The BLADE Blog w/Steve Shackleford

Knives, knife people, knife news, knife use, knife collecting, knifemakers, knife events, the BLADE Show, BLADE Magazine, and more.

Best BLADE Show Ever?

Oden's Buck display.
Larry Oden won Best of Show for his collection display, “Buck Factory Production Knives of the 1960s.”
Ed Fowler's demo.
Ed Fowler kept BLADE University students entertained with his class, “How To Get The Most Out Of Your Knife.”

It seems like almost every BLADE Show is better than the one before, and the 34th annual rendition June 5-7 in Atlanta was no exception. With record crowds pouring through the doors and down the aisles Friday, an outstanding batch of BLADE Magazine 2015 Knife-Of-The-Year® Awards announced Saturday and everybody leaving Sunday already pointing toward next year’s show, it must go down as one of the best BLADE Shows if not the best BLADE Show ever.

Knife exhibitors from every continent provided an endless array of knives and knife accessories to an equally endless stream of knife enthusiasts starved for their annual BLADE Show fix, and the jampacked aisles of enthusiasts stood as testimony that all is sharp in the world of knives when it comes to the BLADE Show.

The show got off to an instructional start Thursday with BLADE University, a comprehensive slate of classes on all things knife, including how to forge, how to make handles and guards, how to grind a knife blade, how to sharpen any blade, knife collecting, Japanese sword collecting and maintenance, CAD/CAM knife design and much more. Friday enjoyed a walloping beginning, with enthusiasts in massive winding lines waiting to get into the show. Some aisles were so full that the only way to get through was to weave in and out of bodies in a sea of humanity.

Carter at BLADE Show.
Murray Carter shows how it’s done during his BLADE U. class on how to sharpen any blade.
Neil and customers.
Purveyor Neil Ostroff of True North Knives waits on customers during the BLADE Show.

The custom knife judging Friday resulted in a fantastic array of knives. For the complete list of maker awardees, visit custom knife winners.

Saturday was another busy day. Though the crowds weren’t as large as Friday, they were still quite ample, with a number of makers reporting brisk, non-stop sales. A few makers did not do so well but most seemed more than happy with the traffic. Demos included how to forge by Timothy Potier, how to throw knives by Bobby Branton, the Japanese sword demo by James Williams, and the 13th Annual BLADE Show World Championship Cutting Competition conducted by BladeSports International, won for the third year in a row by Dan Keffeler. The competition also featured the first-ever female contestant, Jessica Elias.

Saturday night’s awards reception named the industry’s top factory knives. For the complete list, visit BLADE Magazine 2015 Knife-Of-The-Year® Awards.

Keeslar at BLADE U.
Joe Keeslar uses one of his knives as a pointer during his BLADE U. class on handles and guards.

More Knife Awards

In addition, Chris Reeve was inducted into the BLADE Magazine Cutlery Hall Of Fame© by knifemaker Bill Harsey, Joe Keeslar won the first Aldo and Edda Lorenzi Award for being the epitome of a mentor to his fellow knifemakers, and BLADE® editor Steve Shackleford received a plaque recognizing his 30 years with BLADE and the BLADE Show.

Anso at BLADE Show.
Knifemaker Jens Anso (behind table at right) enjoys packed aisles of customers the Friday of the BLADE Show.
Krein grind.
Tom Krein demonstrates how to grind a knife blade during his BLADE University class with Lucas Burnley and Chris Williams of Wilmont Grinders.

On Sunday the show came to a fitting conclusion with Collection Display Awards. Judges awards went to: young Owen Dady for his collection of Buck whittlers, Dale Eichberg for his “How The Buck Legend Began: The Very First Buck Knives,” and Jim Holbrook for his Buck Duke 500 collection. Best of Show went to Larry Oden for his “Buck Factory Production Knives of the 1960s.”

What will next year’s show bring? If it’s anything like this year’s, it will be another one for the ages.

Bushcraft Knives Highlight New BLADE

ESEE RB 3 and BLADE.
The RB3, ESEE knife company’s only bushcraft knife with a Scandi grind, is the cover model for the latest BLADE®, on newsstands NOW!

Bushcraft is the art of surviving in the wild with the tools and materials you have at hand and/or can scrounge on the spot, and few if any of those tools are more important than man’s oldest—the knife. In his story in the latest issue of BLADE®—on newsstands NOW—author, knifemaker, knife designer and bushcraft instructor Abe Elias puts four hot new bushcraft blades through the paces as only a bushcraft specialist can. One of the knives includes this issue’s cover model, the ESEE RB3. See how it and three other fresh factory bushcraft knives handle and perform in “Bushcraft Blades Big and Small.”

