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Steve Shackleford

JULIA’S TO SELL DR. LUCIE’S COLLECTION OF WILLIAM SCAGEL KNIVES

 

 

James D. Julia Auctioneers extraordinary firearms and knife auction will be taking place on Monday and Tuesday, March 12th & 13th 2012. This auction should prove to be one of the most exciting events in knife history!

 

Dr. Jim Lucie, of Fruitport, Michigan recently decided to sell his lifelong collection of William Scagel knives. Dr. Lucie is today regarded as the reigning authority on Bill Scagel, his life, and the knives he produced. Dr. Lucie is a noted author of a monumental book on Scagel’s works titled, “Scagel Handmade”. He has also been a passionate collector of Scagel made things for most to his life. Dr. Lucie had the great fortune of meeting, doctoring and becoming a friend of Bill Scagel late in his life. His special relationship gave him a unique insight into this extraordinary man. Scagel was an extremely conservative, crusty and independent individual who lived life on his own terms.

 

Born in 1875, he lived until 1963 and for the majority of his life he used his unique skills and abilities to manufacture and craft about anything he wished. His focus however was on the production of quality knives. Although the product he produces was a simple utilitarian object he incorporated his unique artistic talent into the production of a true art form. His knives were literally a thing of beauty and he eventually began marketing them through the elite sporting goods store Von Lengerke & Antoine of Chicago. Up until 1929, his exquisite knives were featured in their catalogs and sportsmen from all parts of North America acquired his very special knives. Scagel was the first person to give art form to the American knife in the 20th century. Eventually, Bo Randall began to create artistic knives like those of Scagel’s and today the extraordinary fraternity of blade smiths throughout North America can attribute the origin of this art form to Scagel himself; he was unquestionably the genesis of this much revered and collected art form.

 

Dr. Lucie’s special relationship and appreciation of Scagel’s works eventually resulted in his amassing what is considered the finest collection of Scagel made products to exist today. His special knowledge and interest in Scagel, eventually led to his definitive book on Scagel products, “Scagel Handmade”. Dr. Lucie was so enthralled by Scagel’s art form that after Scagel’s death, he learned to become a blade smith himself and began producing wonderfully artistic knives in a manner similar to those of Scagel. Dr. Lucie’s knives themselves are highly collectible and he currently has a six-year waiting list for one of his masterpieces.

 

With the exception of a couple of items he retained for his daughters, his entire collection will be offered in this auction. There are so many great rarities, one of them is the Armond Durham camp ax with stag handle, originally made for Armond Durham. Durham had a number of pieces made, all of which he never used so everything from the Durham collection, including this ax, is essentially in near mint condition. The ax carries a conservative presale estimate of $20,000 – $28,000. Another very rare item is the D-guard fighter knife made for a Marine during WWII. On his first leave home, the marine ordered another five for members of his unit. These were the only D-guard knives ever made by Scagel and this is the only one currently known to have survived. It is estimated at $18,000 – $26,000. Another gem is the mint hunter with Heiser tooled sheath in an original V. L. & A box, the knife and Sheath are virtually new. It carries a presale estimate of $21,000 – $30,000. Another great rarity is a near mint crown stag folder knife. This pocket knife with stag handle this most unusual form is highly desirable and in its special condition, should easily generate $17,500 – $25,000. Another very rare and outstanding example of Scagel’s knives the hunter knife with folder in the handle. This very special form was exceedingly difficult to make and later in life, while corresponding with Bo Randall, he specifically stated that they were extremely difficult to make and that he only made 12 of these. This outstanding example is estimated at $20,000 – $30,000. Another exquisite Scagel knife is what Dr. Lucie refers to as the “Iron Mermaid of the Great Lakes” fish knife. This unique knife, specially crafted for the client who ordered it, is fitted with an antler handle in the form of a fish tail and is estimated at $18,000 – $27,000.

 

Not only were Scagel’s artistic abilities displayed in the product that he made, but sometimes his personal politics were reflected also. Scagel was never one to be beholden to one for a favor and when one was given he almost always immediately repaid it. One freezing night, while walking home, the local Democratic Party chairman stopped and insisted that he give Scagel a ride to his house. Scagel reluctantly accepted the favor and a few days later presented the Democrat with a small, hand-crafted knife and sheath as a gift. Later, a friend asked Scagel why the knife had an ivory slab on one side and a mottled mother of pearl handle on the opposite side. Scagel replied “Oh, you mean that damn Democrat knife I made? All Democrats are two-faced so I made the knife handle accordingly!” Estimate $4,200 – $6,000.

