The BLADE Blogs

The blogs of the BLADE editors, Steve Shackleford and Erin Healy.

Schools of Sharper Learning

You can forge, grind, heat treat and finish a kukri at Dave Lisch’s Studio 4 Forging Facility in Seattle, Washington. (photo courtesy of Dave Lisch)

Talk to anyone in the know in the factory knife industry and he or she will tell you most of the hottest knife styles, materials, mechanisms and more seen on today’s production knives originated in the custom segment of the knife industry. In fact, with the growing amount of knifemaking learning centers and symposiums nationwide, an ever-increasing number of contemporary makers who set the trends in custom and factory knives are cutting their teeth in the schools of sharper learning. Consequently, no matter the hottest knife trends, chances are many of them come from the minds of those who teach and/or learn at today’s top knifemaking venues.

Those venues range from California to New England and many points in-between, and chances are one is near you. What’s more, each seems to offer something different, not only in subjects taught but in its overall philosophy and approach to knifemaking in general.

At the Branson Hammer-In & Knife Show in Branson, Missouri, knifemaker Gary Mulkey leaves the type of demonstration up to the demonstrator “so as to make it as enjoyable for all as possible. My goals in sponsoring this event are twofold: to provide a fun weekend for the knifemakers and to introduce new people to the world of custom knives.”

The Ashokan Seminar in Ashokan, New York, has been around as long or longer than any of them, started by the New England Bladesmith’s Guild in the early 1980s as a “non-sanctioned shadow organization.” “The sole purpose of the group is the education and improvement of the craft of knifemaking,” noted bladesmith and BLADE® contributor Tim Zowada. “With that goal in mind, the seminar is the only function of the group. There is no membership. There are no dues, nor newsletter. This lack of structure eliminates politics within the group. All the demonstrators and staff donate their time. This is a seminar covering all facets of knifemaking, taught by those with a strong desire to teach and share.”

     BLADE field editor/ABS master smith Joe Szilaski’s approach at his Knife & Tomahawk Learning Center is tailored for each individual student. “My philosophy has been you will learn more if you work on the style of knife that interests you most,” he stated, “and as with most things in life, there is more than one way to skin a cat. A technique that works for one person may not work for another. I have almost 50 years experience in metalworking and am able to demonstrate several different techniques that will help the student find what method works best for him.”

Whether you want to make a knife from start to finish, focus on one or more specific techniques or knife patterns, forge steel, grind blades, inlay wire in knife handles, test knives to the brink of destruction or what have you, today’s learning centers have it. Meanwhile, some of them also conduct knife shows and auctions where you can buy and sell knives, equipment, materials and related items, and cutting competitions where you can watch the knives in action—all the while talking and trading ideas with top makers, the legends and the brightest young minds of knifemaking.

A number of the schools are located in picturesque and/or notable settings—the Moran School of Bladesmithing in historic Old Washington, Arkansas, the Batson Bladesmithing Symposium at the Tannehill Ironworks in McCalla, Alabama, and the Big Sky Country Conference near Glacier National Park in Frenchtown, Montana, to name but three—with lots of good food, local attractions, camping and/or comfortable accommodations, and good times to be had by all.

Things you should bring to each venue (if not already provided) include a notepad, pens/pencils and/or recording device, casual and work clothes, gloves, goggles, earplugs and a dust mask.

In alphabetical order, the centers of instruction are (please note in instances where dates and schedules have not been firmed up yet, past courses and instructors are listed to give you a taste of what to expect in the coming year):

 

Ashokan Seminar, New England Bladesmith’s Guild, Sept. 14-16, The Ashokan Seminar, Ashokan, New York

•Schedule varies (beginner to advanced level); past demonstrators include Phil Baldwin, Rick Barrett, Kevin Cashen, Delbert Ealy, Don Fogg, Rick Furrer, Jim Kelso, Dan Maragni, R.J. Martin, Jerry Rados, Jim Siska, Tim Zowada and others, all of whom donate their time “with a strong desire to teach and share”

•Casual clothing recommended; safety glasses required for demos; work clothes suggested for participating in open forge time

•Cost: $265 includes room and board (“The food is fabulous!”)

