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Steve Shackleford

The Late R. Lee Ermey: “I Was Basically a Stand-Up Comic”

the gunny interview knives
R. Lee “The Gunny” Ermey appeared on the cover of the April 2010 issue of BLADE.

Editor’s note: The following article is from the April 2010 issue of BLADE. At the time, R. Lee “The Gunny” Ermey had signed on as a spokesperson for SOG Specialty Knives & Tools. Here he talks with Steve Shackleford about knives and his career in films.

Ermey, best known for his portrayal as Gunnery Sgt. Hartman in Full Metal Jacket, died April 15, 2018, at age 74. 


The Gunny, the Knife Enthusiast

the gunny knife shows
R. Lee “The Gunny” Ermey made frequent appearances at BLADE Show on behalf of knife companies.

Gunny comes by his love of knives honestly. He has over 100 custom and factory pieces in his collection, including his great grandfather’s pocketknife. First and foremost, though, he uses his knives.

“I’m a firm believer that the only thing a dull knife is good for is cutting yourself, because that’s exactly what you do with a dull knife,” he said. “I believe a man ought to be able to shave with that knife and after he shaves with it, he ought to be able to fold it up and then go chop a tree down.”

He also keeps up with the news and is outraged at the way knives are portrayed by the media.

“What really upsets me, I’ve seen this young Eagle Scout [Matthew Whalen],” Gunny began. “Because he had a knife, a little pocketknife in a survival kit in the trunk, they put him out of school. What the hell kind of a survival kit have you got without a knife? You’d be a dead man.

“When I grew up, I was probably 6 years old, I started carrying a pocketknife and I’ve carried one ever since. It’s a tool, you know. I grew up on a farm and I went to school and I can’t ever recall any kid pulling his pocketknife out at school and wanting to do harm to another kid. Times have changed. We need to start taking responsibility for our actions, we need to teach our children a bit of discipline.”

Gunny was just getting warmed up.

“My Swiss Army knife, what, they’re 2 inches long these little guys. I travel constantly, and I’ve had about 20 of those little knives taken away from me at the airport. I finally took one and just broke the knife blade off it and there’s still a big debate if I can go on board because there’s a scissors on it.

There’s a toothpick and a tweezers and I use those tools constantly. After a meal I have to use that toothpick. Society’s gone to the dogs as far as I’m concerned. They need to pull their heads out of their butts and realize that a Boy Scout carrying a pocketknife that’s got a spoon and a fork on it is just a tool, it’s not a weapon.”

A Standup Guy

The Gunny SOG Knives
Spencer Frazer (right), SOG founder and president, and Gunny go over the company catalog. (photo courtesy of Bill Rogin)

Gunny enlisted in the Marines in 1961 and was medically retired as a staff sergeant in 1971 for injuries incurred during his tours, which included 14 months active duty in the Vietnam War, and, as you might guess, as a drill instructor (at the Marine Corps Recruit Depot in San Diego and Parris Island, South Carolina). In ’Nam he carried his issued Ka-Bar USMC fighting/utility knife, using it for everything from cutting threads off his uniform to opening “C” rations. He also carried a pocketknife and, of course, his trusty machete.

He said many of his fellow Marines bought their own fixed blades and folders in addition to the issue Ka-Bar.

Did he ever use a knife as a weapon over there?

“No. And I hope I never have to. I would just leave the area,” he laughed. “I would go get my gun. I don’t care for the up-close-and-personal stuff.”

Like most fresh out of the military, Gunny was unsure of what to do after his discharge, so it came as no surprise when he fell back on his Marine background.

“I didn’t have any formal training that would improve my lifestyle and I looked around and thought, what can I do, and I found out,” he recalled. “I was basically pretty much a standup comic when I was in the Marine Corps. I was an instructor, and in order to be a good instructor you have to be able to keep the troops awake. It’s almost like being a standup comic.

R Lee Ermey Marines
Gunny made a number of visits to the troops in Iraq and Afghanistan for the U.S. Navy Department of Morale and Welfare. Here he is with a group of Marines in front of Saddam Hussein’s palace in December 2008. (Rob Scott photo)

“So, when I retired, I wrote a couple of scripts and I went off to Hollywood. I did some of the comedy clubs and was pretty successful at it, and then I found out they were going to start shooting a Vietnam war movie in the Philippine Islands.”

