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Steve Shackleford

Knife Sharpener Of The Day I

     The first in our Knife Sharpener Of The Day series is the GATCO Edgemate Professional Knife Sharpening System.

     Employing the GATCO exclusive knife clamp/angle guide to help attain a precise, razor-like edge on your blade, the system includes the clamp/angle guide, extra-coarse, coarse, medium and fine sharpening hones, a serrated blade sharpening hone, honing oil and a custom carrying case. The system sharpens most all sizes and types of kitchen, sport and utility cutlery.

     For more information click on http://www.shopblade.com/product/gatco-5-stone-knife-sharpening-system-10005/?r+ssfb261211#Y3300.

Twas The Knife Before Christmas

Twas the knife before Christmas, when all through the house
Not a creature was stirring, not even a Blade-Tech Mouse.
The scabbards were hung by the chimney with care,
In hopes that knives of nickel silver soon would be there.

The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads.
And mamma with her Kershaw, and I looking for my Loveless painter’s cap,
Had just settled our brains for a long winter’s knap.

When out near the forge there arose such a clatter,
I sprang from the workbench to see what was the matter.
Away to the window I flew like a SOG Flash,
Tore open the shutters and threw up the sash.

The moon on the breast of the new-fallen snow
Gave the lustre of mid-day to blades below.
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny sambar deer.

With a little old bit driver, so lively and slick,
I knew in a moment it must be St. Nail Nick.
More rapid than Al Mar Eagles his coursers they came,
And he whistled, and shouted, and called them by name!

“Now Trapper! now, Whittler! now, Lobster and Slim Jack!
On, Muskrat! On, Canoe! on Tickler and Swayback!
To the top of the porch! to the top of the wall!
Now cut away! cut away! cut away all!”

As wood chunks before the bowie fly,
When they meet with a sharp edge, pieces multiply.
So up to the knife shop they flew,
With the sleigh full of Toys, and St. Nail Nick too.

And then, in a stropping, I heard on the roof
The prancing and pawing of each little hoof.
As I turned on the grinder and listened for the sound,
It was obvious ol’ St. Nail Nick had come to ground.

He was dressed in overalls, from his head to his foot,
And his clothes were all tarnished with ashes and soot.
A bundle of knives he had flung on his back,
And he looked like a bladesmith, just opening his pack.

The bolsters how they twinkled! The quillons how merry!
The scrimshaw like roses, the pommel like a cherry!
The knife exhibited just the right amount of “flow,”
And the blade’s belly was full as the BLADE Show.

The body of the knife held tight in the sheath,
And the guard encircled the tang like a wreath.
It had a sharp edge and was a perfect cutter,
That whisked when it cut like a hot knife through butter!

It was keen and useful, a right sprightly tool,
And I laughed when I saw it, me being an ol’ fool!
A honing of its edge and a twist of my wrist,

Soon gave me to know it was on St. Nail Nick’s list.

He spoke not a word, but went straight to his work,
And filled all the scabbards, then turned with a jerk.
And laying his Sharpfinger aside of his nose,
And giving a nod, up the chimney he rose!

He sprang to his sleigh, to his team gave a whittle,
And away they all flew, not one blade brittle.
But I heard him exclaim, ‘ere he drove out of sight,
“Happy Christmas to all, and to all a good-knife!”

On behalf of the staff of BLADE® Magazine, the BLADE Show and F+W Media, it is my honor to wish you all a Merry Christmas and/or whichever holiday you are celebrating at this most special time of year.

For information on how to subscribe to BLADE, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb241211#BL1SU

How The Pros Coat Their Knife Blades

ESEE knives receive the Textured Powder Coat at Rowen Mfg. (Rowen Mfg. photo)

     A coated blade offers protection, non-glare and striking looks. For those who serve in the military, preserve the peace through law enforcement or knife enthusiasts in general, blades are coated black, Flat Dark Earth, tan or what have you for a variety of reasons, and are permanent fixtures in their complement of working gear. The look and feel are appealing, and the ease of maintenance is an attractive attribute.

     Buying a coated blade makes a statement and serves a practical purpose. Knife manufacturers recognize the demand for such blades and see their contributions to the available selection as filling a necessary niche.

     According to Paul Tsujimoto, senior engineer at KA-BAR Knives, powder coating was developed in the mid-to-late 1960s. “Powder coating is applied using the electrostatic principle,” he said. “The parts to be coated are given a negative charge and the powder coat is given a positive charge and sprayed on. The dry coated parts are then baked in an oven or furnace, where the powder melts and fuses into a hard, protective finish.”

     For ESEE Knives, Rowen Mfg. applies Textured Powder Coat to blades of 1095 carbon steel through an electrostatic spray process that causes powder particles to adhere to the steel. Then the coated steel goes through four stages to complete the process: melt, flow, gel and cure.

