepped more into working behind the scenes in administration and customer service. Her years of answering the phone and meeting customers, partnered with her determination to ‘do the right thing,’ laid the groundwork for the knife manufacturer’s international reputation for excellence. Today, the company has around 150 dealers worldwide.

On the knife legislation front, Anne showed support for both the American Knife & Tool Institute and Knife Rights with encouragement, donations of knives and cash, and attending and sponsoring related functions. She has been treasurer of the Idaho Knife Association since 2018 and is an active member of the organizing committee for the IKA’s annual show.

After a nearly 30-year partnership, Chris retired, and Anne took a massive leap of faith and bought Chris’s share of the company. With the help of their son, Tim, and a team of young, talented and enthusiastic leaders, Anne has trailblazed Chris Reeve Knives into new territory. As the nominator concluded, “Investment in equipment and employees has resulted in revenue more than doubling under her leadership, the quantity of knives produced each month continues to increase, the quality of those knives is better than ever, and demand continues to significantly outpace production. Her determination to keep the integrity of Chris Reeve Knives, coupled with the highest quality products and customer service, has set a standard in the knife industry.” Helping cap it off, Anne won the BLADE Magazine 2025 Industry Achievement Award for her many contributions to the craft and cutlery community.

Bob Engnath

Bob Engnath

Bob Engnath built his first knife in 1972 and went full-time in ’79, making kit blades, tantos, swords and assorted knives in carbon steel. His base of operations was Blades ‘N’ Stuff, a retail shop he ran in Glendale, California, that offered tools, supplies and materials for knifemakers, bladesmiths and swordsmiths.

He produced several editions of a comprehensive publication he also called Blades ‘n’ Stuff, a 70-or-so-page 8-by-11-inch “Catalog and Instruction Manual featuring Handcrafted Blades by Bob Engnath and Knifemakers’ Supplies.” Sold for $5, it contained copious amounts of knowledge and instruction for anyone who wanted to make a knife or sword, including line art of his many patterns, knifemaking how-to’s with diagrams, tips and do’s and don’ts, and tons of sage advice on various steels, heat treating, knifemaking machines and materials, finishing, how to forge damascus, shop safety and other invaluable information. In addition to his catalogs, Bob also wrote the books The Scrimshaw Connection and The Second Scrimshaw Connection.

Engnath was a dedicated blade grinder and considered by many the best grinder of the time, providing blanks his customers could finish on their own. He gave many makers their start and dispensed an untold amount of knifemaking knowledge to anyone interested enough to listen, usually free of charge. According to one source, “Bob was a mentor to countless new makers through his knife kits, leaving a lasting legacy in the knife community.”

Summed up another source, Bob “was an excellent role model for any man in the knife business. He never said a bad word about anyone, took the knife business where it had not been before, his ethics were outstanding, his word was ironclad. I’d rather have had a handshake with Bob Engnath than a lawyered-up contract with any other knife name you care to mention. He was a hero and an example to a lot of people.”

Ed Fowler

Ed Fowler

Selling his first knife in 1962, Ed Fowler epitomized “the philosophy of the cutlery fabricator,” noted one nominator. Though not the first to use 52100 carbon steel for knife blades, Ed helped popularize it as it became a go-to material among today’s bladesmiths. He long performed and encouraged the multiple quenching of blades during heat treatment.

He wrote the monthly column “Knife Talk” for BLADE® for well over a quarter century. In BLADE’s reader surveys, along with Cutlery Hall-of-Famer Wayne Goddard, Ed completed the top one-two team of most popular BLADE writers year-in and year-out. Ed compiled his “Knife Talk” columns into two books: Knife Talk I: The Art & Science of Knife Making and Knife Talk II: The High Performance Blade. He conducted demos for many years on a variety of subjects at the BLADE Show, plus a class at BLADE University.

Formerly an ABS master smith, he went on to create the High Endurance Performance Knife Association, an organization dedicated to a greater understanding of the knives its members make, the steels they use, the process necessary for the knives to reach their maximum performance potential, and to share this understanding with any and all who seek it. He taught knifemaking to many, including more than a few who have gone on to become ABS journeyman and master smiths, including Audra Draper, Wade Colter, Shane Taylor, Bill Burke and Cutlery Hall-of-Famer Rick Dunkerley among the latter.