 

There are between 70 and 80 Scagel lots in this sale and they will be offered in consecutive order on one day. Absolutely no Scagel items from any other source will be mixed with Dr. Lucie’s collection. Julia’s catalog, considered the finest in the industry, will feature exquisite, full color photos of each lot and a detailed description provided by Dr. Lucie himself. The catalog description will also incorporate a conservative presale estimate. One unique feature about the Julia company is that unlike most auction houses who offer their goods “as is, where is”, Julia’s descriptions carry a 45-day guarantee from the date of the auction against any major discrepancy in the catalog description, thus making absentee bid participation not only easy and convenient but also safe.

 

In an effort to help make these rare items available for anyone interested, the Julia firm and Dr. Lucie have decided to make available special financing terms for qualified parties. If a client is approved, the terms will allow them to make payments for purchases over a period of time. Under no circumstances will terms be provided to anyone who does not apply before the auction. Customers must apply for and be approved before the auction for these special financing terms.

 

In addition, participation at the auction is most convenient. Some buyers attend the auction live and bid in person. Others after receiving the catalog may submit absentee bids to be bid competitively at the auction. Still others may make advance arrangements to bid over the telephone as it is being sold. And finally, anyone who has a computer will be able to bid live time during the auction by accessing the Julia catalog through “Artfact”.

 

This very special auction, featuring this unique collection will certainly prove to be a once in a lifetime opportunity. Not only will this be the most significant offering of Scagel knives ever offered, but the condition in general is truly outstanding. Many of the items have never been used.

 

One of the most difficult parts about preparing the catalog proved to be the estimates. Because of the rarity, the superb condition and in some cases the uniqueness of the items, it is impossible to predict what they might bring. However, the Julia firm and Dr. Lucie have agreed that the estimates should be realistically conservative so that all potential buyers can know that the collection is intended to be completely sold. Julia’s catalog will be available approximately four weeks prior to the auction and should be posted on their website approximately 3 weeks prior to the auction. For more information, contact Julia’s for free, detailed illustrated brochures of the sale (available four weeks prior to the auction) at (207) 453-7125 or visit their website at www.jamesdjulia.com.

 

To read more stories like this, subscribe to BLADE®. For subscription info click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb231111#BL1SU


Paul Ehlers Sets Record Straight

Editor’s note: Long-time knife designer Paul Ehlers wrote the following letter to BLADE® concerning our oversight of Mr. Ehlers’ copious design contributions to the works of Paul Fox and Blade Magazine Cutlery Hall-Of-Fame© member Gil Hibben, one of which by the latter, the Alien, is reproduced above via the photography of Mike Carter. We reprint Mr. Ehlers’ letter here in its entirety.

 

      My name is Paul Ehlers. I am a knife designer; I believe you know my work. I have been a reader of BLADE® since 1983. It was that year I forged a creative alliance and friendship with Blade Magazine Cutlery Hall-Of-Fame© member Gil Hibben, and later with knifemaker Paul Fox. Our knife journeys have been both challenging and artistically rewarding, and we always have endeavored to push the envelope. Often the envelope would push back, but we never let that stop us!

      Looking back, the majority of Gil’s one-of-a-kind custom fantasy knives were of my design, from our beginnings in ’83 with our “Dragonfly” up until the present day. In fact, we have done over 50 collaborations. That is a lot of grinding! It is no wonder Gil has often said “Paul’s dreams are my nightmares!”

      The first fantasy knife I designed for Paul Fox we named the “Soulseeker.” It went on to win the coveted W.W. Cronk Award at the 1986 Knifemakers’ Guild Show. That was a great honor. Of the many knives I have designed over 25 years, it is one of our best achievements.

      But alas, my name is nowhere to be seen in “Raise A Glass To The W.W. Cronk Award” on page 78 of the April 2009 BLADE. The ’85 winners are listed as collaborators, so I am sure you will take this opportunity to correct this piece of our knife family history. I, and posterity, will be eternally grateful!

