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Steve Shackleford

National Fraud Week: Fight Fake Knives

Counterfeit knives
True counterfeit knives are those that not only copy the original in terms of every one of the knife’s features and markings, but also in every detail of the knife’s packaging as well, such as here on the CRKT M16-14. The authentic one is at left, the counterfeit at right.
Counterfeit knives
Counterfeiters marked their counterfeit (right) of an authentic Strider fixed blade (left) “Strider,” but from there it becomes obvious the counterfeit is not legitimate. Note the counterfeit’s incorrect dimensions, inaccurate blade grind, finish and length of clip, miniscule sawteeth and sharp corners where they should not be, as well as the shoddy workmanship of the green sheath.
counterfeit knives
The Microtech knife box above with a pinkish hue is a counterfeit. The authentic box at left is outfitted with a unique serialized barcode and also a “claw” watermark to help identify the authentic packaging.
Counterfeit knives
The authentic Microtech packaging is black and has the unique serialized bar code.
counterfeit knives
Another indication of authenticity on the Microtech product box is the special Stars ‘n Stripes “claw” watermark.

Fake knives—better known as counterfeit knives—are a worldwide problem that needs everyone concerned to pay attention, and National Fraud Awareness Week Nov. 12-18 is a good time to sit up and take notice.

Factory knife companies are especially prone to having their knives counterfeited by nefarious operations, the latter usually based overseas. The American Knife & Tool Institute has a dedicated program tailored to fight the plague of fake knives, and other cutlery companies such as BrowningCRKT, Cold Steel, Chris Reeve Knives, Knifeart and others have websites that address the scourge.

What can you do? Visit the above sites and others and familiarize yourself with the situation concerning counterfeits of those companies’ knives. While some custom knives are victims of counterfeits as well, it’s largely the factory guys that are targeted simply because their knives are recognized by many and sold on a much larger scale than custom knives, and can earn the counterfeiters much more illicit money as a result.

One thing to keep in mind is exactly what is meant here by counterfeit knife. We are not talking about design features, designs, etc., that are “knocked off” without the original maker/designer’s OK or approval. That is another matter entirely. There are some instances of where knockoffs are done and the parties involved eventually wind up in court to settle the issue. If the matter cannot be resolved otherwise, the original designer ultimately may have to prove that the design feature, design, etc., is his or hers exclusively, it has not appeared on another knife before, etc. As you can imagine, since knives have been around since the dawn of humanity, such a thing many times can be very difficult to prove. However, again, knockoffs are not the issue here.

The issue here is a counterfeit knife in which the counterfeiter has copied everything in question about the knife, from the knife’s exact features, blade stamp and even the product box in which the knife is packaged. The product box even will illegally sport the knife and company’s name, the company’s address, etc. Then, when the unsuspecting buyer purchases the fake knives and sends them to the company about a warranty issue, the company in question has the unsavory duty of telling the buyer that he or she has been duped by counterfeits, and the company cannot honor the warranty. The buyer is then stuck with worthless fake knives.

Some of the counterfeits are easy to identify because they are shoddily done. Others, however, are not as easy to spot. It’s a growing problem, one that knife companies and knife enthusiasts everywhere—including you—must continue to deal with and be vigilant about. For more information look for Daniel Jackson’s story on counterfeit knives in the January 2018 BLADE®, on newsstands Dec. 26.

Bag Hot Big Blades ‘n Edges

Big Blades 'n Edges
Bag Big Blades ‘n Edges in the latest issue of BLADE®—on newsstands now!
Big blades by Chris Amos
Big blades can be fun to make and Chris Amos shows you how to make a big bowie in part one of his story this issue.
Big blades from Boker Arbolito.
Big blades go hand-in-hand with Thanksgiving and turkey carving. The Boker Arbolito Carving Set is big bird ready!
Fremont big blades
A hatchet may not fit into your classic definition of big blades but it definitely can act like one, such as the Farson from Fremont Knives.
Hoffman's big blades
In the realm of big blades, kukris are large and in charge—even compact ones such as this one by Liam Hoffman.
Burns's big blades
As far as big blades go, Robert Burns’s Joe Musso Bowie is a cutting behemoth.

Big Blades ‘n Edges, including reviews of the newest factory hatchets, some of today’s top custom bowies and four top turkey carving sets, highlight the latest BLADE®, on newsstands NOW!

