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Chute Knife: Full-Spectrum Warrior

A fine example of a tool and weapon of war, the chute knife more than rose to fulfill the roles for which it was intended.

Harry Archer was a somewhat shadowy figure. At the height of the Vietnam War, he was engaged in nasty business—fighting a stealthy enemy in a steaming jungle, sometimes up close and all too personal.

Those who knew Archer acknowledged that some of his exploits were “larger than life.” They considered him an early non-movie version of author David Morrell’s fictional character of John Rambo*. Still, Archer was real, flesh and blood. And it seems altogether fitting that responding to his need for knives that “deliver” in a tight spot—survival, seconds along the fine line between life and death—he would come to know and rely on another legend.

According to John Denton, perhaps the world’s foremost authority on the knives of BLADE Magazine Cutlery Hall-Of-Fame® member Bob Loveless, Loveless and the man he came to describe as the “head of CIA operations in Vietnam” were introduced to one another by knife writer/Cutlery Hall-Of-Famer Ken Warner. It followed that Loveless made several knives for Archer’s use in the field, among them a fine sub-hilt and stag-handle example of his well-known Big Bear, along with several other  Big Bears. Loveless’s close friend and fellow maker Steve Johnson was working in Bob’s shop at the time and participated in crafting these. A fighter in a tulip wood handle is another cold beauty.

Johnson worked with Loveless from June 1971-October 1974 in the Lawndale and Riverside, California, shops. Steve had a hand in the production of the prototype chute knife in the earliest days, and 23 years later signed a photograph for John Denton attesting to his work on that piece of history. Steve’s inscription reads in part: “This is to certify that I, Steven R. Johnson, worked on the Archer ’chute that is numbered ‘AP-003’ while in Lawndale, CA, approximately 1971-72.”
Johnson worked with Loveless from June 1971-October 1974 in the Lawndale and Riverside, California, shops. Steve had a hand in the production of the prototype chute knife in the earliest days, and 23 years later signed a photograph for John Denton attesting to his work on that piece of history. Steve’s inscription reads in part: “This is to certify that I, Steven R. Johnson, worked on the Archer ’chute that is numbered ‘AP-003’ while in Lawndale, CA, approximately 1971-72.” (images courtesy of John Denton)

Then there is the well-known Harry Archer chute knife, a versatile fixed blade with good looks and the ability to travel light but cut paracord for a quick exit from a tangled parachute shroud, and with a stout spine for prying loose from the wreckage of a helicopter. The chute knife was made for the jungle. It was made for Harry Archer.

“It seems that Loveless had been left out of a book by Warner, and Loveless sent Ken some knives to review,” Denton recalled. “It just so happened that Archer was there with Warner. Harry saw the knives and bought them all.”

Johnson worked with Loveless from June 1971 to October 1974 in both the Lawndale and Riverside, California, shops. He had a hand in the production of the prototype chute knife in the earliest days and 23 years later signed a photograph for Denton attesting to his work on that piece of history. Steve’s inscription reads in part: “This is to certify that I, Steven R. Johnson, worked on the Archer ’chute that is numbered ‘AP-003’ while in Lawndale, CA, approximately 1971-72.”

Johnson explains that the chute knife is a fairly small, compact fighter and survival knife, short, light, double-edged and strong, but not made in stock thicker than 3/16 inch. Holes for thongs are placed in the rear of the handle and the guard for lashing the knife to a pole or limb to make an improvised spear. It rides into action atop a chest pack or secondary parachute for quick, easy access. Claims that Warner had a hand in the design are unconfirmed, but “the chute” simply looks the part of the warrior’s dependable asset.

“You’re able to cut both ways with the knife via the swipe of an arm or hand,” Johnson related. “Specifically, it’s for cutting parachute cord should it be tangled or caught in a tree. It’s a knife that a pilot, paratrooper or soldier should carry, and it would not be a burden but useful and available in every situation.”

HARRY ARCHER LORE
Stories of Archer’s combat prowess have been told and retold, but to raise awareness of the immediacy of a close-in fight, nothing is better than the harrowing tale that Denton remembers Loveless repeating. John points to a photo of a vintage Big Bear, identifies it as a knife that Archer took into combat, and says, “Harry and his men got into a hand-to-hand fight, and the tip of the blade was broken off inside the enemy. Harry took the knife back to Bob to fix, and Loveless said, ‘Where’s the tip?’ Harry replied, ‘It’s still in the rib cage of the Viet Cong soldier.’ So, Loveless fixed the blade.’”