•Tim Neu (registration), Dept. BKG12, 511 Beaverkill Rd., Olivebridge, NY 12461 [email protected], or Tim Zowada (general questions) 231-348-5416 www.ashokanknifeseminar.com

 

Batson Bladesmithing Symposium, Knife Show, auction and cutting competition, spring, Tannehill Ironworks, McCalla, Alabama

•Past courses: Basic bladesmithing, damascus, handles and guards, folder construction, sheath making, scrimshaw and much more taught by Kevin Cashen, Wade Colter, Jim Crowell, Alex Daniels, Christoph Deringer, Rick Dunkerley, Ken Durham, Vince Evans, Jerry Fisk, Don Fogg, Rick Furrer, Wayne Goddard, Jay Hendrickson, B.R. Hughes, Joe Keeslar, Chris Marks, Charles Ochs, Mel Pardue, Al Pendray, Tim Potier, Steve Schwarzer, Devin Thomas and others; supplies, materials, knifemaking equipment and more

•Cost: Contact Jim Batson for more information

•Jim Batson, 256-971-6860 or 912-383-6776, [email protected]

 

Big Sky Country Conference, July 14-15, Josh Smith’s Knife Shop, Frenchtown, Montana

•Past instructors (mid-level to highly advanced classes; everyone welcome, especially collectors;): Harvey Dean, Rick Dunkerley, Larry Fuegen, Tim Hancock, Richard Rogers, Bill Ruple, Jurgen Steinau, Owen Wood, John Young and more

•Notepad and recording devices; everything else is available there

•Cost: $185 per person, $225 per couple; includes lunch and dinner Saturday; collectors encouraged to attend the Big Sky Country Knife Show Friday before the conference; the show includes 12 top makers specially selected to attend (contact Josh for an invitation)

•Josh Smith, 406-626-5775 [email protected], www.joshsmithknives.com

 

Branson Hammer-In & Knife Show and cutting competition, Sept. 29-30, The Shepherd of the Hills Farm, Branson, Missouri

•52-table knife show ($100 exhibitor table fee) runs concurrently with hammer-in both days; cutting competition on Saturday

•2011 demonstrators/courses (beginner to advanced level) included: Jim Crowell, bladesmithing hunters; Kyle Royer, bladesmithing bowies; Jerry Lairson, fitting guards; Brion Tomberlin, heat treating and ABS JS blade testing; Linda Ferguson, scrimshaw; Jason Burton, grinding a hunter blade; Bill Lyons, filework; and more

•Cost: Attendance free to the public

•Gary Mulkey, 417-348-0123, [email protected]

 

California Hammer-in (ABS), Oct. 19-21, College of the Sequoias, Visalia, California

•Past courses/instructors (everyone welcome): Basic forging, heat treating, grinding and  finishing, and handles and guards to advanced forging of complex mosaic damascus patterns and folding knife construction; also, wire inlay, filework, sheathmaking, forge design and construction, the making of wootz and tamahagane, and more; instructors Bill Burke, Jon Christensen, Rick Dunkerley, Tom Ferry, Don Fogg, Joe Keeslar, Bob Kramer, Greg Neely, Michael Vagnino, Owen Wood and others

•Bring safety glasses, ear protection and long pants, and notepads pens/pencils

•Cost: $55

•Michael Vagnino, 559-827-7802, [email protected], americanbladesmith.com

 

Great Smoky Mountain Bladesmithing Symposium & Knife Show, March 9-11, Haywood Community College, Clyde, North Carolina

•Bill Wiggins, 828-226-2551, [email protected]

 

Guadalupe Forge Hammer-In & Knifemakers Rendezvous (includes a show-and-tell knife show), February and September, New Braunfels, Texas

•Past courses (everyone welcome): basic blade forging, advanced blade and damascus forging, mosaic damascus, grinding, handles and guards, mortise-tang construction, slip joints, locking liners, lockbacks, basic machining, surface grinders and pantograph mill, leather and metal sheaths, engraving basics, filework, choosing quality handle materials and more. Also Stout’s one-on-one basic, advanced and folder classes, and a tentative one on autos

•Basic tool-room attire

•Cost: $200 (noon meals included)

