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Steve Shackleford

BLADE Magazine Cutlery Hall Of Fame Welcomes Five New Members

BLADE’s Cutlery Hall Of Fame Welcomed Five New Members In 2021 At Induction Ceremony In Atlanta.

BLADE Magazine Cutlery Hall-Of-Fame® member B.R. Hughes set a most appropriate tone for the Hall’s 2021 inductions early Saturday morning of the BLADE Show in the Kennesaw Room of the Renaissance Waverly Hotel.

“Over the years I’ve noticed one thing about the man and lady selected for the Cutlery Hall Of Fame,” said one of the co-founders of the American Bladesmith Society in his speech inducting Joe Keeslar. “They are not so interested in themselves so much as they are others.”

In addition to Keeslar, B.R.’s words apply equally well to the four other new inductees: Beverly and Billy Mace Imel, Jay Hendrickson and Jim Sornberger.

Joe Keeslar

Joe Keeslar
Joe Keeslar

Speaking of Keeslar, along with Sornberger, Joe was voted into the Hall last year. However, since the pandemic canceled BLADE Show 2020, it also postponed their formal inductions until this year—none of which dulled Keeslar’s appreciation for B.R.’s speechifying ability.

“[BLADE® editor] Steve Shackleford contacted me last spring and told me I would be inducted into the Hall Of Fame … The first thing I did was call Mr. Hughes and asked him to do my induction speech. You can see why. I asked him to give his best $20 speech,” Joe deadpanned to laughter from the 60-or-so gathering of the inductees’ families and friends. “I think I’m going to have to give him a few dollars to make up for that.”

In his baritone voice and measured manner, B.R. outlined Joe’s early history as a United States Marine Corps veteran of the Vietnam War, marriage to Suzanne, making knives and also fine muzzleloading rifles, and getting his college degree. In 1989 Joe earned his ABS master smith rating and it was also about that time Suzanne, who, in her job as a professor at Murray State University, started taking her students to France in the summer to enhance their French language skills.

“Naturally, Joe had to build a shop over there so he could make knives, and he taught many Frenchmen how to make knives,” B.R. noted. “He also was asked to demonstrate at the Thiers Knife Show, the second largest knife show in France. This practice continued for years. He’s been a wonderful ambassador in preserving the art of bladesmithing.”

Joe went on to become chairman of the ABS, serving in the position longer than all but two others, ABS master smiths Bill Moran and Jim Batson, both members of the Cutlery Hall Of Fame. He’s taught knifemaking at the William F. Moran School of Bladesmithing, Haywood College, hammer-ins in Alabama, Arkansas, North Carolina and Ohio, played a lead role in the rapidly expanding ABS youth program, and taught classes for the first four years of BLADE University. He also authored two how-to books: Handles and Guards and Forging and Finishing the Brut de Forge Knife. Joe thanked three people in particular: Suzanne, their son, Kurt, and B.R.

“Suzanne and Kurt have given me so much over the years in terms of support,” he began, “but the thing they gave me most, they gave me time. Time is a special commodity. You can’t put it in a box or on a shelf and come back in a week and retrieve it. The time is gone. You have to use it when it’s available to you. They gave me time to be me, to do what I wanted to do, in this case the knives and some with the guns, too.”

He also credited B.R. for 30 years of friendship. “I trusted his judgment on the things that came up when I served on the ABS board of directors,” Joe said. “He was there as my mentor and savior, he was helping me decide on the things I needed to be involved in, understanding how the ABS works, what our goals are and all the things I needed to know.”

Jim Sornberger

Jim Sornberger
Jim Sornberger

Cutlery Hall-Of-Famer Ken Onion gave the speech inducting Sornberger and outlined Jim’s pre-knife career, which was pretty impressive in its own right. “Guns, knives and tools were the things that molded Jim,” Onion began. “His grandfather gave him a Rudy Ruana knife when Jim joined the Boy Scouts, and his uncle in Redding, California, owned a gun shop with a large knife display. It was there Jim met Harry Morseth in the mid-fifties.”