The latest BLADE leads off with “Big Bad Blades,” Daniel Jackson’s assessment of some of today’s hottest bowies and their makers, including Mike Quesenberry, James Huse II, Jason Fry and Robert Burns. Each has an approach to “America’s Knife” sure to stir your bowie blood. Speaking of which, if Daniel’s story makes you want to “take the next step,” check out part one of “How To Make a Bowie” by Chris Amos.

In “Chop Shop,” join Abe Elias as he takes four contemporary hatchets—the Tomahatchet cover piece, Condor Tool & Knife Greenland, Browning Outdoorsman and Fremont Knives Farson—and subjects them to a round of hacking and cutting exercises. And in “Turkey Cuts,” James Morgan Ayres not only tests a quartet of the latest factory turkey carving sets from Victorinox, Santa Fe Stoneworks, KAI Shun and Boker Arbolito, but he shows you how to prepare your bird for Thanksgiving, too!

Kim Breed tests two custom straight knives with wharncliffe blades by Ryan Sprinkle and Michael Jarvis in “Little Knives, Stout Cutters. In the latest installment of the Knives That Changed Knife History, Mike Haskew outlines how BLADE Magazine Cutlery Hall-Of-Fame© members Blackie Collins and Ken Onion spearheaded the revolution in assisted-opening knives.

Speaking of history, Pat Covert examines the over six decades of making Rambo and Star Trek knives, reproducing Paul Ehlers‘ fantasy knife designs, terms as president of The Knifemakers’ Guild, holding a private audience with Elvis Presley and much more of the fascinating life of Cutlery Hall-Of-Famer Gil Hibben.

There’s more, including a new breed of modern slip joints, the very first story of the very first issue of BLADE (then the American Blade), Liam Hoffman‘s compact kukri and scintillating scads of sharp stuff, all in the latest issue of BLADE.

Great Knives Have “Face”

Great knives have face. I’m not talking about a face like on a Halloween mask, but a knife with a design or style that’s recognizable by a large number of knife enthusiasts as having been made first by one knifemaker and one knifemaker only.

The face, in this instance, is the unmistakable knife design or style of the maker in question.

How the term came about I’m not exactly sure but I’ve heard it from or read it written about by long-time observers of the knife scene, including BLADE Magazine Cutlery Hall-Of-Fame© members Bernard Levine, Bruce Voyles and others. One explanation of face that applies here is that I may not know or remember a person’s name, but if I know his or her face I almost always instantly recognize it. The difference in the instance of knives with face is that I recognize both the knife design or style and the maker’s name.

There are at least two provisos: 1. To fully qualify as a knife with face the knife must be recognizable by a large number of knife enthusiasts. Now, there no doubt are great knives made by makers that one or a few enthusiasts may recognize as being the knives of specific makers, but the ones that really fill the bill are the ones many enthusiasts can look at and say, “Yep, that’s so-and-so’s knife.” It’s effective in terms of a conversation starter among knife enthusiasts who are friends, or as a conversation icebreaker among those who have just met. They don’t know each other but they do know great knives with face.

2. Some of the makers of knives with face have had their designs with face emulated by many others. Even so, if the knife has face those who recognize it will say that it’s in the style of the maker who originated it.

Following is a selection of great knives with face and why they qualify. Enjoy!

  1. The Bob Loveless dropped or drop-point hunter. The Loveless drop-point hunter is one of the great knives with face on this list that meets Proviso 2 above. While it may not appear to be all that unusual, the drop-point style of the blade—where the blade tip falls below the plane of the spine—is something Loveless popularized in the 1970s and ’80s, and it remains his signature style to this day.
  2. The Bill Moran style. Actually, as with Loveless, any number of Moran knives have face, though I’ve chosen one of my favorites: the ST-24.  The flowing blade with a long clip point and ergonomically contoured dropped handle with silver wire inlay is unmistakably a Moran.
  3. The Michael Walker style. Walker’s linerlock folder changed knives forever but he also makes models unlike anyone else. Outfitted with any number of his clever and innovative locks, each of which gives the handle a notably different look at the pivot, Walker’s knives use the latest and most exotic materials, are embellished in any number of creative and ornate ways, and usually have some of the most interesting blade shapes you’ll ever see.
  4. The Jurgen Steinau style. When I first saw one of Jurgen Steinau’s knives, at first I wasn’t even sure I was looking at a knife. The designs, angles and materials of his knives are like something from a book on intergalactic architecture. Suffice it to say, Steinau’s great knives have face—and then some!
  5. Jim Schmidt’s Goblin Folder. Schmidt’s Goblin Folders have face in more ways than one. Not only do they have the face of a goblin on the handle’s stag butt, but that face makes the knife unmistakable as the style originally made by Mr. Schmidt. A number of his other models have face as well.