Jess Horn was one of the preeminent makers of custom folding knives for decades, but many of today’s younger followers of the custom knife scene don’t know of him. He passed away largely unnoticed earlier this year. BLADE® remembers him in a special story on page 22. Find out more about a knifemaking legend that you may have never heard of.

BLADE field editor Dexter Ewing is BLADE‘s resident sharpening guru. Not only does he run his own sharpening service on the side he also tests and writes about the latest and coolest sharpeners on today’s market. Check out a quartet of the newest and/or lesser-well-known models in his story, “Sharpening Just Got Fun!”

Some knife companies are taking today’s sheaths to the next level, configuring them so they are easier to clean, store added items such as firestarters and survival whistles—and in at least one instance even make such gizmo-packed sheaths for their folding knives. Learn more about today’s new generation of sheaths in BLADE field editor Mike Haskew’s “Sheath Chic.”

There’s much more this issue, including BLADE bidding a fond farewell to long-time managing editor Joe Kertzman, field tests of two custom fixed blades and four factory machetes, a comparison of today’s tactical folders vs. their original renditions, the latest knives and knife accessories, mini-knifemaker profiles and much more, all in the latest issue of BLADE—on newsstands NOW!

 

Trump vs. Clinton: Your Knives Are At Stake

right to own and carry
Your right to own and carry knives such as the CRKT Minimalist is at stake in the Nov. 8 presidential election.

How Hillary Clinton and Donald Trump stack up in terms of your right to own and carry your knives is an issue you should weigh carefully before voting Nov. 8.

According to Knife Rights Chairman Doug Ritter, Clinton’s anti-gun and anti-Second Amendment agenda is a major plank of her campaign. She advocates undermining the Second Amendment through legislation, executive actions and, more importantly, her appointment of justices to the Supreme Court. Over the years she has endorsed most proposals to limit gun ownership and destroy the Second Amendment through extreme taxes, regulations and executive orders.

“The loss of Second Amendment rights by way of her anti-gun agenda would be certain to disadvantage knife owners as we fight to oppose irrational restrictions on our knives,” Ritter noted. “As we have seen elsewhere, once firearms are outlawed, knife restrictions follow.”

Trump, meanwhile, is pro-Second Amendment and has been endorsed by the National Rifle Association and other Second Amendment organizations. His proposed nominees for the Supreme Court have a record of opposing efforts to weaken the Second Amendment.

As for the ivory issue, Ritter noted that the campaign against ivory owners in the USA, including owners of ivory-handle knives and raw ivory used by knifemakers and scrimshanders, was launched by the Clinton Foundation as part of its Clinton Global Initiative. “The Clinton Foundation and non-governmental organizations affiliated with it continue to advocate for the complete and total ban on all trade in ivory in any form,” Ritter wrote. “They are being assisted by the Fish and Wildlife Service. They are even pushing to ban sustainable use of wildlife in Africa, the core science behind the world’s most successful wildlife conservation efforts that have brought many species back from the brink of extinction.”

Clinton also likely would oppose the African Elephant Conservation and Legal Ivory Possession Act (AECLIPA), an act that would repeal the recent federal ivory ban, resetting the rules back to where they had been for decades, and would enhance elephant conservation efforts in Africa.

Conversely, Trump has never supported ivory bans or the end of sustainable use as a science-based conservation model. Trump would be far more likely to make executive appointments that would signal significant changes at the Interior Department and FIsh and Wildlife. If Congress passed the AECLIPA, he would likely sign it.

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Antique Ivory Exceptions Rule Too Stringent

Russ Andrews uses fossil ivory on his dagger. (SharpByCoop photo)
One potential problem with the ban is that some fossil ivories resemble elephant ivory, such as the mammoth ivory on the handle of this dagger by Russ Andrews. (SharpByCoop photo)

The recently announced federal ban on ivory not only seems to outlaw all import, export, interstate and intrastate sales of elephant ivory, it also appears to make all potential exceptions to the rule such as antiques virtually impossible to meet.

Initially announced on Feb. 11, the ban received more coverage Feb. 26 when the federal website http://www.fws.gov posted a story outlining the ban in more detail, including Director’s Order No. 210 from the U.S. Department of the Interior, Fish and Wildlife Service.

The story indicated that while virtually all elephant ivory is now illegal, a few exceptions exist, such as antique elephant ivory. However, to qualify as antique, elephant ivory must adhere to a hodge-podge of requirements that not only are virtually impossible to meet but present prohibitive costs in the process.

For instance, to qualify as an antique, the ivory must be 100 years old or older. However, the person claiming the ivory is that old must “definitively prove” the identity of the species. Such proof “can be in the form of bonafide DNA analysis,” a qualified appraisal or “other documentation,” such as “family photos, ethnographic fieldwork or other information.” If such analysis is required on each and every piece of elephant ivory, it would be cost-prohibitive for individual knifemakers. What’s more, the appraiser and the appraisal must meet strict guidelines in terms of the appraiser’s credentials, the scientific method used to determine the age or species must be described in detail, a detailed history of the article including proof of authenticity must be presented, etc.