Gunny boarded a military transport, flew to the Philippines where The Boys in Company “C” was being filmed in 1978, landed the part of a Marine drill instructor and his acting career had begun.

However, it was 1987’s Full Metal Jacket that, as Gunny put it, “kicked all the doors open.”

In it he established his onscreen persona as the gung-ho drill instructor, Gunnery Sgt. Hartman.

Not only did the role earn Gunny a nomination for a Golden Globe Award as Best Supporting Actor, it played a key part in his receiving an honorary promotion to gunnery sergeant from the Commandant of the Marine Corps. According to Wikipedia, it made Gunny the first retired military member in the history of the Corps to be promoted. Wikipedia, it seems, needs to check its sources.

SOG Powerlock
Gunny carries a SOG PowerLock multitool. It includes a pliers/gripper, hard wire cutter, crimper, double-toothed wood saw, a partially serrated blade, three-sided file and more.

“I’m not just the first but the only,” retired member in Corps history to be promoted, Gunny noted with pride.

He continues to be active in supporting young Marines, making morale-building visits to Iraq and Afghanistan when he can, as well as Guantanamo Bay and Okinawa, Japan. In between comes his acting and promotional work.

“I spend 90 percent of my time working with the military,” he said. “The other 10 percent I have to do shows and movies and whatever it takes because I have to support the 90 percent.”

The new SOG spokesman would seem to have his priorities in order. And, luckily for his new employer, SOG is one of them.

Video: The Truth About Edwin Forrest’s “Gift” Knife from Jim Bowie

edwin forrest bowie knife
Some say that Jim Bowie (upper left) personally gifted a bowie knife (above) to Edwin Forrest (lower right). Jim Batson, one of the world’s leading bowie knife authorities, shares his findings on the subject.
james batson
Jim Batson

BLADE recently sat down for an extensive interview with Jim Batson, one of the leading bowie knife researchers in the world. The interview was recorded on video, which can be seen below, and consists of two parts.

Most significantly, Batson reveals what he discovered about the controversial Edwin Forrest bowie knife, claimed to be gifted to the 19th Century actor by James Bowie himself. That can be seen at 25:06 in the video.

Look below the video for further timestamps and summaries.

Batson Looks Back on 30

ABS master smith Jim Batson has been conducting his Batson Bladesmithing Symposium for three decades and just completed the 30th one April 8 at the Tannehill Ironworks near Bessemer, Alabama.

Join us for an exclusive interview with Batson as he talks about those 30 symposiums, the major industry changes he’s seen in his bladesmithing career, his induction into the BLADE Magazine Cutlery Hall of Fame in 2017 and what the future holds for this icon of the forge.

Use these timestamps to help you navigate the video.

0:00 Changes in knifemaking looking back
1:34 Forged in Fire
2:34 Changes in knifemaking looking forward
4:10 Batson’s contributions to the world of knives
5:55 Impact of Batson’s symposium
6:41 Batson’s “double-decker” shop
7:32 Including non-bladesmiths at the symposium
10:22 Batson reflects on his induction into the BLADE Magazine Cutlery Hall Of Fame©
11:51 Batson’s future

Bowie Knives According to Batson

edwin forrest actor
Edwin Forrest

ABS master smith Jim Batson has scoured the Bowie Trail from the Southeast USA to Texas for decades, researching anything and everything about James Bowie and bowie knives.

Watch the video above to see Jim recount the highlights of his research, including his book about the Sandbar Fight where the bowie knife legend was born, whether James Black really made bowie knives—including those in the Carrigan style—whether the Edwin Forrest bowie actually belonged to James Bowie and more in this exclusive BLADE® interview.

12:27 Contributions to bowie knife history research
15:01 Surprising finds
15:53 New facts about the 1827 Sandbar Fight
17:57 James Black controversy
23:14 The Carrigan knives
25:06 The Edwin Forrest “Gift” bowie knife
27:22 Where did the Forrest knife come from?
30:47 End

 

Photos: New Custom Knives to Knock Your Socks Off

New Custom Knives

Near-flawless grinds, captivating materials, curvaceous lines, snug fit and finish, and slick mechanisms help ensure today’s hottest makers’ hottest custom knives are cool cutters to covet.

While determining such knives is almost impossible to do without at least a smidgeon of subjectivity, those who sell knives professionally have their finger on the pulse of who some of the makers are and which of their knives is hottest. If the sellers don’t, they won’t be in business for long.