Made in Bob Loveless’s Lawndale, California, shop about 1973-74, this chute knife in ivory Micarta® is stamped BR-003. It was made for the Brass Rail, a famous gun shop in Hollywood, California, where all the celebrity types hung out to see guns and knives. Note the holes in the guard for lashing the knife to a pole to make a spear.
Made in Bob Loveless’s Lawndale, California, shop about 1973-74, this chute knife in ivory Micarta® is stamped BR-003. It was made for the Brass Rail, a famous gun shop in Hollywood, California, where all the celebrity types hung out to see guns and knives. Note the holes in the guard for lashing the knife to a pole to make a spear. (images courtesy of John Denton)

Like the Big Bear and other Loveless creations, the chute knife has its place in the lore of Harry Archer. After he collaborated to produce the prototype, Johnson continued to work with Loveless on more of the chute knives. He remembers meeting Archer in the California shops.

“Loveless really admired Archer and his adventures in the Vietnam War era, working with USAID**, the CIA and different assignments in various parts of the world,” Steve commented. “[Harry and I] discussed life in camp in Vietnam, interactions with Vietnamese soldiers and personnel with whom he was serving. That was quite interesting.”

Steve calls the chute “one great knife” and remembers conversations in Lawndale when the veteran operative praised it as light and small enough to carry so that it could always come along on a mission. Johnson also made a chute knife for Archer and continues to produce his own model today.

“We worked together on Archer’s order for a ‘Johnson’ version of a chute knife on a bench in the rear of Bob Loveless’s shop, in his garage in the back of his house in Lawndale,” Steve smiled. “Archer asked me to make my version, which we—mostly he—designed in the early 1970s. He did a drawing for me. The 154CM blade was about 4.5 inches long, the handle slim and a bit longer than normal, and it had a large thong tube, three handle screws, a stag handle, and checkering on the top and bottom of the tang just behind the guard.”

Bob Loveless (left) and John Denton (right)
Bob Loveless (left) and John Denton (right)

For Johnson, working with Archer was a pleasure and a defining moment in his illustrious knifemaking career, which, after recovery from a serious accident, took him from Loveless’s shop to his own space in Manti, Utah, more than 40 years ago. “Harry Archer was a great guy who appreciated my work, as well as Bob’s,” Steve added, “and I made him a few knives after California. He was very easy to talk to, respected others, and he really was a man of intrigue and adventure. And Bob Loveless treated me like a son.

“I’m making a chute knife for Atlanta [Steve was interviewed prior to BLADE Show 2021] as we speak, with the blade polished so far, instead of the top grind being just the length of the clip,” Johnson concluded. “I use the pattern that Loveless gave me when I left his shop in Riverside in 1974 or 1975. This particular knife is going to have a stag handle and stainless steel fittings. I’ll make more when asked, and I still have a few on order in my books.”

Long-time maker and designer Bob Dozier was a friend of Loveless and went on to design a chute knife for Cutlery Hall-Of-Famer A.G. Russell. Though his only acquaintance with Harry Archer is through the recollections of A.G., who knew him, Bob says his version of the chute knife remains in demand for one simple reason: “It sells.”

Dozier turns out his chute knife with a 4.75-inch D2 tool steel blade and overall length of 9.75 inches. The handle is green canvas Micarta® “because Goldie [Russell] won’t let me put anything else on them. I’ve got some blades hanging right now, getting ready.”

The “RR” on the guard of this Loveless chute indicates it was for the Ram Rod gun store in New Castle, Indiana. Early on Ram Rod sold knives by Loveless, Bill Moran, Ron Lake, W.W. Cronk and others. It appears here with a Smith & Wesson Model 41 modified by Loveless.
The “RR” on the guard of this Loveless chute indicates it was for the Ram Rod gun store in New Castle, Indiana. Early on Ram Rod sold knives by Loveless, Bill Moran, Ron Lake, W.W. Cronk and others. It appears here with a Smith & Wesson Model 41 modified by Loveless.

Dozier is familiar with the Loveless chute knife configuration but never had the Loveless pattern. He looked at the earlier chute knife profile and made some tweaks. “My handles are like the Loveless, but I don’t cut the butt off as square as he did. I leave more of a point on it than he did. Mine is still mostly like Bob’s, and he was one of the first to make a really good slab-handled knife. That’s one reason why most of us have copied him.” Dozier’s chute knife, designed and built for A.G. Russell Knives, has a manufacturer’s suggested retail price of $895.

