Bloodlines: Emerson Knives Is A Family Affair

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Bloodlines: Emerson Knives Is A Family Affair
The Emerson brand goes much deeper than knives. From left: Ernest, Megan, Mary, Lucas and Rachel.

The Emerson Family shares decades and generations in knives.

Through the years, the name Emerson Knives has come to represent outstanding craftsmanship, quality and overall excellence in the knife industry. And each member of the Emerson family has contributed in his and her own way.

“They grew up in the shop, both Megan and Rachael while my shop was at home, and Lucas was born after we opened our production factory,” Ernest Emerson remembered. “So we fenced off a corner in Mary’s office for him as a baby and a toddler. They have all worked in the company since the beginning, and today Mary is the overall manager, Megan is director of marketing, Rachael is operations director, and Lucas is engineering and is being groomed to run the shop. Me, I’m the government mule.”

For some it would be enough to say with pride that the family has built the Emerson Knives brand together, each contributing in his or her own way. But the Emersons have taken their commitment to excellence and the already incredible story of their enterprise to a new level. Each one of them has completed an Emerson original, a knife of their own from concept to finish, and Ernest has had the pleasure of watching the extraordinary conclusion of this labor of love and pure knifemaking joy.

“I didn’t know any of them would ever want to make a knife,” he confessed, “and with their personal lives being so busy outside of work I didn’t know if they would ever have time to do something else. Megan is busy raising a family and runs a working ranch in Colorado. Rachael is busy with Jiu Jitsu and finishing up her second degree in nutritional therapy. Lucas is hardcore into training and computer programming, and Mary runs our business, which by itself is a 24/7 job, and still manages to cook dinner, keep our house in order, and even fits in a round of golf when she can.”

(From left) Megan, Mary, Ernest and Lucas hold their knives at BLADE Show 2025. Megan, Mary, Lucas and Rachael all had their knives debut at the show. Rachael was unable to attend due to a special family event. (BLADE® image)
(From left) Megan, Mary, Ernest and Lucas hold their knives at BLADE Show 2025. Megan, Mary, Lucas and Rachael all had their knives debut at the show. Rachael was unable to attend due to a special family event. (BLADE® image)

Still, with everything else that demands their most precious commodity—time—the Emersons have expressed themselves in the actual completion of the tool that has been the centerpiece of their lives as long as they can remember. It almost feels like destiny, like it had to happen. And despite the headwinds, it has.

Earliest Memories

Twenty-four now, Lucas started making knives officially in January 2023, though he has watched and learned since his earliest memories.

“I have always had a passion for making things, and with my dad as a mentor knifemaking has become second nature to me. For me, making knives was never a question of ‘why?’ but of ‘why not?’”

At BLADE Show 2025, Lucas chose to debut his newly designed MX-400 model. He wanted to produce a compact knife ideal for everyday carry.

“The MX-400 I had on display at the BLADE Show with pearl-handle scales will go into my personal collection,” he said. “I did bring three other MX-400s to the show, which I sold via lottery.”

Lucas makes knives part time and devotes plenty of energy first to the production company, Emerson Knives, Inc. At some point in the future, he may turn to knifemaking full time, but for now he manages the best of both endeavors. The most difficult part of the knifemaking process, he says, is grinding the blades.

Lucas Emerson debuted his MX-400, “a compact knife that is ideal for everyday carry,” at BLADE Show 2025. He put the one in mother-of-pearl scales he displayed at the show in his personal collection.
Lucas Emerson debuted his MX-400, “a compact knife that is ideal for everyday carry,” at BLADE Show 2025. He put the one in mother-of-pearl scales he displayed at the show in his personal collection.

“This is the quickest way to make mistakes,” he advised, “and it tends to be quite time consuming. Luckily, I’m pretty consistent and at this point I’ve got nothing to do but improve. On the other hand, the easiest part of my knifemaking is the hand finishing. This is where I take my time making sure everything is clean, even and symmetrical. I would consider it foundational for the knives I intend to create.”

For his next knife, Lucas intends to design a fixed blade for his own everyday carry. “I want something that I can carry with me at all times,” he noted, “and which I can rely on for any situation that may arise. It will need to be versatile, easy to maintain and easy to conceal on my person.”

Stay tuned!

