Knife Collecting

Knife collecting is an extremely rewarding experience for knife enthusiasts. There truly is a knife for everyone. Many increase or hold their value throughout the years, making collecting knives something to pass on to the next generation of knife collectors.

Meet The Living Legends Who Make Knives

A new book from the publishers of BLADE magazine, Greatest Living Knifemakers, celebrates today’s legends who make knives in ways that most can only dream about. They make knives that can easily fetch tens of thousands of dollars, and even more. 

Given all that talent, how does a book like this come together? Who gets to decide who is counting among the “Greatest Living Knifemakers” anyway? If you’re someone looking to collect or make knives, you’ll enjoy this interview with the editor of the book, Steve Shackleford, who is also a member of the BLADE Magazine Cutlery Hall of Fame®.

Many talented people make knives of outstanding quality. How did you go about choosing who should appear in this book?

Steve Shackleford Make Knives
Steve Shackleford

The hardest part was choosing who NOT to include. I’ve been covering the knife industry for BLADE®, the world’s No. 1 knife publication, since 1985, so I’ve had the privilege of seeing and handling some of the world’s greatest knives, and meeting some of the world’s greatest knifemakers.

As a result, some of the makers I picked peaked years ago and don’t even make that many knives anymore. On the other hand, some are peaking now. However, at some point in their careers each has made knives that are among the world’s best.

In addition, each has either made knives and/or introduced designs, techniques, folding mechanisms, damascus or other steels and other materials, etc., that in turn have set a standard or inspired other makers in the way they make knives.

And, of course, to qualify as per the book’s title, each must be living, though Tony Bose passed away after the book was finished. We decided to include him as a tribute to his fantastic slip joints and the overall impact he had on the knife industry, which was and remains monumental.

Book Make Knives
A mechanism that enables the handle to slide back while the blade closes, with the result being that the handle and blade can be the same length, distinguishes Emmanuel’s Mata Hari Dagger. What makes the feature so notable is that the handles of most folding knives must be at least one-half to 1 inch longer than the blades so that the blades will fit into the handles properly. The sliding mechanism is a combo of titanium and stainless steel gears, with the inlays moving on Teflon™ pads. (Francesco Pachi image from 2017 AKI)

What makes a knifemaker “great”?

Some of that is covered in my first answer above but there are other things as well. They must have a lifelong dedication to making knives, which all of those profiled have exhibited, as well as a passion to make knives for much more than just the money.

It’s kind of hard to explain unless you’ve followed knives for a long time, but, in a nutshell, most great knifemakers make knives because they sweat the load, they agonize over the details, and they don’t provide just a “product”—they produce a knife that almost always acts, looks and feels like it’s the best knife that maker makes. There’s much more but that’s part of it.

Are there any names that couldn’t make it into the book due to space limitations?

As noted above, yes, many make knives worthy of inclusion. However, I won’t name names here in case we decide to do a second volume of the book.

Making Make Knives
The Razorback State is the theme for Jerry Fisk’s Arkansas #1. The 11-inch blade has a Dog Star-pattern damascus with 1836 layers to represent the year Arkansas became a state. The blade also has steel welded into it from the Statue of Liberty. The walnut handle is from the official James Black walnut from the cemetery where Black is buried in Historic Washington Arkansas. Some believe Black made a bowie knife for James Bowie. The mountings are fully engraved and carved, including deep relief scrollwork and 24k-gold inlay—all by Jerry. (Whetstone Studio image)

Are the names ranked or is this just a collection of noteworthy knifemakers?

Since they are all great and, as John Wayne’s character once said of two great gunfighters in the movie Rio Bravo, “I’d hate to have to live on the difference,” I decided to list them all in alphabetical order—with the exception of R.J. Martin.

His profile appears first in the book because it is the only profile written by the maker himself. I did not ask him to write it, he volunteered to do it. I was so taken by the quality of his writing and the information he provided on what being a great knifemaker is really like that it was a no-brainer to include it.

