The BLADE Blogs

The blogs of the BLADE editors, Steve Shackleford and Erin Healy.

Tactical Knife From Bin Laden Raid Up For Bid

Bids for the Emerson CQC-7 tactical knife carried by “Mark Owen,” a SEAL given the order to kill or capture Osama bin Laden, will be accepted through 8 p.m. EST today, according to Ernest Emerson.

Ernest Emerson holds one of his tactical folders.
Ernie Emerson’s CQC-7 used in the Osama bin Laden is on auction through May 15.

Owen is the pseudonym of the author of the book on the Bin Laden raid, “No Easy Day: The Firsthand Account of the Mission that Killed Osama bin Laden.”

Emerson is one of the leading names in tactical and hard use knives, both custom and factory. He is also known for his system of self-defense and knife combatives training, instructing military, law enforcement, civilian and other agencies worldwide.

He said he gave the knife to Owen in person. “I’ve known him a long time,” Emerson noted. “I gave it to him in 2005. It’s the real knife, the real deal and the real guy.”

Emerson added that he will supply letters of provenance indicating the tactical knife is what Owen says it is.

As these words were written, the latest bid was $15,400.

Emerson will have a booth at the BLADE Show (www.bladeshow.com) May 31-June 2 at the Cobb Galleria Centre in Atlanta, Georgia. He will conduct a special seminar, “Train Like A Madman,” conduct a lottery for his knives, and display a number of his new, never-before-seen custom knives—at least 12 prototypes—at the show. He also will appear on Armed Citizen Radio this Sunday discussing knives and, among others, mentioning the BLADE Show. Visit Emerson’s booth for more information on the time and location of his knife lottery.

To place your bid, visit http://www.24fundraiser.com/site/stores/5/events/5/items/114.

JULIA’S TO SELL DR. LUCIE’S COLLECTION OF WILLIAM SCAGEL KNIVES

 

 

James D. Julia Auctioneers extraordinary firearms and knife auction will be taking place on Monday and Tuesday, March 12th & 13th 2012. This auction should prove to be one of the most exciting events in knife history!

 

Dr. Jim Lucie, of Fruitport, Michigan recently decided to sell his lifelong collection of William Scagel knives. Dr. Lucie is today regarded as the reigning authority on Bill Scagel, his life, and the knives he produced. Dr. Lucie is a noted author of a monumental book on Scagel’s works titled, “Scagel Handmade”. He has also been a passionate collector of Scagel made things for most to his life. Dr. Lucie had the great fortune of meeting, doctoring and becoming a friend of Bill Scagel late in his life. His special relationship gave him a unique insight into this extraordinary man. Scagel was an extremely conservative, crusty and independent individual who lived life on his own terms.

 

Born in 1875, he lived until 1963 and for the majority of his life he used his unique skills and abilities to manufacture and craft about anything he wished. His focus however was on the production of quality knives. Although the product he produces was a simple utilitarian object he incorporated his unique artistic talent into the production of a true art form. His knives were literally a thing of beauty and he eventually began marketing them through the elite sporting goods store Von Lengerke & Antoine of Chicago. Up until 1929, his exquisite knives were featured in their catalogs and sportsmen from all parts of North America acquired his very special knives. Scagel was the first person to give art form to the American knife in the 20th century. Eventually, Bo Randall began to create artistic knives like those of Scagel’s and today the extraordinary fraternity of blade smiths throughout North America can attribute the origin of this art form to Scagel himself; he was unquestionably the genesis of this much revered and collected art form.

 

Dr. Lucie’s special relationship and appreciation of Scagel’s works eventually resulted in his amassing what is considered the finest collection of Scagel made products to exist today. His special knowledge and interest in Scagel, eventually led to his definitive book on Scagel products, “Scagel Handmade”. Dr. Lucie was so enthralled by Scagel’s art form that after Scagel’s death, he learned to become a blade smith himself and began producing wonderfully artistic knives in a manner similar to those of Scagel. Dr. Lucie’s knives themselves are highly collectible and he currently has a six-year waiting list for one of his masterpieces.

