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Steve Shackleford

HallMark To Launch Bad Blood Line

     HallMark Cutlery will launch a new brand, Bad Blood, at the 2012 SHOT Show in Las Vegas. The line will consist of a mid-priced offering of tactical folders, fixed blades, and utility pieces.

     The new brand will also include a custom collaboration series from custom maker, Sean Kendrick. His line for HallMark Cutlery will include three folding knife patterns and three fixed blade models, and are expected to be available in the first quarter of 2012.

     Kendrick has been crafting knives professionally since 1998, but knives have been a passion since he was a child. Craft and design come naturally to the self-taught Kendrick. His mother is a talented artist and his father is a master electrician, plumber and mechanic. Sean’s great-grandfather was a blacksmith.

     Kendrick’s style and designs have been inspired by many elements, including music. Sean credits his friends and mentors, knifemakers David Mosier and Mike Franklin, for showing him the “ins and outs” of folding knives. Sean is also a member of the Usual Suspect Network. Kendrick won the award for “Best Tactical Knife” at the 2010 Spirit of Steel Show for his fixed blade “Partisan Hybrid.” His fixed blade version of the “Spiraling Demise” won “Best Tactical / Fighting Knife” at the 2004 Greater Ohio Valley Knife Show.

     For more information contact HallMark Cutlery, PO Box 220, Kodak, Tennessee 37764 866-583-3912 www.hallmarkcutlery.com.

    

     To read similar stories and all about the latest knives, knife trends, knifemakers and much more, subscribe to BLADE® Magazine. For information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb211211#BL1SU

    

Grace Horne: And Now For Something Completely Different

Grace Horne’s “Cocoon #2” incorporates felt, wool, silk and aluminum for the cocoon handle. The 2.9-inch blade is RWL-34 stainless. (Point Seven photo)

    

     Grace Horne is an artist, embracing the basic elements of her subject and then allowing them to take flight in her imagination. For two decades, she has plied her craft in the cradle of knifemaking, Sheffield, England.

     Completing her college degree in design, craft and technology required a project, and she ambitiously chose a set of three slip joints with damascus blades, making the steel with artist and blacksmith Richard Quinnell at his forge in the Fire and Iron Gallery in Surrey. By 1994, Horne had relocated to Sheffield to seek an apprenticeship in knifemaking with Stan Shaw, perhaps the last of the legendary “Little Mesters,” the independent Sheffield knifemakers who helped establish the city’s storied reputation for quality cutlery through those many years. (See “Stan Shaw: Little Mester of Sheffield, March 1994 BLADE®.)

     Though Shaw was unable to hire an apprentice, he gave Horne a box of old blades to work with, some having been forged a century before. “I decided to take a more academic approach,” she recalled, “completing both a knife-related masters degree and Ph.D. at Sheffield Hallam University. My work was workshop based, and the material I ended up working with was layers of carbon steel separated by 99.99 percent pure silver foil. Visually, I like steel and silver together. It is a combination I have often come back to over the years. But if the two main research questions were ‘Can it be done?’ and ‘Was it worth the effort?’ then the answer would have to be ‘Yes.’”

     Horne produces only about 10 to 12 knives each year and does not accept custom orders. She does not sell through purveyors but maintains a list of people to notify when a knife is available or when her online portfolio is updated. She describes her work as material-and-concept driven yet deeply embedded with the historical Sheffield knifemaking tradition. While knives are one of her loves, another is textiles, and a recent foray combined the two.

     “A couple of years ago,” she recalled, “while my new workshop was being converted from an old Victorian public toilet, I didn’t have knifemaking space but my textile studio was still accessible. This led to my first pieces that cross the boundaries between knives and textiles. These modified Spyderco knives were the result of a project to visually represent the value of knives as everyday tools. During a three-week period I collected everything that I cut with the knife, and at the end of each week I made all the bits into new scales for that knife and then went on to the next one.”

     The modified knives actually incorporate pieces of items such as corrugated board, duct tape, envelopes, and packaging mesh into the handles, and the effort has been followed by a series of “fluffy” knives. Since knife laws are restrictive in Britain and the sight of a pocketknife can elicit comments, Horne covered the Spyderco UKPK that she often carries with woolen felt.