In my opinion, it’s one of the best ways for the reader to truly appreciate what it’s like to be a great knifemaker—done from a great knifemaker’s point of view. I think it’s the best profile in the book, hands down.

Make Knives Best
Steve Johnson’s spectacular repro of a Loveless Big Bear sub-hilt fighter is highlighted by Barry Lee Hands engraving that includes 24k-gold inlays and overlays set with diamonds and gilded mother-of-pearl. The knife is made from one block of 5/8-inch thick, 4-inch-wide and 16-inch long CPM 154 stainless steel. The blade is a quarter-inch thick and 8.5 inches long. Overall length: 14 inches. Steve made it for the 2015 Art Knife Invitational. (Francesco Pachi image)

Do great knifemakers have a peak or a golden era within their careers, or are they great throughout their careers?

As with most all great talents, they do indeed seem to peak at certain times. Some peak for longer periods than others and some even seem to have more than one peak. Some may burn out early and then something happens to help them regain their mojo.

However, in most cases the great ones maintain varying levels of greatness throughout their careers, and I think that’s the case with all of those featured in the book.

Is there a list of the knifemakers featured in this book posted somewhere for people to check out?

Yep, right here.

What’s a standout knife for you that’s featured in this book?

I wouldn’t touch that one with a 10-foot blade, other than to say they all stand out.

 

Greatest Living Knifemakers is available here directly from the publisher.

5 New Knives for the Outdoorsy Crowd

For Those Willing to Wait (a Little): Realsteel Knives Relict

Realsteel Knives Relict

The Relict, from Realsteel Knives, won’t be out until May 18, but it’s already catching some buzz. Full specs aren’t available yet, but the company did have this to say on its Facebook page:

Named purposely after its design features, that include a bullet cartridge opener, extendable clip and splicingly sharp S35VN cutting edge, the Relict takes Eastern European designs of past and adds that extra bit of class to them.

Because the Relict sits on the higher end of Realsteel’s catalog, expect it to go for a few hundred dollars when it hits shelves.

More info


For the Bushcrafter: Condor Tool & Knife Headstrong

condor tool and knife headstrong

The Headstrong, from Condor Tool & Knife, sports a 1095 blade, a choice steel for bushcrafters and survivalist types who enjoy versatility in their sharpening methods. That the blade is uncoated may speak to the aesthetic preference of its designer, Joe Flowers, but it’s worth noting because of how passionate bushcrafters are about their knives.

More info


For the Backpack: Eldris Limited Edition 2018

Morakniv Eldris

It’s small, it only comes in one color and it comes with a firesteel. It’s Morakniv’s Eldris Limited Edition 2018.

In addition to its collectibility, the Eldris is basically a high-functioning fire-starting kit. A small fixed blade knife replaces an otherwise single-purpose striker. An aubergine handle and sheath (that’s a color similar to eggplant, not a material) suggests a female user, but there’s no reason to pigeonhole this kit in that way. If you need a fire in a pinch, the last thing on your mind will be aubergine. It’s too hard to spell anyway.

More info


For the Mil-Tac Crowd: Bear OPS New AC-551-B4-B Tactical Automatic Knife

Bear OPS New AC-551-B4-B

It won’t ship outside of Alabama, but maybe an authorized dealer can wrap your hands around the G10 on Bear OPS’s new AC-551-B4-B. That’s a mouthful to say, so Bear OPS gave it the “Bold Action V” name, too. 

No matter what you call it, it continues Bear OPS’s line of autos at economical prices.