 

With the exception of a couple of items he retained for his daughters, his entire collection will be offered in this auction. There are so many great rarities, one of them is the Armond Durham camp ax with stag handle, originally made for Armond Durham. Durham had a number of pieces made, all of which he never used so everything from the Durham collection, including this ax, is essentially in near mint condition. The ax carries a conservative presale estimate of $20,000 – $28,000. Another very rare item is the D-guard fighter knife made for a Marine during WWII. On his first leave home, the marine ordered another five for members of his unit. These were the only D-guard knives ever made by Scagel and this is the only one currently known to have survived. It is estimated at $18,000 – $26,000. Another gem is the mint hunter with Heiser tooled sheath in an original V. L. & A box, the knife and Sheath are virtually new. It carries a presale estimate of $21,000 – $30,000. Another great rarity is a near mint crown stag folder knife. This pocket knife with stag handle this most unusual form is highly desirable and in its special condition, should easily generate $17,500 – $25,000. Another very rare and outstanding example of Scagel’s knives the hunter knife with folder in the handle. This very special form was exceedingly difficult to make and later in life, while corresponding with Bo Randall, he specifically stated that they were extremely difficult to make and that he only made 12 of these. This outstanding example is estimated at $20,000 – $30,000. Another exquisite Scagel knife is what Dr. Lucie refers to as the “Iron Mermaid of the Great Lakes” fish knife. This unique knife, specially crafted for the client who ordered it, is fitted with an antler handle in the form of a fish tail and is estimated at $18,000 – $27,000.

 

Not only were Scagel’s artistic abilities displayed in the product that he made, but sometimes his personal politics were reflected also. Scagel was never one to be beholden to one for a favor and when one was given he almost always immediately repaid it. One freezing night, while walking home, the local Democratic Party chairman stopped and insisted that he give Scagel a ride to his house. Scagel reluctantly accepted the favor and a few days later presented the Democrat with a small, hand-crafted knife and sheath as a gift. Later, a friend asked Scagel why the knife had an ivory slab on one side and a mottled mother of pearl handle on the opposite side. Scagel replied “Oh, you mean that damn Democrat knife I made? All Democrats are two-faced so I made the knife handle accordingly!” Estimate $4,200 – $6,000.

 

There are between 70 and 80 Scagel lots in this sale and they will be offered in consecutive order on one day. Absolutely no Scagel items from any other source will be mixed with Dr. Lucie’s collection. Julia’s catalog, considered the finest in the industry, will feature exquisite, full color photos of each lot and a detailed description provided by Dr. Lucie himself. The catalog description will also incorporate a conservative presale estimate. One unique feature about the Julia company is that unlike most auction houses who offer their goods “as is, where is”, Julia’s descriptions carry a 45-day guarantee from the date of the auction against any major discrepancy in the catalog description, thus making absentee bid participation not only easy and convenient but also safe.

 

In an effort to help make these rare items available for anyone interested, the Julia firm and Dr. Lucie have decided to make available special financing terms for qualified parties. If a client is approved, the terms will allow them to make payments for purchases over a period of time. Under no circumstances will terms be provided to anyone who does not apply before the auction. Customers must apply for and be approved before the auction for these special financing terms.

 

In addition, participation at the auction is most convenient. Some buyers attend the auction live and bid in person. Others after receiving the catalog may submit absentee bids to be bid competitively at the auction. Still others may make advance arrangements to bid over the telephone as it is being sold. And finally, anyone who has a computer will be able to bid live time during the auction by accessing the Julia catalog through “Artfact”.

 

This very special auction, featuring this unique collection will certainly prove to be a once in a lifetime opportunity. Not only will this be the most significant offering of Scagel knives ever offered, but the condition in general is truly outstanding. Many of the items have never been used.