We tapped four of today’s successful knife sales operations—purveyor Daniel O’Malley of Bladegallery.com, purveyor Les Robertson of Robertson’s Custom Cutlery, and Sako Rouchanian, owner of Recon 1, a retailer of knives and gear—for their opinions on the matter.

Meanwhile, don’t be surprised if one or more of the mesmerizing cutters they identify activate your salivary glands. Covet away!

Poison

custom knives
(Claudio Sobral image)

Poison by Claudio and Ariel Sobral of CAS Knives offers up what purveyor Les Robertson calls the Sobrals’ signature style: big, bold and striking! The carved integral guard and sub-hilt are blued carbon steel.

  • Handle: Amber stag
  • Blade and overall lengths: 10 and 15.5 inches
  • Blade steel: Ladder pattern damascus
  • Maker’s price: $3,000

111

Sergey Shirogorov
(Recon 1 image)

The Double Row Roller Bearing System used exclusively on such custom knives as Sergey Shirogorov’s full custom 111 flipper makes the knife’s action incredibly smooth.

“It flips open like a rocket,” stated Sako Rouchanian of Recon 1.

  • Blade and closed lengths: 4.37 and 5.25 inches.
  • Blade steel: Chad Nichols boomerang damascus
  • Handle: stonewashed titanium
  • Maker’s price: Auction only
  • Recon 1’s price: $12,000

Ronin

jim burke ronin custom knife
(Steel Addiction Custom Knives image)

Jim Burke’s Ronin is a compact tactical flipper folder with a unique pocket-friendly footprint. The modified tanto blade is Stellite® and pivots on ceramic bearings. The frame is milled Zircuti—zirconium and Mokuti—with blue anodized hardware. The clip is Zircuti, too.

  • Weight: 5.5 ounces
  • Blade and closed lengths: 3.25 and 4.25 inches
  • Maker’s price: $1,800

L51 Compact

new custom knives
(BladeGallery.com image)

As purveyor Daniel O’Malley observed, over the past couple of years tactical folder collectors who had gone by the creed of “bigger is better” have been opting for sleeker, lighter, thinner and more pocket-friendly versions for their EDCs. The L51 Compact by Andre Van Thorburn is such a knife.

  • Blade and closed lengths: 3 3/8 and 4.5 inches
  • Blade steel: N690 stainless Handle: Marbled carbon fiber
  • Weight: 3.8 ounces
  • Maker’s price: $750
  • BladeGallery.com’s price: $750

EZC

best custom knives
(Recon 1 image)

The carbon fiber handle of Ray Laconico’s EZC flipper features a milled “speed hole” pattern.

“When it comes to building a handmade tactical flipper knife for everyday carry, Ray Laconico gets it,” noted Sako Rouchanian of Recon 1.

  • Blade and closed lengths: 3 and 3.87 inches
  • Maker’s price: $750
  • Recon 1’s price: $1,100

A2/A6

best new custom knives
(Steel Addiction Custom Knives image)

The A2 framelock folder by South Africans Andre Van Heerden and Andre Thorburn has been hot for well over a year now and shows no signs of cooling off. The A2/A6 is their collaboration with Tashi Bharucha in a blade of polished Damasteel damascus, and hand-rubbed titanium frames in the Omega sign with silver lightning-strike carbon fiber inlays.

  • Weight: 4.9 ounces. Blade and closed lengths: 3 5/8 and 8 3/8 inches
  • Makers’ price: $1,500

Model 450 Ultra-Light

des horn model 450 ultra light
(BladeGallery.com image)

South African Des Horn’s Model 450 Ultra-Light gent’s flipper features a 2.75-inch blade of Damasteel stainless pattern-welded steel and a blue/silver carbon handle.

“It’s so slim and light [1.2 ounces] you won’t even know you’ve got it with you,” noted purveyor Daniel O’Malley. “With over 30 years making knives, Des Horn is one of the fathers of the South African knife industry, and his influence can be seen in many other makers’ work.”

  • Horn’s price: $600
  • BladeGallery.com’s price: $600

Hokkaido

new custom knife
(Recon 1 image)

“Arguably [featuring] the best grinds in the tactical market, John Barker’s Hokkaido is the hottest tanto design in the tactical world,” noted Sako Rouchanian of Recon 1.

The Small Hokkaido flipper features a contoured rosebud pattern Timascus handle.