Sornberger joined the Army in 1963 and became an advisor in Southeast Asia, moving around Vietnam, Cambodia, Thailand, Laos and other countries. After his discharge he joined law enforcement and shortly thereafter became a deputy with the Santa Clara sheriff’s office. From there he became an agent for a federally funded narcotics task force for several California counties, and later worked as a narcotics intelligence officer for military and other agencies in and out of the state.

Following a work-related injury, Jim focused on one of his lifelong loves—making jewelry—while recovering. One of the places that sold his jewelry asked him to make knives. He became a regular attendee and table holder at the San Jose gun show, where he met such storied knifemakers as D.E. Henry, Dave Pitt, Ron Richards and Bob Holt. They and others started a knife show—the Bay Area Knife Collectors Association Show—for which Jim wrote the bylaws. “BAKCA,” as it was known, enjoyed what Onion called “30 years of great shows and wonderful memories.”

Jim joined the Knifemakers’ Guild in 1976 and served on the board of directors, including a stint as vice president. By the late ’70s he’d won several awards for his knives, including his San Francisco-style dress bowies. In 1981 the industry was having quality control issues with 154CM stainless steel, so Bob Holt and Jim started H&S Supply and sold ATS-34 stainless in large quantities, as Onion noted, “essentially introducing it to the entire knife industry.”

Jim gave thanks to his two grandfathers for the time they spent with him and serving as his role models. “It’s really nice to be rewarded for something you’ve done a good part of your life and still enjoy doing—and I’m not quitting,” the 75-years-young Sornberger reassured the audience. “I’ve still got plenty of years left, I think.”
Indeed, for the man Onion called an encyclopedia of the history of the custom knife world, who continues to write for KNIFE Magazine and other outlets, and who travels worldwide, the best may yet still be to come.

Beverly & Billy Mace Imel

Beverly & Billy Mace Imel
Beverly & Billy Mace Imel

Beverly and Billy Mace Imel served as secretary/treasurer on the Guild board of directors for 15 years and were rocks in terms of doing the behind-the-scenes work that was so important to the running of the organization. In fact, when Billy first started making knives in the early 1970s, Beverly did all the bookkeeping for Billy’s knifemaking operation and has ever since, the two celebrating their 61st wedding anniversary June 11. Notably, they are the first married couple to be inducted simultaneously into the Hall. (Cutlery Hall-Of-Famers, Mr. and Mrs. A.G. and Goldie Russell, were inducted separately.)

A tool-and-die maker by trade, Billy was inspired to make knives in 1972 before going on a hunt. He saw a Ted Dowell integral hunter and decided it would be a good knife for the trip, but it cost $100—too much for him to pay for a knife at the time. One thing led to another and Billy tried his hand at making knives, and soon discovered how much work it took to make a good one. Someone saw them and asked Billy how much he wanted for one. “Bill said he never thought about that but he wasn’t charging a hundred because that damn sure isn’t enough, so he said two hundred,” Jim Sornberger winked in his speech inducting the Imels.

Billy joined the Guild in 1973 and the Imels eventually exhibited at shows in Japan, Europe and elsewhere, basically doing everything together. In the process, Billy became one of the world’s best knifemakers. “In the mid ’70s there were several people I was really fascinated with who did a really good job on their knives, the fit, the finish, the detail and the sharp lines,” Sornberger recalled. “And Billy was No. 1 on my list.” A long-time member of the NRA, Billy also made knives for the speakers at the association’s annual convention, including one each for Presidents Ronald Reagan and George H.W. Bush.

In 1984 the Imels were elected Guild secretary/treasurer and Beverly in particular changed forever how the position would be viewed. “She was unbelievable,” Sornberger stressed. “This was in the day before portable phones and you didn’t have a stenographer to take notes, but no matter what we asked her during business meetings—How much did it cost? How many tables did we have? Who made a motion at this meeting?—Beverly had the answer. She’d just tell ya’, boom, who made the motion and who seconded it, and how she got all that stuff I’ll never know. She was the backbone of the Guild for 15 years.”
Regrettably, the Imels were unable to attend the ceremony but sent a heartfelt written thank you instead.