SAGA of The CHUTE
The saga of the chute knife certainly has a human side. While Denton estimates that early Lawndale chute knives might fetch as much as $14,000 if found for sale today, and chute knives made in Riverside command up to $12,000 each, they are desirable on the collector market. Nonetheless, the greatest value of the chute knife lies in its lifesaving and protective capability in the hands of a dedicated professional such as Harry Archer.

Through those years of association, Loveless and Archer became friends, sharing a common bond of respect and admiration for the best in fighting and utilitarian knives.

“Loveless said that Harry would come by his shop after periods of being in the jungle for months at a time,” Denton remembered. “He used Bob’s place to unwind and try to become civilized again before heading home to Virginia. But Loveless also said, ‘Harry was like a wild animal when he came to the shop, trying to keep his head straight before he saw his family.’”

Whenever Harry Archer ordered several Big Bear fighters from Bob Loveless, Loveless said Archer told him to “send the bill to the Pentagon.” From top: the Big Bear Harry broke the tip off inside a Viet Cong soldier during the Vietnam War; tulipwood fighter with skull cracker; Loveless/Johnson sub-hilt with the initials HJA for Harry J. Archer; boot knife with skull cracker; and one Loveless called the Pig Sticker.
Whenever Harry Archer ordered several Big Bear fighters from Bob Loveless, Loveless said Archer told him to “send the bill to the Pentagon.” From top: the Big Bear Harry broke the tip off inside a Viet Cong soldier during the Vietnam War; tulipwood fighter with skull cracker; Loveless/Johnson sub-hilt with the initials HJA for Harry J. Archer; boot knife with skull cracker; and one Loveless called the Pig Sticker. (image courtesy of John Denton)

The chute knife is indeed a fine example of a tool and weapon of war rising to fulfill the roles for which it was intended. It remains a popular pattern because of its looks, quality and versatility. And for one other reason in particular: It helped men like Harry Archer survive the most desperate of situations and make it home.

*In actuality, Morrell based the Rambo character on Medal-Of-Honor recipient Audie Murphy.

**USAID is the acronym for United States Agency for International Development, with the inference here being that in this instance it functioned as a cover for the CIA.


More On Bob Loveless Knives:

  • 15 Best Bob Loveless Knives of All-Time
  • The Legacy of the Bob Loveless Dropped Hunter
  • Merritt-Loveless Knives Do Indeed Hold Merit
  • Fourth In Greatest Loveless Knife Designs Series
  • Blade Show Texas And Texas Gun Experience Team Up

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    Blade Show Texas and Texas Gun Experience have teamed up to provide Blade Show Texas attendees a night of hands-on experience in a safe and managed environment. Blade Show Texas attendees with PROOF of attendance (show receipt or wristband) are invited to a private demo event on Saturday evening March 19, from 7 p.m. to 10 p.m. at 1901 S Main St, Grapevine, TX 76051.

    Springfield Hellion
    Springfield Hellion

    The shooting experience will be limited to the first 200 attendees or until the ammunition runs out. For further details and to secure a guaranteed shooting experience, stop by the Texas Gun Experience booth by the SHOW ENTRANCE and subscribe to one of the following magazines: BLADE, Gun Digest, RECOIL, CONCEALMENT, OFFGRID.

    EXPERIENCE THE FOLLOWING:

    ATAC 300black
    ATAC 300black
    Streak AMMO
    Streak AMMO

    WIN AWESOME PRIZES:

    Hellcat Pro
    Springfield Armory Hellcat Pro

    Throughout the evening, lucky attendees will win the following prizes:

    RMT Nomad
    RMT Nomad

    What’s On Tap For BLADE Show Texas 2022

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    Bigger and better than ever, BLADE Show Texas has something to offer everyone deep in the heart of the Lone Star State.

    A switch to the plush Fort Worth Convention Center, an expanded roster of international and domestic custom and factory knifemakers and much more promise to make BLADE Show Texas one for the record books March 18-19 in Fort Worth.

    Formerly known as the International Custom Cutlery Exposition (ICCE) and held last year at the Fort Worth Stockyards, the new name of BLADE Show Texas and the new venue are all part of the event’s continued revamping under the umbrella of the world’s largest and most important knife show operation, the BLADE Show, the latter which will be June 4-6 at the Cobb Galleria Centre in Atlanta.