Wrote one nominator, Ed was “very passionate about what a knife should do. He indulged anyone who wanted to share time or debate ‘the concept of cut,’ as he called it.” Ed would pit his high-performance 52100 knives against all comers in what he called “real world tests,” cutting and doing things with the knives many consider abusive, until the knives failed. Ed continued using this testing regimen, observing that though you may never have to use a knife in such a manner, “What if you had to and the only tool you had at your disposal was your knife? Wouldn’t you take comfort in knowing that if ever push came to shove, you had a knife you could stake your life on?”

Larry Fuegen

Larry Fuegen

Larry Fuegen started forging knives in 1975. According to a sitting Hall of Famer, from that time on all of Larry’s knives were sole authorship. He became a full-time knifemaker in 1987 and earned his American Bladesmith Society master smith rating in 1989.

“Since I’ve known Larry he has been a unique person who made unique knives,” the Hall of Famer wrote. “He started making friction folders after meeting Cutlery Hall-of-Famer Jim Schmidt at an ABS hammer-in. Years later Larry took those folders to a whole new level. For years he did gargoyle-type carvings on them and later started doing other renditions, like his folder featuring the Spanish explorer Hernan Cortes wearing a gold helmet and Larry’s carved face of his idea of what Cortes looked like. Besides these great folders he made many ornate bowies, daggers and hunters that had carving, texturing and engraving done in a way to set his work apart from anyone else.

“For me what stood out most were his push daggers. I believe if you Googled push daggers a picture of Larry Fuegen would come up. He not only crafted knives, he also did his own leatherwork, which was top quality. He also made some of the best bits and spurs anywhere. In addition to his quality work he designed and built the tools he needed to produce his knives, leatherwork, and bits and spurs.”

He was voted into the Art Knife Invitational in 1999 and every year thereafter until 2022. Circa 2008 another of his ornately done friction folders, entitled Alaric, King of the Visigoths, went on permanent display at the Smithsonian American Art Museum’s Luce Foundation. He has been featured in many magazine articles and books, among the latter including Greatest Living Knifemakers by Cutlery Hall-of-Famer Steve Shackleford.

Larry passed his knowledge on, teaching at numerous hammer-ins and seminars around the country. He is very knowledgeable and is willing to share with anyone. He is the personification of the traits required for induction into the Cutlery Hall of Fame.

Tim Hancock

Tim Hancock

Teaching others how to make “the total knife” played a huge role in defining Tim Hancock. “He taught and demonstrated at many hammer-ins in the areas of embellishment, design, blade forging, grinding, heat treating and sheath making,” ABS master smith Larry Fuegen observed. “He wanted to share his methods and thoughts with others. He also gave private lessons in his shop to many aspiring makers. The influence of his recognizable style can be seen in the work of many makers. Just as [Cutlery Hall-of-Famers] Bill Moran and Bob Loveless influenced many with their designs, so did Tim with his work.”

Added knifemaker Michael Vagnino, “I suppose the most important thing I learned from Tim was integrity. The knife you make is in fact a part of you. How it turns out is more about how honest you were when making it. When Tim told me that, it really made me pause. From that moment on, I viewed making knives in a new light.”

Tim earned his ABS master smith rating in 1993 and won an impressive number of honors for his knives, including the 2010 W.F. Moran Award. He was known for his award-winning period bowies, including though not limited to dog-bone bowies. Dr. David Darom dedicated an entire hardback book, Tim Hancock: The Western Bladesmith, to highlighting Tim’s knives and knifemaking career, even his penchant for forging silver-mounted bits and spurs and other Western gear. From 2001-2015 Tim was a member of the Art Knife Invitational, an organization of the world’s 25 greatest knifemakers spearheaded by Cutlery Hall-of-Famer Phil Lobred.