There are others who make great knives with face. Which ones make your list?

Loveless and Schrade
1 The Loveless dropped or drop-point hunter has face in large part because of the drop-point blade with the tip that drops below the plane of the spine. An original is shown at bottom here, with a Schrade repro at top.
Jurgen Steinau knife
4 Jurgen Steinau’s great knives have face for their design, angles and materials that look like something straight out of a book on intergalactic architecture.
Michael Walker folders
3 Michael Walker’s spectacular folders have face for any number of reasons, from their distinctive pivots to their exotic materials, creative embellishments and standout blade shapes.
Moran ST-24
2 Bill Moran’s ST-24 has face thanks to the long, flowing blade and ergonomic dropped handle with silver wire inlay—not to mention his distinctive sheaths. Those who know great knives recognize the Moran style immediately.

 

Schmidt's Goblin Folder.
5 Jim Schmidt’s Goblin Folder has face in more ways than one—it actually has the face of a goblin on the handle butt!

Halloween Knives: Shriek Chic

Halloween knives conjure visions of human steak and Bela Lugosi, high tops and Frankenstein, and decapitations and zombies. Warming to the genre yet?

ABS master smith Wally Hayes makes a couple of Halloween knives that fit the mold like a stake in Frank Langella’s heart: the Vampire Stake and the Zombie Spike. Formed like, well, a stake to drive into the chest of one of the spooky set’s most famous blood-sucking ghouls, the Vampire Stake has a distinctive cross forged into the handle butt to intimidate the worst of the slimy night crawlers, antique coloration and a leather sheath. The Zombie Spike, on the other hand, is 6 inches long and fashioned from O1 tool steel ground and heat treated for high performance. Hayes says it’s popular among his law enforcement customers, though he didn’t mention if it was the officers in the CSI: Walking Dead unit or not. It comes with a Kydex sheath.

Vampire Stake by Hayes
Creatures of the night cringe at the sight of the Vampire Stake by Wally Hayes.
Hayes' Zombie Spike
Wally Hayes‘ Zombie Spike will keep the Walking Dead on their toes.

Dan Keyes‘ “The Count” features a coffin handle with inlaid ivory crosses, a fullered, 30-inch blade of double-drawn 440C stainless steel and LED bulbs that light The Count’s red eyes. The skull is powder-coated “anthracite gray” with highlighted airbrushing. Weight: Just short of five pounds. Overall length: 38.5 inches.

The Count by Dan Keyes
The Count by Dan Keyes is just what Dr. Death ordered.
Skull with red eyes
The red eyes of The Count’s skull light up with the flip of a switch in the handle next to the black-leather-lined skull.
The Count Sword
The Count boasts a 30-inch blade, weighs just short of 5 pounds and is 38.5 inches long overall.

The creation of French knifemaker/artist Jean-Marc Laroche, The Living Knife has a “hand” for a handle with “fingers” that close, an “eye” and an overall lifelike appearance that will literally, er, grab you. As you grab the handle, the “fingers” actually grab back so that it’s hard to tell who’s holding whom. And, as the fingers grab your hand, the “eye” opens. The hand also is embellished with gears in the Steampunk style. The blade is a composite of 15N20, 15LM and UHB11 high-alloy nickel and carbon steels in explosion, twist and random patterns forged by Swedish maker Roger Bergh. Overall length: 25 inches.

Hands of The Living Knife
When you grab the “fingers” of the “hands” of Jean-Marc Laroche‘s The Living Knife, they literally grab you back!

The MacV Tool from SOG Specialty Knives & Tools is shaped like a skull and is 12 tools in one, including 1/4-, 5/16 and 3/8-inch wrenches, blade sharpener, strap/cord cutter, small and large flathead screwdrivers and more. Designed to resemble the original skull from the MACV-SOG group of Vietnam War fame the company is named after, it measures 2.5 by 1.5 inches and weighs .6 ounce.