Jay Hendrickson

Jay Hendrickson
Jay Hendrickson

As inductor Johnny Perry noted, when Jay Hendrickson started making knives in Frederick, Maryland, in 1972, it wasn’t long before he learned there was another bladesmith in the neighborhood who just so happened to be the best in the world at it—Bill Moran. Jay met Moran, visited Bill’s shop now and again, and, through practice and dedication, became a bladesmith and joined the ABS.

Jay earned his ABS journeyman smith stamp in 1986—the same year being elected to the ABS board of directors—and his master smith stamp in 1989. Around that time, he was instrumental in establishing the William F. Moran School of Bladesmithing and also taught bladesmithing there, writing and illustrating the manuals used in some of the courses.

He was elected ABS chairman in 1991, succeeding the only chairman the ABS had ever known—Mr. Moran. In all, Jay served on the ABS board of directors from 1986-2018. He and his wife, Nancy, helped develop and coordinate the Bill Moran Hammer-In in 2003 in Frederick and kept it running for two more years before Mr. Moran’s passing in 2006.

Jay was co-chairman of the All-Forged-Blade Expo in Reno from 2003-07 and was instrumental in forming the William F. Moran Jr. Museum and Foundation in Frederick in 2006. He was president of it for 10 years, and today remains on its board of directors. The museum includes a number of Moran’s top knives, “a dressed-up version” of Moran’s knife shop and much more.

“All the effort Jay has put into the museum and foundation is immeasurable,” Johnny noted. “It required years and years of responsibility, but Jay bore it well and got the job done.”

The inductee gave special thanks to his wife, Nancy. “I wanted to thank her for all her help over the years, taking care of all the details, all the flight reservations, all the laundry, all the packing of suitcases. Sometimes when she gets tired she even lets me mow the lawn,” he said to audience laughter.

Jay went on to relate the story of when he was a kid shopping at a sporting goods store with his dad, who told the young Hendrickson to go pick something out for his birthday. Jay went to the magazine rack in the back of the store and saw the Gun Digest Book of Knives.

“I’d been making some knives, nothing big, but I’d been making them since I was a kid, and I looked at the book and it looked interesting,” he recalled. “And I looked down at the bottom and I see the names B.R. Hughes and Jack Lewis. Well, I didn’t know who these characters were but it didn’t matter, so I thumbed through it real quick and said this is a deal!”

Jay’s dad bought the book and Jay read it and told himself, “I can do this.” Looking at B.R. seated in the room, Jay remarked, “B.R., you helped me out a lot with that book and little did I know that one day I would get to meet you, serve on the ABS board with you, and over the years you would help me quite a lot with my knifemaking.

“I remember when B.R. got inducted into the Cutlery Hall Of Fame and he said something like he didn’t think he was worthy of this but he wasn’t going to give it back. Touché—the same with me.”

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Knife Collecting 101: What is a Knife’s Provenance?

Keep a Record of the Custom Knives You Buy!

If you’re lucky enough to attend a knife show in-person this year, take advantage of the time to use your smartphone—or even a camera, heaven forbid—to help establish the provenance of the knife you buy.

A provenance that not only can you show proudly to anyone and everyone who might be interested in the cool little enclave of makers that comprise the knife industry, but also to help increase the knife’s value.

What Is “Provenance?”

Provenance, in case you don’t know, is defined by Webster’s as “place or source of origin,” and proof of it is something those who deal in the world of collectables value almost as much as the collectable itself.

Such is the case in the world of edged collectables, where the knives of certain makers can be extremely valuable. Being able to prove beyond almost a shadow of a doubt that one of those makers made the knife you assert he or she has made can mean hundreds if not thousands of dollars of difference in the amount of money you can get for it—if and when you decide to sell it.

In later years, if you keep the knife and its provenance together, it can mean even more money and prestige than that.

What Forms of Proof Count as Provenance?

DO ask a maker's permission before picking up a knife from his table at a knife show.
Even if you can’t make it to a knife show in 2020, such as this scene at Jerry Van Eizenga’s table during a past BLADE Show, you can still request signed business cards, specs, receipts and photos from the knifemaker through the mail. A notary public isn’t out of the question, either. (file photo)

Provenance can take any number of forms, including dated written and signed documentation, sales receipts, product boxes (with the overall condition of those boxes playing a large part in value, too), etc. The more legitimate examples of proof you have, the better the provenance is.