 

One of the most difficult parts about preparing the catalog proved to be the estimates. Because of the rarity, the superb condition and in some cases the uniqueness of the items, it is impossible to predict what they might bring. However, the Julia firm and Dr. Lucie have agreed that the estimates should be realistically conservative so that all potential buyers can know that the collection is intended to be completely sold. Julia’s catalog will be available approximately four weeks prior to the auction and should be posted on their website approximately 3 weeks prior to the auction. For more information, contact Julia’s for free, detailed illustrated brochures of the sale (available four weeks prior to the auction) at (207) 453-7125 or visit their website at www.jamesdjulia.com.

 

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Strange Blade Brews

Darrel Ralph outfits his assisted-opening DDR Gun Hammer 3-D Alpha in a 3.95-inch blade of stainless damascus with a Stellite 6K core by Chad Nichols. The frame is Nichols 3-D-carved Moku-Ti titanium damascus. Ralph’s list price: $3,500. (knife photo courtesy of Darrel Ralph)

Some of today’s alternative blade materials may change the way you look at knives

By Pat Covert

TO MOST KNIFE ENTHUSIASTS, THE WORD STEELis so closely associated with blades it would be hard to describe a knife without it. After all, since its earliest known production about 4,000 years ago, in one form or another steel has ruled the roost not only in cutlery but so many other things that pervade our lives.

Simply put, steel is everywhere. Unfortunately, most versions of it rust.

Progressive thinking in the knife arena has led to a boom in the technological aspects of blades, which includes those of materials that do not rust or rust very little in comparison to stainless steel. (Stainless steel resists corrosion but is not impervious to it.) In the process, cobalt-based alloys such as Stellite®, Talonite and Cobalt Dendritic have received attention. Other materials such as laminates using titanium and carbon fiber, as well as ceramics, also have been used to good effect.

Frost on a Windowpane

Not a common metal, most of the world’s cobalt is mined in the Republic of the Congo. Today, most cobalt is used in corrosion-resistant “super alloys,” which are particularly suited for gas turbine and jet aircraft engines.

David Boye has been making knives for over 40 years. He offers fixed blades and folders for use around saltwater and other rust-inducing environments. He has used dendritic material exclusively since 1980 because he says he prefers its strength, cutting performance, ease of sharpening, and ability to cast roughly to shape.

(Editor’s Note: For a better understanding of forging various metals into blades, check out The Complete Bladesmith: Forging Your Way to Perfection, pictured at left.)

“Dendritic is the kind of pattern [damask] which naturally forms when a carbon alloy cools after smeltering,” Boye explains. “It looks like frost on a windowpane.”

According to many knifemakers, the finer the blade’s grain structure, the better it cuts. Boye supports the opposite view.

“These relatively large, rooted and fully bonded carbides produce microscopic teeth along the cutting edge, and this is what actually does the cutting,” he notes. The combined attributes of extreme cutting performance, no rusting in seawater and being non-magnetic so it does not affect a compass or electronics make the material ideal for the ocean environment. “We have used dendritic cobalt for over 15 years and have received virtually zero chips, broken blades or complaints,” Boye says, “and many customers have raved to me about the blade performance.”

He states that the material’s downside is each knife design requires a set of porcelain molds which are challenging and/or expensive to make, the mold created for each individual blade has to be discarded after only one use, the casting alloy is costly, and the waiting time for blades from the foundry can be lengthy.

Damascus Hybrid

Chad Nichols is a large supplier of damascus to the cutlery industry and has pioneered a new blend of patterned steel using cobalt 6K, commonly known as Stellite, and stainless steel—particularly AEB-L and 304. “The interesting thing about the 6K cored steel is that the cobalt alloy itself does not have to be heat treated to retain edge-hold abilities,” he observes. “The only reason the material needs to be heat treated is for corrosion resistance [for the stainless steels in the damascus] and for etching purposes.”