MacV tool from SOG
Shaped to resemble the skull logo of the original MACV-SOG group of Vietnam War fame, the MacV Tool from SOG Specialty Knives & Tools is 12 tools in one.

 

Zomstro Chopper from KA-BAR.
A toxic green handle and big, bad modified-cleaver blade in a black finish complete the KA-BAR Zomstro Chopper.

As you might imagine, knives with a zombie theme are undead and well, including the Reaver Cleaver from Zombie Tools and the Zomstro Chopper from KA-BAR. Based on the Chinese war sword, the Reaver Cleaver features an 18-inch blade of 5160 carbon steel, weighs 3 pounds, 10 ounces, and is 31 inches overall. The Zomstro Chopper, meanwhile, features a big, bad modified cleaver blade in a black finish and KA-BAR’s toxic green Zombie handle.

If The Count and the rest of our Halloween knives don’t keep you down for the count, you might be among the living dead. If so, stay clammy and watch out for sunrise!

Laroche's Living Knife
The Living Knife by Jean-Marc Laroche was the cover for the January 2015 BLADE®.

 

Forged Knives Fever!

Forged knives in BLADE
Forged knives are the focus of the latest BLADE®, on newsstands now!
Korth Carved Reptile
The Ikoma Korth Bearing System developed by Flavio Ikoma and Ricardo and Paulo Lala—here on a Korth Carved Reptile—helped revolutionize flipper folders.
Reboot your collection?
J.T. Oldham shares his views on whether you should reboot your knife collection in this issue.
Friedly art knife
Find out where art knives such as this model by Dennis Friedly are headed in this issue of BLADE®.

Hot knives don’t get any hotter than those hammered to shape in the forge, and the latest BLADE® focuses on forged knives in all their radiant glory.

 

Tips for novices
Chris Amos provides tips for novices on how to forge knives in this issue of BLADE®.
Damascus bowie
Harvey Dean‘s damascus beauty won the Antique Bowie Knife Association Award for best period bowie by an ABS master smith. (Chuck Ward image)

Scott Gallagher‘s Wolf Fighter in forged mosaic damascus is the cover piece for our forged knives special issue, and is among those in Les Robertson‘s story on how much you should pay for forged knives. The American Bladesmith Society is the world’s foremost organization of those who forge knives, and BLADE Magazine Cutlery Hall-Of-Fame© member B.R. Hughes outlines the top ABS knives of the year as awarded at the 2017 BLADE Show in “Family Reunion of the Forge.”

How do you get started forging knives? High Endurance Performance Knife master bladesmith Chris Amos covers the basics every newbie bladesmith should know in “Top Tips for Novice Bladesmiths.” Attending hammer-ins is another must for those serious about forging knives, and BLADE Managing Editor Erin Healy tells you about one of the top centers of bladesmithing instruction, the New England School of Metalwork, in “Hammah-Time!”

Sometimes you need to start all over again, including with the knives you collect. Pat Covert interviews some top collectors for their views on the subject in our lead story, “Is It Time To Reboot Your Collection?” Throwing knives have been enjoying a resurgence lately, and James Morgan Ayres tries his hand at flinging some of the latest ones in “Bull’s-Eye!”

Art knives were among the hottest custom knives anywhere in the 1980s and ’90s but in recent years have been overshadowed by tactical and other knives. Dave Rhea examines the current state of the genre and where it’s headed in “Where To Now, Art Knives?” Gent’s knives have an across-the-board appeal for their looks, style and utility. Abe Elias tests four of the latest in “Steel-ish & Stylish.”

There’s much more in this issue, including how the flipper folder changed knife history, tests of two hunting knives, sharp holiday season gift ideas and much more in the latest edition of BLADE, on newsstands now or available in the digital edition. Or, you can subscribe to the domestic print, digital, Canadian print or international print editions.

 

Jack-o’-Lantern Contest Will Make You Carve

BLADE Show pass and knife
Grand prizes include a free knife and pass to the 2018 BLADE Show in our Best Carved Jack-o’-Lantern Contest.
Reader Favorite and Editor's Choice
There will be two Best Carved Jack-o’-Lantern Contest categories: Reader Favorite and Editor’s Choice.