     “The powder is applied with an electrostatic spray gun. Before the powder is sent to the gun, it is fluidized to separate the individual grains of powder and improve the electrostatic charge that can be applied to the powder so that the powder flows more easily to the gun. Because the powder particles are electrostatically charged, the powder wraps around the back of the part as it passes by toward the air off-take system,” ESEE’s Jeff Randall explained. “To obtain the final solid, tough, abrasion-resistant coating, the powder-coated items are placed in an oven and heated to temperatures that range from 160 to 210 degrees Celsius, depending on the powder—400 degrees in our case.”

     President and co-owner of Spartan Blades, Curtis Iovito said his company’s coating of knife blades is called Physical Vapor Deposition (PVD). “The process is characterized by the creation of a material vapor that can be reacted with different gases to form a thin film coating,” he noted. “We use a method called arc deposition. This process is carried out under high vacuum conditions. One of the nice properties of PVD coating is that it applies uniformly so that you don’t get build-up on corners and edges like some coatings.” IonBond coats Spartan’s blades.

     The commercial name Spartan Blades has given its PVD coating is SpartaCoat. Iovito and business partner Mark Carey became familiar with PVD coating while working on the development of a new rifle with Special Forces applications.

     “While in the Army, we had been looking for a durable coating in [a Flat Dark Earth color] for a new weapons system we were developing,” Iovito remarked. “Fortunately, we were aware that the development of a true Flat Dark Earth Pantone had been done using zirconium carbon nitride. We believe that we were the first company to use a true Flat Dark Earth PVD coating on knives. This coating is often referred to as diamond-like coating, or DLC, in the gun and knife industry because of its resistance to wear.”

     Black Traction Coating is the proprietary name of the finish TOPS Knives uses on its blades through the services of James Bowen. “We use an epoxy hybrid base with polyester in it,” company President Mike Fuller said. “It is electrostatically applied in its dry powder form, and it goes on the blade between three and five thousandths-inch thickness. The knives are then put into an oven and baked at a little over 400 degrees Fahrenheit for about 17 minutes, depending on the thickness of the material. It’s not an ultra-smooth finish like some coatings have, and it enables the user to hold the blade for close work if necessary.”

Carbon and Stainless

While the processes are similar from manufacturer to manufacturer, each has its own variation on the coating theme. KA-BAR coats both carbon and stainless steels, while ESEE uses 1095 carbon steel exclusively as a blade material. Spartan Blades uses CPM-S30V and S35VN, and 154CM stainless steels.

     “At our clients’ request, we use Black Traction Coating on all our products, 1095, 5160 and all the stainless steels as well,” TOPS’ Fuller noted. “One of the reasons we use it on 440C or 154CM stainless is that it preserves the visual integrity of the blade as well as being easier to clean. It doesn’t add appreciably to the cost of the knife, but the benefit from our perspective is that the chance for oxidation is nil where the covering takes place. However, in areas like the final edge of the knife where there is no covering, the blade still needs to be oiled like any other good tool.”

     Spartan officials acknowledge that the coating of their stainless steels follows the surface blasting of the blades in order to eliminate glare. However, when a knife blade is blasted, a surface is created that is less corrosion resistant. Therefore, the PVD/SpartaCoat helps resist corrosion and maintain the flat finish.

     Tsujimoto identifies four primary reasons for coating knife blades: corrosion protection, anti-reflection, enhancing cutting lubricity, and any combination of the first three. “KA-BAR is no exception,” he said. “Because we use a lot of carbon steel that is very prone to corrosion, we utilize blade coatings a great deal. Stainless is coated for both anti-reflection and corrosion. Remember, stainless steel means that it will stain less than carbon steel. Stainless is not totally stain proof.” Iovito agreed.

     “Knives generally are coated to provide anti-glare surfaces and provide wear resistance, as well as to add additional corrosion resistance, not to mention that it makes for a great looking finish,” Iovito noted. “This finish should not be confused with other spray or paint finishes. While these other finishes are OK, PVD coating cannot chip or rub off because it’s bonded to the steel at a molecular level.”

     Of course, the coating in and of itself is only as good as its ability to stay on the blade. Durability may relate to the composition of the coating itself, and to the degree of abuse and wear a particular knife is expected to weather. Recoating of blades is either rare or not offered by many manufacturers, and the premise is simple. The coating is made to last.

     SpartaCoat is applied at a thickness of 3-to-5 microns, and its final hardness registers 70-to-90 HRC on the Rockwell scale. Spartan has recoated some blades in the past, primarily because the owner requested a change of color or to have something etched on the blade. Iovito said only a couple have been recoated for any other reason through the years.

Snowmobiles & Indian Chiefs

The coating of blades has a practical, aesthetic and utilitarian appeal. It adds an element of safety, stealth, survival and style to a blade, while demonstrating a good value every day in the field. Two of Fuller’s experiences are telling. 

