Phil Jacob took home the Best New Maker award from BLADE Show 2017, which is as good as it gets for someone getting started in knifemaking. The achievement is also good news for knife collectors looking for a guiding light for their collections. “Best New Maker” translates to “best new opportunity” for ROIs on investment.
Jacob, who calls Kansas home, specializes in slip joint folders. The addition of exotic handle materials and attention to detail offset any cliches about this traditional style. Just take a look at the double-bladed trapper that made waves at BLADE Show.
Specs:
Blade lengths: 3.125”
Blade steel: CPM 154 stainless
Handle: Stag dyed amber
Folding mechanism: Slip joint
Weight: 5.1 oz
Closed length: 4.5”
Maker’s list price for a similar knife: $875 to $1,100
Jacob maintains a healthy social media presence, which is another benefit to collectors interested in a commission or a resale. His Facebook page is full of status updates and photos.
Did the corroded coffin-handle bowie knife relic found by Dr. Gregg J. Dimmick in the Sea of Mud belong to James Bowie? Note the absence of a guard, one of the design traits of James Black. At press time the relic was in storage at Texas A&M University along with other items found in the Sea of Mud. (relic image courtesy of the Cushing Memorial Library and Archives, Texas A&M University Libraries)
Made during Cutlery Hall-Of-Famer James Bowie’s lifetime, the relic may have been used in the defense of the Alamo, which fell on March 6, 1836. I had not seen the relic but ABS master smith Greg Neely had sent me a picture he had taken a few years earlier. Below the relic was a placard with the following inscription: BOWIE KNIFE.
The relic is iron and has brass connectors in the handle. There are two small strips of decorated silver on the blade near the handle on both sides. A very small amount of the silver can still be seen. The relic had been cleaned by electrolysis. The relic is interesting due to its similarity to Bowie No. 1, the coffin-handle bowie attributed to James Black of Washington, Arkansas.
Identification
The Carrigan coffin-handle bowie knife James L. Batson indicates was made by James Black more closely resembles the relic than either the Marks & Rees or Crown Alpha knives. The Carrigan is on display in the Historic Arkansas Museum in Little Rock, Arkansas. (Courtesy Historic Arkansas Museum, Little Rock, AR)The knife known as Bowie No. 1 does not have the same pin pattern as the relic but has many of the same characteristics of the Carrigan bowie. Bowie No. 1 has a bigger handle and much longer blade. Overall length: 18.5 inches. (image from The Antique Bowie Knife Book)
I had learned early on that you cannot identify or verify an authentic bowie knife unless you hold it and see it—in this case, eyeball to rusty metal. From Greg’s picture I could not be sure how big the relic was. However, from the shape of the blade and coffin handle, along with the pin pattern and the studs in the handle and the silver overlays on the blade in front of the handle, I suspected that it was made by Black circa 1831-1838, in Washington, Hempstead County, Arkansas Territory.
From my bowie knife research, I have concluded that Black originated the coffin-handle style that became one of the most popular of bowie knives. A Black knife did not have a guard. Makers in America and Sheffield, England, incorporated guards into the design.
Crown Alpha of Sheffield, England, also made coffin-handle bowies with silver overlays on the ricasso, this one for Gravely & Wreaks of New York.Marks & Rees of Cincinnati, Ohio, made coffin-handle bowies with silver overlays on the ricasso. Marks & Rees was the first to advertise bowies for sale.
Two of those that made coffin-handle bowies with the silver overlays on the ricasso area were Marks & Rees of Cincinnati, Ohio, and Crown Alpha of Sheffield for Gravely & Wreaks in New York. Marks & Rees was the first to advertise bowie knives for sale, and the Crown Alpha Bowie had Arkansas Toothpick elaborately etched on the blade.
As you can see in the fourth image up, the small Carrigan knife made by Black more closely resembles the relic than the Marks & Rees (above) or the Crown Alpha knives (above Marks & Rees). Also, you can see that Bowie No. 1 (third image up) does not have the same pin pattern as the relic but has many of the same characteristics of the Carrigan. Bowie No. 1 has a bigger handle and much longer blade (13.5 inches).
“I Could Tell He Made It”
B.R. and I arrived at the Alamo gift shop after paying homage to the fallen by visiting the Alamo Chapel. Boy, was the Sea of Mud exhibit crowded! We had to stand in line.