    But first thing first—and that thing is BLADE Show Texas.

    Approximately 300 exhibitors will be on hand to display their hottest knives, knifemaking supplies and more. Among those exhibitors are members of both The Knifemakers’ Guild, the American Bladesmith Society and many other unaffiliated makers as well. Also exhibiting will be a number of cowboy artisans to show off their creative works in spurs, bits and similar gear in a special section of the Exhibit Hall E-F called Cowboy Alley. All will gather in the expansive Fort Worth Convention Center in the heart of downtown Fort Worth. Spanning 14 city blocks of the city’s central business district, the convention center is surrounded by four-star hotels, restaurants, shops, galleries and assorted performance venues, with free transportation provided throughout the downtown area via Molly the Trolley.

    Helping make the show a reality are its sponsors, which include Smoky Mountain Knife Works, WE Knife Co., Civivi, Hogue Knives, New Jersey Steel Baron and The Blade Bar.

    Get Your BLADE Show Texas Tickets Here!

    Top Exhibitors

    Last year’s show was one of the first major knife events to return after the pandemic had caused a number of other shows to cancel, and people who both attended and exhibited gave it rave reviews. Many makers sold out and many who didn’t sell out didn’t miss by much. Bubba Crouch, who, along with many other members of the South Texas Cartel of custom slip joint makers returns this year, said it was the best-attended show he’d been to since BLADE Show 2019. “There was a lot of money in the room and a lot of veteran-type collectors,” he observed. “I brought three or four customers who’d never been to a knife show and they were overwhelmed with all the talent.”

     Coyote jaws, 1912 bois d’arc and a 1941 trap tag highlight the handle of the Trapper Bowie by BLADE Show Texas exhibitor Jason Fry. Blade damascus that includes among its forged components a vintage Newhouse trap spring is clad over a random damascus core. Overall length: 13 inches.
    Coyote jaws, 1912 bois d’arc and a 1941 trap tag highlight the handle of the Trapper Bowie by BLADE Show Texas exhibitor Jason Fry. Blade damascus that includes among its forged components a vintage Newhouse trap spring is clad over a random damascus core. Overall length: 13 inches.

    This year’s array of talented artisans promises to be even better. An incomplete but representative sample of domestic and international exhibitors in assorted categories includes:

    • Bladesmiths: Bill Burke; Brion Tomberlin; Bruce Bump; Murray Carter; Jerry Fisk; Harvey Dean; Jason Fry; South Africa’s Henning Wilkinson; J.W. Randall; James Cook; James Rodebaugh; Jason Knight; Jean Louis Regel of France; Josh Fisher; John Horrigan; Kelly Vermeer Vella; Lin Rhea; Mike Tyre; Rick Dunkerley; Steve Schwarzer; Scott Gallagher; Shane Taylor; Shawn Ellis; Shayne Carter; Belgium’s Veronique Laurent; and Tommy Gann;
    • Slip joint makers: Bill Ruple, Chris Sharp, Bubba Crouch, Burt Flanagan, P.H. Jacob, Enrique Pena, Tom Ploppert, Stanley Buzek, Luke Swenson, Tim Robertson, Tobin Hill and Trae Gaenzel;
    • Assorted other top makers: Allen Elishewitz, Brian Fellhoelter, Peter Carey, Dennis Friedly, Johnny Stout, Tom Krein, Lee Williams, Jeremy Marsh, Princeton Wong, Brian Nadeau, T.R. Overeynder, Todd Begg, Scorpion 6 Knives and Michael Zieba;
    • Factory knife/accessory companies: Fox Knives, Heretic Knives, Hogue Knives, KeyBar, Liong Mah Designs, Microtech, Pro-Tech, Reate, RMJ Tactical, Squid Industries, TOPS Knives, White River Knife & Tool, WE Knife/Civivi and Wicked Edge Precision Sharpeners; and;
    • Knifemaking/knife equipment suppliers: Culpepper & Co., Damasteel, Evenheat Kiln, Fine Turnage Productions, Jantz Supply, Knife & Gun Finishing Supplies, Moen Tooling, Nichols Damascus, Paragon Industries, Pops Knife Supply, Rowe’s Leather, Vegas Forge Damascus and Wuertz Machine Works.