  • Blade Material: Sandvik 14C28N Stainless Steel
  • Handle Material: Black G10
  • Open Length: 8-3/4″
  • Closed Length: 5″
  • Blade Length: 3-3/4″
  • Weight: 5.4 oz.
  • Extras: Automatic Opening & Safety Lock & Reversible Pocket Clip
  • MSRP: $171.99

More info


For Collectors: Victorinox Deluxe Tinker Damast Limited Edition 2018

Swiss army knife for collectors

Part of the appeal of Swiss army knives (SAK) is their bang-for-buck factor. They’re affordable and offer loads of utility. But what about higher end SAKs for collectors interested in another kind of value?

Collectors should take note of the Deluxe Tinker Damast Limited Edition 2018, from Victorinox. It offers the same multi-tool platform SAK fans expect, plus features that wouldn’t look out of place at a black-tie event. 

From Victorinox:

This year’s limited edition Damast Swiss Army Knife features the “Ladder” Damast pattern forged from an impressive 333 layers of steel and is complimented by plum wood scales with a metal inlay cross + shield. The 2018 model marks the first use of plum wood and the first Damast edition with combination pliers.

  • Swiss made pocket knife with 15 functions
  • Large Damast steel blade
  • Sequential numbering on every piece
  • Limited to 6,000 pieces worldwide
  • Plum wood handles
  • Weight: 4.3 oz
  • MSRP: $300

More info


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Damascus: The Wonder Of It All

Ron Newton's damascus is spellbinding.
ABS master smith Ron Newton calls the damascus on his bowie “Newt’s Wootz.” (Chuck Ward photo)

Damascus steel has fascinated blade enthusiasts since 11th-century Crusaders first brought tales of it home from the Crusades—and the steel lives in style today on many of the custom knife industry’s leading blades.

One of the things that makes damascus so appealing is the almost infinite number of patterns in which it is forged. From its modern introduction on the American knife scene by BLADE Magazine Cutlery Hall-Of-Fame© member Bill Moran at The Knifemakers’ Guild Show in 1973 to today’s array of assorted patterns, mosaics, stainless versions and more, the steel is almost always a visual feast.

Moran named the ladder-pattern damascus, seen herein on the sub-hilt piece by Bill Behnke, after the Biblical Jacob’s Ladder. Note the “rungs” that run vertically on the blade from guard to tip, constituting the “ladder.” Steve Nolte’s wide skinner herein showcases the steel known as mosaic damascus, or also “canned steel.” There are any number of versions of it, and they are most all breathtaking.

Steve Nolte's wide skinner is highlighted by mosaic damascus.
Mosaic damascus lights up the blade of Steve Nolte’s wide skinner. (Chuck Ward photo)

Ron Newton’s “Newt’s Wootz” on his bowie herein is another of the maker’s astounding damascus steels. The damascus blade has a “Newt’s Wootz” core with 9mm handguns and AR-15 rifles plugged into the core and surrounded by tight Turkish twist bars of 1095 and 15N20 carbon steels. The two phrases in the core read “Right to keep and bear arms” and “Just try to take them.” The guard and finial knob are of a single twist damascus. The handle is six-bar Turkish twist damascus.

For the latest knives, knife news, trends, tips and more, stay tuned to www.blademag.com.

Top Knifemakers At NY Custom Knife Show Nov. 22-24

Join some of the world’s top custom knifemakers and other knife industry VIPs Nov. 22-24 for the 36th Annual New York Custom Knife Show at the Westin-Jersey City Newport in Jersey City, New Jersey.

Top knifemakers at the NYC Show will include Bob Terzuola (left) and Darrel Ralph (right).
Bob Terzuola (left) and Darrel Ralph (right) will be among the top knifemakers at the NY Custom Knife Show.

Next to the Knifemakers’ Guild Show the granddaddy of continuous custom knife shows, the New York Custom Knife Show attracts the top custom makers year-in and year-out, as well as some of the most sophisticated knife buyers anywhere—many of whom are not afraid to spend their hard-earned scratch on top-drawer custom knives.