     “I love felt making,” she said. “It is versatile and the final product can be very hard wearing. My complete knife just gets washed when it’s dirty, and how can anyone be scared of a woolly knife?”

     From a woolly knife, the innovative artist progressed to “cocoon knives” that she characterized as soft, warm and visually non-threatening. “Most of the foundation work is a woolen felt,” she commented. “I use a combination of wet, needle and nuno felting to create the desired effect, incorporating silk, cotton and other meshes into the structure of the felt. The surfaces are then stitched, reworked, embroidered and embellished.

     “Folding knives fascinate me because they are all about change—open and closed, dangerous and safe, big and small. A cocoon holds a similar fascination; it is full of potential to be something completely different.”

     When she completed her academic studies, Horne said she recognized her education had been not only about the production of metal, but also about the creative process. This led to the keeping of extensive notes and sketches.

     “I rarely take on commissions but, if I do, then part of the creative dialogue is often conducted through photos of drawings from my sketchbook, and then photographs as the work progresses,” she related. “The story of each knife is important—why I made it, the inspiration behind it, what makes it different from the other knives I have made. Because of this, each knife has its own little book containing vital statistics, life story, background information and pictures.”

     Every knife Horne makes is one of a kind, like the creative energy she channels into her work. “Much of my work develops like a series of slightly misheard whispers,” she smiled. “The title of a picture or a written description of an event will create an image in my head that often is very different from the one that would have developed from a visual input. A physical event becomes a written or spoken distillation and is then reinvented as a new object. Very often, when I track back, I am surprised at how far my creative process has taken me from the original source.”

     Though she never makes the same knife twice, Horne does see recurring themes in her work, and she revisits basic forms from time to time. She does not operate a forge in her shop but does enjoy making her own pattern-welded steel. Award-winning damascus makers Daryl Meier, Hank Knickmeyer and Ed Schempp work with her in steel making after some “gentle coaxing and tuition” on Horne’s part. She also likes to use RWL-34 and other Swedish stainless steels for knife blades.

     Most of the work she does is by hand or with a small surface grinder, and she has plans to have a belt grinder up and running soon. A visit to her shop reveals a number of hand tools used by jewelers, cutlers and watchmakers through the generations. An old Sheffield knifemaker would probably feel right at home there.

     Annual trips to the BLADE Show are vital in maintaining contact with other knifemakers and supplement her use of social media such as Facebook. When she comes to the USA, she has knives photographed by Point Seven and catches up with others in the global knifemaking community. She also attends the KnivesUK show and the SICAC show in Paris.

     “I’m not entirely sure what my knives will look like next year,” Horne laughed. “I’ve started playing with glove leathers, and I fancy incorporating some visual elements from the corsets that I make. One thing I am certain about is that, yet again, they will be completely different from the stuff I’m working on at the moment!”—by Mike Haskew

 

To read similar stories and all about the latest knives, knife trends, knifemakers and much more, subscribe to BLADE® Magazine. For information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb211211#BL1SU

 

Knife Book Of The Day I

     If you’ve ever seen Murray Carter give a sharpening display at his knife show table, shave his beard—or someone’s head—with one of his knives at a BLADE Show seminar or just talked to him in person, you know what a genuine, engaging person he is. If you haven’t seen him up close, his new book, Bladesmithing with Murray Carter, is the next best thing. In some ways, it’s better.

     The first in our Knife Books Of The Day series, Bladesmithing with Murray Carter takes you through the Carter process of making knives as only he can tell it. Design, steel selection, forge welding, lamination techniques, heat treating, grinding, finishing, handles, sharpening, sheaths–it’s all here in 160 pages of hundreds of color pictures, diagrams, knifemaking tools and equipment, how-to’s, safety tips, and much more.

     And, if you act now by clicking on http://www.shopblade.com/product/bladesmithing-with-murray-carter/?r+ssfb201211 #W1852, you can buy it for only $18.47—$9.52 off the regular price.

Knife Of The Day IX

     Our Knife Of The Day for Dec. 19 is the Boker Plus Rold, a VoxKnives design. The 11-inch camp knife sports a 6 1/8-inch blade of D2 tool steel and a G-10 handle. Boker’s MSRP: $169.95.