Among other forms of such proof are photographs, and such photographs can come in any number of renditions.

For instance, once you buy the knife from the maker at his or her table, you might ask if it’s OK if you:

  • photograph the knife on the maker’s table, perhaps even with his/her autographed and dated business card situated next to the knife;
  • have your photograph taken with the maker, with you and/or he or she holding the knife; and
  • any other image you can think of to date or memorialize the occasion.

And you don’t have to stop there. You can keep the maker’s autographed business card from the photo, any kind of signed and dated receipt, knife specs (including name of knife, steel, blade length, handle material, lock, any unusual facts or descriptions of how the knife was made, etc.) and so on, and store it all with the knife.

If you feel even more enterprising, bring a recorder and record the maker’s answers to questions concerning the knife.

Of course, you will need to ask the maker’s permission for all of the above beforehand, but, if you’re paying the maker’s asking price for the knife, chances are he or she is going to be more than happy to comply and help you establish the knife’s provenance.

Provenance Benefits Both Ways

After all, the more money you get/more prestige you establish for the knife is probably going to benefit the maker’s ability to get top dollar for/reinforce the collectability of his/her knives, too.

Besides, it helps you establish a better rapport with the maker and is all kind of fun to boot.

Protect & Store Your Custom Knives:

Display Your Custom Knives:

Buying Custom Knives: Is List Price the Same as Value?

List Price is One Thing…

We recently published a picture of a custom knife with a price one observer indicated was exorbitant. This person questioned why we had published it.

When we publish the picture of a knife, we try to include the price. In the instance of a factory knife, the price we list is the manufacturer’s suggested retail price. In the case of custom makers’ knives, where possible we preface what the maker charges for the knife with “The maker’s list price”—for example, “The maker’s list price: $500.”

…And Value is Another

The reason we do it that way is the price is the one the maker is asking for the knife, not the collector value. We are no more going to change the maker’s asking price for a custom knife to reflect what we think the collector value is any more than we would do the same to a factory knife. It simply is not our place to do so. (Besides, it could open us up for legal action.)

We don’t list the collector value for custom knives because:

  • a) such values can be subjective;
  • b) such values are subject to fluctuation, sometimes almost overnight;
  • c) we simply may not know the collector value;
  • d) any number of other reasons; or
  • e) all of the above.

Why Doesn’t BLADE Publish Collector Values?

Now, sometimes we will list prices based on knife-show-opening bids, secondary market values, purveyor’s list and other prices, etc., but we never publish collector values for custom knives.

BLADE® is a knife magazine, not a price guide. Our mission is to show the work of as many makers as possible to as many knife buyers/collectors as possible, and let the latter decide what they want to buy and whether it’s worth the price.

Kyle Gahagan knives are sometimes offered for sale through ExquisiteKnives.com.
Kyle Gahagan made this 10.5-inch blade with forge-welded 1075 and 15N20 steels. The guard uses the same steel, and the handle is ringed gidgee wood. Maker’s list price: $3,500. 

Do Knifemakers Charge Too Much?

The fact that some makers charge too much for their knives is no news flash. The temptation to make as much money as possible from one’s labors is always there and is understandable—if done within reason.

However, to do so beyond reason not only is unfair to buyers, it also is likely to backfire on the makers in question by turning off buyers, thus dampening the makers’ future knife sales. In some cases, it may drive the makers out of business.

How to buy a custom slip joint knife
Stan Buzek based his slip joint on a Bill Ruple two-blade trapper. The hollow-ground blades are Damasteel damascus and 3.5 inches each. The fileworked liners are 416 stainless steel. Closed length: 4 3/8 inches. Buzek’s list price to make a similar piece: $1,950. (SharpByCoop photo)

On the other hand, if we publish a maker’s knife and list price and the maker gets feedback on how out of touch the price may be, it might serve as a teaching moment and help the maker get his prices more in line with reality—and help keep the maker in business.

Now, there are some makers who charge four, five and, in ultra-rare cases, six figures for their knives—and get it. And more power to them.