•Johnny Stout, 830-606-4067, [email protected] or  Harvey Dean, 512-446-3111

 

Haywood Community College (ABS), February through December, Clyde, North Carolina; campus is a designated arboretum with many “natural” classrooms in the Appalachian Mountains of Western North Carolina

•2012 demonstrators/courses: Brute de Forge, Joe Keeslar; intro to bladesmithing (2 separate courses), Greg Neely (week 1) and Jim Batson (week 2), and  Bill Wiggins (night classes); handles and guards, Jim Rodebaugh; damascus (2 separate courses), Tim Potier and Steve Dunn; and spring and fall hammer-ins

•Cost: Ranges from $65 (hammer-ins) up to $850 for each course

•Howard Tew, 828-627-4667, [email protected], www.americanbladesmith.com

 

Heartland Hammer-In, Oct. 6-7, Washburn Institute of Technology, Topeka, Kansas

•Steve Culver, 785-484-0146, [email protected]

 

Joseph Szilaski Knife & Tomahawk Learning Center, classes year round (mostly weekends) in Joe’s 4,400-square-foot shop

•Course schedule (everyone welcome; 6 students per class): blade forging, grinding (2 days; Jim Siska assisting); hawks (5 days); locking-liner folders (4 days); also, 2-day courses in bladesmithing, grinding, handles and guards (Siska assisting), carving ivory, steel and bone, engraving and inlay, and more

•Wear good shoes and long pants w/no cuffs or nylon; hearing and eye protection (though goggles, masks, gloves and ear plugs are provided)

•Cost: Most classes $200 per day (includes materials, supplies and meals)

•Joe and Lori Szilaski, Dept. BKG12, 52 Woods Dr., Pine Plains, NY 12567 518-398-0309, [email protected], www.szilaski.com

 

Mid-America Hammer-In, Aug. 24-26, Miami County Fairgrounds, Troy, Ohio

•Butch Sheely 419-832-5801 [email protected]

 

New England School of Metalwork (ABS), December 2011 through November 2012, Auburn, Maine

•Course schedule (contact Dereck Glaser for levels of expertise required): basic bladesmithing and American-style tanto, Nick Rossi; simple sheathmaking; basic damascus knifemaking, Christoph Deringer; intro to Japanese sword forging, Howard Clark; damascus, J.D. Smith; intro to bladesmithing (2 separate courses; each one includes dorm and kitchen use), Jim Crowell (1 week each) and instructor to be determined; handles and guards; Brute De Forge, Joe Keeslar; summer hammer-in; and more

•Cost: Ranges from $55 (hammer-in) up to $1,000 for each course

•Dereck Glaser, 207-777-3375, [email protected], www.newenglandschoolofmetalwork.com

 

Studio 4 Forging, dates to be announced, Seattle, Washington

•2012 demonstrators/courses: Mike Vagnino, lockback folders, 3 days; Jason Knight, kukri knife class, 3 days; David Lisch, shop rat knife, 1 day; David Lisch, in-depth damascus, 5 days; Tom Ferry, locking-liner folder class, 3 days; also, a wide range of bladesmithing classes throughout the year

•“Come get something hot and make something cool!”

•Cost: Ranges from $150 to $1,000 for each course

•David Lisch, [email protected], DavidLisch.com

 

Texarkana College Moran School of Bladesmithing (ABS), February through October, Washington, Arkansas (venue is a replica of a one-room school house and a stable/barn)

•2012 demonstrators/courses: intro to bladesmithing (4 separate courses) by Greg Neely and Dickie Robinson, Gordon Graham, Kevin Cashen and Mike Williams, and Jim Crowell and Tim Potier; handles and guards (4 separate courses) by Dan Petersen, Roger Massey, Mike Ruth Sr., and Joe Keeslar; damascus (2 separate courses), J.R. Cook and Steve Dunn; slip joints, Wes Davis; and spring and fall hammer-ins (both at Piney Woods; contact B.R. Hughes, 903-838-0134, [email protected])

•Cost: Ranges from $55 (hammer-ins) up to $850 for each course

•Debbie Bricker, 903-832-5565 ext. 3266, [email protected], www.americanbladesmith.com

 