There was the relic and I could tell Black made it. I could tell from the studs that at one time had secured wood scales to the full tang. To my knowledge, Black was the only person to use this technique. The blade lengths of the relic and seven known silver-mounted Black-made, coffin-handle bowies are about 6 inches, with handle lengths of about 4 inches. The placement of the six pins looks as if Black used the same pattern to drill the holes in the tang of each knife.
The relic had been on or in the ground for at least 160 years, but where were the top-and-bottom silver tang wraps? Where were the two silver wraps around the front of the wood scales? Where were the two silver escutcheon plates? Where was the silver pommel wrap, and where were the twelve domed silver washers that secured the scales to the tang? And where were the walnut scales?
If the relic had been dropped by accident or lost, some of the silver mountings should have been part of the artifact, since silver is a noble metal and difficult to corrode. The wood may have deteriorated or rotted away, taking some of the attached silver mounts with it.
Lost to Time
The coffin-handle bowie knife relic was found on the west side of the West Bernard River below the mouth of Clarks Creek in Wharton County, not far from Hungerford, Texas. Mexican Gen. José de Urrea’s division crossed the West Bernard River from west to east on April 20, 1836, the day before the Battle of San Jacinto and a month-and-a-half after the fall of the Alamo.
I contacted Dr. Dimmick and asked if he found any evidence of silver or wood in the soil adjacent to the artifact. He said nothing was found in the proximity of the relic but that a brass pommel cap was found at the same site, though not near the relic.
The relic could have been lost and over time lost the silver mountings. Or, a Mexican soldier or camp follower who needed money and valued the relic only for the silver he or she could remove from it may have retrieved the relic, and the relic was not lost but discarded after the silver fittings and wooden scales were removed. Silver could not be removed from the blade. It was soldered with tin.
A Mexican officer with some wealth may have kept the knife, especially if it had a coin-silver-mounted sheath.
The coffin-handle bowie knife relic was found on the west side of the West Bernard River below the mouth of Clarks Creek in Wharton County, not far from Hungerford, Texas. The West Bernard River was crossed from west to east by Mexican Gen. José de Urrea’s division on April 20, 1836, the day before the Battle of San Jacinto.
According to Dr. Dimmick, “Based on the distances recorded by the San Luis Battalion on April 19, it is believed that this site was not a campsite. The campsite of April 19 was probably near present-day Spanish Camp, Texas. If this is correct, it is theorized that the site discovered on the West Bernard is where Urrea and his division crossed the river during their advance. It is possible that these artifacts were discarded at the site as the units awaited their turn to cross. The artifacts from this site are consistent with the above theory.”
Gen. Urrea’s division was not at the Alamo. However, then-Col. Juan Morales and his men were, and they reinforced Urrea after the fall of the Alamo. (It was about 100 men under Morales’ direction who attacked the Low Barracks where James Bowie was killed during the Alamo battle.)
Urrea subsequently led his division along the coast from Matamoros to Goliad and Victoria. His primary opposition led by Col. James W. Fannin consisted of volunteer units from the United States.
These troops took steamboats down the Mississippi River to New Orleans and went over land or by sea to Texas. The Matamoros Expedition led by Col. Francis Johnson and Dr. James Grant consisted of the New Orleans Greys and the Mobile Greys. None of these troops had been through Washington, Arkansas, or heard of James Black.
So, was the coffin-handle bowie relic owned by a defender at the Alamo? And if so, how did it get from Washington, Arkansas, Territory to the Alamo, and from the Alamo to the West bank of the West Bernard River? Was this James Bowie’s knife?
Two variations of the Wilton Square Wheel Grinder. (Images courtesy of Southern-Tool.com)
The variety and types of belt grinders available today is tremendous. Without a doubt each individual has his/her favorite machine. Although all are very good, we always wish that we could make them do more, or modify them to better fit how we each do things in our shop(s).
I have used every grinder out there at one time or another, and have chosen the Wilton Square Wheel as my favorite. The most attractive feature for me is the ease and speed of changing attachments.
As it comes from the factory or dealer, there are a few draw backs that can be irritating to a knifemaker. Below are a few modifications I have made to increase versatility and production in my shop.
Specs
The machine is set up to run either 110VAC or 220VAC. As delivered it is set up to run at 110VAC, I highly recommend setting it up to run on 220VAC. There is a world of difference in the power and smoothness of the machine from 110 to 220. (My machine had change over instructions located inside the switch housing.)
Slow Down
(All images by the author unless otherwise noted.)