Paul W. Ehlers

P.S.: I can recall at the first shows I attended, the “Father of American Knife Photographers,” Cutlery Hall-Of-Famer Jim Weyer, would take me around to the tables and introduce me as “the next Bud Cronk.” This was 1983. The only thing was, I had never met Mr. Cronk and had not seen any  of his work until Jim published his first Knives: Points of Interest book. When I asked about Cronk, Jim said, “Don’t worry kid, you’re in good company!” I never forgot that. Of course, over time I came to know what a true genius Cronk was and is. This is one of many reasons why this award means so much to me.

To read more stories like the above, subscribe to BLADE. For more information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb231111#BL1SU

Tuesday’s Knife

The latest entry in Blademag.com’s “Knife Of The Day” series, the model 7080 Natural 2 is a Pat and Wes Crawford design for Columbia River Knife & Tool.

Manufactured to be as close to a custom knife as possible, the assisted-opening folder features a 3.25-inch blade of 8Cr13MoV stainless steel and a Micarta® handle. Closed length: 4.38 inches. Weight: 6.3 ounces.

For more information on how to get your Natural 2, visit http://www.shopblade.com/product/the-natural-2-7080/?r+ssfb221111#X3349

10 Little Indians Multi-Blade Knife

Never having made a knife with over six blades, even multi-blade maestro Gene Shadley was challenged to reproduce a 19th-century sportsman’s knife based on a 10-blader made by Christopher Johnson & Co. of Sheffield, England.

      Engraver Simon Lytton provided the old catalog Shadley selected the pattern from, which Shadley made larger than the original (5 7/8 vs. 3 5/8 inches closed). The knife required a locking master blade and a lockbar—neither were on the original—as per customer order. Hence, Shadley had to redesign the knife from the ground up, making nine blades work in slip-joint fashion along with having to figure out how to make the master blade work as a lockback.

      The band in mid-handle, another first for Shadley, was also by customer request. Shadley had to make new rear bolsters to accept the tweezers and ivory toothpick. Even the file is different than anything he had done, requiring a knurling tool for the double grooves. The customer wanted no blade wobble, so Shadley made the lockback work with minimal tension, and installed bushings for all the blades to control the amount of play in each.

      Shadley said he had orders for two more 10-bladers and planned on making a large exhibition knife with probably somewhere between 12-to-15 blades that he hoped to display at the Solvang Custom Knife Show April 28, 2012.

 

For more information contact Gene Shadley, 209 NW 17th St., Grand Rapids, MN 55744 218-244-8628 or 218-999-7197 [email protected].

 

To read like stories like this and the latest on knives, knifemakers, knife news and more, subscribe to BLADE® by clicking on http://www.shopblade.com/category/magazine-issues

 

PICTURE CAPTION

 

Gene Shadley took the 10-blader without the sambar stag scales (top) to the 2010 New York Custom Knife Show “to show it off” and for photography, then took the completed version to the ’10 Guild Show, where Point Seven photographed it in a multiple exposure with the scale-less image (you can see the lockbar on the spine of the scale-less version). Blade steel: ATS-34 stainless. His list price for a similar piece: $10,000. (Point Seven photo)

Knife Of The Day

Here’s a new feature for ya’: the Knife Of The Day. The first one in this new feature is Bill Kirkes’ utility hunter in a handle of amber stag and 4.5-inch blade of 5160 carbon steel. The fittings are stainless. Overall length: 9 inches. Mr. Kirkes also made the inlaid sheath.

For more information contact Mr. Kirkes at 235 Oaklawn Circle, Little Rock, AR 72206 501-551-0135. (No website or e-mail info available.)

To see more great knives like this one and others, click on http://www.shopblade.com/category/magazine-issues to subscribe to BLADE®.

How Individual Makers Can Tap New Markets

In the November BLADE®, “Unsheathed” outlined the Custom Knife Collectors Association/Jerry Fisk Cutlery Challenge and its potential for tapping new knife markets. Since then, maker Kevin Hoffman’s “I Am The Walrus” art knife placing fourth in the Art Kudos International Juried Art Competition & Exhibition is instructive in showing how individual makers can enter their knives in art competitions and, thus, expose their work to new markets as well.

      Why is exploring new markets important to custom knife enthusiasts, makers and others in the industry? For one thing, new markets mean more exposure to new buyers/collectors, and thus more potential demand for custom knives—and such increased demand translates into more value placed on all custom knives.