Willow Bow Ranch Seminars, instruction offered pretty much year round, Riverton, Wyoming

•Courses (no experience necessary): Each student forges, heat treats and grinds a high-performance blade of 52100 or 5160 steel and tests it for cutting and toughness, with close to a week necessary to complete one blade; etching; advanced seminars on handles and guards and sheaths available on request; Ed Fowler and Chris Amos, instructors (both one-on-two and one-on-one instruction available when possible)

•Wear cotton shirts and pants; bring glove/gloves, shop apron if you use one, safety glasses, earplugs and your favorite hammer

•Cost: Contact Ed Fowler for more information

•Ed Fowler, 307-856-9815

 

Youth Hammer-In (ABS), June (dates to be announced), Smoky Mountain Knife Works, Sevierville, Tennessee

•Contact Houston Price, 865-397-0053, [email protected]

 

For more on the latest knives, knifemaking instruction, knife trends, knifemakers, what knives to buy and where and much more, subscribe to BLADE® Magazine, the World’s No. 1 Knife Publication. For subscription information click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb060112#BL1SU

 

Ballerina’s Knife Dance

A remarkable video entitled “En Puntas” (“On Points”) featuring ballerina Amelie Segarra and her “knife dance” is on www.boredpanda.com—and it is worth a watch.

At just over three minutes in length, the video starts with a ballerina putting on her leg wraps and then a pair of ballerina slippers with “kitchen knife” blades at the toe ends. She proceeds to somehow gain her balance atop a grand piano and then “dance”—though it’s more like a drag and stick of the blade shoes into the surface of the top of the piano. It’s really very good and about how you might expect such a venture to unfold—the ballerina wobbling, gasping and shouting at times as she does her best to keep her balance. The knife blades appear to be real, as the scratched surface of the piano top would attest. In fact, the top of the piano appears to get quite marred/carved up in the process.

Segarra dances what is called the “en pointe” ballet technique, the classic style in which the ballerina dances on her toes. According to the accompanying copy on the site, Segarra’s performance is “a testament to the intense dedication and sometimes physical suffering required of ballet performers.” The knives look pretty sharp, too. Exactly who made them or what brand they are we have no idea. They get to the point, though.

To see the full video, visit http://www.boredpanda.com/ballerina-with-knife-shoes-performs-en-pointe-javier-pere

Props to BLADE® contributor Stephen Garger for turning us onto this video.

For the latest in knives, knife news and the sharpest stuff anywhere, stay tuned to www.blademag.com.

 

Watch as a ballerina dances atop a grand piano in her knife shoes. The chef's knife is by Kershaw. (Kershaw photo)
In a remarkable video, a ballerina does a “knife dance” with shoes sporting kitchen knife blade tips. This is the Kershaw chef’s knife. (Kershaw photo)

2012 BLADE Show Custom Knife Winners

 

The best custom knives by some of the world’s best custom makers were celebrated this past weekend at the world’s largest knife show, the BLADE Show (www.bladeshow.com), at the Cobb Galleria Centre in Atlanta, Georgia.

 

Michael Ruth Jr. won both the Hugh Bartrug Best Of Show and Best Sword for his elegant English hunting sword. Meanwhile, Mike Williams scored big time by winning two awards: Best Utility Hunter and Best Of The Rest. Japan’s Yoshio Sakauchi won the Yvon Vachon Best Miniature for a phenomenal fifth straight year.

 

All of the winners, by category:

 

Hugh Bartrug Best Of Show/Best Sword: Michael Ruth Jr.

Best Tactical Folder: Kirby Lambert

Most Innovative Design: Brian Tighe

Best Handle Design: Ron Newton

Best Folder: Ken Erickson

Yvon Vachon Best Miniature: Yoshio Sakauchi

Best Art Knife: Van Barnett (pictured at top)

Best Fixed Blade: Kevin Cashen

Best Bowie: Jason Knight

Best New Maker: Tom Ploppert

Best Fighter: David Mirabile

Best Knife Collaboration: Bob Terzuola and Gus Cecchini

Best Utility Hunter: Mike Williams

Best Damascus: David Lisch

Best Of The Rest: Mike Williams

 

For the complete story on the winners and the knives, see the November BLADE®.