  • Blade and closed lengths: 2.75 and 4 inches
  • Blade material: handrubbed CTS-XHP stainless Maker’s price: $3,500
  • Recon 1’s price: $7,500

Sault Daug

best custom knife
(Steel Addiction Custom Knives image)

Sault Daug is the latest folder from Lee Williams. Equipped with a linerlock, it comes in both the maker’s Kick Stop and stud opener (pictured) versions. Blade and closed lengths: 3.5 and 4.75 inches.

  • Blade steel: handrubbed CPM 154
  • Handle: Carbon fiber scales and titanium standoffs
  • Weight: 4.7 ounces
  • Maker’s price: $2,250
  • Open-bid show price: $7,500

Piuma

best custom knifemakers
(BladeGallery.com image)

The brother of custom knifemaker Willem Steenkamp, Kosie Steenkamp offers up the Piuma flipper in red lightning-strike carbon fiber.

“The blade is perfectly centered with silky smooth action,” noted purveyor Daniel O’Malley, “and easily opened with one hand using the ambidextrous flipper toggle.”

  • Blade and closed lengths: 3.4 and 5 inches
  • Liners: Jeweled and anodized titanium
  • Pocket clip: textured and anodized titanium
  • Maker’s price: $575
  • BladeGallery.com’s price: $575

Doctor Death Junior Flipper

flipper knives
(Steel Addiction Custom Knives)

Tom Mayo has been making knives 35 years and all of his anniversary knives have his XXXV anniversary logo.

 

The Doctor Death Junior Flipper has a 3 5/8-inch blade of handrubbed CPM 154 stainless steel and operates on the Ikoma Korth Bearing System. The framelock folder weighs 4.6 ounces and is 5 inches closed.

  • Maker’s price: $1,600

See More Photos of Custom Knives

best knife book

See beautiful, full-color photos of custom knives in Knives 2018.

Knife History: Abraham Lincoln’s Fruit Knife

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president abraham lincoln knives
From all indications, this folding fruit knife belonged to Abraham Lincoln. The legal papers in the background are from Lincoln’s presidential years. Note the similarity in his signature and the name engraved on the shield. (Inset) The hallmarks on the blade of folding fruit knives contain a language all their own. These particular hallmarks stand for the following, from left: Queen Victoria’s profile-duty stamp; the crown-made in Sheffield; the capital letter “MJ’-in this case, made sometime between 1855-56; the lionsilver blade; and JYC-made by John Yeomans Cowlishaw. (The Lincoln Museum, Fort Wayne, Indiana-a part of Lincoln National Corp., photograph by Scott Simpson)

Editor’s note: This article originally appeared in the December 1992 issue of BLADE magazine. Learn more about timeless knife history with this collection of back issues.

Is This an Honest-to-Goodness Knife for Honest Abe?

A silver folding fruit knife owned by U.S. President Abraham Lincoln? It seems too good to be true. But there it is, bigger than life on display at the Lincoln Museum in Fort Wayne, Indiana.

It all started with a letter to BLADE magazine from William Graves, Sr. He wrote that he’d seen a picture of the knife in Lincoln Lore, the official publication of the Lincoln Museum, a part of the Lincoln National Corp. All the signs seemed right; the hallmarks on the blade, the carved pearl handle, even Lincoln’s name engraved on the shield. But the question remained: Was the knife really Lincoln’s?

Abraham Lincoln’s Knives Can Fetch $100,000

Acting museum director Ruth Cook said the knife was bought by television executive producer Harry Ackerman at the auction of Oliver R. Barrett’s Lincoln collection in 1952. Ackerman’s discovery of the knife is a story in itself. He bought Lincoln’s legal wallet, inside of which, unknown to the seller or buyer, was the knife. A collector’s dream come true!

Cook said the Lincoln National Corp., subsidiary of Lincoln National Life Insurance Co., bought the wallet and knife from a dealer. She could not divulge how much was paid for both items, though she said the price was in the five-figure range. She said neither item is for sale. Another knife-a multi- blade pocketknife-that belonged to Lincoln sold alone at auction for $99,825 at Sotheby’s in New York in 1989, as reported in the August 1989 BLADE magazine.

Even though Cook said there is no documentation of when Lincoln received the folding fruit knife or who gave it to him, it reportedly has been authenticated. There are photographs of it in famed poet and biographer Carl Sandburg‘s Lincoln volumes and elsewhere.