If you did not purchase a variable speed machine, get a “slow down” drive pulley. As it comes from the factory, the Wilton Square Wheel has a 10″ drive pulley that runs the machine at 4600 SFPM (surface feet per minute) Before they were offered commercially, I had one made at a local machine shop. Mine is 7″ dia, and slowed the belt speed down to 2950 SFPM.
By slowing the machine down, it may seem at first that your progress is very slow, but your grinds will come out much nicer, and you’ll get a lot more mileage out of your belts.
Flat Platen Attachment
Next we turn to modification of the flat platen attachment. As it come from the factory, and with the way the platen attachment is cast, there is simply not enough room or tracking adjustment to allow one to create plunge cuts on the left side of the platen (as you are facing the machine).
It took me a while to work this one out, but the solution is a simple fix. I created a platen that bolts onto the existing platen. These “add on” platens are nothing more than a piece of 1/4″x 2″x whatever length you want (up to the original 8″) that the belt “rides” over. This will give you plenty of room for plunge cuts. In the photos below you can see how I drilled two holes in the casting, and use two socket head bolts (10-24 thread) to secure the “add on” platen.
The easy way to do this is to remove the contact wheels and use a set of vise grips to drill the holes for threading, and then enlarge the holes in the casting to accept the socket head bolts.
Modify Platen Lengths
For those who were paying close attention to the photos above, the platen may have seemed shorter than it should be. This brings us to one of the best improvements. Remove 2″ at the bottom of the factory platen casting. This gives an area that is ideal for convex grinding.
Platens can be made in different lengths, for various applications. The above photo on the left shows two different platen sizes, the large for flat grinding, and in the right photo, the shorter platen is in place for convex grinding. Below is a close up view of the setup I use for convex grinding. It’s easy to get carried away and use too much pressure, so nice and easy is the key. You can control the amount of convex with a combination of belt tension, and the amount of pressure you apply to your work piece.
Using the Short Platen
I seldom use the 8″ wheel, with the exception of profiling blades. The long flat platen, I use for flattening, and tapering, the shorter platen is used for convex grinding.
If you have made modifications, and are willing to share your ideas, let me know in the comments.
NOTE: Since first writing this article, I have trashed the idea of using Graphite canvas for a platen backing. This material wears too quickly, causing uneven grinds and just general mayhem. I now use “pyro-ceram” or tempered glass on all my platens. The platen MUST be flat, and the glue used to attach the glass able to withstand heat (I use AccraGlass) but it will improve you grinding 10 fold.
Keep Learning About Knife Grinding with This Download
Beards and blades never went out of style, so it’s only appropriate that an axe continue the tradition with a “beard” of its own. The BAX 002 Bearded Axe, offered via Williams Blade Design, draws from Viking lore with a formidable design hatched by ABS master smith Daniel Winkler, someone with plenty of beardly street cred himself.
While the follicles on the BAX 002 are noticeably absent, it should be noted that the “beard” refers to the shape of the axe head. The extra gap this allows between the head and the handle allows the user to “choke up behind the edge for detailed work,” according to a media release. The result offers enough heft to satisfy raiding parties of yesteryear or today.
From Williams Blade Design:
Inspired by the axes of the Vikings, this bearded axe is equally at home in the wild or on the battlefield. The full tang 80CrV2 steel construction makes for an impressively tough tool that excels in the roughest environments. The walnut handle scales provide excellent feel for delicate tasks, and solid grip when the need arises.
Well-made vintage knives by legendary makers can be very attractive to collect. Lloyd Hale does the honors here in a chute knife sporting an ironwood handle with pearl and abalone inlay. (SharpByCoop.com photo)
Eventually, All Knife Collectors Hit Crossroads
You may face a crossroads, a time of decision involving the realization that interests, tastes and possibly buying power change. In such situations, you may decide to begin collecting a different genre of knives, departing from what you have collected. If and when that time comes, evaluating your situation and making informed decisions is crucial.
Some basic questions loom large, from deciding what to collect to getting the best education on what is available, selling or retaining an existing collection, and, if the choice is to sell, then maximizing the revenue generated.
Should You Reboot? Ask Yourself These Questions
Do you have a very good reason for starting over?
Do you sell or keep your existing collection?
If you sell it, how do you get the most out of it?
Are you trying to recover your initial investment or trying to make as much money as possible to assemble your new collection?
Are you comfortable with the effort and costs it will take to build a new collection?
Do you want to make money or collect, carry or use the knives?
What knives should you collect, and how do you best research them?