Win your share of “ghoul’s gold” in Blademag.com’s first-ever Best Carved Jack-o’-Lantern Contest.

Halloween will be here soon, so now’s the time to break out that pumpkin and get to carvin’! While you’re at it and to add to the fun, you might as well enter our contest for the chance to win a ghoul’s gold in free prizes.

There will be two categories: Reader Favorite and Editor’s Choice. The grand prize winner in each category will receive a free knife and a free pass to the 2018 BLADE Show, the world’s largest knife show, June 1-3 at the Cobb Galleria Centre in Atlanta, Georgia. Three honorable mentions will win free tuition to the 5th Annual BLADE University, which is held the day before the 2018 BLADE Show begins and on show Friday and Saturday, also in the Cobb Galleria Centre. BLADE University is the most comprehensive array of educational classes on all things knife offered by any knife show.

The rules are simple: Carve a pumpkin in a manner that you think will get the most votes from our voters. And feel free to get creative! Though many choose to make scary looking jack-o’-lanterns, you can carve a pumpkin in just about any design you like. Take pictures of your carved jack-o’-lantern and a picture of the knife you use to carve it, include the knife’s model name and brand, and email it all to us. Visit the site daily to view the entries and vote for your favorite. Meanwhile, tell your family and friends to go to our page and vote, too. Remember: One vote per person only please! We will announce the winner on Halloween, Tuesday, Oct. 31.

Now go do that voodoo that you do so well!

People Are Talking About BLADE Show 2018

BLADE Show 2017 and BLADE University
BLADE Show 2018 will host the 5th BLADE University with instruction from such teaching pros as ABS master smith Timothy Potier (right), here giving a few tips to budding knifemaker Zander Nichols.
BLADE Show art knife award
David Broadwell won Best Art Knife at BLADE Show 2017 for The Wanderer. (Ward image)
BLADE Show Knife Of The Year
The BLADE Magazine Knife-Of-The-Year® Awards will be named at BLADE Show 2018. The BLADE Magazine 2017 American-Made Knife Of The Year is the Kranos by Spartan Blades. (Ward image)
BLADE Show 2017 cutting competition
BLADE Show 2017 hosted the Men’s and Women’s World Champtionship Cutting Competition. Nicole Worden shows her championship form in winning the Women’s Title for the second consecutive year.

BLADE Show 2018 will return to the Cobb Galleria Centre in Atlanta, Georgia, June 1-3 for the 37th annual rendition of what has become the seminal event in the world of knives. More exhibitors and patrons attend the BLADE Show than any other knife event. Every continent in the world with the possible exception of Antarctica will be represented. Custom and factory knives in all categories—tactical, kitchen, EDC, art, utility, combat, commemorative, antique, bowies, hunters, skinners, daggers, camp knives, assisted openers, flippers, balisongs, neck knives, folders, multi-tools, swords, tomahawks, sharpeners, knifemaking equipment, displays—if it cuts, BLADE Show 2018 will have it.

BLADE Show 2018 will be many events within the event. The most comprehensive array of classes on how to make, use, appraise, collect, sharpen and otherwise do most everything concerning knives will be presented in the 5th Annual BLADE University held the day prior to the show and show Friday and Saturday. Free demos including a balisong-flipping competition, the BLADE Show World Championship Cutting Competition coordinated by BladeSports International, on the use of swords, knife and tomahawk throwing, what to look for in custom knives and many more will be offered show Saturday and Sunday. The annual meeting of the American Bladesmith Society, a special knife collection

BLADE Show 2017 balisong flipping competition
BLADE Show 2018 will welcome back the balisong-flipping competition.

display area, voting for the BLADE Magazine Knife-Of-The-Year® awards, inductions into the BLADE Magazine Cutlery Hall Of Fame©, silent knife auctions, knife lotteries and many more functions will be part of the fun and excitement. And, at the end of each day, show patrons will gather in the lounge of the show’s host hotel, the Renaissance Waverly, known worldwide as simply “The Pit” to talk knives until the wee hours—and then will get up the next day and do it all over again.

Make plans to attend the 37th Annual BLADE Show now. For hotel and other information click here. For the BLADE Show newsletter with regular show updates, click here.

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