Nate Posner

Nate Posner

Nate Posner started the San Francisco Gun Exchange in 1948 and built it into what he called the “Firearms Center of the West.” It had most everything firearm related but it was his displays of custom and factory knives that pertain here.

Along with Cutlery Hall-of-Famers A.G. Russell and Dan Delavan and also Bob Gaddis and Dave Harvey of Nordic Knives, Posner was among the first custom knife purveyors. He was known for telling his customers that to get the best price, instead of buying custom knives from middlemen such as him they should buy directly from the maker. Of course, if the customers wanted the handmade knife in question immediately, they often had to buy it from one of the few purveyors such as Nate to avoid spending what might be years on a waiting list. However, it was being up front that put Nate in good stead not only with his knife customers but the Guild, too—for both buying/selling the makers’ knives and treating what often were the makers’ customers/prospective customers in a professional manner.

At one time he had over 350 custom knives on display, with at least that many others in stock. Circa 1975 he ordered knives from dozens of makers, most active or past Guild members. Eventually he culled his list to about 25 or 30, including one of his favorites, D. E. Henry. Others included Tommy Lee, Jess Horn, Herman Schneider, Corbet Sigman, the-then-team of Scott Sawby and Steve Mullin, and future Cutlery Hall-of-Famers Frank Centofante, Jimmy Lile, Bob Loveless, George Herron, Bo Randall and more.

Thanks to the high store profile he gave custom knives and their makers to knife and gun buyers alike, Nate was one of the most important custom knife promoters of his or any era. As a result, the honor the Guild gives annually to an individual who provides “Outstanding Service in the Promotion of Handcrafted Cutlery” is called the Nate Posner Award.

See More Award Winners:

Steve Shackleford: It’s Been a Whole Buncha Fun!

After more than 40 years at the helm, “Mr. Blade” hangs it up.

It had to happen sometime and that time is now. After over 40 years of writing for and editing BLADE® Magazine, it’s time for me to hang it up as BLADE editor.

If you had told me when BLADE Magazine Cutlery Hall-of-Fame® member Bruce Voyles hired me in 1985 that BLADE would be the focus of my work life for the following four decades, I might’ve said, “Yeah, and Donald Trump will be president one day, too.” However, working for BLADE has been a blessing to my family and me, and I am most thankful for the privilege of having done so.

Why retire now? Last July, it hit me; at 72 I need to spend more time with my beautiful wife Susan and others who I love before I start leaking oil. So, my boss, Caribou Group Media Publisher Jim Schlender, and the rest of the BLADE brain trust started planning for the future of the World’s No. 1 Knife Publication. The result: Elwood “Woody” Shelton, who has been doing a standout job as our online editor, will be my replacement as BLADE editor—and we think he will be a most accomplished one.

For the past several years Woody also has coordinated the BLADE Magazine Knife-of-the-Year® judging at the BLADE Show, as well as the factory knife judging at BLADE Show Texas and BLADE Show West. In the process and along with his online duties, he has become well-acquainted with the knife industry and those who drive it. Besides, he is captivated by knives like the rest of us.

As for me, I will continue as a consultant for BLADE and chairman of the Cutlery Hall of Fame, coordinating the nomination and selection process of new inductees and serving as emcee at the annual Hall of Fame induction ceremony during the BLADE Show, this year June 5-7 at the newly named Cobb Convention Center-Atlanta (formerly the Cobb Galleria Centre). As a result, I hope to see some of y’all there. I also hope to write on occasion for BLADE, as well as participate in other related projects.

What will I miss? Much more than I can cover here but the simple pleasure of opening each issue of BLADE I edited after it hits my mailbox will be one. Others will be all the great knives I have handled and written about and the thousands of fascinating folks I have met over the decades. Included among the latter are those knifemakers and their knives that I’ve helped shed light on by publicizing them in BLADE.

  Among many knife VIPs the author has been privileged to know over the years include, from left, Ethan Becker of Becker Knife & Tool, BLADE Magazine Cutlery Hall-of-Fame® member Steve Schwarzer and custom knifemaker Bill Herndon.
Among many knife VIPs the author has been privileged to know over the years include, from left, Ethan Becker of Becker Knife & Tool, BLADE Magazine Cutlery Hall-of-Fame® member Steve Schwarzer and custom knifemaker Bill Herndon.

