BLADE Magazine

The author embellishes Charles Sauer and Zac Buchanan knives for actors Gary and Jake Busey

By Barry Lee Hands

Early last year, a friend of mine asked me to keep an eye out for some good collectible knives.

    “What are you looking for?” I asked.

    “Well,” he began, “I want two knives for you to engrave, maybe a bowie and a fighter. One is going to be a birthday gift for a father, Gary Busey, and the other a birthday gift from Gary to his son, Jake.”

    This was going to be fun! A veteran actor, Gary has appeared on television and in such movies as The Buddy Holly Story—for which he received an Academy Award nomination for Best Actor—Lethal Weapon, Under Siege, The Firm, Fear and Loathing in Las Vegas and many others, though in today’s “what-have-you-done-lately” world, he may be best known for his appearance last year on Donald Trump’s Celebrity Apprentice 4. Gary’s son Jake is also an actor.

    The 2011 BLADE Show was approaching and I told my friend I would keep an eye out for the knives there. Moreover, as soon as he mentioned bowie, I thought of my old friend, knifemaker Charles Sauer. Charles and I had done a few really nice knives back in the 1990s. He forges his own damascus, and a damascus bowie would be a good counterpoint to the as-yet-to-be-determined fighter.

    I called Charles and he said he had a blank for a Dall DeWeese-style bowie he could finish up in a few weeks. A bit later he sent me an e-mail describing the knife and explaining a bit about William Dallas “Dall” DeWeese (1857-1928).

    “Dall was a famous big game hunter in the late 1800s. He was largely responsible for the opening up of big game hunting in Alaska. The notable thing to me,” Charles noted, “is that he not only designed his knife but had it made—kind of like the Jim Bowie story. Most all knifemakers back then were indentured, so whoever made his knife was probably a blacksmith. I stayed true to the pattern but blew it up from a hunting knife to a bowie. The pattern also has that old ‘Green River flavor,’ which is very popular.”

    Charles spared no effort in obtaining the materials and preparing them for the knife.

    “I took a piece of the top rail of a baby mine car track from the Gold Mines in Montana, a chunk from an Apache attack helicopter chain-gun barrel, and seven pieces I cut out of an antique ice saw. I forged out the mine track and the barrel into two bars, then cut them both into seven pieces,” he explained. “Then, I alternated the three steels into a 21-stack and forged them down and out into a billet, then handforged roughly to the shape of the knife. I also zone tempered/differentially heat treated the blade, [including cryogenically treating] it. The chain gun and mine track are pretty soft steels, so the ice saw [steel] helped out for some strength.”

    The bolsters are bridge cable and the bolster pins are damascus as well. The handle is presentation ironwood with nickel-silver pins. The inlaid sheath is by Paul Long. “Paul is the best sheathmaker around,” Charles opined.

    When I received the knife, I was extremely pleased. The damascus pattern is very appropriate for what I call the “overall flavor” of the knife. The pins were engravable and Charles left me a polished spot on the bottom of the tang on which to engrave an inscription. With one knife down and one to go, I went to work.

Excellent Interpretation

The BLADE Show rolled around and there was a lot to see. I must confess, I spent as much time cutting up with friends as I spent looking at knives.

    Knifemaker Steve Johnson and I were looking about and visited Thad Buchanan’s table. Thad has been making Loveless-style knives for many years, and he was eager to introduce us to his son, Zac, and the knives he had been making. Zac had some really nice pieces and one of his fighters caught my eye. After the show I called and told him I needed a knife to engrave for Gary, and I was thinking about buying the fighter.

    “I could tell you liked that one, but it’s gone,” Zac said. My heart sank. I should have bought it when I could but somebody beat me to it. However, all was not lost. “I do have one that I was keeping for myself,” he confided. “It’s the best piece I’ve made to date and if you want, I’ll sell it to you.”

    “What is it?” I asked. “A Loveless-style Mini Wilderness,” he replied.

    Now I was excited. The Mini Wilderness is one of my favorite Loveless designs.

    Two days later I had it in my hands and was really pleased. The fit and finish is excellent. It is curved in all the right places and straight in all the right places—an excellent interpretation of the classic Loveless design.

Zac is a chip off the old block. He sent me a copy of the letter he sent to Gary that describes the knife. In part, Zac wrote:

    “I was pleased to hear one of my custom knives was purchased for you. I hope you enjoy my work as much as I enjoy yours. 

    “The steel is CPM-154,” Zac’s letter continued. “The guard and handle fittings are 416 stainless steel. The handle material is India sambar stag. If needed, the blade can be cleaned with a mild soap and warm water, but try to avoid washing the handle with soap and water. It is better to use vegetable oil on the stag if it needs to be cleaned. If the blade gets dull, I will be happy to sharpen it for you at no charge.”

    It was time for me to embellish the knife. The Mini Wilderness does not have a lot of area to engrave, but it still takes some time to do it. My friend wanted it ready for Gary’s birthday party, which was in a few weeks.

    I had been thinking about a new style of 24k-gold overlay with my trademark “black satin” background. I went at it working long hours, as an engraver is often required to do to meet a deadline.

Cuttin’ The Cake

The birthday party was at the California Yacht Club in Marina del Rey. Zac could not attend but Charles and I were there with Gary and a small circle of friends.