Nichols outlined several attributes of the hybrid damascus, “The addition of the cobalt-based alloy increases its durability and oxidation resistance,” he states. “The cutting performance of the 6K damascus is great. It’s a workhorse of a steel for cutting and can retain a razor edge even under the most vigorous conditions.” As for the disadvantages of the material, there are two. “The blade material is expensive. You already have a relatively high cost for the damascus and then you add the 6K which, pound for pound, costs more than the handmade damascus,” Nichols says, adding, “It’s not a lot of fun to make, either!”

“Won’t Crack Under Flex”

The book on modern laminate blades using metal bonded to synthetics was co-authored by knifemaker Warren Thomas (also, see page 114, August 2011 BLADE®). He indicates he began making laminate blades in 1991 using stainless steel and carbon fiber. Shortly thereafter he substituted titanium for steel, creating a lightweight, zero-magnetic knife. Thomas says he uses a “trade-secret” chemical bond that positively adheres the two materials.

“My laminates have half the weight of a steel blade, absolute zero corrosion, won’t crack under flex, and don’t micro-fracture under heavy stress along the cutting edge like steel blades do,” he explains. “To improve the performance of the blade, I weld tungsten carbide along the cutting surface to enhance the edge retention. This gives it a toothy edge that improves the cutting performance.

“There is no chance of corrosion using carbon fiber and titanium. Both materials are impervious to common destructive forces like sea salts, body sweat, and other elements that wreak havoc on steel,” he notes. “Steel knives have a very hard time cutting some synthetics, such as Kevlar™. My knives actually cut these materials quite well due to their ability to saw through them.”

Laminated blades do have their disadvantages. “In very rare circumstances, the blade can delaminate. I’ve had this happen approximately a dozen times in 20 years and have always corrected the problem for the customer,” he says. “Due to the direct cost of the state-of-the-art materials involved and the time spent fabricating the laminates, there is a higher cost for my blade over steel. However, you get what you pay for.”

That’s Edge Retention!

Ceramic blades are made by taking zirconium oxide—also known as zirconia—powder, compacting it under intense pressure, and heating it in blanks at high temperatures in the 1,400° Celsius range. The blades are much more common among kitchen knives, and for good reason. For straightforward slicing and dicing they are extremely effective, but for lateral blade movement with torque, such as for prying, they tend to snap or shatter.

Boker Knives has never shied away from thinking outside the box, and its ceramic knife line not only includes kitchen knives but tactical and everyday carries as well. “If used as intended, ceramic blades will outperform steel,” Boker USA CEO Dan Weidner says. “In an independent lab test performed comparing ceramic to steel, technicians measured the amount of pressure required to cut through a standard piece of cardboard. After 1200 cuts the pressure required to cut using the ceramic blade was the same as the first cut, while the identical task using a steel blade showed decline after 400 cuts.” Now that’sedge retention!

Ceramic blades also have other benefits over stainless steel, including corrosion resistance. “This is one of the prime advantages of ceramic,” Weidner opines. “It cannot rust, which is why it’s used so often in maritime and military saltwater environments.”

There is also good news on the economic front. “Initially the cost of ceramics was on the high side, but now there are sufficient manufacturers producing the material to put the price point in the same range as good, quality steel,” Weidner says. Moreover, ceramic blades are non-magnetic.

Is One For You?

The strange brews in blade technology are not for everyone, but they offer a wide range of features, including either no rust or a huge reduction of same, zero magnetism, weight reduction and enhanced edge holding. Granted, there are downsides in some instances, though apparently not enough to discourage enough buyers of the blade brews outlined herein.

Is there an alternative blade in your future?

For more on alternative blade materials such as Spyderco’s H1, Strider Knives’ Nitinol, and Bohler-Uddeholm’s Vanax 35 and 75, see page 68 of the April 2011 BLADE®.

 

Also be sure to check out BLADE’s Guide to Making Knives.