The highlights for me have been many. A few include visiting the Boker manufactory in Solingen, Germany, and seeing the wonders of nearby Cologne with Ziggy Felix, wife of Boker’s Ernst Felix, as my tour guide; exploring the Alamo with Cutlery Hall of Famers B. R. Hughes and Jim Batson; spending hours interviewing Cutlery Hall of Famer Bob Loveless in his Riverside shop; and my inductions into both the ABS and BLADE Magazine Cutlery Halls of Fame.

In addition to Batson, Hughes and Loveless, four other unforgettable Hall of Famers who molded the industry by the sheer power of their work ethic and personalities and who were my privilege to know include: A.G. Russell, who influenced the collecting community and custom and factory knife industries like no other; Bill Moran, the father of modern damascus and the ABS—some resumé, eh?; Wayne Goddard and his ability to explain details about knives, how to make them, steels and more so that even I could understand them; Frank Centofante guiding the Guild so successfully while simultaneously providing a constant stream of one-liners; the list goes on. Oh, and Ed Fowler, his sheep-horn handles, lifelong search for Excalibur, his dogs and pet rattlesnakes, etc. Need I say more?

I will miss them and many more, including having the lasting honor and satisfaction of helping in providing you with the world’s best knife magazine for so many years. See you down the road and, in the immortal words of the Reverend Captain Samuel Clayton (Ward Bond) in The Searchers, “Watch that knife!”

More About And By Steve Shackleford:

Remembering Tim Britton: Rest Easy Marine

The knife community lost one of its last members from the golden era of knifemaking with the passing of George Miller “Tim” Britton, who died after a short illness on December 9. He was 85.

A veteran (1959-65) of the United States Marine Corps and known as North Carolina’s first professional knifemaker, Tim began fashioning knives in 1971. Early on he specialized in small personal and fancy boot-type knives and assorted fixed blades and wound up his career making all manner of classic slip joints.

He appeared in early ’70s issues of The American Blade and later in BLADE®. He learned about knives and how to make them from Jim Mustin of Cajun Knives and BLADE Magazine Cutlery Hall-of-Fame® members Frank Centofante and Blackie Collins. Other influencers were Tim’s knifemaking contemporaries such as Cutlery Hall-of-Famers Ted Dowell, Jimmy Lile and Bob Loveless and well-known makers Rod Chappel and Bob Dozier. Tim was an admirer of Chappel’s handles and those of Bill Luckett, too.

Britton’s career spanned the early days of O1, 440C and D2 for blade steels to today’s CPM grades.

Tim specialized in classic slip joints, this one in BG42 stainless steel, Fiji fire pearl and 24k-gold inlay. Closed length: 3.25 inches. (Eric Eggly/PointSeven knife image)
Tim specialized in classic slip joints, this one in BG42 stainless steel, Fiji fire pearl and 24k-gold inlay. Closed length: 3.25 inches. (Eric Eggly/PointSeven knife image)

“I started with O1 in 1972 and Blackie Collins talked me into 440C,” he once told BLADE. “Peer pressure … Ted Dowell, Frank Centofante, Jimmy Lile and Bob Dozier had settled on D2. [Today’s steel] leaves them all in the dust.”

No matter the steel, its proper heat treatment and also edge geometry, not to mention comfortable handles, were of critical importance to Tim.

“Buying a knife from a reputable maker should be simple,” he once observed. “My questions would be steel type, Rockwell hardness and what kinds of tools the maker has in his shop. I’m a dinosaur.”

A colorful character known for speaking his mind, he spent time as a member of The Knifemakers’ Guild and the ABS.

“Forging is a macho trip,” he once stated. “I fancy myself a smithy in times past.”

He understood well the importance of effective marketing, regularly running one-third page color ads in BLADE, and he demanded the most in return from them. He also loved the BLADE Show and was a regular exhibitor along with Deb, his wife of 26 years.

Rest easy, Marine, and semper fi.