If you are not familiar with the history of the New York Custom Knife Show, it began in the late 1970s with the help of the late Ted Devlet, one of the original and best custom knife purveyors, and also Paul Tausig, a long-time knife enthusiast and knife collector. If you ask any veteran of the knife scene about Devlet, you will no doubt get a history lesson on Devlet’s many contributions to the custom knife community.

Run today under the able direction of Stephen D’Lack of Fifty Fifty Productions, the New York Custom Knife Show continues in the grand Devlet tradition of attracting top makers and buyers.

One thing you may notice is that the New York Custom Knife Show is now held in New Jersey instead of New York. That’s due to the anti-knife inquisition imposed by Manhattan District Attorney Cyrus Vance, a man who has twisted the language of NYC’s knife laws to classify manual one-hand-opening knives as gravity knives or switchblades, among other anti-knife scurges. As a result, Mr. D’Lack had no choice but to move the show from the Big Apple to Jersey. Mr. Devlet is probably still spinning in his grave as a result of Vance’s shenanigans.

Whatever the case, plan now to attend the show. It is always one of the industry’s finest and most entertaining.

Stay tuned to www.blademag.com for the latest knives, knife news and more.

Paul Ehlers Sets Record Straight

Editor’s note: Long-time knife designer Paul Ehlers wrote the following letter to BLADE® concerning our oversight of Mr. Ehlers’ copious design contributions to the works of Paul Fox and Blade Magazine Cutlery Hall-Of-Fame© member Gil Hibben, one of which by the latter, the Alien, is reproduced above via the photography of Mike Carter. We reprint Mr. Ehlers’ letter here in its entirety.

 

      My name is Paul Ehlers. I am a knife designer; I believe you know my work. I have been a reader of BLADE® since 1983. It was that year I forged a creative alliance and friendship with Blade Magazine Cutlery Hall-Of-Fame© member Gil Hibben, and later with knifemaker Paul Fox. Our knife journeys have been both challenging and artistically rewarding, and we always have endeavored to push the envelope. Often the envelope would push back, but we never let that stop us!

      Looking back, the majority of Gil’s one-of-a-kind custom fantasy knives were of my design, from our beginnings in ’83 with our “Dragonfly” up until the present day. In fact, we have done over 50 collaborations. That is a lot of grinding! It is no wonder Gil has often said “Paul’s dreams are my nightmares!”

      The first fantasy knife I designed for Paul Fox we named the “Soulseeker.” It went on to win the coveted W.W. Cronk Award at the 1986 Knifemakers’ Guild Show. That was a great honor. Of the many knives I have designed over 25 years, it is one of our best achievements.

      But alas, my name is nowhere to be seen in “Raise A Glass To The W.W. Cronk Award” on page 78 of the April 2009 BLADE. The ’85 winners are listed as collaborators, so I am sure you will take this opportunity to correct this piece of our knife family history. I, and posterity, will be eternally grateful!

Paul W. Ehlers

P.S.: I can recall at the first shows I attended, the “Father of American Knife Photographers,” Cutlery Hall-Of-Famer Jim Weyer, would take me around to the tables and introduce me as “the next Bud Cronk.” This was 1983. The only thing was, I had never met Mr. Cronk and had not seen any  of his work until Jim published his first Knives: Points of Interest book. When I asked about Cronk, Jim said, “Don’t worry kid, you’re in good company!” I never forgot that. Of course, over time I came to know what a true genius Cronk was and is. This is one of many reasons why this award means so much to me.

To read more stories like the above, subscribe to BLADE. For more information on how to subscribe, click on http://www.shopblade.com/product/blade-magazine-one-year-subscription-us/?r+ssfb231111#BL1SU

Photos: 7 Custom Knives with Handmade Bolsters

Some people are bolstered by success, and others create bolsters to help them succeed. In the latter category would be knifemakers fashioning folders with bolsters, whether for utilitarian or aesthetic purposes, or both.