Not only are the requirements draconian in nature, they don’t even take into account the fact that no one kept such records of their ivory when they bought it months or years ago, and to obtain such information now is virtually impossible.

Further, there must be proof that the ivory was imported through one of 13 specific ports of entry—12 in the USA and the other in San Juan, Puerto Rico. Notarized statements or affidavits by the exporter or seller are not adequate proof.

The maximum penalty for violations—which would qualify as violations of the Endangered Species Act—is one year in prison and a $100,000 fine for the individual, and $200,000 for an organization. Those who submit false records or identification of ivory face a maximum penalty of five years in prison and a $250,000 fine.

For the latest knives, knife news, trends and more, stay tuned to www.blademag.com.

 

ICCE Changes Knife Show Dates

Burke Fixed Blade ICCE.
ABS master smith Bill Burke won the ICCE Award for Best Fixed Blade at the inaugural ICCE Show this past September.

Due to unforeseen circumstances, the 2nd Annual International Custom Cutlery Exposition (ICCE) has had to change the dates for its 2016 knife show from early to late September, show officials announced.

Originally slated for Sept. 9-11, the new dates are Sept. 23-25.

The show will be held in the same venue—the Downtown Marriott in Kansas City, Missouri.

According to ICCE officials, the event-hosting hotel, the Downtown Marriott, notified the ICCE’s organizers, the Knifemakers’ Guild and the American Bladesmith Society (ABS), that there would be several events scheduled for the original show dates. Due to the events scheduled in downtown Kansas City, some streets will be blocked, parking will be a hassle, and the downtown will be overcrowded the weekend of Sept. 9-11. The hotel management had other available dates that would make the show far more enjoyable for those who will attend, thus the change to Sept. 23-25.

Held for the first time this past September at the Downtown Marriott in Kansas City, the initial ICCE represented the first-ever knife show held in cooperation between and coordinated by both the Guild and the ABS, the world’s oldest and most important groups of custom knifemakers. Adding to the historical significance of the cooperative effort is that the show was held in the same room as the 1973 Guild Show where BLADE Magazine Cutlery Hall-Of-Fame© member Bill Moran introduced his knives with damascus steel blades. It was the first time modern damascus steel knives were exhibited at a knife show and it caused quite a stir, and eventually sparked the creation of the ABS in 1976. Most of the knifemakers and bladesmiths from both organizations who exhibited at the 2015 ICCE appeared very pleased with it, and a number of them and other industry observers seem optimistic about the show’s future potential for success.

For more information visit knifemakersguild.com/show, facebook.com/events and/or facebook.com/knifemakers.guild.

BLADE University Sets New Schedule

Hayes and flippers
ABS master smith Wally Hayes will show you how to use simple tools to make a throwing knife at the 4th Annual BLADE University. Here he teaches flipper folders at last year’s BLADE U.
4th Annual BLADE University
The 4th Annual BLADE University will feature such classes as how to checker knife handles taught by ABS master smith Timothy Potier.

The 4th Annual BLADE University will offer knife enthusiasts an almost completely overhauled curriculum of classes on the subject of knives and knifemaking June 1-3 in conjunction with the BLADE Show at the Cobb Galleria Centre in Atlanta.

Beginning the day before the BLADE Show and ending BLADE Show Saturday, this year’s BLADE University offers a wide-ranging selection of courses on how to make knives—including blade grinding, handle checkering, embellishment, color-case-hardening knife parts, chatoyance and others—all about blade steels, how to use knives, how to price them and much more.

ABS master smith (MS) Timothy Potier will kick off the instruction in Thursday’s “Knives The ABS Way” with his class on how to checker knife handles, followed by fellow MS Jim Rodebaugh‘s “How To Design A Purpose-Built Knife” and “How To Etch and Polish a Damascus Blade.”

In his fourth appearance for BLADE U., MS Joe Keeslar will show you how to make a brut de forge knife, and ABS journeyman smith (JS) Butch Sheely will end the day’s classes with his tutorial on how to make a pipe tomahawk.

Friday’s instruction will begin with MS Joe Szilaski‘s class on how to filework knives and Tom Krein‘s three-part class entitled “How To Grind a Blade.

4th Annual BLADE University.
ABS master smith Joe Keeslar will teach you how to make a brut de forge knife at the 4th Annual BLADE University.

In the last two parts of his class Tom will demonstrate how it’s done on a Burr King grinder under the Burr-King-sponsored tent in “The Courtyard”—the adjoining parking lot of the BLADE Show host hotel, the Renaissance-Waverly.