     For more information contact Boker USA, attn: D. Weidner, 1550 Balsam St., Lakewood, CO 80215 303.462.0662 fax 303.462.0668 www.bokerusa.com.

     For more on the latest knives, knife trends, knifemakers and more subscribe to BLADE® Magazine. For subscription information click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb191211#BL1SU

Ball Bearing Lock Secures 2 Pieces Into 1

From left, the ball bearing slides into the channel formed by the blade and the handle as the Spyderco Polliwog is closed. The ball bearing self-adjusts when the knife is opened and/or closed. (David Jung photo)

     The idea of a ball bearing used as a knife lock may seem like a contradiction. Ball bearings are designed to keep things in motion, not freeze them in place. However, it is the shape of the ball bearing that gives the Spyderco Ball Bearing Lock some of its greatest strengths.

     Since variations on knife shapes and handle materials are harder to patent, that leaves lock designs. Borrowing such a design involves paying a royalty. Devising your own lock negates paying the royalty but involves many hours of research, design and testing.

     The Ball Bearing Lock began on paper, progressed to plastic models and then to the metal prototype stage. Throughout the process, the lock’s patentability was considered—though holding a patent does not mean the patent holder is free and clear. Competitors love to pore over a design to look for loopholes to exploit. Defending a patented design is crucial to its economic success. In the end, Spyderco CEO Sal Glesser, a Blade Magazine Cutlery Hall-Of-Fame© member, said he felt his Ball Bearing Lock was different enough to warrant a patent, and the design would be difficult to copy.

     The Ball Bearing Lock and the evolutionary caged Ball Bearing Lock comprise Spyderco’s attempt to develop a robust lock that meets martial blade craft (MBC) standards without being too bulky or hard to open or close. The hardened ball bearing, which is the main element, is allowed to rotate freely throughout its travel. Because it will always be in a different position, wear and tear is greatly reduced. Another benefit is the lock continually self-adjusts with each use. Because of its design, it can be operated on either side of the handle. An additional benefit is the lock is hard to accidentally disengage, which adds to its safety.

     One look at the Ball Bearing Lock reveals the creative thought process required in its creation. “The design objective,” Glesser noted, “was to have a fairly simple, very strong, very reliable folding knife lock.”

How It Works

When the knife is closed, the ball bearing sits in a slightly curved channel. The channel provides the track for the ball bearing, which is pushed toward the blade due to pressure from a small shaft surrounded by a coil spring. Opposite the slightly curved ramp is the other side of the channel, which is formed by the knife blade.

     As the blade pivots, the ball bearing pushes past the resistance of the closed position detent and follows a circular path until the knife approaches the open position. When the knife is nearly open, the blade channel drops away, allowing the ball bearing to push out into the channel formed at the top of the blade. Throughout the travel, the ball bearing rolls unobstructed with the outward spring pressure, providing the resistance to allow the blade to swing freely. In the open position, the pressure to close is surmounted by the ball bearing locking in place, on top by the liner and below by the blade. When the user removes the outward spring pressure by pulling back on the ball bearing, the blade can be pivoted to the closed position. The hardened ball bearing is unyielding under normal use. In the case of the newer models, a cage of a durable proprietary polymer blend surrounds and centers a smaller ball bearing. The lock action is the same.

The Knives

The Ball Bearing Lock debuted in 2002 on Spyderco’s World Trade Center (WTC) Knife, a non-profit fundraiser for victims of 9/11. On the WTC knife and the follow-up D’Allara knife, Spyderco used FRN (fiberglass-reinforced nylon) handles. The FRN made for a fairly thick, though comfortable, knife. Subsequent knives with the Ball Bearing Lock, including the Polliwog, Phoenix and Dodo, used such “flat” handle materials as stainless steel and G-10, which addressed the thickness concerns.

     The first-generation version had a large, hardened ball bearing. Some seemed concerned it took two fingers to easily slide the ball bearing back in its channel. Eric Glesser, Sal’s son, designed the newer version, which addressed the concern by making the ball bearing smaller and enclosing it in the cage that has more grip and a much thinner profile.