 

For more on the latest knives, knife legislation, knifemaking instruction, knife trends, knifemakers, what knives to buy and where and much more, subscribe to BLADE Magazine, the World’s No. 1 Knife Publication. Subscribe to BLADE magazine.

Knife Store Of The Day II: Nordic Knives

A leader in mail order sales of fine custom made knives since 1977, Nordic Knives has earned its reputation as one of America’s most reliable and trustworthy sources of fine custom knives.

A long-time dealer of Randall Made Knives, Nordic “can supply you with these fine knives in a much shorter time period than orders placed directly through Randall Knives. We specialize in assisting you with customized Randall knife orders, and can now deliver your finished knife in a shorter time period than a direct Randall order. We also offer a wide range of both folding and fixed-blade custom-made knives. Nordic Knives is a retailer of many of the best factory made knives, both for sport and the kitchen. Please call us at 1-800-992-6574 if you desire anything along these lines. We will be more than happy to ship out any item we sell, anywhere in the world.”

Based in Solvang, California, Nordic offers knives by Blade Magazine Cutlery Hall-Of-Fame© member Michael Price, new custom knives, Chris Reeve knives, William Henry knives and much more. Nordic also produces the bi-ennial Solvang Knife Show, which will be held April 28 this year at the Hotel Corque in Solvang.
If you have one knife you want to sell, or an entire collection, Nordic Knives would be pleased to work with you by either purchasing or consigning your custom or Randall knife or knives. Nordic is especially interested in Randall knives and custom knives by prominent makers. Please call Nordic buyer David Harvey at 1-800-992-6574 to discuss terms, or visit www.nordicknives.com.

     For more on the latest knives, knifemaking instruction, knife trends, knifemakers, what knives to buy and where and much more, subscribe to BLADE® Magazine, the World’s No. 1 Knife Publication. For subscription information click on http://www.shopblade.com/product/blade-magazine-one-year-subscripti…?r+ssfb090112#BL1SU

Southern Grind Marine Pens Poem Of Combat

Zac Brown shares the stage with Southern Grind spokesman, Johnny Joey Jones.
Zac Brown’s Southern Grind deploys formidable spokesman, Johnny Joey Jones, a double amputee Marine staff sergeant.

Johnny Joey Jones, Triple J to his friends and Explosive Ordnance Disposal technician to his Marine Corps brethren, wrote a poem about a particular day, a particular explosion, a particular knife, while on patrol in Afghanistan.

Jones, a double amputee and motivational speaker, is the spokesman and more for Zac Brown’s Southern Ground, which is an umbrella company that represents numerous 100-percent American-made and -sourced products, including the knife company, Southern Grind. Proceeds from the sale of these patriotic items benefit Camp Southern Ground, which strives to give kids of all races and religions, and especially those with neuro-developmental challenges, the positive influence of a camp experience. The camp also helps military families by offering the same experience to children who are dealing with a deployed, injured or deceased parent.

In May 2010, about three months before Staff Sergeant Jones would step on an IED and lose both legs above the knee, he was on patrol with a group of Marines. (In the Corps, EOD units go where they are needed, with whom they are needed.) They came to a small canal. “There is always lots of learning,” Jones said, and in this case, it was that you don’t want to use foot bridges to cross waterways. Such crossings would create bottlenecks, ideal spots for the enemy to booby-trap.

Double amputee Johnny Joey Jones is a motivational speaker and Zac Brown Southern Grind spokesman.
Prior to losing both legs above the knee Johnny Joey Jones was an Explosive Ordnance Disposal technician in Afghanistan.

To get across, first the sweeper, the Marine with the metal detector, went and then the mine-detecting dog and his handler went. “We think the dog stepped on the mine,” Jones said. “The Water So Cold” tells the story.

