The BLADE Blog w/Steve Shackleford

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Roosevelt Knife Auction Sept. 9-11

President Theodore's Roosevelt's knife.
The pommel of the Roosevelt knife is carved in the shape of an eagle’s head of solid gold. The eagle’s eyes are garnets.
Roosevelt's knife
The blade has the engraved inscription, “Presented to Theodore Roosevelt By His Friend James W. Gerard.” Two bear heads serve as the guard’s quillons.
Roosevelt circa Oct. 1910.
Theodore Roosevelt in October 1910.

President Theodore Roosevelt’s knife, passed down through the Roosevelt family for the past 107 years and never before available for sale to the public, will be put to auction Sept. 9-11 by Rock Island Auction Co.

Roosevelt's knife
On one side of the handle is a forest scene with two men crouching behind a tree, one standing with rifle in hand, the other crouching.

Made by J. Russell & Co. of Green River, New York, the Roosevelt knife features handle work by Dreicer & Co. (1904-1923), the latter a leading jewelry retailer of the time and a competitor of such top companies as Faberge. Said to have originally cost $1,250—$33,216 in 2016 dollars—the Roosevelt knife is predicted by Rock Island Auction Co. to bring between $150,000 and $300,000 at auction.

According to public documents, James W. Gerard of the “supreme bench of New York City” and later ambassador to Germany, presented the knife to Roosevelt on March 3, 1909—Roosevelt’s last full day as president. It was a gift Gerard intended for Roosevelt to use on an upcoming African hunting trip. A March 10 story in the local Rock Island newspaper carried the headline “Fine Knife For Roosevelt.” It described Gerard as a close friend of Roosevelt and the knife as a “masterpiece of jeweler’s workmanship, the hilt being wrought in gold and platinum and ornamented with jewels. The [pommel] is carved in the shape of an eagle’s head of solid gold. The eagle’s eyes are garnets.

“On one side of the hilt beneath the eagle’s head is depicted a forest scene, with two [men] behind a birch tree, one of them standing, rifle in hand, the other crouching. The tree is done in gold upon a platinum background. On the reverse side is set the arms of the United States, surmounting a wishbone and intertwining tree boughs in gold. Below is the monogram ‘T.R.’ The background on this side is also of platinum. Two bears’ heads extending out from the handle form the guard at the base of the blade,” which is engraved “Presented to Theodore Roosevelt by His Friend, James W. Gerard.”

For more on the auction of the Roosevelt knife, contact Rock Island Auction Co. at www.rockislandauction.com.

 

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BLADE U.: Your Knife Design Into Production

Tighe/CRKT Tighe TAC Two Clip Point.
Brian Tighe’s latest collaboration with CRKT is the Tighe TAC Two Clip Point.

One question we often hear is, “How do I get my knife design reproduced by a factory knife company?” Here’s your answer.

In the BLADE Show University class “Your Design Into Production” with custom knifemaker Brian Tighe and CRKT founder and chairman Rod Bremer, you can learn straight from the horses’ mouths the ins and outs, ups and downs and other facts concerning the process.

Like most of the classes that will be held during the 3rd Annual BLADE University at this year’s 35th Annual BLADE Show June 3-5 at the Cobb Galleria Centre in Atlanta, Bremer and Tighe’s class will be taught by those who have been there/done that. Tighe has had quite a few of his designs reproduced by CRKT, including the 2015 BLADE Show Knife, and he and Bremer have worked together on all of them.

“Our hope is that anyone attending this session will have a basic understanding of what expectations might be from both the production knife company and the custom knifemaker/designer,” Bremer notes. “We will be reviewing typical licensing agreements, intellectual property issues, how best to present your idea/design to a production knife company, and typical marketing and sales expectations.

“We would hope that the attendee would leave the class with a solid understanding of how a potential collaboration might work with a production knife brand. During the class we will approach the entire subject of the basics of how to bring your very cool/innovative design to a brand and to potentially design a knife to a brand’s needs, as well as developing a design around the company’s set criteria. While all companies operate differently, we will explore the likely ways to submit your designs/ideas so that they receive the attention they deserve, along with the realities that it takes time. Clearly, factories have limitations based on manufacturing and materials, and while we won’t get into great detail, the subject will be addressed. The very nature of a collaboration is somewhat of a marriage, and both parties want to make sure that they will be happy working with and representing each other.”

You can sign up for BLADE U. classes online at bladeshow.com or stop by the Registration Counter at the BLADE Show.

 

ICCE Changes Knife Show Dates

Burke Fixed Blade ICCE.
ABS master smith Bill Burke won the ICCE Award for Best Fixed Blade at the inaugural ICCE Show this past September.

Due to unforeseen circumstances, the 2nd Annual International Custom Cutlery Exposition (ICCE) has had to change the dates for its 2016 knife show from early to late September, show officials announced.