     “Some time ago we were working with a snowmobile manufacturer,” Fuller commented. “The manufacturer used the coating material as an undercoating on its snowmobiles. That says something about the toughness of our Black Traction Coating. It’s extremely durable with a bit of flexibility, and the mixture we make has passed military 24-hour saltwater spray tests and chemical emergent tests with flying colors.

     “Years ago, a survival expert took one of our knives to the Peruvian Amazon and left it with a chief down there. These people use their knives every day and sharpen them on river stones.” The survival expert went back three or four years later, Fuller added, and found the chief, who still had the knife—and the coating on the blade was intact.—By Mike Haskew

 

To read similar stories and all about the latest knives, knife trends, knifemakers and much more, subscribe to BLADE® Magazine

Knife Of The Day X

     Our Knife Of The Day X is a curvaceous bowie by Kevin Casey with gold-inlaid engraving by Joe Mason. The ferrule and 6-inch blade are Casey’s feather-pattern damascus, the guard and buttcap 416 stainless steel, and the dropped handle is stag. The sheath is by Paul Long.

     For more information contact Kevin Casey, 10583 N. 42nd St., Hickory Corners, MI 49060 269-719-7412 www.kevincaseycustomknives.com.


To read similar stories and all about the latest knives, knife trends, knifemakers and much more, subscribe to BLADE® Magazine. For information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscripti…?r+ssfb221211#BL1SU

Indiana Bill Would Repeal Switchblade Restrictions

     According to Knife Rights, Indiana State Senator Jim Tomes has a holiday gift for knife enthusiasts, Senate Bill SB06, which would repeal Indiana’s antiquated and irrational ban on the sale and possession of switchblades. The bill is supported by Senator Brent Steele, Chair of the Corrections, Criminal and Civil Matters Committee that will hear the bill, and Senator Johnny Nugent.

 

     Knife Rights reportedly will be present to testify in support of SB06 at the bill’s first hearing on January 10th. If you live, work or travel in Indiana, please contact your Senator and ask them to support SB06. You can locate your Senator, or the Senator who represents where you work or travel, here: http://district.iga.in.gov/DistrictLookup/

 

     For more information visit http://kniferights.org/


     

     To read similar stories and all about the latest knives, knife trends, knifemakers and much more, subscribe to BLADE® Magazine. For information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscripti…?r+ssfb211211#BL1SU

   


HallMark To Launch Bad Blood Line

     HallMark Cutlery will launch a new brand, Bad Blood, at the 2012 SHOT Show in Las Vegas. The line will consist of a mid-priced offering of tactical folders, fixed blades, and utility pieces.

     The new brand will also include a custom collaboration series from custom maker, Sean Kendrick. His line for HallMark Cutlery will include three folding knife patterns and three fixed blade models, and are expected to be available in the first quarter of 2012.

     Kendrick has been crafting knives professionally since 1998, but knives have been a passion since he was a child. Craft and design come naturally to the self-taught Kendrick. His mother is a talented artist and his father is a master electrician, plumber and mechanic. Sean’s great-grandfather was a blacksmith.

     Kendrick’s style and designs have been inspired by many elements, including music. Sean credits his friends and mentors, knifemakers David Mosier and Mike Franklin, for showing him the “ins and outs” of folding knives. Sean is also a member of the Usual Suspect Network. Kendrick won the award for “Best Tactical Knife” at the 2010 Spirit of Steel Show for his fixed blade “Partisan Hybrid.” His fixed blade version of the “Spiraling Demise” won “Best Tactical / Fighting Knife” at the 2004 Greater Ohio Valley Knife Show.

     For more information contact HallMark Cutlery, PO Box 220, Kodak, Tennessee 37764 866-583-3912 www.hallmarkcutlery.com.

    

     To read similar stories and all about the latest knives, knife trends, knifemakers and much more, subscribe to BLADE® Magazine. For information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb211211#BL1SU

    

Grace Horne: And Now For Something Completely Different

Grace Horne’s “Cocoon #2” incorporates felt, wool, silk and aluminum for the cocoon handle. The 2.9-inch blade is RWL-34 stainless. (Point Seven photo)

    

     Grace Horne is an artist, embracing the basic elements of her subject and then allowing them to take flight in her imagination. For two decades, she has plied her craft in the cradle of knifemaking, Sheffield, England.

     Completing her college degree in design, craft and technology required a project, and she ambitiously chose a set of three slip joints with damascus blades, making the steel with artist and blacksmith Richard Quinnell at his forge in the Fire and Iron Gallery in Surrey. By 1994, Horne had relocated to Sheffield to seek an apprenticeship in knifemaking with Stan Shaw, perhaps the last of the legendary “Little Mesters,” the independent Sheffield knifemakers who helped establish the city’s storied reputation for quality cutlery through those many years. (See “Stan Shaw: Little Mester of Sheffield, March 1994 BLADE®.)