Iron Lotus

Rachael Emerson Hardin has been making knives for about 20 years now, much of her experience being directly engaged in the business.

“I started assembling knives when I was in high school,” she remembered. “I would leave school after lunch my junior and senior year, drive to work, and assemble until they turned the lights off. I’m still here making knives years later, so I guess you could say I enjoy it.”

For years, the idea of designing and finishing her own knife had been in the back of Rachael’s mind.

“I always had favorite designs of my dad’s and thought how cool it would be to make something like that but with my own flair,” she reflected. “It wasn’t until recently when Lucas began coming up with his own designs that it dawned on me—maybe I can try this too! I’ve been around this my whole life. I know what works and what doesn’t. It couldn’t hurt to try.”

Rachael took the knifemaking plunge with her own design that she calls Iron Lotus, and she is enthusiastic about more knives to come. To date, there are two prototypes. It is her first design, and the plan is for her to keep one and possibly sell the other.
Rachael took the knifemaking plunge with her own design that she calls Iron Lotus, and she is enthusiastic about more knives to come. To date, there are two prototypes. It is her first design, and the plan is for her to keep one and possibly sell the other.

So Rachael took the plunge with her own design that she calls Iron Lotus, and she is enthusiastic about more knives to come.

“It’s hard to say that this is my favorite yet,” she related. “My favorite knives aren’t because of the way they look on paper generally. It comes after the production process. Behind the scenes I experience all the hiccups and fallbacks firsthand. Some knives go together like peanut butter and jelly. Others need tweaking.”

As for her own creations, the 37-year-old Rachael is optimistic about the future.

“Heck yeah, I’m going to make more knives. I live, eat and breathe knives. It’s in my blood. Eventually, the Emerson kids will take over the business. Making knives is fun. There is something very freeing about it. And I have the best teacher in the world.”

To date, there are two prototypes of Rachael’s Iron Lotus. It is her first design, and the plan is to keep one of them and possibly sell the other.

“I’m not sure about carrying it because it is a little fancy,” she observed. “I have a few ideas that I’ve been brainstorming. Currently I’ve been diving deep into Japanese-style blades. I’m a big fan of the Japanese tanto. I love simple designs too, like the gentleman’s folder.”

Paying Tribute

With her completed knife, Megan Emerson Gomez, 41, fulfilled an ambition that had lingered for many years. She has also been captivated by Japanese-style blades and used that energy in her own creation.

“I have always been a big fan of the traditional tanto,” she commented, “so I thought I would design something with that look. My design is called the Shinobi or M-Shinobi [Ninja]. This was the first knife I have entirely designed, but I have been involved and making design suggestions for many years. The CQC-17 model blade design was my idea, and I am sure you can see the similarities in my latest design.”

Megan parlayed her long-time admiration for tantos into the Shinobi/M-Shinobi. Though she has been involved in making design suggestions for many years, it is the first knife she designed entirely by herself. As she noted, “The CQC-17 model blade design was my idea, and I am sure you can see the similarities in [the Shinobi].”
Megan parlayed her long-time admiration for tantos into the Shinobi/M-Shinobi. Though she has been involved in making design suggestions for many years, it is the first knife she designed entirely by herself. As she noted, “The CQC-17 model blade design was my idea, and I am sure you can see the similarities in [the Shinobi].”

Megan was positive about the outcome of her completed project from the moment it began, and she looks back at the experience with quiet confidence.

“I never once doubted that I could finish it, but there was a moment where I had to decide if I was willing to push forward with a design that really didn’t look like a typical ‘Emerson.’”

Staying the course, she produced an exceptional piece and recalls that the most challenging aspect of the experience was paying tribute to history.

“The most difficult part was respecting the traditional tanto shape while still making it feel like mine. The style carries serious weight. It’s steeped in warrior culture, precision and intention. I wanted to channel that strength into something functional, modern and personal. Getting the balance right between tradition, aggression and clean design took the most time and thought. The easiest part then was handing it over to my dad. Once the design was dialed in, I knew exactly who should bring it to life.”

Mom’s Time

Each of the Emerson children accomplished an ambitious task that required a step up in devotion to the art and craft, the imagination and precision, that come together in a completed knife. Then, of course, Mom tried her hand as well, and the effort produced a beauty.