 

 

 

 

 

 


The Water So Cold

By Johnny Joey Jones

They say it passes

The pain so cold

Even atlas shrugged

Or so I’m told

 

He was out of sight

Walking on water

A fallen tree bridge

A bomb rang louder

 

His steps stopped so abrupt

Smoke and dirt were to breath

Gone in an instant

His bloody face screamed

 

I still see his face

Bloody and scared

The water so deep

Wet blood in his hair

 

He was screaming so loud

When I jumped in

I grabbed his body

I reached for his hand

 

The water a mess

Water touching my chin

I opened my mouth

The water rushed in

 

He yelled and screamed

I panicked and pulled

This boy would not die

In water so cold

 

I knew I had to do it

I was so frightened beneath

I had to reach down through it

The water so deep

 

I stalled for a moment

Whispered,” it’s gonna be ok”

“I’ve got you, they’ve got you”

He quieted his bloody face

 

They came to the bank

Reached down and pulled

This time I didn’t think

Lifting him high once more

 

In water so cold

I grabbed at his knees

Scared and surprised

I felt legs beneath

 

My mind rejoiced

His bloody face still screamed

Yet, his hand, his face

Torn open and bled

 

In the mix of it all

His knife in my hand

I meant to cut off his gear

He was missing only a hand

 

The bird came loud

So fast and fluttered

The shots rang out

From afar, from cover

 

I couldn’t shoot back

The bird flew, scattered

 

Frantically I scratched

 

To climb out of the water

 

His gear still a drift

His knife in my hand

Miles still to sift

Of this mine filled land

 

Days later, I stalled

Reached down, nervous sweat

My legs were still their

His knife, still wet

 

I gave his knife to the man

“Tell me he lived” I begged

“He lost a hand and an eye-

But he’s still got his legs”

 

Joey Jones mentored other recovering veterans and went on to become a motivational speaker.
Joey Jones not only took the lead in combat, he became a mentor to recovering wounded veterans like himself.

The knife was a folder issued to Marines. “I was going to cut off his gear, but guys reached down to pull him out. Days later I realized I still had his knife in my cargo pocket,” Jones said. “I gave it to his first sergeant to give it back to him,” Jones said. That first sergeant is the man in the poem of whom the speaker asks about the Marine’s condition.

Jones has had a poetic streak most of his adult life. Since separating from the service, he has earned his Bachelor’s degree from Georgetown University in public policy. “I don’t go back and edit,” Jones said. He wants the poems to represent him authentically, as he was at the time.

Check back to read more about this inspirational wounded warrior.

To learn more about how Jones and Brown met and the knives made by Southern Grind, be sure to subscribe to BLADE® Magazine.

 

 

 

‘Fighting Folders’ Offers Class Instruction At Home

'Fighting Folders' is cheaper than a class and can be watched repeatedly from the comfort of your living room.
In “Fighting Folders” Michael D. Janich instructs viewers on the myths surrounding folding knives and how to employ them in a self-defense situation.

You don’t have to have been in combat to know that sometimes Plan B—the knife—can quickly become Plan A when it comes to self-defense. Often our everyday carry is a folder. This DVD can get you started on proper grip, one-handed openings and other tactics using folding knives. The $39.95 price is less expensive that a class and can be watched repeatedly in the comfort of your home.

 

 

Ron Lake’s Tab Lock: The Clever Lever

     When Blade Magazine Cutlery Hall-Of-Fame© member Ron Lake devised the interframe design and gave the world of knives another standard of innovation and excellence, he continued to look for ways to improve the operation of a standard lockback mechanism. He was not satisfied with pushing a bar to release the lock, particularly with one hand occupied or involved in some type of activity that demanded his full attention.

     The solution was fairly simple and came along in the early 1970s, just a few months after the historic debut of the interframe. Ron added a small steel tab at the end of the knife, offering the user a quicker and safer alternative to depressing a bar.

     “The tab lock is really not a lock mechanism,” Lake explained. “It is just a tab on the end of a lockback that offers a mechanical advantage. If it isn’t there, I just have a bar to release the lock, and depressing that bar can be hard to do when the hands are soft, cold or wet. The tab gives you a larger surface to push on.”