History of Fruit Knives

history of fruit knives
One of the only books about fruit knife history offered a few clues. (image via Amazon)

But were the principals involved familiar enough with the special “hallmark language” of fruit knives to know if this particular fruit knife could have been made for Lincoln?

We decided to check with Bill Karsten, author of the only known book on the subject, Silver Folding Fruit Knives, to flush out the facts.

According to Karsten’s book, folding fruit knives first appeared in France in the 17th century. They often had blades made of silver or gold for corrosion resistance as stainless steel was not yet available. Men often gave them as presents to their wives or girlfriends.

In England, silver fruit knives flourished after the silver assay offices opened at Sheffield and Birmingham in 1773. The blades were hallmarked following assay (a procedure analyzing the blade’s silver content) in accordance with the system conceived in London during the early 14th century.

A series of five small stamped marks disclosed the city of origin, the maker’s initials, the year of assay, the sterling silver (92.5 percent) content and the duty stamp (Karsten said the latter was no longer carried after the duty was abolished in 1890).

How Lincoln’s Knife Measures Up

The hallmarks on the Lincoln knife blade are of a profile of Queen Victoria, a crown, the capital letter “M,” a lion and the initials “JYC.” Karsten said the “JYC” stands for the maker, John Yeomans Cowlishaw, who was so well thought of that a street in Sheffield, Cowlishaw Lane, is named after him.

Karsten said the queen’s profile means the duty on the knife had been paid indicating the knife was made pre-1896 the crown indicates the knife was made in Sheffield, and the lion means the blades are made of silver.

The Mysterious M Holds Key to Lincoln’s Fruit Knife

silversmithing books
When you’re on the hunt for knife history, don’t discount books that aren’t explicitly about knives. A book about silversmithing contained another clue about Lincoln’s fruit knife.

But it was the “M” hallmark for the year of make that intrigues Karsten. He said the capital letter or uppercase “M” meant the-knife was made-either from 1855-56 or from 1879-1880. If it were made between 1879 and 1880, then the knife could not have been Lincoln’s since he was assassinated in 1865.

Moreover, Karsten said, Cowlishaw made his last knife around 1920, which indicates if he made a knife in the mid-1850s, his knifemaking career spanned six-and-a-half decades. If that’s true, it’s a remarkable record for working longevity at that point in history.

Some checking by Karsten in The Book of Old Silver: English, American, Foreign by Seymour B. Wyler revealed that Cowlishaw was admitted as a maker of silver folding fruit knives to the Sheffield Assay Office in 1854. So he could have made the knife in 1855-56.

However, Karsten said the “M markings on the knives made in 1855-56 are thinner than those made in 1879-80.”

“If I had to make a choice I would say the shape of the ‘M’ indicates the knife was made in 1879-80,” he said, but he could not be positive and would not discount that the knife could have been Lincoln’s on that basis.

Mistakes Don’t Necessarily Discredit Lincoln’s Fruit Knife

download knife magazines
Learn more about knife history in this collection of BLADE back issues, dating back to 1973.

Next came a question about the order the hallmarks appear in on the blade.

Quoting from Wyler’s book, Karsten said on almost all fruit knives made from 1844-1921 the crown is the first hallmark to appear at the left. On the Lincoln blade the queen’s profile appears first at the left. However, Karsten said there is a picture of a Cowlishaw knife made in 1855 with the hallmarks in the same order in Karsten’s book.

Moreover, he said mistakes in the application of hallmarks were made and the Lincoln knife may be an example.

“They did make boo-boos,” he noted. “I’ve found several of them. They’re not normal but the mistakes don’t discount the knife’s authenticity, either.”

Simon Moore, a leading English authority on fruit knives, agreed with Karsten’s assessment.

“We do often get mistakes like that. There might be a whole batch of blades with marks jumbled up higgledy-piggledy,” he said. “They might go stamping away before they’d realized their mistake but by then they might’ve run off quite a few blades that way.”

As for the shield style and the engraved blade, Karsten said he had seen examples of neither on other Cowlishaw knives. Concerning the “A. Lincoln” engraved on the shield, Karsten said it was probably done some time after the knife was made. He said if the knife were made especially for Lincoln by Cowlishaw, Cowlishaw may have engraved the name on the shield later.