However, they get those prices by the grace of their creativity, ability, reputation, knowledge of the knife market and more, not because they simply ask for them.

Protect & Store Your Custom Knives:

Display Your Custom Knives:

3 New Reasons to Attend BLADE Show West 2019

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Allow the BLADE Show West staff to help you decide why you should attend the 2nd Annual BLADE Show West, Nov. 1-3 at the Oregon Convention Center in Portland.

In fact, staff members have been studying ways to inject some Vitamin C—as in C for Cut—into proceedings, and I think they have hit on new attractions that will make your decision whether to attend easy.

1) A New Cutting Competition

First is the chef’s knife cutting competition. Instead of holding it during show hours, we’re going to do it after show hours on Saturday (see details at bladeshowwest.com).

Ethan Becker, who knows chef’s knives quite well from his four decades of writing and editing the world-famous cookbook, Joy of Cooking, and knives in general through Becker Knife & Tool, will oversee the event.

The foodstuffs, they will be a flyin’!

2) Knife Critiques

Second of the new attractions will be the seminar, “Let the Pros Critique Your Knife.” The pros will consist of award-winning knifemakers/show exhibitors Murray Carter, Bill Harsey, David Lisch, Bill Ruple, Brian Tighe and Mike Tyre.

Since critiquing a knife properly takes time, this will be a limited seating event. Attendees may bring one knife only and attendee sign-ups will be held onsite.

If I were a hobbyist knifemaker of even a long-time one, I would love to have one of the makers on our panel point out what I was doing right and what I was doing wrong.

3) See the Real Bowie Knife?

Third of the new attractions will be the seminar, “Bowie’s Bowie: The Best Candidate,” as well as an exhibit of the candidate in question.

Dale M. Larson, author of the book The Knife Behind the Curtain: The True Story of Actor Edwin Forrest, James Bowie, and the Blade that Binds Them, will both exhibit the Edwin Forrest Bowie during the show and also deliver a seminar all about the knife.

Where to Get Tickets & More Information

Everything you need to have fun at BLADE Show West is at bladeshowwest.com.

How World War II Forged the Custom Knife Industry

2019: An Important Anniversary

This year marks the 75th anniversary of many major battles that turned the tide for the Allies in World War II. D-Day, Bastogne, Anzio, Monte Cassino, the Leyte Gulf and more are forever etched in the minds of many millions of people. Yes sir, 1944 was a very bad year for the Axis.

For those who fought in those titanic struggles for freedom, 2019 designates the last of the major anniversaries they will see. Most of whom are at least 90 and older today, they obviously won’t be around for the centennial celebrations in 2044. Of course, many of the rest of us won’t as well, but then we didn’t serve in “The Big One,” as Dad liked to call it, either.

In a world that seems bent on forgetting its past, the Greatest Generation members who won that war, both at the front and the loved ones on the home front—including my parents—are unforgettable. No matter race, gender, creed or nationality, the Greatest Generation represents most of what’s good, wise, brave and kind about humanity.

Memories of them are indelible because their deeds are manifest in the subsequent accomplishments and successes apparent everywhere on the globe, including from the bounty of the USA to the remarkable recoveries of two of the Axis powers most devastated by the conflict: Germany and Japan.

Custom Knives & World War II

All Purpose Combat Knife
Bo Randall’s Model 1 journeyed to all theaters of World War II alongside U.S. forces. (Randall Made Knives photo)

The argument can be made that the custom knife industry can trace its roots to World War II. It was during the war that such knifemakers as BLADE Magazine Cutlery Hall-Of-Fame® members Bo Randall, Rudy Ruana, William Scagel, M.H. Cole and Dan Dennehy made knives for the troops. Dennehy, in fact, both made knives for the troops during the war and also served in it, joining the Navy in 1940 and seeing action in the Saipan, Philippines and other campaigns.

Other well-known makers to fashion knives for the troops during the war included Floyd Nichols, Hoyt Buck, David Murphy, John Ek, Donald W. Moore, Frank Richtig, E.W. Stone, John Nelson Cooper and no doubt more. Each played a role in inspiring what today is the modern custom knife industry.