     Ron admits that the tab lock was something of an afterthought, trailing along behind the notion of the interframe. Sometimes the good idea can indeed be made better. As a young knifemaker, he continued to mull over the prospects for a better release.

     “I had only been making knives for six years,” he laughed. “I didn’t even know another knifemaker and didn’t know what knives were supposed to look like. I came up with the interframe design and then thought about where I could put a release mechanism. I still make interframes and that’s about all I do make, and they are with the tab.”

     While it may look like a simple endeavor, the fashioning of the tab lock is not for the knifemaker who wants to take a shortcut or go down the path of least resistance. Of course, the tab-lock style is not seen in great numbers among today’s knives, and Ron says there is a straightforward explanation for that. It just is not the easiest thing to do.

     “I can make them now with less effort than it took back then,” he advised, “but first of all I have to machine a piece of metal that goes on the end. Then I have to silver solder it on, and it’s a rough piece of metal with everything large on it. Then I remove the silver solder so you can see a nice radius, machine the sides to the right dimension and radius the corners.

    “From there, I hand sand the surfaces and polish them up. So, it takes several more hours of work than a standard knife, and about 15-to-20 percent of my time goes into that part of the knife. I also have to take the whole knife apart and put it together again two more times, which I don’t have to do on some other models. For a few years, A.G. Russell just thought I butted it up against the end of the lock and soldered it on, but that could get knocked off easily. Later, I explained the process to him, and I can tell you the tab is on there pretty tight, pressed on and silver soldered.”

 

Tab Release

Some years ago when Ron, along with Wayne Clay and Cutlery Hall-Of-Famer Frank Centofante, co-wrote How To Make Folding Knives, he discussed the geometry of the lockback knife. He remembers visiting Sakai Cutlery in Seki City, Japan, and sitting in the company’s offices, which incidentally included a log cabin from Montana that had been dismantled and reconstructed. The men from Sakai had eight lockback knives laid out in the office, and the geometry between the pivot and the lock was different on each one.

     “I asked them who had designed those knives,” Lake smiled, “and they said, ‘We did.’ I asked them why the geometry was different on every one of them, and they told me it was because the toolmaker had made them the way he wanted to do it. To my knowledge nobody had put the geometry of the lockback down on paper until I did. Innovation comes from one-man shops.”

     That innovation carried over to the construction of the tab lock, which Ron more aptly describes as a “tab release.” The tab lock actually does lock like any other lockback. The secret to its operation is in the release.

     Long-time friend and fellow knifemaking legend and Cutlery Hall-Of-Famer Michael Walker says he agrees that the idea seems simple enough and makes a great impact on the user when it comes to ease of release. “I can say that the tab lock addresses a big problem with the lockback design by adding length, which in turn adds leverage,” he explained, “and the tabs let you unlock without the problem of pushing on a narrow piece of metal. It also eliminates the cutout [in the handle spine], which could restrict use for someone with larger hands. It’s much more functional than the traditional construction, hence he was awarded a patent.”

     Lake says he believes his patent was awarded about 1973 and expired around 1994. It not only included the tab, but also extended to the interframe and the bushing inside the handle that spaced the blade away from the frame. Indeed, the tab was part of a larger patent and an afterthought that developed into a novel approach when his inventive mind pondered the question of an efficient and effective release.

     “I decided that having the tab at the back of the knife would have a mechanical advantage,” Ron reasoned. “You can close it not only with the thumb but anything else that could be used to press the release. It doesn’t make any difference how long the lever is. It could be in the middle of the handle with the tab on it.”

     As for the patent, Ron says he doesn’t worry too much about it. “Centofante put [the tab lock] on his knives, and we were friends,” he remembered. “Some other folks have used it, too. Centofante put his tab on one side of the lock, and the patent specified at the end of the lock lever.” Along with Clay’s lockback, Lake’s and Centofante’s versions of the tab lock both appear on the cover of How To Make Folding Knives.