The Verdict for Lincoln’s Fruit Knife

Dr. William Rosenthal, a leading fruit knife authority who donated a huge collection of fruit knives to the National Knife Museum, said the shield was probably engraved after the knife came to America.
“The fancy shape of the handle, the engraved bolster, these sort of things say to me Cowlishaw well could have made the knife,” Karsten noted. “And the knife very well could have been Lincoln’s.”

Jim Sargent, Renowned Knife Retailer, Passes Away

Jim Sargent
Jim Sargent

Jim Sargent, long-time antique pocketknife dealer and knife retailer, passed away yesterday, Feb. 11.

Along with his wife, Jean, Jim founded J. Sargent Co. in 1968. Today, known as Sarco Pocket Knives and based in Florence, Alabama, the company specializes in new knives, antique knives, reference guides and imported knives from around the world.

Jim authored eight knife books, including several editions of the American Premium Guide to Knives & Razors, and articles on antique and collectible cutlery. He was past president of the National Knife Collectors Association and served on the NKCA’s board of directors. He was also instrumental in the establishment of the National Knife Museum in Chattanooga, Tennessee.

Herman Schneider, Custom Knifemaking Pioneer, Passes Away

Herman Schneider knifemaker
Schneider’s art knives remained among the most coveted in the industry right up to his passing. (SharpByCoop image)

Herman Schneider, one of the most talented of the pioneering custom knifemakers of the 1970s and beyond, passed away Jan. 26. He was 87.

Perhaps best known for the spiked dagger in the 1986 Sylvester Stallone movie, Cobra, Schneider made some of the cleanest knives anywhere. Among them were hunters and skinners in his early days to art knives and reproductions of 19th-century dress bowies in the style of Michael Price as Schneider’s style evolved.

Cobra movie knife
Herman Schneider holds the spiked dagger he made for the Sylvester Stallone movie, Cobra. (image from K.L. Byrd’s Facebook page)

The workmanship of Schneider knives was second to none. As long-time knife collector and the headman of the Art Knife Invitational (AKI), Phil Lobred, once noted, “Herman Schneider’s knives lifted the industry up two notches in the fit-and-finish department.” Schneider was among the very first group of elite knifemakers to be invited to the AKI, and exhibited at the premier event for a number of years.

Of all Schneider’s impeccable knife creations, it was his art knives that stood out. “Herm Schneider built beautiful art knives,” observed Dave Harvey, owner of Nordic Knives retail knife store and coordinator of the biennial Solvang Custom Knife Show. “Many of his blades featured complex grinds that many of the most talented makers would not, or could not, pull off themselves.”

In 1982, Schneider was Lobred’s first choice to make the landmark King Tut Dagger reproduction. Schneider had to decline, however, and Lobred chose BLADE Magazine Cutlery Hall-Of-Fame© member Buster Warenski to make it instead. The rest is history.

An interesting back story about the Tut dagger repro: As part of Lobred’s instructions for the making of the legendary knife, the blade had to be solid gold. Warenski struggled with finding a way to harden the all-gold blade. After repeated failed attempts, he enlisted the aid of Schneider and Jim Hardenbrook, and together they were able to harden the blade successfully.

In a poll of the greatest custom knifemakers from BLADE®’s first 15 years (1973-88), Schneider did not make the top 10, though he didn’t miss by much and made the honorable mention list. And in the Top 10 custom knives from the same time period, Schneider was the only maker Lobred mentioned for his entire body of work instead of just one piece.

An early member of The Knifemakers’ Guild, Schneider not only was a great knifemaker but was also close to many in the knifemaking and knife fraternity. Along with Buster and Joan Warenski, Cutlery Hall-Of-Famer D’ Holder and Bob Gladstone, Schneider was instrumental in helping Dan and Pam Delavan get the first California Custom Knife Show up and running in the early 1980s. Many thought a lot of Schneider, not just for his knifemaking ability but for his friendship and kindness as well.

The Swords of “The Lord of the Rings: The Fellowship of the Ring”

swords from the lord of the rings
The February 2002 issue of BLADE magazine.

Editor’s note: The following appeared in the February 2002 issue of BLADE magazine. Read more from the deep archives of the world’s foremost knife publication in this download of 25 years of back issues.

A Movie that Knows How to Do Swords

When New Line Productions’ The Fellowship of the Ring, the first in a series of three movies based on J.R.R. Tolkien’s The Lord of the Rings trilogy, debuts just days from now, blades will be among the stars of the film—and reproductions of three of those pieces are available from United Cutlery.