      Over 400 artists from 23 countries entered 1,251 individual works in the Art Kudos competition. From these, 157 artists were chosen. Of them, a mere 10 won awards, including Hoffman (http://www.artkudos.com/2011/awards.html).

      Kevin subscribes to several art publications—including ARTnews and professional artist and metalsmith magazines—and belongs to the Society of North American Goldsmiths (SNAG), all of which publish “calls for artists” and art competition announcements. “There are lots of other art publications that you can find on the newsstand,” he added. “There are dozens of art competitions all over the world at any given time, and it’s a matter of finding ones that you qualify for or that your work will fit the criteria for, and entering. I chose this one because I thought my work might be a good fit.”

      He added that the Art Kudos competitions, which are conducted on the Internet, have a very user-friendly application process, including an on-line submission procedure. “Each competition has their own entry process, although it’s becoming easier with the advent of digital photography and the Internet, and a lot of the entries are now made on-line and the competitions accept digital images,” he observed. Unlike some competitions that require submission of the actual knife, Art Kudos allowed Kevin to submit a digital image of the knife and keep the real item for simultaneous exhibit and possible sale at knife shows. “I knew the Art Kudos competition would overlap with the Knifemakers’ Guild Show, and I wanted to be able to exhibit the knife at the Guild Show, too,” he explained.

      This is not to say, given the proper venue and exposure, Hoffman rejects competitions that require keeping the knife for extended periods. “Very often, new competitions or new competitions in new areas are for a period of time, even years, and are more of an exercise in the education of a new audience rather than being good sales venues,” he observed. “Nevertheless, I think it’s important to explore new markets that haven’t seen this type of work before.”

      Hoffman stated it is better to find a competition that fits the maker’s designs than for the maker to design a knife for a specific competition. “You have to find the competition that your work fits the criteria and style of,” he stressed. “In the art world, it doesn’t make sense to make work specifically for a given competition because the deadlines are usually too short for that, and short deadlines aren’t conducive to producing truly good work. You have to choose competitions that your body of work fits into. Some competitions only want paintings, others only want 3-D works, some only photography, some only allow sculpture but not jewelry, or vice versa. Some competitions are open only to artists from a certain region.

      “As for what type of knives to enter, it probably depends on the type of competition and on the preferences of the person doing the judging. In general, I’d say the more [artistic] knives probably have better prospects, although I’ve had some luck with utilitarian knives as well. You just have to read the rules and, if there are specific categories, submit only in the one that your work fits the criteria for. For instance, don’t try to enter a competition that is accepting entries only for two-dimensional works unless you’re entering a painting of a knife.”

      He added there is often a small entry fee. It is used to pay the person or people doing the judging, and, if any are given, to pay for the prizes for the winners.

 

PICTURE CAPTION

 

Kevin Hoffman’s “I Am The Walrus” placed fourth in the Art Kudos competition, and features a damascus blade and walrus-oosic handle. He sculpted the walrus-head-and-tusks guard from wax and then lost-wax cast it in 7.5 ounces of sterling silver. Contact Hoffman at 912-920-3579 [email protected]. He will write a chapter on lost wax casting in the second edition of Krause/F+W Media’s upcoming book, How To Make Knives. (photo courtesy of Kevin Hoffman)

 

To subscribe to BLADE, click on http://www.shopblade.com/category/magazine-issues

 

Fight Anti-Knife D.A., Attend NY Custom Knife Show!

One of the oldest and best custom knife shows begins today at the Westin-Jersey City Newport Hotel with the commencement of the 34th Annual New York City Custom Knife Show in Jersey City, New Jersey.

The show runs today through Sunday.

Why is the New York City Custom Knife Show in New Jersey, you ask? Until last year the show was in the Big Apple—but that was before Manhattan D.A. Cyrus Vance began his illegal, oppressive witch hunt of legal manual-opening knives, mislabeling them as gravity knives, switchblades, etc.

Show your disapproval of Vance’s criminal behavior by attending the NYC Show. Not only will you be spitting in the face of a pox on knives, you will see some of the world’s best custom knives.

For more information visit www.nyckshow.com.

The accompanying picture is of the Bladeart booth at the 2011 BLADE Show.

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