Originally slated for Sept. 9-11, the new dates are Sept. 23-25.

The show will be held in the same venue—the Downtown Marriott in Kansas City, Missouri.

According to ICCE officials, the event-hosting hotel, the Downtown Marriott, notified the ICCE’s organizers, the Knifemakers’ Guild and the American Bladesmith Society (ABS), that there would be several events scheduled for the original show dates. Due to the events scheduled in downtown Kansas City, some streets will be blocked, parking will be a hassle, and the downtown will be overcrowded the weekend of Sept. 9-11. The hotel management had other available dates that would make the show far more enjoyable for those who will attend, thus the change to Sept. 23-25.

Held for the first time this past September at the Downtown Marriott in Kansas City, the initial ICCE represented the first-ever knife show held in cooperation between and coordinated by both the Guild and the ABS, the world’s oldest and most important groups of custom knifemakers. Adding to the historical significance of the cooperative effort is that the show was held in the same room as the 1973 Guild Show where BLADE Magazine Cutlery Hall-Of-Fame© member Bill Moran introduced his knives with damascus steel blades. It was the first time modern damascus steel knives were exhibited at a knife show and it caused quite a stir, and eventually sparked the creation of the ABS in 1976. Most of the knifemakers and bladesmiths from both organizations who exhibited at the 2015 ICCE appeared very pleased with it, and a number of them and other industry observers seem optimistic about the show’s future potential for success.

For more information visit knifemakersguild.com/show, facebook.com/events and/or facebook.com/knifemakers.guild.

Colorado Dreamin’: Western Cutlery

A rare Twin Set of Western Cutlery knives consists of a red-handle P48A (top) and P28 (bottom). The P28 has a sabre-ground blade instead of the standard flat grind. (Clyncke photo)

Knife collectors are dreamers. They dream of finding a Scagel, a fine bowie or an old Case knife at garage and estate sales. They dream of looking through a box of junk at a flea market, spotting an old green-bone Remington whittler, and buying it for five bucks so they can walk around smiling like a Cheshire cat. Most of the time it is just a dream, though once in a while the dream comes true.

    My dad worked at Western Cutlery in Boulder, Colorado, in the late 1930s, and I did concrete contract work for the company after it moved to the outskirts of Boulder on Western Avenue. Dad was good friends with the Harvey Platts family, and I got to know a number of the workers at the plant. I became a part-time custom knifemaker, scrimshander and jewelry maker over the years, and when Western’s plant in Longmont went out of business, I bought a lot of raw material I could use to make my knives and jewelry.

    I never lost my love of Western knives. I have owned a lot of the Boulder models and always enjoy looking for them, finding a good one, removing the dirt from it and cleaning up the sheath. My family had many Western knives on our ranch and farm, where knives were everyday tools. The many different ways of using them resulted in most being heavily abused, overly sharpened on a grindstone, and tossed in a bucket in the old shop when they wore out. I still have some of the old knives with blades that were sharpened so much they resemble toothpicks.

    I am retired now and go to many estate sales and flea markets, hoping for a good find here and there. I always see my collecting friends looking for “the prize,” too. We have a friendly competition to see who can get that old knife first, then hunt the others up and show what we found.

 

DREAMIN’-TYPE KNIVES

In 2010, a family friend who was 89 passed away and I bought some nice old knives from his family, including five Westerns, a nice old Case Tested XX and several other brands. A couple of the Westerns and the Case are in very good condition—dreamin’-type knives.

    A week later I was at another sale and asked about any Western knives, as another long-time Boulder family was conducting the sale. I was about to leave when a man said he had heard me ask about Westerns. He had one, I looked at it and we exchanged phone numbers. On the way home I started dreaming again about what the man had, hoping it was a rare one, maybe a World War II stiletto or a big, old one-blade folder.

    A few days later I got anxious and phoned him. He said the knives were packed away and he would call me when he found them. I had heard that many times before, so the dreamin’ abruptly stopped.

    Two days later the phone rang and it was the fellow again, telling me to stop by. I arrived and he got out three boxes and put them on a table. Inside were many cloths of different types rolled up in bundles. I picked up the top one, opened it and saw a Western 48A with red handles in mint condition. I nervously started opening more. Not one or two as I had imagined, but 28 pristine Western Boulder knives with sheaths! I was stunned to say the least. This was without a doubt the finest group of knives I had seen since Western closed its doors.

    There were six folders, including a gorgeous 062 two-blade with redbone handles, two yellow-handle trappers, a 441 with cracked-ice scales, a brownbone 426 stockman, and a 656 with beautiful redbone scales. There was an L77A with a sawtooth back, a 539 with very nice stag handles, a rare dark-yellow-handle P48A, four “Black Beauty” knives of varying sizes, an L28, 628 and a P28. As I kept unwrapping I became more stunned at each knife. These all were brand new, never used or handled at all. Luckily, they were not stored in the sheaths but wrapped separate from the corroding leather.