Remembering Others The Knife Industry Has Lost:

Knife Industry Wishes & Predictions: What the New Year Holds for 2026

Christmas and New Year’s are nigh, so it’s time for my holiday wishes and hoped-for predictions for 2026. Some are pie-in-the-sky, but what the heck—make mine pecan.

  • You teach a young person how to use a knife proficiently, safely and responsibly;
  • Every time a Hallmark Christmas movie comes on the power goes out;
  • The Federal Switchblade Act is overturned;
  • Every time Jingle Bells by The Singing Dogs plays the power won’t go out;
  • The U.S. states—28 at press time—that still have automatic knife bans repeal them;
  • It’s a white Christmas;
  • If you’ve never been to a BLADE Show, you get to attend the 45th annual rendition June 5-7 in Atlanta;
  • All Christmas cookies taste exactly like the best homemade chocolate chip cookie Mom ever made;
  • You buy a seatbelt cutter with a window breaker and place it in your car or truck for the quickest, easiest access in an emergency;
  • A law passes mandating that all members of Congress go without pay, on-time plane flights, etc., during government shutdowns just like every other applicable person must;
  • You always remember to carry a knife;
  • A law passes mandating that members of Congress cannot play the stock market, and that their family members, friends, proxies, etc., who do play it have their stock profits capped at the national consumer average;
  • Everyone learns how to properly use and sharpen a knife;
  • You discover an uncut, commercial-free version of your favorite Christmas movie and get the maximum enjoyment out of watching it;
  • Twenty-twenty-six is the hottest year on record for custom and factory knife sales;
  • A law passes mandating that before running for office, all candidates must score 90 or better on a test gauging their knowledge of the Constitution;
  • You finally get to meet and shake the hand of a knifemaker you’ve always wanted to but never met before;
  • Vladimir Putin gets run over by a reindeer;
  • The TSA allows Swiss Army knives on plane flights;
  • If it’s all you want, you get those two front teeth;
  • For knifemaking beginners, you make a knife that attracts buyers and sells for a value-appropriate price;
  • A law passes mandating that you must have lived at least 21 years in the USA before you can run for elected office;
  • You don’t put your or anyone else’s eye out with a Daisy Red Ryder BB gun;
  • You find and buy your grail knife;
  • The 190th anniversary of the Battle of the Alamo (March 6) is celebrated in grand style;
  • The American Bladesmith Society’s 50th anniversary in 2026 is a most rewarding one for all involved;
  • The observance of the 25th anniversary of 9/11 in New York City in September goes off most appropriately and without suppression/oppression from the city’s mayor;
  • The 250th birthday of the USA is the most rousing and satisfying of all time for all Americans, and;
  • Last but not least, you have the merriest Christmas and happiest New Year ever!

Knife Reviews:

2025 BLADE Show West Recap: Flying High In The Rocky Mountains

BLADE Show West ’25 leaves them smiling in Salt Lake City.

What a difference a year makes—and most involved with BLADE Show West October 10-11 in the Salt Palace Convention Center in Salt Lake City probably would be the first to agree.

While BLADE Show West ’24 didn’t exactly bomb, neither was it one of the best. Among the reasons for what some fairly or unfairly portrayed as an average event was the uncertainty surrounding the presidential election and how it would affect consumer spending, and the proximity of the show dates to the beginning of hunting season, among others. Whatever the excuses last year, no excuses were needed for the ’25 show as it met with approval from a large segment of exhibitors.

One of those exhibitors was BLADE Magazine Cutlery Hall-of-Fame member Bill Ruple. He was very pleased—and not just because he won Best Slipjoint in the custom judging.

“I thought the show was really good!” he exclaimed. “Attendance seemed a little higher than last year, but I think sales were much higher. I took six knives and sold them all on Friday. All the [South Texas] Slipjoint Cartel guys sold out.”

BLADE Magazine Cutlery Hall-of-Fame® member Bill Ruple won Best Slipjoint for his five-blade stockman (see page 60). Bill’s winning knife sits atop one of the trophies made especially for the show by Princeton Wong.
BLADE Magazine Cutlery Hall-of-Fame® member Bill Ruple won Best Slipjoint for his five-blade stockman (see page 60). Bill’s winning knife sits atop one of the trophies made especially for the show by Princeton Wong.