Moreover, they are but the first in a series of swords United Cutlery (UC) will reproduce in conjunction with the debuts of the Rings sequels in 2002 and 2003.

UC art director Kit Rae oversaw the reproduction of the three swords. It was a dream job for Kit, who’s been a fan of The Lord of the Rings since elementary school.

“It was one of the first fantasy books I read, though I first read The Hobbit [the prequel to the trilogy],” he recalled. “That had more influence over me and the direction with what I do [as a blade designer] than anything I’ve ever read.”

None Shall Pass on Naming These Sweet Swords

The blades of The Fellowship of the Ring are Sting, the short sword of the movie’s hero, Frodo Baggins; Glamdring, the sword of Gandalf the Grey, a powerful wizard and Frodo’s friend and guardian; and The Sword of the Witchking, the blade of one of the film’s villains.

In addition to the three pieces, the movie sequels-one to debut around Christmas 2002, the subsequent one around Christmas 2003-will feature more blades that also will be reproduced by UC, thus setting the stage for all of the pieces to be collectible as a series.

A Precious Partnership: United Cutlery and the Box Office

The Fellowship of the Ring is the latest movie for which UC has either designed and/or reproduced blades, including the three Rambo films, Indiana Jones and the Temple of Doom, Total Recall, Mortal Kombat, The Mask Of Zorro and others.

However, Fellowship represents UC’s most ambitious project to date.

“This is the biggest movie license that we’ve ever had,” Rae noted. “We’re planning on making reproductions of nine swords from all three films to be released over the next three years. Three swords have been released this year, with another two to four swords next year. Each will come with a hardwood wall plaque. We may make scabbards for them at a later date.”

Staying True to the Movie

swords lord of the rings
The hobbits of “The Fellowship of the Ring” brandish their short swords. Click for a larger view. (image via imdb.com)

The swords are meticulously reproduced from the description in the script, photos of the actual props and the props themselves as supplied by New Line Productions. There were several copies of each sword made for filming and each was slightly different.

“We have combined those differences into our reproductions while remaining faithful to the original designs,” which were done by the Weta Workshop in New Zealand, Kit said.

Each sword prop has an “aged” or worn look to it in the films, as if it’s been around for many centuries and seen many battles.

“We did our best to copy that look for our reproductions,” Rae maintained. “We want the swords to be as authentic as possible. We’ve found that it’s actually harder to make the swords look aged than to make them look shiny and new. The plaques’ shapes are tailored to each sword and feature screen-printed gold designs that I’ve styled after the look of each character in the film. New Line gave us a great style guide with art from the film to work with.”

No Pressure: 100 Million Books Sold

the lord of the rings swordsHaving sold over 100 million copies in over 40 languages, Tolkien’s epic trilogy is considered by many to be the greatest fantasy adventure story ever written.

Penned in the 1950s, it chronicles an epic struggle in “Middle-earth” involving humans and a collection of Hobbits, Dwarves, Elves, Wids, Ring Wraiths, Ents, Orcs and other fantastic creatures over possession of a magical ring that can shift the world’s balance of power.

Frodo’s Short Sword: Sting

Frodo, played by Elijah Wood, is a Hobbit and one of many in search of the ring. In The Hobbit, Bilbo Baggins, Frodo’s uncle, uses his short sword, Sting, many times in his adventures. In Fellowship, Bilbo (Ian Holm) passes Sting down to Frodo. The piece is magical and, in the movie, its blade glows blue when the evil Orcs are present.

“This is probably the most popular sword in the books,” Rae stressed, “and is probably going to be the one most people will want to own after they see the film.”

Sting’s blade and guard feature runes in the Elven language of Sindarin that translates to, “Maegnas is my name, I am the spider’s bane.”

According to Kit, the runes are true to the actual Sindarin created by Tolkien. Maegnas comes from the Elven word “maeg,” which means sharp. The hardwood handle of UC’s Sting repro is inlaid with an Elven vine design.

“If we hand inlaid the metal just like the real thing, these swords would have been extremely expensive,” Rae related, “so we tried many other processes, including powdered metal and a laser, but finally settled on a special inlay process.”

Scaling a Sword for a Hobbit

Hobbits are about half the size of a man, so several tricks are used in the film to make the human actors look smaller, including making the sword props larger than they appear on screen.

“We had to scale the prop sword, which was 1:1.38 scale, down to the actual size that it appears, on film,” Rae explained. “The prop we had was a full-size sword but on film it appears as a short sword or dagger. We cheated a little and made the blade a bit longer, but otherwise it’s the correct scale.”

