The BLADE Blogs

The blogs of the BLADE editors, Steve Shackleford and Erin Healy.

WSJ Covers BLADE Show World Cutting Championship

 

 

The July 11, 2012, edition of the Wall Street Journal included a nice feature-length article covering the 10th-annual World Championship Cutting Competition held in conjunction with the BLADE Show in Atlanta. The author did a decent job of covering the event, expressing the excitement in the air, and describing the cutting participants, including the champ.

 

Click here for the original WSJ article.

 

If you want to compete in events like this one, you need the best sharpening information available. Click here for a download of knife sharpening instructions.

Antique Bowie Knife Association & Civil War Show

The Antique Bowie Knife Association (ABKA) will hold its annual meeting on November 20 & 21 in conjunction with the civil war show held at the Richmond Raceway Complex, 600 East Laburnaum Ave., Richmond, VA 23222. Public hours are Sat 9-5 and Sun 9-3. Dealer setup is Friday, Nov 19, noon to 7 pm. For more information you can go to the promotors website… www.mkshows.com

How Individual Makers Can Tap New Markets

In the November BLADE®, “Unsheathed” outlined the Custom Knife Collectors Association/Jerry Fisk Cutlery Challenge and its potential for tapping new knife markets. Since then, maker Kevin Hoffman’s “I Am The Walrus” art knife placing fourth in the Art Kudos International Juried Art Competition & Exhibition is instructive in showing how individual makers can enter their knives in art competitions and, thus, expose their work to new markets as well.

      Why is exploring new markets important to custom knife enthusiasts, makers and others in the industry? For one thing, new markets mean more exposure to new buyers/collectors, and thus more potential demand for custom knives—and such increased demand translates into more value placed on all custom knives.

      Over 400 artists from 23 countries entered 1,251 individual works in the Art Kudos competition. From these, 157 artists were chosen. Of them, a mere 10 won awards, including Hoffman (http://www.artkudos.com/2011/awards.html).

      Kevin subscribes to several art publications—including ARTnews and professional artist and metalsmith magazines—and belongs to the Society of North American Goldsmiths (SNAG), all of which publish “calls for artists” and art competition announcements. “There are lots of other art publications that you can find on the newsstand,” he added. “There are dozens of art competitions all over the world at any given time, and it’s a matter of finding ones that you qualify for or that your work will fit the criteria for, and entering. I chose this one because I thought my work might be a good fit.”

      He added that the Art Kudos competitions, which are conducted on the Internet, have a very user-friendly application process, including an on-line submission procedure. “Each competition has their own entry process, although it’s becoming easier with the advent of digital photography and the Internet, and a lot of the entries are now made on-line and the competitions accept digital images,” he observed. Unlike some competitions that require submission of the actual knife, Art Kudos allowed Kevin to submit a digital image of the knife and keep the real item for simultaneous exhibit and possible sale at knife shows. “I knew the Art Kudos competition would overlap with the Knifemakers’ Guild Show, and I wanted to be able to exhibit the knife at the Guild Show, too,” he explained.

      This is not to say, given the proper venue and exposure, Hoffman rejects competitions that require keeping the knife for extended periods. “Very often, new competitions or new competitions in new areas are for a period of time, even years, and are more of an exercise in the education of a new audience rather than being good sales venues,” he observed. “Nevertheless, I think it’s important to explore new markets that haven’t seen this type of work before.”

      Hoffman stated it is better to find a competition that fits the maker’s designs than for the maker to design a knife for a specific competition. “You have to find the competition that your work fits the criteria and style of,” he stressed. “In the art world, it doesn’t make sense to make work specifically for a given competition because the deadlines are usually too short for that, and short deadlines aren’t conducive to producing truly good work. You have to choose competitions that your body of work fits into. Some competitions only want paintings, others only want 3-D works, some only photography, some only allow sculpture but not jewelry, or vice versa. Some competitions are open only to artists from a certain region.