    BLADE Show 2021 Best Slip Joint winner Luke Swenson (left), Bill Ruple (right) and assorted members of the South Texas Cartel will conduct the demo How to Make a Single Blade Trapper at 12 p.m. Saturday in Room 104. The slip joint below is Ruple’s ax-handle single-blade. (SharpByCoop images)
    BLADE Show 2021 Best Slip Joint winner Luke Swenson (left), Bill Ruple (right) and assorted members of the South Texas Cartel will conduct the demo How to Make a Single Blade Trapper at 12 p.m. Saturday in Room 104. The slip joint below is Ruple’s ax-handle single-blade. (SharpByCoop images)

    BLADE Show Texas Awards

    The knife awards for the Texas BLADE Show have been especially tailored this year to address the specialties of the exhibiting makers. As a result, the awards in the custom category will be Best EDC, Best Slip Joint, Best Kitchen Knife, Best Fixed Blade, Best Folder, Best Damascus, Best Art Knife and Best in Show. Each winner will be judged in terms of how well it fits the category, quality design, construction and materials, fit and finish, line and flow, and the other intangibles that identify most top knives.

    The knife awards in the factory category will be Best EDC, Best Fixed Blade, Best Folder and Best in Show, with each winner judged in the same terms as those used to rate the custom winners as outlined in the preceding paragraph.

    Demos

    The BLADE Show franchise is renowned for its cutting-edge demos, and those for BLADE Show Texas maintain that tradition. All are free of charge to show attendees. On Friday those demos will include:

    Joe Maynard of Primitive Grind will provide free knife sharpening and hands-on demos in his Mobile Forge all day long each day of the show.
    Joe Maynard of Primitive Grind will provide free knife sharpening and hands-on demos in his Mobile Forge all day long each day of the show.

    12 p.m., Grinding Seminar, Room 104: Using only four abrasive belts on his Moen Tooling Platen and grinding fixture, Jerry Moen of Moen Tooling will show you how to apply a bevel grind in a 2,000-grit finish.
    2 p.m., Fundamentals of Inlay, Room 104: Award-winning bit-and-spur maker Wilson Capron will demonstrate several different inlay styles and techniques and the tools to do them with, styles and techniques that can be applied to assorted media;
    3 p.m., How to Make the X-Rhea Knife, Room 104: ABS master smith Lin Rhea will outline the details that go into the making of his X-Rhea knife, including variations on a theme, how the design came to be, how to forge it and more.
    All Day, Free Knife Sharpening and Hands-On Demo, the Mobile Forge: Joe Maynard of Primitive Grind will provide hands-on demos and free knife sharpening.
    Saturday’s demos will kick off at 10:30 a.m. in Room 104 with a repeat rendition of Jerry Moen’s Grinding Seminar. In addition, Joe Maynard will conduct his All-Day Free Knife Sharpening and Hands-On Demo in the Mobile Forge. The day’s other seminars will include:
    12 p.m., How to Make a Single Blade Trapper, Room 104: Award-winning makers Luke Swenson and Bill Ruple and other members of the South Texas Cartel will show you how it’s done based on Swenson’s video tutorial “Slipjoints with Luke Swenson.”
    1:30 p.m., Leather Sheath Making Demo, Room 104: Joey Dello Russo of Imperial Leather Works will give a complete rundown on how to make a sheath, including measuring the blade, leather thickness, welt dimensions, belt loop location, and sizing, laying out and drawing the pattern.

    Texas Gun Experience

    Blade Show Texas and Texas Gun Experience have teamed up to provide a night of hands-on experience in a safe and managed environment. Show attendees are invited to a private demo event on Saturday evening from 6 p.m. to 10 p.m. Only those that have a BLADE Show Texas wristband will be eligible to attend to the TGE event and are eligible to win the following giveaways:

    • Springfield Armory’s Hellcat Giveaway
    • Springfield Armory’s Hellion Bullpup Giveaway
    • Ammo from AMMO, Inc
    • Ammo from Global Ordnance
    • Possible Ear Protection from AXIL Earbud Hearing Protection
    • RifleScope from Accufire
    • And other products…

    For more information on the show, pick up your special show program at the event itself or visit bladeshowtexas.com. For more information on the Fort Worth Convention Center, visit fortworth.com/convention-center.