The overall length of the UC Sting repro is 22 inches, including a 15-inch blade of 420 J2 stainless steel etched with Elven runes. The metal guard and pommel feature and antique metal finish. Sting comes with a wood plaque silk-screened with Elven runes.

Gandalf’s Glamdring Sword

what is gandalf's sword in the Lord of the Rings movies
In the movie, Glamdring is a magical sword that glows in the presence of an enemy and serves Gandalf the Grey in his effort to aid the Fellowship of the Ring. (NLP image)

Gandalf the Grey (Ian McKellen) found his sword, Glamdring, along with Sting in the troll hoard in The Hobbit. Gandalf is an old and powerful wizard and uses a wizard staff to cast his spells, but he pulls Glamdring from its scabbard for battle several times in the film.

Like Sting, Glamdring’s blade glows in the presence of an enemy in the movie. (Editor’s note: the blades of the Sting and Glamdring repros don’t glow.)

“The repro is made with three hollow grinds and the handle is wrapped in leather,” Rae commented.

The metal crossguard and pommel are engraved with Anglo-Saxon-styled runes in the Elven language, which basically say that Glamdring was forged for Turgon, the King of Gondolin.

“Gondolin is only vaguely referred to in the Rings books but is from Tolkien’s earlier work, the Simarillion, a history of Middle-earth,” Kit explained. “That how much research the designers did for the movie. To true Tolkien fans, that will mean a lot.”

Sporting a 36-inch blade of 420 J2, UC’s Glamdring repro is 47 5/8 inches long overall. The hilt is leather wrapped and the metal crossguard and pommel feature an antique finish and engraved Elven runes. The accompanying wood plaque is decorated with silk-screened designs.

The Sword of the Witchking

swords of the lord of the rings
The Ring Wraiths with their swords. (NLP image)
sword ring wraith
A sword made for some of the baddest dudes in the Lord of the Rings.

The Witchking is the leader of the nine Ring Wraiths and uses the Sword of the Witchking, as well as a dagger. The Ring Wraiths are sent to find the ring and return it to their dark master, Sauron (Christopher Lee).

They appear evil in the film, cloaked in black and riding black horses. They are very ancient beings, no longer human. The swords they carry look thousands of years old with corroded and worn blades and handles.

“We have developed a special chemical process to make the blades look like they are 3000 years old, as they appear in the film,” Rae remarked. “The crossguard and pommel have an aged iron look, and the grip is leather wrapped.

“They are huge swords, almost like European two-handed broadswords. This sword is one of the largest we have ever made–over 54 inches long overall.

UC’s Sword of the Witchking repro boasts a 39 3/4-inch blade of 420 52 steel, a leather-wrapped hilt, and metal crossguard and pommel with an antique finish and engraved designs. The accompanying wood plaque is silk-screened with Naszul designs.

Sword Scenes

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Read more articles from BLADE’s archives with this collection of 25 years of back issues.

At press time, Kit had seen a short preview of the movie’s highlights. Though he didn’t want to give too much away lest he spoil the film for BLADE readers, he did reveal a few “sharp teasers.”

He said the most memorable scene with Sting is when Bilbo passes it on to Frodo. However, one scene particularly special to Rae is when Frodo first pulls Sting from its scabbard, the blade pulsating blue due to the proximity of the Orcs.

“It’s something I’ve waited for years to see,” he said, adding that Sting really doesn’t have any big fight scene in the movie other than Frodo using it in the Mines of Moria.

“Sting will have its best scene in the third film,” Rae confided. In the climax of Fellowship, there’s a huge battle in which Gandalf uses Glamdring.

“I can’t give away what happens but Glamdring has a big part in it,” Kit said. As for the Sword of the Witchking, it’s prominent throughout the film in the hands of the Witchking.

Another sword in the film, Narsil, is shown in a flashback that updates viewers on the history of the ring. The blade is shattered and appears later in its broken form.

UC’s “flashback” full-blade repro of Narsil will be available in April 2002, and the repro of the broken Narsil, along with the repros of the Ring Wraith swords, will be available in September 2002. UC also will be offering 1:4 scale collectible miniatures of the movie swords in early 2002.

As with the full-sized swords, UC will be releasing the minis over the span of the three films. UC will release other sword repros from the first sequel in November 2002.

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