    As I lifted one of the last four and unwrapped it, I know my jaw dropped to my chest. Here was a wonderful white-handle “Twin Set” containing a P48A and a P28. I was nervous as a cat in a dog pound! As I unwrapped the last three, again I was stunned. Here were three more Twin Sets, one stacked leather, one white handled and another red. I calmly put them all back as the man inquired which one I would like to buy. I asked which ones were for sale and he said, “Why don’t you buy ’em all?” We arrived at a price and I paid him.

    I asked where the knives came from and he said they belonged to his brother, who had worked at Western for a while in the leather department. He did not seem to want to talk about it, so I took the knives and left.

 

DREAM, DREAM, DREAM …

When I got home, I carefully unwrapped the knives and sheaths again, lined them up and just stared. One of my dreams had come true for sure.

    It was time to give the knives closer inspection. Most of the brass guards and nickel bolsters were discolored with age, so I took a polishing cloth and carefully brought the new shine back. As I began to polish the stacked leather Twin Set, I got another shock.

    Both knives had a Boy Scout stamp just above the Western Boulder stamp. I had seen 48s with the Boy Scout stamp but never the smaller L48B. Also unusual is that three of the four Twin Set larger knives have sabre blades with no blood grooves. The sheaths were somewhat dry, so I applied leather balm to bring them back to life. I noticed some were not stamped the same as Western did most of its sheaths, particularly the four Twin Sets. Since the knives’ original owner had worked in Western’s leather shop, he may have been just doing what he liked, or he may have been trying new styles. I guess I will never know for sure.

    One thing I do know for sure: I will keep dreaming of finding another great knife or two, and now I can dream of finding another great cache such as this one.—by Marvin Clyncke

 

DREAM KNIFE VALUES*

 

Twin Set w/scout-stamped knives $400

Twin Set w/red tenite handles   $450

P48A w/yellow handle $375

539 w/stag handle $275

248 w/cracked-ice handle $200

060 Rancher’s two-blade folder $250

L77A w/Finnish-style sheath $250

Twin Set w/white tenite handles $450

 

*The author’s values are for knives in mint condition.

 

For more on the latest knives, knife legislation, knifemaking instruction, knife trends, knifemakers, what knives to buy and where and much more, subscribe to BLADE® Magazine, the World’s No. 1 Knife Publication. Click on http://www.shopblade.com/blade-magazine-one-year-subscription-us/?r+ssfb073112 for more information.

Fossil Ivory: Banned Along With Ivory?

Fossil ivory under attack on the federal and state level.
Fossil ivory could be banned with elephant ivory if federal and state governments are not stopped. Don Hanson uses fossil ivory on his folder.

Fossil ivory may well be on the way to being banned with elephant ivory if federal and state governments are not checked.

At least that’s the opinion of one informed source who wishes to remain unnamed, blademag.com has learned.

Fossil ivory could be banned with elephant ivory.
Ivory from the long-extinct mammoth and mastodon may be banned along with elephant ivory simply because many inspectors won’t be able to differentiate between elephant and ancient ivory.

As reported in blademag.com on July 29, proposed changes to the federal ivory laws are finally out and are designed to stop all trade in elephant ivory in the USA, no matter how old the ivory is. The proposed laws do not mention fossil or ancient ivory such as that of the long-extinct mammoth and mastodon. However, the concern is that the Fish and Wildlife Service (FWS) officials who would be charged with inspecting elephant ivory to determine its legality would have no problem with fossil ivory IF they can differentiate it from elephant ivory.

“The way I see it,” the source stated, whether the inspectors can differentiate between elephant and fossil ivory “will depend on [the inspectors’] training, or lack thereof, and level of enthusiasm.”

Meanwhile, it is the state legislatures that the source is most worried about.

The sale of mammoth ivory tusks and teeth has already been banned in New York (http://open.nysenate.gov/legislation/bill/S7040-2013) and New Jersey (http://www.njleg.state.nj.us/2014/Bills/A3500/3128_I1.HTM). It has been reported on blademag.com that at least two other states—Florida and Illinois—ban the sale of mammoth ivory and/or make no exemptions for the sale of the ancient material. Other states are considering mammoth ivory bans as well.

“In all the states that have had [ivory] bills introduced, mammoth, fossil walrus and all forms of ivory are included [because, the state legislators say] ‘it’s so hard to tell the difference,'” the source noted. “Now, we’ve defeated almost every applicable bill that’s been introduced so far, but these guys are not going to roll over and play dead.”