    9-11 Knives: Custom Memorials To The Tragic Day

    The atrocity that shocked the world continues to transform it, and knives, too. Here is a look at some of the memorials 9-11 spawned from that fateful day.

    It began as an ordinary Tuesday. It ended with the world changed forever.

    The atrocity of the terrorist attacks at 8:45 a.m. EDT on Sept. 11, 2001, will never be forgotten. Now, 20 years after planes crashed into the World Trade Center in New York, the Pentagon in Washington, D.C., and a field in Shanksville, Pennsylvania, retrospect brings not only memories of sadness and profound loss, but also an acknowledgment of the heroism of 9-11 and the humanity that emerged.

    A measure of that humanity took the form of custom knives made from the twisted and scarred steel of the World Trade Center (WTC) buildings—forged once in the conflagration of that terrible day and then again in tribute to lives lost, and for the benefit of those who miss them and live on.

     Keith Kaiser (right) was in Ladder Company 131 of the New York City Fire Department that reported to the World Trade Center on 9/11. In 2003 he enlisted several leading makers to produce knives with blades made from WTC steel. Those makers, with the exception of Mel Pardue, from left are: Bob Terzuola, Bob Dozier, Allen Elishewitz, Gil Hibben, and Pat and Wes Crawford.
    Keith Kaiser (right) was in Ladder Company 131 of the New York City Fire Department that reported to the World Trade Center on 9/11. In 2003 he enlisted several leading makers to produce knives with blades made from WTC steel. Those makers, with the exception of Mel Pardue, from left are: Bob Terzuola, Bob Dozier, Allen Elishewitz, Gil Hibben, and Pat and Wes Crawford. (Eric Eggly/PointSeven image)

    Ladder Company 131 (L131) and Engine Company 279 (E279) of the New York City Fire Department (FDNY) were housed in the Red Hook section of Brooklyn on 9-11. Keith Kaiser was a member of L131. Moved later to enlist the support of several custom makers to produce knives with blades made from WTC steel, Keith remembers the horrific day vividly.

    “Because of the proximity to lower Manhattan, both companies started to gear up,” he recalled. “As we were approaching the tunnel into lower Manhattan, we saw the second plane hit the south tower. The engine company went into the buildings first, and the ladder company soon followed. L131 was in the lobby of the hotel on the ground floor of the south tower when it fell. We breached a wall and got out a group of civilians before we realized what was going on. The engine company was never found.”

    Five members of E279 were killed, and the FDNY lost 343 firefighters in all. Since then, according to Kaiser, nearly as many have died from 9-11-related cancer and other illnesses. His older brother, Wayne Kaiser, an electrician who worked to restore communications in the wake of the terrorist attack, recently died of illness due to extended exposure to toxic dust and debris.

    Keith was seriously injured on 9-11. “Oddly enough, my getting injured probably saved my life because I was not able to dig in the pile subsequently,” he said. “I was looking for something to occupy my mind and time, and one of the men lost from my company, Christian Regenhard, was a knife collector. I thought I would try to get my hands on some steel and get knives made out of it for charity and to keep me involved.”

    Early efforts to get the project started were difficult, but Kaiser persisted. Eventually, he contacted several of the biggest names in custom knives and secured their commitment to contribute to a benefit for the New York Firefighters Burn Center Foundation. Bob Terzuola, Bob Dozier, Jerry Fisk, Pat and Wes Crawford, Allen Elishewitz, and BLADE Magazine Cutlery Hall-Of-Fame® members Gil Hibben and Mel Pardue made one knife each with blades incorporating steel from the fallen twin towers (page 90, August 2003 BLADE®).

     Murray Carter holds the last two knives he made of WTC steel as part of a special fundraising project that included FDNY343 (fdny343.org) and Building Homes For Heroes
    Murray Carter holds the last two knives he made of WTC steel as part of a special fundraising project that included FDNY343 (fdny343.org) and Building Homes For Heroes (buildinghomesforheroes.org). (Murray Carter image)

    “It was planned with the help of Christian’s father, who was a New York City police detective,” Terzuola said. “Seven knifemakers, including myself, volunteered their time and materials. Keith presented the idea to us and offered to supply a piece of steel from the wreckage of the fallen towers to each knifemaker, from which they could make a knife of their choosing.”

    The knives included signature works: a Dozier damascus folder; an Elishewitz folder; a CQB from Terzuola; a Hibben dagger with scrimshaw handle; a skeletonized folder from the Crawfords; a damascus folder from Pardue; and a damascus stag Sendero hunter from Fisk.