     Over time, Ron says the patent has become even less meaningful to him. The drawings or blueprints are long forgotten—probably shoved into a drawer somewhere in his shop. The concept of trade dress is enough for him. A form of intellectual property, trade dress refers to the look or characteristics of an artist’s work that provide the work’s instant recognition to the consumer.

     “After you do something for so long, it does establish trade dress,” Lake commented. “For example, if you saw a lockback lying on a table with a tab on it, would you know who made it? Yes, you would know that knife is mine. That is trade dress.”

     Of course, the tab lock made an impression 40 years ago when a young Ron Lake showed it off to a who’s who from the golden age of custom knifemaking. Among those present when the tab lock debuted were Corbet Sigman, Chubby Hueske, Cutlery Hall-Of-Famers Frank Centofante, A.G. Russell, B.R. Hughes and Bob Loveless, and a number of others. Since then, the tab lock has been a quiet trademark of Lake’s knifemaking skill, standing the test of time.—By Mike Haskew

 

To read similar stories and all about the latest knives, knife news and much more subscribe to BLADE®. For more information, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb21211#BL1SU

 

CAPTION

Blade Magazine Cutlery Hall-Of-Fame© member Ron Lake and one of his tab-lock interframe folders in a stag handle and leaf-and-hands engraving—some in gold—on the blade bolsters and even the tab itself by Barry Lee Hands. (SharpByCoop.com photo)

Guild Show: Granddaddy Custom Knife Event

Great custom knives always highlight the Guild Show.
Alan Snow (right) holds the Stealth III made by Kevin Hoffman (left) at a past Guild Show.

The Knifemakers’ Guild Show will hold its 44th annual rendition—the granddaddy of all custom knife shows—this weekend at the Seelbach Hilton Hotel in Louisville, Kentucky. Knifemakers, knifemaking suppliers, purveyors and more from all over the world will convene in Derby Town, where some of the best custom knives will be shown and sold.

The Guild got its start in February 1970 when the Guild’s “founding father,” BLADE Magazine Cutlery Hall-Of-Fame© member A.G. Russell, rented tables at the Sahara Gun Show in Las Vegas and invited several knifemakers to display knives there. Later that year, 11 makers met in Tulsa, Oklahoma, to form the Guild. The makers were John Applebaugh, Cutlery Hall-Of-Famer Blackie Collins, John Nelson Cooper, Cutlery Hall-Of-Famer Dan Dennehy, Ted Dowell, Chubby Hueske, John Kirk, Cutlery Hall-Of-Famer Bob Loveless, John Owens, Jim Pugh and G.W. Stone. Loveless was elected secretary—the Guild office title today is president—and A.G. Russell was made honorary president.

The purposes of the Guild are to:

1) Promote custom knives and knifemakers

2) Assist the knifemaker technically;

3) Encourage ethical and professional business conduct;

4) Sponsor an annual business meeting and knife show.

The show has been held in assorted venues over the years, including Kansas City, Dallas, Orlando, New Orleans, Las Vegas and now Louisville. Some of the earliest Kansas City shows were held at the old Muehlebach Hotel, where, in addition to Loveless and Dennehy, such Guild legends as Cutlery Hall-Of-Famers Buster Warenski, Bill Moran, Ron Lake, George Herron, D’ Holder, Frank Centofante, Gil Hibben and many others displayed their knives and kick-started an organization that continues to be recognized worldwide today. Hibben, in fact, remains active in the Guild today, and is in his seventh and final year as Guild president. He will step down this year.

Make plans now to attend the show this weekend. There will be a special President’s Gala Thursday, Sept. 19, at the Seelbach, and should be a great place to see Gil and Linda Hibben in their final show as the Guild’s first family, as well as all the other makers and their great knives show Friday, Saturday and Sunday.

For the latest in knives and knife news, keep it here at www.blademag.com.

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