     The original Ball Bearing Lock was visibly different than any other lock, and some of the first models using it did not look traditional. Eric’s Polliwog design allows the ball-bearing channel to be open when the knife is closed, making it appear the ball bearing could slip out. Eric’s Dodo design features an ergonomic handle. It is scheduled to return in Spyderco’s carbon fiber and orange G-10 “Sprint Run” versions. The Phoenix, designed by knifemaker Howard Viele, also used the larger Ball Bearing Lock.

     The P’Kal has the caged Ball Bearing Lock, The knife is based on an edged martial arts technique from the Philippines, which involves an “ice-pick” grip with corresponding downward pulling thrusts. Lock strength is crucial in knives used in the martial arts, so the P’Kal needs the MBC-rated lock.

     The knife that has received the most attention of the caged series is the Manix 2. The original Manix knives featured a massive, heavy-duty design. By moving to the caged version of the Ball Bearing Lock, Spyderco changed the Manix in a positive way for everyday carry.

Use & Maintenance

The Ball Bearing Lock takes some getting used to if you are accustomed to LinerLocks™ or traditional lockbacks. Opening is the same as with other Spyderco knives via the blade hole. The difference is in closing. While it is possible to unlock the blade using one side of the lock, the best way is to pull the lock cage back with the thumb and index finger until it releases. Once the lock disengages, the blade can be pivoted closed. “People either like it or they don’t,” Sal observed. “They like the smooth action. They like the strong lock-up. We wanted it functional and easy to open, but I guess ‘not too easy’ would be one way of saying it.”

     Among the advantages of having an exposed lock is ease of cleaning. “We usually just rinse them out and add a drop of oil here and there,” Sal said. “We’ve never had an issue with the spring. These coil springs go a long time, so really there is not much maintenance, other than occasional oil.”

     The Ball Bearing Lock is one of many locks on the market. Others that share similar characteristics include the Bolt Action Lock designed by Cutlery Hall-Of-Famer Blackie Collins, and the Axis lock designed by Bill McHenry and Jason Williams and found on several Benchmade folders.

     “I think all locks compete and have advantages and disadvantages, so I don’t know that one would be better than another,” Sal opined. “Most locks will either slide or rotate; I guess [the Ball Bearing Lock] would be considered sliding, although it is more rolling than sliding that is the action of the lock.”

     Hence, the Ball Bearing Lock takes the contradictory rolling motion of a ball bearing and the sliding of a piston into a channel to lock two pieces of metal into one. It is a contradiction that works.—by David Jung

 

For more information on the Ball Bearing Lock and the Spyderco knives that have it, contact Spyderco, attn: J. Laituri, 820 Spyderco Way, Golden, CO 80403 800.525.7770 www.spyderco.com, [email protected].

 

To read similar stories and all about the latest knives, knife trends, knifemakers and much more, subscribe to BLADE®Magazine. For information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb171211#BL1SU

Knife Of The Day VIII

     Our knife—make that knives—of the day for Dec. 16 are Jeff Hall’s stylish framelock folders in a choice of blade finishes and plain and partially serrated edges, the serrations being especially dramatic as far as serrations go. The frames feature carbon fiber inlay and skeletonized pocket clips.

     For more information contact Jeff Hall at [email protected].

     For all the latest knives, knife trends, hottest makers and more, subscribe to BLADE®Magazine. For subscription information click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb161211#BL1SU

Coast Announces New Knives For 2012

     Coast Cutlery will introduce a new lineup of precision knives, multi-tools and LED lights in 2012.

     The new knives will be led by the Rapid Response assisted-opening models designed by Blade Magazine Cutlery Hall-Of-Fame© member Ron Lake. Patented SAT (Smooth Assist Technology) delivers fast, smooth blade opening. Patented Max-Lock and Double-Lock systems offer safe operation.

     Coast also will present a new line of multi-tools, including the Model C5899 Pro Pocket Pliers with two built-in LED lights and tools accessible without opening the pliers.

     Stay tuned. Coast will be offering more information on the new knives and tool in early January.

     For more information on the latest knives, knife trends, hot knifemakers and more, subscribe to BLADE®Magazine. For subscription information click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb151211#BL1SU

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