World War II: Special Tasks Required Special Knives

Case V-42
The Case V-42 opened up new possibilities in knife design, proven on the battlefields of World War II. (Case photo)

And then there were those who used knives in the war, people such as U.S. Army Corporal Eugene “Gene” Gutierrez of the First Special Service Force (FSSF). It was the FSSF that carried the legendary Case V-42 dagger and was comprised of specialists in mountain climbing, skiing, demolition and airborne ops.

Gene Gutierrez Devil's Brigade World War II
Gene Gutierrez

Wounded eight times in combat, Gene was with the FSSF when it scaled the 10,000-foot-high Monte la Difensa in the Italian campaign and dislodged the occupying Germans.

The climb was “pretty much straight up,” he said of the monumental effort. It took all night under one of the heaviest artillery barrages of the war, but the Forcemen made it up the mountain and routed the enemy. Later the FSSF was inserted at Anzio, where they pushed the Germans back again.

According to Gene, the Forcemen also were specialists in psychological warfare. While on night patrol they would paint their faces black and, after dispatching Germans, leave notes on the vanquished enemy bodies that read, “The worst is yet to come.” The Germans who found the notes nicknamed the Forcemen the Black Devils, aka the famous Devil’s Brigade.

Ninety-eight now, Gene is one of the last of a rapidly vanishing breed. The surviving Forcemen get together for reunions when possible, and Gene has served as the president of their association twice. They are among the leading members of the only generation that is truly unforgettable.

A Hug for a Knife? An Unorthodox Way to Start Collecting Miniature Knives

An Unorthodox Way To Start Collecting Knives

Knives come in all types and sizes. The knives in Brittany Gambee’s collection, for instance, are miniatures, all of which, with the exception of one, are made by ABS journeyman smith Dale Huckabee. And the genesis for them all started with a hug—or the lack thereof.

“Give Me A Hug For A Knife”

It started almost two decades ago when Brittany was 6. She and her mom, Dianna, were visiting their first Batson’s Bladesmithing Symposium, a three-day celebration of bladesmithing seminars and knives at the Tannehill Ironworks and park in McCalla, Alabama. Then a fledgling bladesmith, Huckabee was displaying his knives at his second or third Batson event, when up walked Brittany.

“This little girl about 2 or 3 feet high came up and said she’d give me a hug for a knife,” Dale recalled. Huckabee was feeling pretty chipper back then because he had just won a scholarship to the Bill Moran School of Bladesmithing.

Collecting custom knives
Brittany holds the knife at 6 (left) and wears it at 16 (right). In the background of the latter image is Brittany’s mom, Dianna.

“I had this miniature knife and sheath and reached over and hung it around her neck and said, ‘Where’s my hug?’—and she ran,” he grinned.

Dianna remembers the incident almost like it was yesterday.

“Dale told me when he gave the knife to her that it was sharp and to be careful, but he wanted her to have it,” she said, adding that Brittany wore the knife and neck sheath for many years. “Well, in our silliness we didn’t get his name, we just took the knife and sheath and figured ‘no big deal.’”

The DH Mystery

Fast-forward 10 years to when Brittany was 16. “The dog chewed the edge of the sheath and Brittany was very upset and wanted to replace it,” Dianna remembered. “Well, the knife had a ‘DH’ on it, but we didn’t know who DH was.”

Enter “Uncle Bill.”

“We’d been coming to Batson’s every year and there was this wonderful man who used to come here, ‘Uncle Bill’ Richardson—he’s passed away now—and he told us, ‘You bring the knife to the symposium and have Brittany wear it and somebody will recognize you.’”

Richardson—who Dale said didn’t make knives but was “a heck of a blacksmith”—was at least half right. Dale recognized Dianna but he didn’t recognize Brittany because at 16 she was 10 years older than the young lady he originally had met.

“This lady and this girl walk up and the lady said you don’t recognize her [Brittany], do you?’” Dale recalled. “I said no but I recognize the knife.”

Collecting Miniature Knives

Mini knife collecting
Gambee’s collection includes 12 miniatures. The neck knife and sheath are at lower left.