How available are they and are they of recent vintage?
Are they still in production or limited in distribution, both of which influence collectibility?
If antiques, where can they be found and can they be found without undue cost?
What are the prices typically asked for the knives in collectible condition?
Are you going to collect only mint or near-mint examples, and can you afford to pay premium prices for them?
Guidelines for Going Forward with a New Collection
If, after answering those questions, you decide to liquidate and start over, keep these guidelines in mind.
Collect what you like or even use.
Chasing trends is a fool’s errand. Collecting knives that are hot now means paying top dollar now as well.
Know which knives are collectible in specific geographic locations of the country.
Inexpensive, low-end knives will never appreciate to any degree.
Well-made, fine-condition knives should not lose you any money.
Don’t buy damaged/poor condition knives unless they are very old and collectible, such as antique bowies and rare military knives.
Butterfly knives (aka “balisongs”) have evolved into meticulously crafted pieces of cutlery. Many of the best capitalize on state-of-the-art blade and handle materials coupled with progressive and modern designs that advance the genre toward the close of the century’s second decade.
Brous Blades B3
(All images by David Stanfield unless otherwise noted)
The B3 from Brous Blades is a modern butterfly knife with its stainless steel handles and D2 recurve tanto blade style. The handle interiors have cavities milled out to reduce weight. The knife has great action as a result, without the need to use bearings in the pivots. MSRP will vary depending on the finish, though this one is $320.
Bear Ops Bear Song VI
The hollow-ground 1095 carbon steel blade of the Bear Ops Bear Song VI has great edge geometry for all your cutting chores. A textured black epoxy coating guards against corrosion. MSRP: $174.99.
Mantis Knives Vuja De
The Vuja De from Mantis Knives marries the karambit’s large finger ring and hook-shaped blade with the free-swinging individual handles of a butterfly knife. The scales are textured black G-10 for both durability and grip quality. The blade is Mantis’ proprietary MV-1 stainless steel.
Emerson Knives Bali Commander & CQC7
The recurve clip-point blade of the Bali Commander (left) from Emerson Knives, Inc., is easily sharpened using a round profile sharpener to effectively capture the blade’s gentle sweeping curve.
The Emerson Bali CQC7 (right) in the background sports the chisel-ground blade like that of the iconic Emerson CQC7 tactical folder.
Attend a Flipping Competition at BLADE Show
Butterfly knives were a-fluttering during the balisong competition conducted by Blade HQ at last year’s BLADE Show.
Cyrus Vance, Jr., Allegedly Turned Blind Eye to Weinstein Accusations
Cyrus Vance, Jr. (Image via manhattanda.org)
The Manhattan district attorney notorious for his “gravity knife” prosecutions, Cyrus Vance, Jr., is now being investigated for apparently turning a blind eye to a 2015 sexual assault allegation against disgraced Hollywood mogul Harvey Weinstein.
Gov. Andrew M. Cuomo directed the state attorney general on Monday to review how the Manhattan district attorney, Cyrus R. Vance Jr., handled a 2015 sexual assault allegation against the movie mogul Harvey Weinstein.
Mr. Vance decided not to prosecute Mr. Weinstein even though his accuser, an Italian model, had provided police officers with a recording of Mr. Weinstein apologizing when she asked him why he had groped her breasts the day before.
Mr. Vance said at the time that there was insufficient evidence, a defense he repeated last year after an outpouring of accusations against Mr. Weinstein reopened scrutiny of the decision, and also cast light on Mr. Vance’s acceptance of campaign donations from Mr. Weinstein’s lawyers.
Noel decided he didn’t want to go to college just yet. He also knew he couldn’t move down to San Francisco and pay rent on both an apartment and a steel-working shop. “I decided I could make my shop inside a trailer,” he says. “Then I wouldn’t have to pay rent, and I could go anywhere and make knives.”
These days he drives up and down the state: to Malibu and Santa Barbara for craft shows, staying afterward to surf, or up to the Sierra, where he can ski in his off hours. Sometimes he sets up his outdoor workshop by the side of the road, opening up the trailer to turn on the propane forge and set up his belt grinder, which runs on generator power.
One wonders, though, what retirement will look like when the getting is this good at 19. Read the full article here.
Video: Make a Knife From an Artillery Shell
The videos explaining how to make knives out of [crazy thing] sure are entertaining, and they reveal where a mastery of knifemaking basics can take you. Here’s one featuring an 88mm artillery shell.