 


Find Custom Knifemakers in Your Area

The Knives 2012 book features a complete directory of custom knifemakers. You’ll find information to help you find and contact knifemakers in your area.

Click to order the Knives 2012 book.

Hunter’s Edge: 3 Sharp Folding Hunters

    The Outdoor Edge SwingBlaze Knife is two knives in one. Push a button and the blade rotates in the handle from a drop-point skinner to a gutting blade. Blade steel is AUS-8 stainless, the orange handle is Kraton rubber and a nylon belt sheath is included. ShopBlade’s price: $55. For more info click on http://www.shopblade.com/outdooredge-swingblaze-knife-v7926/?lid=blss091912.

 

    In the Body Lock Knife, Kutmaster offers a folding hunter with a finger-grooved Realtree AP HD camo handle and a recurve drop-point blade in 420 stainless. ShopBlade’s price of $19.99 includes a heavy-duty black embroidered nylon sheath. For more info click on http://www.shopblade.com/kutmaster-team-realtree-body-lock-knife-y7729/?lid=blss091912.

 

    No mention of folding hunters would be complete without including the iconic Buck 110. Boasting a 3.75-inch blade of 420HC stainless steel and a macassar ebony Dymondwood® handle plain or finger grooved with brass bolsters, the 110 has a ShopBlade price of $44.99. For more info click on http://www.shopblade.com/buck-110-folding-hunter-knife-y4513/?lid=blss091912.

Knifemaker To Appear On FOX News The Huckabee Show

Knifemaker Michael O’Machearley, a Wilmington, Ohio panelist from last weekend’s Mike Huckabee candidates forum, was such a hit he’s been asked to go to New York City, March 10th and 11th, and make a second appearance on the FOX News prime time program. He’ll be flown to New York City to be a guest on The Huckabee Show, which will air 8 p.m. Saturday and Sunday.

O’Machearley asked questions of Republican presidential hopefuls Mitt Romney, Rick Santorum and Newt Gingrich at a pre-Super Tuesday forum held last Saturday. The Mike Huckabee show producer said there was quite a buzz from the forum and the producers thought they needed to follow up with the “real people” panelist, as opposed to the professional panelists who also participated.

This time around, however, Michael will be fielding the questions, not asking them. O’Machearley, a self-described homebody, said he will stay overnight in a “ritzy joint” about half a block from Times Square.

Michael Krein and Tom Burch—er, Make That Michael Burch and Tom Krein

For the record: that is Michael Burch at top and Tom Krein below him. (Krein photo by Mike Searson)

    Two of the most important things about a person are his/her name and likeness. As Blade Magazine Cutlery Hall-Of-Fame© member Bruce Voyles stresses, “I don’t care what they say about me as long as they spell my name right.”

    A person’s likeness is equally—some might even argue more—important than his/her name. All of which came crashing down on me on page 42 of the April BLADE®.

    On that page is the likeness of knifemaker Tom Krein. Only problem is, the caption identifies him as maker Michael Burch. The knife on the page is by Michael and, for some reason I cannot quite fathom, I gave instructions for our graphic designer to insert the likeness of Tom with the knife, thinking it was Michael’s likeness. I know Tom when I see him and I know Michael when I see him. Again, I can’t explain my mistake.

    I could blame it on Mom. I have two sisters, Chris and Juli, and a brother, Pat, and, for as long as I can remember, Mom has often called each of us a smorgasbord combo of all four. “Uh, Chris-Juli-Pat-Steve,” she goes through a checklist of all four names before finally arriving at mine, “tuck your shirt in, stand up straight,” etc. On the other hand, she has never mistaken me/my picture for any of my siblings/their likenesses (though on more than one occasion during my misspent youth she made me wish she had).

    Similarly, at last year’s BLADE Show I saw Gavin Hawk, talented knifemaking son of talented knifemaking father Grant, walking into the show, and for some reason I called him Grant. “That’s Gavin, Steve, Gavin!” he stressed. I sheepishly ducked my head and muttered, “Oops! Sorry.” Of course, I can understand Gavin’s frustration. He no doubt is called Grant from time to time, it being natural for people to associate him with his father, and he is no doubt extremely proud to be the son of such a creative dad. At the same time, Gavin wants to be recognized for his own achievements, and understandably so.