Gawie Herbst

Gawie Herbst folding knife

South African knifemaker Gawie Herbst knew just the person to engrave the bolsters of his art folder, his son Thinus, yet it was Gawie who scrimshawed the elephant ivory handle, and complemented it with a damascus blade and blued-titanium liners.


Scot Matsuoka

Scot Matsuoka folding knives

There are no straight lines on Scot Matsuoka’s titanium frame-lock folder, not on the titanium bolsters, the carbon fiber handle scales, nor the 3.75-inch, hollow-ground CPM 154 blade. The folder also features the IKBS (Ikoma Korth Bearing System) and Rick Hinderer Lockbar Stabilizer. (SharpByCoop image)


Jeremy Marsh

jeremy marsh custom knife

Mokumé bolsters provide a nice respite between the claw-like damascus blade and carbon fiber handle scales of Jeremy Marsh’s compound-ground folder. (SharpByCoop image)


Bill Duff

bill duff folding knife

Bill Duff chose mosaic damascus bolsters for his locking-liner folder in a 3-inch, fileworked 440C blade and mammoth ivory handle scales. (Chuck Ward image)


Norman Sandow

Norman Sandow folding knife

Knifemaker Norman Sandow blackened the titanium bolsters of a locking-liner folder showcasing a damascus blade, a jade-inlaid damascus thumb stud and mammoth ivory handle scales.


Fellhoelter/Horton

Brian Fellhoelter and Jeremy Horton collaboration folding knife

A collaboration between Brian Fellhoelter and Jeremy Horton, the “FTR” features a 3.5-inch fullered blade. Niobium bolsters help set off the piece, as do carbon fiber handle scales and a one-side-only titanium frame that doubles as the frame lock. (SharpByCoop image)


Dan Chinnock

Dan Chinnock folding knife

Appropriately named the “Fish Tail” for its handle and pommel shape, Dan Chinnock’s locking-liner folder parades a 2.75-inch Chad Nichols damascus blade and bolsters, blue mammoth-ivory handle scales, a sapphire-inlaid 24k-gold thumb stud, gold screws and anodized titanium liners. (Chuck Ward image)

See More High-Quality Photos of Custom Knives

best knife book

9 Tips for Buying a Custom Knife

Attend knife shows
To get that special custom knife, attend knife shows—and if you see a knife you want, don’t put it down until you’re through haggling! (PointSeven image)

Is it realistic to say there’s a surefire way to get any custom knife you want? While there are always exceptions to the rule, if you practice the following nine steps, you might just find that beautiful custom knife you’ve dreamed about nestled warm and safe in the fleece lining of your favorite zippered knife pouch:

  1. Attend the knife show(s) where the maker and/or owner of your dream knife exhibits;
  2. Introduce yourself to the maker/owner at the show, talk about his/her work and designs and/or knives, ask questions, and express your interest about the knife inside the show and/or at the hotel bar after show hours;
  3. Ask to look at and hold the knife—and don’t be afraid to tell the maker/seller what you will pay for it;
  4. On a high-end knife especially, it it’s worth it, buy it! You won’t sleep if you pass on the knife for a small difference in the asking price;
  5. If you see the knife you really want and pick it up at the maker’s/seller’s table, do not put it down until you’re finished haggling for it;
  6. If it’s a custom order, supply the materials for the knife directly to the maker;
  7. Visit the maker’s shop or the seller at an agreed-upon place and pay cash for the knife;
  8. In the case of the maker especially, tell him or her you will give the knife a great home and how you will display it, or how good the knife feels in your hand and how you will use it, and;
  9. Plan a pricing strategy to go with all the travel, conversation and luck that surround the big purchase. Have a figure that you will pay for the knife in mind beforehand.

“If the price is way over your head, then walk,” advised custom knife collector Chris Nolen, stressing that even though it may seem unorthodox, it is good to tell the maker how much you are willing to pay. “If the price is in the ballpark, buy the knife,” he concluded. “You will know when it’s that ‘special’ piece.”

 

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