Guardian Sword proves a painstaking quest.

It’s easy to toss around the word epic and difficult to describe Jon Christensen’s recent work any other way. Of course, the subject material for his two-handed sword made it challenging for the results of the project to be anything other than mythical.

The Montana-based ABS master smith captures the ancient Greek myth of Perseus and Medusa in 16 hand-engraved iron panels inset into the 410SS handle and a bulino-engraved bronze shield on the guard of his Guardian Sword. Among other things, the handle features gold, bronze, copper, silver, custom alloy and mother-of-pearl inlay and is punctuated with Medusa’s head on the butt.

“The bulino engraving was very challenging as it was my first,” Christensen confessed. “There was a ‘paying my dues’ stage of time spent, which I just had to accept.”

It might be said that the entire project was an exercise in dues-paying. In addition to challenging himself with a new engraving technique, he was also delving into an unfamiliar subject. Christensen gave himself a crash course in the story of Medusa before conceptualizing the panels. But the client who commissioned the sword raised the bar on his retelling of the myth.

“Before starting on the project, the collector requested my interpretation of the story be approved by Tufts University, which is known for a strong program in classical mythology,” he said. “I compiled and submitted a document of the concept showing drawings and descriptions for each scene, as well as the overall sword. They replied saying, ‘It was a masterful interpretation.’”

The sword is reminiscent of the one featured in Benvenuto Cellini’s sculpture of Perseus, showcasing the same unique shape in its 37.5-inch W2 blade, with a hamon. While this aspect of the sword presented challenges, Christensen admits it was the easy part of the Guardian. Much of the 4,000 or so hours he dedicated to the work were focused on the handle, engravings and accurately retelling the ancient myth.

“The time on completing the blade would be measured in weeks, the handle scenes in years working under a microscope,” he said.
Epic, indeed.

“Yes, the scope of the project was very intimidating at times. I had to constantly manage my thoughts to the task at hand,” Christensen said. “As the saying goes, ‘How do you eat an elephant? One bite at a time.’”

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