      “As for what type of knives to enter, it probably depends on the type of competition and on the preferences of the person doing the judging. In general, I’d say the more [artistic] knives probably have better prospects, although I’ve had some luck with utilitarian knives as well. You just have to read the rules and, if there are specific categories, submit only in the one that your work fits the criteria for. For instance, don’t try to enter a competition that is accepting entries only for two-dimensional works unless you’re entering a painting of a knife.”

      He added there is often a small entry fee. It is used to pay the person or people doing the judging, and, if any are given, to pay for the prizes for the winners.

 

PICTURE CAPTION

 

Kevin Hoffman’s “I Am The Walrus” placed fourth in the Art Kudos competition, and features a damascus blade and walrus-oosic handle. He sculpted the walrus-head-and-tusks guard from wax and then lost-wax cast it in 7.5 ounces of sterling silver. Contact Hoffman at 912-920-3579 [email protected]. He will write a chapter on lost wax casting in the second edition of Krause/F+W Media’s upcoming book, How To Make Knives. (photo courtesy of Kevin Hoffman)

 

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Fourth In Greatest Loveless Knife Designs Series

If Bob Loveless reportedly said that this integral semi-skinner, with its dark-green canvas-Micarta handle, is “the most beautiful knife I ever made,” then who am I to argue? Or anyone for that matter …

The knife was crafted about 1987 and features a drop-point blade. It is from the John Denton collection, and the photo is by Hiro Soga. The knife appeared on page 39 of the book Knifemaking With Bob Loveless

Big Spring, Texas Handmade Knife Show

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Anyone that likes knives, and can attend, needs to check out the Handmade Knife Show in Big Spring, TX at the Hog Heaven BBQ Party Barn on Oct.23!!!!
The show is being hosted by the Big Spring Knife Collectors Club….a $3 admission fee will be charged. Some of the knife makers having tables are: Weldon Whitley, Jim Barnes, Martin Knives, Dwayne Dushane, Tim&Harvey Hull, Bill Middlebrook, Loyd McConnell, J.B Moore, and many more well known knife makers. This is the first show hosted by the club, but they hope to make it an annual event. If you are within driving distance be sure and give them your support.

What Knife Do You Carry?

According to our readership surveys, BLADE®’s the “Knife I Carry” monthly column is definitely a reader favorite. We ask subscribers and newsstand buyers to email or mail high-resolution .tifs or .jpegs of themselves holding their favorite knife, the one they carry daily or most often, and a short paragraph telling us why and what they like about it, or what cutting chores it excels at. Any story about the knife at all is fair game.WinAKnife

You can participate, too, and be entered in a drawing to win a free pocketknife. Here’s how:

Tell us what knife you carry. Add a little history or an anecdote. Try to include a photograph (if digital, at least 600 KB but no larger than 2 MB) of you with your knife. We will publish your comments in an upcoming “The Knife I Carry.” Your name will then be entered in a drawing to win a free, high-quality, name-brand pocketknife. Mail to: BLADE®, P.O. Box 789, Ooltewah, TN 37363-0789, or e-mail [email protected]. If you send your entry by e-mail, please include your physical mailing address in case you win the pocketknife.

Spirit of the Sword Now Available

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The new book, “Spirit of the Sword,” edited and written by yours truly, Steve Shackleford, is now available from Krause Books/F+W Media.

The book includes comprehensive stories on the capital of the sword world; how to produce a hamon, by ABS master smith Don Fogg; the most popular sword style ever; how an ABS master smith visits the museums of Europe to study closeup the ancient swords he reproduces, by Vince Evans; a profile of one of the world’s pre-eminent swordsmiths, Yoshindo Yoshihara, by Leon Kapp; a history of swords in the movie industry; and the swords they used and how they used them in combat in the Middle Ages and the Renaissance, by John Clements. In addition, there is a dedication to the late Hank Reinhardt.

There is also a huge directory of today’s swordmakers in unprecedented form, including detailed information on the swords they make, how they make them, the materials used, pictures of the swords, where to get them, a sword dictionary and more.

For more information, click on “Shop” or visit http://www.shopblade.com/product/spirit-of-the-sword/1

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