“I just started making knives about a year ago,” Mary remarked. “I have been around knives and knifemaking for years and years, so I kind of had a head start on things. I wanted to make a knife for a long time but it was hard to find the time. I’ve had lots of ideas and designs just sitting on the backburner for quite a few years.”

From left at right are Megan, Rachael, Mary with Lucas asleep in the baby carrier and Ernest. Among those in the front of the table at left are knife purveyors Bob and Linda Neal, Karen and Jay Sadow and BLADE Magazine Cutlery Hall-of-Fame® member Dan Delavan.
From left at right are Megan, Rachael, Mary with Lucas asleep in the baby carrier and Ernest. Among those in the front of the table at left are knife purveyors Bob and Linda Neal, Karen and Jay Sadow and BLADE Magazine Cutlery Hall-of-Fame® member Dan Delavan.

At long last, Mary’s time did come.

“I really have liked our CQC-15 and the Persian-esque blade styles, and I liked our Specwar handle,” she noted. “I like the curved and recurved blades, so my two designs, the Denali and the Falcon, reflect my likes in blade designs.

“Grinding the blade was the hardest part. It’s the dirtiest and most gritty part of the process. Getting one side ground the way I wanted it still left the other side to match up. The easiest part was the design. That was an easy day for me.”

During one grinding session, Mary toyed with the idea of halting the project—but only for a moment. “Ernie kept coming in and checking my grind lines. I told him to get out,” she smiled, “and I locked the grinding room door!”

Mary’s next knife adventure, though she will probably never be full time due to all her commitments to the business, is a fixed blade that is small enough to wear on her belt while riding her horse.

Next Mission

Along with Ernest, Mary looks at the body of work that surrounds the family, the business enterprise with so many facets and opportunities, the work of a lifetime, and the possibilities of the future. And yes, there is something else.

“Additionally,” she stated, “I’m very proud that my children are so interested in carrying on the family legacy. My next mission is to get the grandkids interested and involved. I’m very much looking forward to that.”

Mary’s partiality to curved and recurved blades is reflected in her two designs, the Denali and the Falcon, the latter here in two handle iterations. “Grinding the blade was the hardest part,” she noted. “Getting one side ground the way I wanted it still left the other side to match up.” During one grinding session, she considered halting the project—but only for a moment. “Ernie kept coming in and checking my grind lines. I told him to get out,” she smiled, “and I locked the grinding room door!”
Mary’s partiality to curved and recurved blades is reflected in her two designs, the Denali and the Falcon, the latter here in two handle iterations. “Grinding the blade was the hardest part,” she noted. “Getting one side ground the way I wanted it still left the other side to match up.” During one grinding session, she considered halting the project—but only for a moment. “Ernie kept coming in and checking my grind lines. I told him to get out,” she smiled, “and I locked the grinding room door!”

Meanwhile, Ernie surveys the current scene with satisfaction and gratitude. He wanted to be surrounded by a family of knifemakers and that has actually come to pass. His quiet observation has made the situation even more satisfying.

“I never expected any of them to make knives, but deep down of course I wanted them to,” he reflected. “In any endeavor you undertake, if your heart is not in it you will never have the same enthusiasm and drive than when you are doing something you love and want to do. It is very satisfying because I never pushed any of them to pursue the craft. All of them chose to do it of their own accord, and that makes it even better.”

Just to put the experience in perspective, Megan, Rachael and Lucas validate their father’s approach. They confirm that he encouraged, advised and taught but never forced a single grind, pin or hand finish on them.

“I wanted to design a knife for as long as I can remember,” Megan said, “and I think my whole life he has been training me to make knives and run the business. I have been involved in the business since I was a little girl. I watched him grinding knives in our garage, and the ladies we hired assembled knives in our living room.”

Rachael offered, “My dad has always provided feedback to me over the years. His father and sister, my grandpa and aunt, were both teachers. So, it’s always been something he has done.”

Lucas was a hands-on learner.

“From a young age, I remember my dad allowing me to help him with his own custom knives,” he recalled. “This is where I spent most of my time learning, not only the craft but also the principles behind Emerson designs. I work on my own now, but if I ever have any questions my dad is there to provide the best answers he can. He is an excellent teacher in this regard and has always been my go-to person for advice.”

In a most rewarding way, the knife life of the Emerson family has come full circle. The generations have discovered and honored that common thread, one that binds them together like nothing else.

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