    In case you think I am getting old and forgetful—which, of course, I am—there have been a number of times over the years when I wasn’t so old that I misidentified people in person, too. There was the time at a Guild Show when I stopped at knifemaker Dennis Bradley’s table and carried on a conversation with him for several minutes, calling him Gayle (after knifemaker Gayle Bradley) repeatedly. Finally, when we were through talking, he said, “And oh, by the way, I’m Dennis.” Ugh. I slinked away.

    Another is production knife guru Vince Ford. On more than one occasion I have called him Paul, thinking he was knifemaker Paul Fox. Each time Vince has been gracious enough not to lose his temper, just shaking his head and giving me that funny little look he gives so well.

    On the other hand, some people in the knife industry simply look like others. I always thought in his later years Cutlery Hall-Of-Famer Bob Loveless resembled the older, heavier Peter Lorre. (And no, I never told Bob that. What, do you think I have a death wish or something?) I also think our managing editor, Joe Kertzman, looks like retired Major League Baseball catcher Mike Piazza. Heck, one time Mrs. Debbie Voyles told me I looked like Tom Hanks. Of course, that was a long time and many hair follicles ago. Or maybe it was just that I reminded her of Forrest Gump.

    Anyhow, I caught my mistake with Michael and Tom, though it was a day late and a dollar short—the day after the April BLADE went to the printer. I immediately fired off an e-mail with the subject line, “Man, did I screw up!” to Michael and Tom, as well as Mike Searson, the photographer of Tom’s picture that we used. Both Michael and Tom were equally gracious. “Now that will be funny!” Michael replied via e-mail. “I always wanted to be Tom for a month.” Not to be outdone, Tom e-mailed, “No worries! Michael never looked so good!”

    Thank you, Michael and Tom, for being good sports. And thank you, BLADE readers, for putting up with a well-meaning but often all-too-imperfect editor.

For more on the latest knives, knife legislation, knifemaking instruction, knife trends, knifemakers, what knives to buy and where and much more, subscribe to BLADE® Magazine, the World’s No. 1 Knife Publication. Click on http://www.shopblade.com/blade-magazine-one-year-subscription-us for more information.

BLADE Show 2018: Plan Now!

2018 BLADE Show
Reserve your hotel room for BLADE Show 2018 now! (PointSeven image)

The world’s largest and most important knife event, BLADE Show 2018 will return next year at the Cobb Galleria Centre in Atlanta—and there’s no time like now to make plans to attend the annual edge-stravaganza that true knife enthusiasts can’t afford to miss.

Slated for June 1-3, BLADE Show 2018 will assemble thousands of knife exhibitors and knife enthusiasts from around the globe, and with international attendance increasing every year, it’s wise to make your hotel plans now.

To book your hotel reservations online, click on https://aws.passkey.com/go/Blade2018. To call the housing bureau, dial 1-855-547-8429.

The BLADE Show is the be-all, do-all knife event. Among the industry honors determined there are the BLADE Magazine Knife Of The Year® Awards, the BLADE Show Custom Knife Winners and the BLADE Magazine Cutlery Hall-Of-Fame© inductions. The BLADE Show also hosts BLADE University, three days of the best and most comprehensive knife instruction you can receive at a knife show. Members of the world’s leading knifemaking and bladesmithing organizations, including the American Bladesmith Society and the Knifemakers’ Guild, knife enthusiasts from the Usual Suspect Network, BladeForums and more, they all come to the BLADE Show. The world’s finest knife collections, every knifemaking supplier, knife accessory and related edged item you can think of—from tomahawks, to swords, to axes, multi-tools and everything that cuts—if it has an edge or enhances it, it will be in Atlanta.

If you have attended the BLADE Show before, you know how fast hotel rooms disappear–not only at the Renaissance Waverly, the host hotel, but at lodging anywhere near the Cobb Galleria. If you’ve never been to a BLADE Show, then you cannot know the mad rush that is BLADE Show planning time. Don’t learn the hard way and get left out–plan and make your hotel reservations now!

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