    Gary is a lot of fun and loved the knives. He asked many questions about how they were made. Later, after dinner and as Gary cut the birthday cake with Charles’ knife, I asked if he would supply the answers to a few questions for BLADE® readers. Those questions and his answers follow:

    BLADE: What was your first knife?

    GARY BUSEY: When I was in the 2nd and 3rd grades, I had a little pocketknife with a picture of Gene Autry on it.

    What do you like about knives?

    I like the artistry and manifestation of the knife and what the knife stands for—in survival in the woods, the mountains, and jungle. God bless the knife!

    Have you used knives in your movies?

    No, just guns and fists.

    Is there an inscription on the Charles Sauer bowie you gave your son for his birthday?

    Yes. “Happy 40th, Jake. Love, Dad.”

    Do you feel engraving enhances a collectible knife?

    Absolutely!

    What do you envision for the future of knife collecting?

    How much time you got? In terms of knife collecting, that’s here to stay.

For more on the latest knives, knife legislation, knifemaking instruction, knife trends, knifemakers, what knives to buy and where and much more, subscribe to BLADE® Magazine, the World’s No. 1 Knife Publication. Click on http://www.shopblade.com/blade-magazine-one-year-subscription-us/?r+ssfb061912 for more information.

For more on how to make knives the Bob Loveless way, click on http://www.shopblade.com/knifemaking-with-bob-loveless/?r+ssfb061912

For the record: that is Michael Burch at top and Tom Krein below him. (Krein photo by Mike Searson)

    Two of the most important things about a person are his/her name and likeness. As Blade Magazine Cutlery Hall-Of-Fame© member Bruce Voyles stresses, “I don’t care what they say about me as long as they spell my name right.”

    A person’s likeness is equally—some might even argue more—important than his/her name. All of which came crashing down on me on page 42 of the April BLADE®.

    On that page is the likeness of knifemaker Tom Krein. Only problem is, the caption identifies him as maker Michael Burch. The knife on the page is by Michael and, for some reason I cannot quite fathom, I gave instructions for our graphic designer to insert the likeness of Tom with the knife, thinking it was Michael’s likeness. I know Tom when I see him and I know Michael when I see him. Again, I can’t explain my mistake.

    I could blame it on Mom. I have two sisters, Chris and Juli, and a brother, Pat, and, for as long as I can remember, Mom has often called each of us a smorgasbord combo of all four. “Uh, Chris-Juli-Pat-Steve,” she goes through a checklist of all four names before finally arriving at mine, “tuck your shirt in, stand up straight,” etc. On the other hand, she has never mistaken me/my picture for any of my siblings/their likenesses (though on more than one occasion during my misspent youth she made me wish she had).

    Similarly, at last year’s BLADE Show I saw Gavin Hawk, talented knifemaking son of talented knifemaking father Grant, walking into the show, and for some reason I called him Grant. “That’s Gavin, Steve, Gavin!” he stressed. I sheepishly ducked my head and muttered, “Oops! Sorry.” Of course, I can understand Gavin’s frustration. He no doubt is called Grant from time to time, it being natural for people to associate him with his father, and he is no doubt extremely proud to be the son of such a creative dad. At the same time, Gavin wants to be recognized for his own achievements, and understandably so.

    In case you think I am getting old and forgetful—which, of course, I am—there have been a number of times over the years when I wasn’t so old that I misidentified people in person, too. There was the time at a Guild Show when I stopped at knifemaker Dennis Bradley’s table and carried on a conversation with him for several minutes, calling him Gayle (after knifemaker Gayle Bradley) repeatedly. Finally, when we were through talking, he said, “And oh, by the way, I’m Dennis.” Ugh. I slinked away.

    Another is production knife guru Vince Ford. On more than one occasion I have called him Paul, thinking he was knifemaker Paul Fox. Each time Vince has been gracious enough not to lose his temper, just shaking his head and giving me that funny little look he gives so well.

    On the other hand, some people in the knife industry simply look like others. I always thought in his later years Cutlery Hall-Of-Famer Bob Loveless resembled the older, heavier Peter Lorre. (And no, I never told Bob that. What, do you think I have a death wish or something?) I also think our managing editor, Joe Kertzman, looks like retired Major League Baseball catcher Mike Piazza. Heck, one time Mrs. Debbie Voyles told me I looked like Tom Hanks. Of course, that was a long time and many hair follicles ago. Or maybe it was just that I reminded her of Forrest Gump.

    Anyhow, I caught my mistake with Michael and Tom, though it was a day late and a dollar short—the day after the April BLADE went to the printer. I immediately fired off an e-mail with the subject line, “Man, did I screw up!” to Michael and Tom, as well as Mike Searson, the photographer of Tom’s picture that we used. Both Michael and Tom were equally gracious. “Now that will be funny!” Michael replied via e-mail. “I always wanted to be Tom for a month.” Not to be outdone, Tom e-mailed, “No worries! Michael never looked so good!”

    Thank you, Michael and Tom, for being good sports. And thank you, BLADE readers, for putting up with a well-meaning but often all-too-imperfect editor.

For more on the latest knives, knife legislation, knifemaking instruction, knife trends, knifemakers, what knives to buy and where and much more, subscribe to BLADE® Magazine, the World’s No. 1 Knife Publication. Click on http://www.shopblade.com/blade-magazine-one-year-subscription-us for more information.