Counting Bill, those included Tanner Couch, Toby Hill and Luke Swenson.

Though there were the usual number of exceptions, exhibitor sales seemed up almost across the board, both custom and factory.

“It was a really good show for us with increased sales,” Jonathan McNees noted of his McNees Knives production knife company. “We brought about 100 knives and sold about 25 to 30 percent to customers and the rest to dealers.”

Custom maker Jared Oeser brought 11 knives and sold them all.

Lots of folks handled lots of knives at the TOPS Knives booth.
Lots of folks handled lots of knives at the TOPS Knives booth.

“I had a mix of FCFS [first come, first served], lotto and auction knives,” he observed. “I was busy pretty much the whole time. I judge it based on whether I can get away from my table, and I never had a chance to leave.”

It was the first-ever BLADE Show West in Salt Lake City for Cutlery Hall-of-Famers Daniel Winkler and Karen Shook, and they sold every production knife they brought.

“About half to individuals and half to dealers. We were well stocked,” Daniel wrote. “There were good sales and traffic. It seemed to be more of a user clientele than the collectors at the BLADE Show, which is good for us. Our focus is users rather than collectors.”

Maker Princeton Wong—who made the cool custom and factory award trophies for the judging competition winners—brought 12 knives and sold out. John Cammenga of White River Knife & Tool also sold out—about 90 percent to attendees and 10 percent to dealers. Maker Frank Edwards brought six knives and sold four. ABS Master Smith Shane Taylor brought six and sold only one, but was happy because it was the most expensive of the six. Zach Thull of Dauntless Manufacturing said his company sold about 30 knives and Eddie Johnson of CobraTec enjoyed another banner sales show.

Old friends Mick Strider of Strider Knives (left) and BLADE Magazine Cutlery Hall-of-Fame member Paul Bos (right) got caught up at the show.
Old friends Mick Strider of Strider Knives (left) and BLADE Magazine Cutlery Hall-of-Fame member Paul Bos (right) got caught up at the show.

“We always bring an overabundance of knives to the BLADE Shows, trying to ensure the customer’s experience is satisfying,” Johnson observed. “We sold 30 percent more knives this year over last year.” 

As for customer experiences, Eddie’s favorite show moment consisted of a most satisfying one.

“[It was] when the son came to the table several times with his dad,” Eddie related. “The son was enamored with a particular model that was a little more expensive than our others. His mother was being ‘Mrs. No.’ After the father and son touched every knife we had displayed, dad looked at son and told him to go ahead. The genuine joy and appreciation were evident in the son’s facial expression and body language. Then hearing, ‘Thank you, I love you, Dad,’ was the best experience I had and witnessed.”

Fast Start

The show got off to a fast start Friday, no doubt sparked by many who thought the best knives might go quick—which in a number of cases they did. While opinions varied on which day and time were busiest, most seemed to think attendance was up markedly over last year.

Knife accessories moved fast.
Knife accessories moved fast.

“It was way better than last year for sure,” Edwards noted. “It seemed like from opening till 3 p.m. both days were pretty busy.”

McNees indicated his booth had the most sales on Friday morning, but probably more traffic on Saturday morning. According to Ruple, attendance was about the same on both days. Taylor stated that while traffic was impressive and has been every year at BLADE Show West in Salt Lake City, Friday morning to mid-day was the busiest. Wong remarked that the opening times, the initial rush from early bird and general admission, were most hectic for him.

“Friday appeared to carry more steady foot traffic,” he stated, “with more people stopping by the table than Saturday.” Johnson indicated the inclement weather may have affected the crowd a little on Saturday, though overall attendance was definitely better than the previous year.

“For us, Friday was the busiest, fairly steady beginning an hour after the show opened until the later afternoon. Saturday had small flurries of activity followed by slow times. It seemed like a better Friday than last year and a slower Saturday than last year,” Cammenga assessed. “We definitely saw more return customers than in the last few years. We assume that’s from being in the same place a few years in a row.”

