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Guilford Art Center Holds Juried Knife Exhibit

Calling all bladesmiths and knifemakers: the Guilford Art Center in Guildford, Connecticut, announces “Contemporary Knife Smithing: A Juried and Invitational Exhibition,” and is calling for submissions.

Bladesmithing is a thousands-year-old craft practiced in diverse cultures across the world. It has survived as an art form despite modern industrialization, with artisans dedicated to preserving and expanding traditional techniques. This exhibit will explore and highlight the artistry of the contemporary hand-crafted knife, as an object with both functional and aesthetic value.

Exhibit Dates: July 10-August 18, 2013 

Juror: An ABS journeyman smith, Mace Vitale practices blacksmithing and is a copper smith. He has a background in architectural pre-cast concrete, is owner of Laurel Rock Forge in Guilford, and is an instructor at the Guilford Art Center.Vitale_120608

Eligibility: This exhibition is open to knives made by U.S. residents.

Entries: Each artist may submit up to three (3) works. Each work may be represented by two separate images: one full view and one detail view. Work must be submitted in high-resolution digital format. For each entry please note dimensions of knife, and a maker’s list price (retail price), or not-for-sale/insurance value. Email entries to: [email protected].

Entry Fee for Applicants: $20. Includes up to three (3) submissions. Make check payable to Guilford Art Center and mail to 411 Church St., Guilford, CT 06437. Or call the Center with credit card number 203-453-5947. Payment must be received for entries to be eligible.

Entry Deadline: June 10, 2013. Digital images and entry fee must be received by this date.

Conditions:  All accepted works must arrive with a display case that closes for safety purposes during exhibition. All entries must be original and must be completed within the last 3 years. The Center reserves the right to reject entries that do not meet these requirements or is deemed unstable. Shipped work that differs from submitted images will not be accepted. Work damaged in shipping will regretfully not be presented. All accepted work must have proper identification. No accepted work may be picked up before the closing of the exhibition.  Work may be available for sale or must be identified as NFS. The retail price or insurance value provided on the entry form will be used; no changes may be made after the work is shipped.

Shipping: Shipping costs are the responsibility of the artist. A check for return shipping, including the cost of insurance, must accompany delivered work, payable to Guilford Art Center. Work damaged in shipping will not be presented. Detailed packing/handling instructions must accompany all works.

Hand Delivery: Please call the Center to make an appointment for hand delivery/pickup at 203-453-5947, Ext. 12, or email [email protected].

Receiving Deadline: All work must be received no later than these dates.

Sales/Insurance: A 40% commission on all sales will be retained by the Center. Artists must indicate sale price and insurance value or, if NFS, just insurance value. Submission of work to this exhibit is done so at the artist’s risk and implies an agreement on the part of the artist to all the conditions of this Call for Submission. GAC will not be responsible for loss or damage to work in transit, however, work will be insured while in the Guilford Art Center facility.

Publicity: Guilford Art Center reserves the right to photograph entries for the purposes of documentation, education and publicity. Accepted artists are encouraged to send to the Center a resume, artist statement, brochures, and additional photographic materials of the accepted work for publicity purposes.

 

Show Schedule:

Application due: June 10, 2013    

Artist Notification: June 14, 2013   

Receiving: June 24-28, 2013  (10am-4pm)  (Shipped/by appointment) 

Opening reception: July 10, 2013 (5-7pm) 

Closing:  August 18, 2013   

 Deinstallation: August 19-23, 2013 (10am-4pm) (Shipped/by appointment) 

For more information please contact Guilford Art Center at 203-453-5947, or visit www.guilfordartcenter.org.

Knife Review : CRKT Nirk/Tighe Folder (5250)

Great, fun and informative Columbia River Knife & Tool Nirk/Tighe Folder review.

Llannoite Proves Inspired Knife Handle Choice

Bill Keller custom knife

OK, take off the dirty shop apron, remove the safety glasses, and go to the workbench and pull out the notepad and pencil. Now, add Llannoite to the list of incredible knife handle materials available to honest, hardworking knifemakers across the land. While you’re at it, add the Bill Keller locking-liner folder to the list of “Editor’s Favorites from the Knives 2013 Book.”

Knifemaker Bill Keller not only saw the brown hues within the makeup of Llannoite, but the blue, as well, and brought it out nicely through the use of blue-anodized bolsters and liners. Each complements the Chris Marks “lizard-skin”-damascus blade, filework and inlaid blued-titanium thumb stud. (Johnny Stout photo)

Loveless Dagger Worth Keeping in the Collection

As preeminent Bob Loveless knife collector John Denton says, “The dagger is up there with the New York Special. It is really beautiful, and I just keep those back in the collection.”

Denton continues, “Bob was not as much about fit and finish as Steve Johnson, but more about making a knife feel so good in the hand. He always said, ‘Make a knife look so good you want to pick it up, and feel so good you don’t want to put it down.’ And that worked. His design and balance were critical to making the knife market shoot to the moon.

“People have been telling me since the 1960’s when they got a Loveless knife, that it was so pretty they did not want to use it, but Bob wanted it to look good, and he also wanted people to use them.”

The dagger in a full, tapered tang, Micarta handle and double guard looks and feels good. It is from the John Denton Collection. Photo courtesy of Denton.

A Pearl In the “Greatest Loveless Knife Designs” Rough

When considering the “Greatest Loveless Knife Designs,” a pearl-handle piece is probably not the first that enthusiasts would think of. In fact, this “gent’s” model is one of the very few knives made in pearl from the Loveless shop. And what a beauty she is! … including the naked lady logo.

Thanks go to Dave Ellis for lending the image and his expertise on the matter. Dave has two websites: http://www.robertloveless.com and http://www.exquisiteknives.com. 

Greatest Loveless Knife Designs … Third Installment!

Let’s keep the ball rolling on this thread showcasing some of the greatest Bob Loveless knife designs.

Today’s featured knife is yet another rare puppy, an amber-stag-handled Wilderness model.

So far we’ve had a New York Special, Drop Point Hunter and Wilderness. A good start, I’d say. What do you think? 

Thanks to Dave Ellis for supplying the knife image when I asked him for an example of a Wilderness model. Dave actually has two websites: http://www.robertloveless.com and http://www.exquisiteknives.com.

Knife Test: Winkler Knives II Get A Tough Workout!

Master bladesmith Daniel Winkler’s knives and axes created for elite Special Operations teams. http://www.winklerknives.com/

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