Other classes will include two by knifemaker/BLADE® field editor Abe Elias: one on how blade steel is made and blade geometry and how it affects edge retention, and the second on which blade edge and grind is best for which cutting job.

MS/BLADE contributor Wally Hayes will show you how to use simple tools to make a throwing knife, and MS Steve Culver will demonstrate how to design a slip joint with a half stop. Niagara Specialty Metals will wind up the day’s instruction with a class designed for the veteran knifemaker and novice knife enthusiast alike that will include a discussion on the properties of various elements in the steel, proper heat treating, tempering and what it does to the steel, CPM vs. air-melt steels and more.

Saturday’s final sessions will commence with “Knifemaking for Kids” taught by Jason Brous. (Youngsters need not be accompanied by a parent/guardian, though if the youths are so accompanied the parent/guardian will be admitted free of charge.)

Knifemaker Grace Horne of Sheffield, England, will conduct a class on how to make one of her specialties: custom scissors. Knife and sword maker Wally Hostetter will present a two-part class on how to do the Japanese handle wrap, or tsuka maki, and knifemaker/U.S. Marine veteran Les George will show you how to color-case-harden knife parts—that is, the process of adding a multi-colored hard surface to mild steel for use in various knife fittings.

make pipe tomahawks
Learn to make a pipe tomahawk in the style of ABS journeyman smith Butch Sheely at the 4th Annual BLADE University.

JS Brian Thie‘s class will cover how to give damascus blades chatoyance—an effect that exhibits an almost mirror-polished look within the damascus pattern itself. MS David Lisch will present a class on how to make the best stag handle, including sharing his “tricks” in working with the material. Knifemaker Johnny Stout‘s class will be on how to price custom knives, including actual costs in building knives, how to price the knives to make a profit (or at least break even) and more. And, finally, knifemaker L.T. Wright of  L.T. Wright Handcrafted Knives will present “Draw It, Grind It, Sharpen It: The Beginner’s Guide to Knifemaking,” which will feature knives in various stages of completion to show you how your knife should look all along the way to a finished product, with L.T.’s helpful insights and educational visuals.

Visit BLADE U. for enrollment information, dates, times, classroom locations and more.

Brush Demon Highlights New BLADE

Check out the new BLADE on newsstands TODAY!
Jerry Hossom/Outdoor Edge Brush Demon is the cover knife for the new BLADE, on newsstands TODAY!

The Jerry Hossom/Outdoor Edge Brush Demon is the cover knife for the latest issue of BLADE®, on newsstands TODAY! The Brush Demon is one of the latest examples of the many factory/custom knife collaborations that dot the cutlery landscape. The new BLADE highlights it and three other hot examples of a genre that showcases the great knives that can come of such joint projects. How do they come about? What problems do both the makers and the knife companies face in putting such knives together? Find out in the new BLADE.

Knife collecting comes in many approaches, from amassing scores of the same pocketknife pattern, to collecting specific brands such as Case and Buck, and many others. An approach BLADE focuses on this issue is the collecting of knives by one custom knifemaker—in some cases, as many as 100 knives or more by a single custom maker! Join Stephen Garger as he interviews several such collectors and the knives and the knifemakers they collect.

If your car were to flip and your loved ones were pinned by jammed seat belts, would you be prepared to cut those seat belts and save your loved ones’ lives? One way to be prepared for such an eventuality is to keep a “car blade” in your vehicle. Abe Elias examines some of the latest examples of the genre in his story “5 Sharp Car Blades.”

One of the most followed aspects of knives is the latest steels used for blades. Four of the newest steels to hit the cutlery scene are 80CrV2, CTS-PD1, CTS B75P and PSF-27. Find out from the manufacturers and the makers how well these steels perform, how easy they are to maintain and sharpen and much more in Mike Haskew’s “What’s Hot In Knife Steels.”

There’s much more in the latest issue, including Dexter Ewing’s review of the Work Sharp Ken Onion Knife & Tool Sharpener, tests of fixed blades by Sam Stoner Jr. and Darrin Sirois by Kim Breed, part two of Jim Hammond’s educational three-part series on the ivory ban, a comparison of four hot contemporary automatics, a recap of an exclusive new Italian knife show, the Art in Metal Show, an obituary of long-time knifemaker Joe Kious who lost his life tragically in a truck accident, and much more—all in the new BLADE, on newsstands TODAY!


Get One Here:

Brush Demon KnifeBrush Demon Knife

Designed by custom knifemaker and big blade expert, Jerry Hossom, the Brush Demon is the ultimate outdoor and survival tool. Made of sturdy 65Mn carbon steel with a black powder coat finish, this is one aggressive high-speed chopping tool you’ll want on your side. Be prepared for extreme conditions with the non-slip grip provided by the rubberized ergonomic TPR handle. Learn more

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