The Gambees have been coming to Batson’s Symposium—including this year’s rendition April 7-9—ever since and each year Brittany, now 25, buys a Huckabee miniature knife. This year’s addition: a miniature chef’s knife. The only piece in her collection that Dale did not make is one miniature damascus tomahawk by ABS master smith Ken Durham.

“Ken made the hawk for me because Dale always makes knives,” Brittany noted. “He saw Dale’s knives and said he could make a small hawk for me, and then Dale saw Ken’s hawk and said he could make a small one of those and made one for me, too.”

A Lasting Friendship

Who collects knives
Dale Huckabee, Brittany and her collection at the 2019 Batson’s Bladesmithing Symposium.

The lasting relationship between Dale and the Gambees is something all concerned seem to relish.

“It’s been a good journey. She’s grown up with me now,” Huckabee reflected. “When I get to the BLADE Show I see her over there some and she’s like family. I try to make something different for her every year. Last year I made the miniature damascus tomahawk, but I have to keep my head working to try to make something new and different each year. I don’t know what it will be next year. I’ll have to try and come up with something new.”

Oh, and in case you’re wondering, Dale replaced the sheath for Brittany’s knife, too.


2019 Portland Knife Shows

The List: Top 10 BLADE Show Moments

The BLADE Show is the Gigantopithecus of knife events. How did it get there? In chronological order, let’s review.

1) No Top 10 list can start without the start, and the BLADE Show started when BLADE Magazine Cutlery Hall-Of-Fame® members Jim Parker and Bruce Voyles organized the first one at the Drawbridge Motor Inn across the Ohio River from Cincinnati in Erlanger, Kentucky, in 1981.

2) Jim and Bruce’s creation, in 1983, of the BLADE Knife-Of-The-Year® Awards and the BLADE Magazine Hall Of Fame® set in motion two cutlery industry achievements that today are among the most coveted knife recognitions. Announcing them all at the BLADE Show gave—and to give—both the honors themselves and the show more cachet.

3) Moving the BLADE Show to the sprawling Holiday Convention Center in Knoxville, Tennessee, in 1984, to the site of the 1982 World’s Fair announced to the community that Parker and Voyles were determined to host a serious knife show contender.

4) The decision by the American Bladesmith Society to hold its annual meeting in conjunction with the BLADE Show—which the ABS has done every year since—established bona fides with many in the custom knife industry.

5) The decision in 1992 by Bruce Voyles, who by that time owned both BLADE® Magazine and the BLADE Show, to move the BLADE Show to the Renaissance Waverly in Atlanta thrusted the event onto the international cutlery stage. The show has never looked back.

6) The phenomenon that remains The Pit—the sunken lounge in the Renaissance Atlanta Waverly Hotel—became a magnet not only for revelers after the BLADE Show’s daily closings, but also a place where industry movers and shakers brainstorm new knives and knife innovations that shape the cutlery industry.

7) Then-BLADE publisher David Kowalski’s decision in 1997 to move the BLADE Show from the Renaissance to the adjacent Cobb Galleria Centre exhibition halls expanded the show’s look and size dramatically, and completed its ascension to the status of the world’s largest knife show.

8) The entire cutlery industry came together as one at the 2009 BLADE Show to help defeat the scurrilous attempt by U.S. Customs to classify all one-hand-opening knives as switchblades/automatics. If Customs had succeeded, the sporting knife industry—and thus the BLADE Show—would be shadows of what they are today.

9) The wholesale embracing of the BLADE Show over the past five to 10 years by the international cutlery community as the ultimate knife event has elevated the show to unheard of heights. A wealth of exhibitors—including herds of Knife-Of-The-Year and custom knife judging competition winning makers—dealers, buyers/collectors and industry professionals from every continent but Antarctica have taken the BLADE Show from being not only the world’s largest knife event, but also the most transformative global knife forum of all time.

10) Last, but most important of all, are the many thousands of patrons over the years who have made the pilgrimage to the BLADE Show to enjoy knives, knifemakers and each other in all their splendor. In the final analysis, it is the supporters of any endeavor that make the endeavor go. And nowhere does the preceding statement apply more aptly than in the case of the patrons of the BLADE Show.

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