For more information on how to protect your right to own and sell mammoth and other fossil ivories, and how to defeat the proposed changes to federal ivory laws that are designed to stop all U.S. trade in elephant ivory, visit elephantprotection.org.

Tomahawks Are Top Chops in BLADE

New BLADE on newsstands now!
Tomahawks are top chops in the new BLADE®, on newsstands now!

Tomahawks large and small continue to take the world of knives by storm and four of the latest models are top chops in the new BLADE®on newsstands now!

Featuring the Hardcore Hardware Australia CTT-01 on the cover, the issue also includes the diminutive Micro Hawk from TOPS Knives. Sandwiched in between is the versatile EX-T01 from Hogue Knives. All four get in their licks and the once over several times from Pat Covert in “4 Hawk Hoedown.”

The talent level of today’s best custom knifemakers is better than ever, but what about the ones that offer some of the sharpest blades anywhere but nobody knows of them? Mike Haskew smokes out today’s most underrated cutlers in “Under-The-Radar Knifemakers.”

Every knife has its “sweet spot”—the spot on the blade that cuts better than any other, on the handle that feels better than any other and more. Some knives even have more than one sweet spot. High-endurance performance knife master smith Ed Fowler shows you how to find them in “The Sweet Spots.”

A child’s rite of passage comes in many forms, including his or her first experiences with knives. What makes that rite even more meaningful is when it includes teaching the child how to make knives. See how ABS master smith Timothy Potier and the folks at the New England School of Metalwork help usher kids through the keenest of rites in “Life Skills Meet Knife Skills.”

Also this issue: the latest in factory neck knives and a test of four of the latest Japanese-style Santoku kitchen knives; the Case Collectors Club and the festivities at its recent 35th annual reunion at the Case factory in Bradford, Pennsylvania; the latest in knife kits and how to best assemble them; President Theodore Roosevelt’s knife that brought a record price of $414,000 at an American auction; and much more, all in the latest BLADE—on newsstands now, or buy the digital edition or subscribe!

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Custom Pocket Clips: Sal’s Pals

Zieba's rose gold clips
The serpentine titanium clips on Michael Zieba’s folders are finished in rose gold. (PointSeven image)
Butch Ball's damascus trailing point clips.
Damascus trailing-point clips adorn Butch Ball’s pearl folders. (PointSeven image)

 

C15 with pocket clip
Spyderco’s first factory/custom collaboration, the C15 designed by Bob Terzuola, sported a pocket clip.
short skeletonized clip
A short, skeletonized clip distinguishes Lucas Burnley’s Asian folder. (PointSeven image)

Custom knifemakers seem to introduce most knife innovations, which are then emulated by factory knife companies. Not so with custom pocket clips. BLADE Magazine Cutlery Hall-Of-Fame© member Sal Glesser popularized knives with pocket clips in his Spyderco production line, and custom knifemakers took their cue from him. As a result, today’s custom pocket clips might well be called “Sal’s Pals.”

mokuti pocket clip
Craig Camerer employs mokuti for the long, curved clip on his folder. (PointSeven image)

Celebrating its 40th anniversary this year, Spyderco offered its first knife with a pocket clip—and also the company’s trademarked blade opening hole—in 1981 when it introduced the Worker model. Spyderco also popularized serrations on sporting folding knives.

The fact that custom knifemakers adopted the pocket clip, as did factory knife companies everywhere, should come as no surprise. For one thing, the clip’s abilities to attach a closed folding knife to the lip of your pocket rather than having the knife bang around in the bottom of it with car keys, coins, etc., and to make it much easier to retrieve are eminently practical. In addition, Spyderco has offered many factory/custom collaborations—knives designed by custom knifemakers and then reproduced by a company, in this case Spyderco. The first of these was in the early 1990s—the C15 designed by Bob Terzuola, which, of course, also had the blade hole and a pocket clip.

Today’s custom versions of the pocket clip run the gamut, including long ones, short ones, tall ones, round, anodized ones, rose gold ones and more.

For instance, Michael Zieba won Best New Maker at the 2016 BLADE Show for his S2 standard and mini models with serpentine titanium pocket clips finished in rose gold.

Short, cross-hatched clip
Ken Onion’s folders have a short, cross-hatched pocket clip. (PointSeven image)

On the other end of the scale is Lucas Burnley’s Asian-style folder with a very short skeletonized clip, while Butch Ball offers trailing-point damascus clips on his pearl-handle folders. Craig Camerer presents a long, curved clip in mokuti on his damascus folding knife, while Cutlery Hall-Of-Fame member Ken Onion opts for a short, cross-hatched clip on one style of his folders.

These are but a few of today’s custom knifemakers who took their cue from Sal Glesser and his utilitarian pocket clip. Hey, if you’re going to emulate someone, emulate the best.

 

 

 

 


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