     Though Shaw was unable to hire an apprentice, he gave Horne a box of old blades to work with, some having been forged a century before. “I decided to take a more academic approach,” she recalled, “completing both a knife-related masters degree and Ph.D. at Sheffield Hallam University. My work was workshop based, and the material I ended up working with was layers of carbon steel separated by 99.99 percent pure silver foil. Visually, I like steel and silver together. It is a combination I have often come back to over the years. But if the two main research questions were ‘Can it be done?’ and ‘Was it worth the effort?’ then the answer would have to be ‘Yes.’”

     Horne produces only about 10 to 12 knives each year and does not accept custom orders. She does not sell through purveyors but maintains a list of people to notify when a knife is available or when her online portfolio is updated. She describes her work as material-and-concept driven yet deeply embedded with the historical Sheffield knifemaking tradition. While knives are one of her loves, another is textiles, and a recent foray combined the two.

     “A couple of years ago,” she recalled, “while my new workshop was being converted from an old Victorian public toilet, I didn’t have knifemaking space but my textile studio was still accessible. This led to my first pieces that cross the boundaries between knives and textiles. These modified Spyderco knives were the result of a project to visually represent the value of knives as everyday tools. During a three-week period I collected everything that I cut with the knife, and at the end of each week I made all the bits into new scales for that knife and then went on to the next one.”

     The modified knives actually incorporate pieces of items such as corrugated board, duct tape, envelopes, and packaging mesh into the handles, and the effort has been followed by a series of “fluffy” knives. Since knife laws are restrictive in Britain and the sight of a pocketknife can elicit comments, Horne covered the Spyderco UKPK that she often carries with woolen felt.

     “I love felt making,” she said. “It is versatile and the final product can be very hard wearing. My complete knife just gets washed when it’s dirty, and how can anyone be scared of a woolly knife?”

     From a woolly knife, the innovative artist progressed to “cocoon knives” that she characterized as soft, warm and visually non-threatening. “Most of the foundation work is a woolen felt,” she commented. “I use a combination of wet, needle and nuno felting to create the desired effect, incorporating silk, cotton and other meshes into the structure of the felt. The surfaces are then stitched, reworked, embroidered and embellished.

     “Folding knives fascinate me because they are all about change—open and closed, dangerous and safe, big and small. A cocoon holds a similar fascination; it is full of potential to be something completely different.”

     When she completed her academic studies, Horne said she recognized her education had been not only about the production of metal, but also about the creative process. This led to the keeping of extensive notes and sketches.

     “I rarely take on commissions but, if I do, then part of the creative dialogue is often conducted through photos of drawings from my sketchbook, and then photographs as the work progresses,” she related. “The story of each knife is important—why I made it, the inspiration behind it, what makes it different from the other knives I have made. Because of this, each knife has its own little book containing vital statistics, life story, background information and pictures.”

     Every knife Horne makes is one of a kind, like the creative energy she channels into her work. “Much of my work develops like a series of slightly misheard whispers,” she smiled. “The title of a picture or a written description of an event will create an image in my head that often is very different from the one that would have developed from a visual input. A physical event becomes a written or spoken distillation and is then reinvented as a new object. Very often, when I track back, I am surprised at how far my creative process has taken me from the original source.”

     Though she never makes the same knife twice, Horne does see recurring themes in her work, and she revisits basic forms from time to time. She does not operate a forge in her shop but does enjoy making her own pattern-welded steel. Award-winning damascus makers Daryl Meier, Hank Knickmeyer and Ed Schempp work with her in steel making after some “gentle coaxing and tuition” on Horne’s part. She also likes to use RWL-34 and other Swedish stainless steels for knife blades.

     Most of the work she does is by hand or with a small surface grinder, and she has plans to have a belt grinder up and running soon. A visit to her shop reveals a number of hand tools used by jewelers, cutlers and watchmakers through the generations. An old Sheffield knifemaker would probably feel right at home there.

     Annual trips to the BLADE Show are vital in maintaining contact with other knifemakers and supplement her use of social media such as Facebook. When she comes to the USA, she has knives photographed by Point Seven and catches up with others in the global knifemaking community. She also attends the KnivesUK show and the SICAC show in Paris.

     “I’m not entirely sure what my knives will look like next year,” Horne laughed. “I’ve started playing with glove leathers, and I fancy incorporating some visual elements from the corsets that I make. One thing I am certain about is that, yet again, they will be completely different from the stuff I’m working on at the moment!”—by Mike Haskew

 

To read similar stories and all about the latest knives, knife trends, knifemakers and much more, subscribe to BLADE® Magazine. For information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb211211#BL1SU

 

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