ABS Master Smith James Rodebaugh puts the finishing touches on a rough-forged hidden-tang knife at the indoor forge of Lonnie Jensen’s Mountain Shadow Forge.
ABS Master Smith James Rodebaugh puts the finishing touches on a rough-forged hidden-tang knife at the indoor forge of Lonnie Jensen’s Mountain Shadow Forge.

“The show seemed like the busiest of the Salt Lake shows,” Oeser commented. “There were surprisingly a lot of locals coming through on Saturday and the line outside was down the street.”

When asked to rank the attendance on a 1-to-10 scale, with 10 the busiest, Jared qualified his answer.

“Of my limited time at shows the attendance at this one was about a 6, but I feel like shows and the knife market right now are not high,” he opined. “For current show standards I would adjust it to an 8 or 9.”

All the exhibitors but one quoted for the story said they would be back next year, which may be the best sign of a successful show of all.

Only Time?

Frank Edwards displayed his heavily engraved damascus automatic dagger.
Frank Edwards displayed his heavily engraved damascus automatic dagger.

Enthusiasts came, they saw knives, they talked knives and, perhaps most important of all, spent time catching up and talking with each other at an event that may be the only time they see each other all year. But then that’s the way it is with a lot of knife shows, including the year’s last event in the BLADE Show triad of shows—BLADE Show West. Speaking of, plan now to attend next year’s sharp gala, Oct. 9-10, once again at the Salt Palace Convention Center in Salt Lake.

More On The Blade Shows:

Semper Fi Blades: Celebrating the US Marines’ 250th Anniversary

Honor 250 years of Marine Corps history! Discover the legendary KA-BAR/MK2 fighting knife and new anniversary blades from makers like Medford and Defiant 7.

The day before Veterans Day, November 10 is the 250th anniversary of some of the most storied combat fighters in world history—the United States Marines.

The Marines have a special aura that almost transcends their many exploits. And when it comes to American military exploits, the Battle of Iwo Jima is in the top two or three all time. The raising of the flag on Mount Suribachi is America personified, and the United States Marine Corps War Memorial across the Potomac River from Washington, D.C., celebrating the event is about the most awesome monument anywhere.

As for those in the knifemaking community, Marine veterans are well-represented and include two BLADE Magazine Cutlery Hall-of-Fame® members, Don Fogg and Joe Keeslar. Other Marine vets who make knives are Tim Britton; Matt Chase; Allen Elishewitz; Doug Esposito; Les George; Brad Jennings; Tim Kell; Jonathan McNees; Greg Medford; Jeff Moore; ABS Master Smith James Rodebaugh; Kevin Stack; and Connor Toor. There are no doubt many more, both present and past.

Then there’s the iconic Marine knife, variously known as the Mark 2/MK2, USMC fighting/utility, the Model 1219 or simply the generic kabar. Associated by many with having been made by KA-BAR Knives, the knife also was made by a number of other companies during World War II, including Camillus, Case, Colonial, Ontario, Pal, Queen, Robeson, etc., and is made by several of the foregoing that remain active today, as well as others. The 200th KA-BAR commemorative of the knife graced the cover of the November-December 1975 issue of The American Blade 50 years go in what may be the best BLADE® cover ever.

As for blades observing the 2025 anniversary, the 250th USMC Trench Knife by Medford Knife & Tool is available now. KA-BAR is making a dress sword in a limited edition of 250 pieces that at press time was slated to be out in early October. At Defiant 7, Allen Elishewitz and Les George are “reworking” the USMC MK2 in what will be called the M320. Among other features, it will include a 3V carbon steel blade and a stacked handle construction not unlike the original MK2 grip but in a polymer material and a more ergonomic shape. Ontario was reportedly working on a new kabar-inspired piece at press time, too.

Look for these and other anniversary-focused knives in future issues of BLADE. Choose one or more of them if you want a blade inspired by our incomparable Marines.

To America-loving Marines everywhere, Semper Fi! And to all U.S. military vets, Happy Veterans Day!

More On Military Knives:

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