    The task brought the added challenge of making the Trade Center steel usable for knife blades. “It was low carbon structural steel,” Dozier related, “and I asked Daryl Meier to make damascus for me. At the first show after 9-11, Keith brought some steel to me and wanted me to make a knife with it. I wouldn’t take it. A friend of mine who was a state police investigator here in Arkansas said to leave it alone because it was evidence. Then about a month later, a big cardboard box came in the mail and there was the steel. I cut it into pieces and Daryl made some ladder-pattern damascus.”

    Once the knives were gathered, they became tangible remembrances. “They were placed in a beautiful cocobolo box with a beveled glass top that was etched with the World Trade Center,” Terzuola commented. “The idea then was to put them up for auction for the benefit of the burn center. Keith sent them around to various museums prior to the auction, and after several years they almost became permanent exhibits in some places.”

    Keith reached out again to Terzuola, who helped arrange an auction, and the set sold in June 2020 with the proceeds benefiting the hospital. “Keith sent me the knives, and I cleaned them up and got hold of Rock Island Auction in Illinois, one of the top auction houses for knives and firearms,” Bob states. “They did a beautiful two-page spread in their catalog and after the auction sent a check directly to the burn center.”

    Murry Carter Knives 9-11 Custom

    Like so many others, the atrocity of 9-11 touched custom knifemaker Murray Carter significantly. He was asked to partner with FDNY343, an organization of retired New York firefighters dedicated to keeping the memory of those lost on 9-11 alive, and Building Homes for Heroes, a charitable enterprise that provides homes for those injured while serving their country and in the 9-11 attacks.

    Ryan Johnson was just starting up his RMJ Tactical when 9-11 shook the world. The U.S. military was looking for something that would punch through body armor and the RMJ Eagle Talon hawk, featured on the cover of the March 2002 BLADE®, filled the bill. RMJ Tactical took off and is one of today’s leading hawk makers with such models as the Shrike.
    Ryan Johnson was just starting up his RMJ Tactical when 9-11 shook the world. The U.S. military was looking for something that would punch through body armor and the RMJ Eagle Talon hawk, featured on the cover of the March 2002 BLADE®, filled the bill. RMJ Tactical took off and is one of today’s leading hawk makers with such models as the Shrike.

    Carter has produced several kitchen and outdoor knives, each incorporating a laminate of Trade Center steel with a 1084 carbon steel core. The motivation to produce the knives was strong, and Murray notes that the components of fire, water and stone were present both in the 9-11 incidents and the making of the knives. He reasons that fire enabled the forge, water quenched the blades and stone honed them into tools. Conversely, fire brought the towers down, water hampered rescue efforts, and lives were lost in the crush of stone.

    “So, the same elements are here in the knives, and they bless people daily,” Murray explained. “When iron is red hot, that’s how we get steel, and some of the victims were burned, the elements fused in a chemical trade. The depth of the fusion was dependent on time and it was brief. So, I didn’t want to do much grinding in order to leave these elements in the surface of the steel.”

    One of Carter’s kitchen knives was auctioned for $10,500 and the proceeds were given directly to Homes for Heroes. He calls the effort, concluded in the spring and autumn of 2017, an honor and one of the most humbling tasks of his long knifemaking career.

    RMJ Tactical 9-11 Spike Hawk

    Ryan Johnson was just starting up his Chattanooga, Tennessee-based RMJ Tactical when 9-11 shook the world. He had always been interested in tomahawks, and was making pipe and spike hawks before that desperate day. Then, things changed quickly.

    “I had made a spike hawk and a gentleman saw one of them on my website,” Ryan remembered. “He was with Air Force security forces and said, ‘We’ve got some guys securing air strips, and we’re looking for something that will punch through body armor.’ He said my French-and-Indian-War-style hawk looked perfect for the job.”

    The seven knives from Keith Kaiser’s 9/11 memorial project were placed in a beautiful cocobolo box with a beveled glass top etched with the World Trade Center.
    The seven knives from Keith Kaiser’s 9/11 memorial project were placed in a beautiful cocobolo box with a beveled glass top etched with the World Trade Center. (Eric Eggly/PointSeven images)

    The first shipment of five spike hawks had just gone out before 9-11. “The same guy called me up and he was already in the Gulf,” Ryan said. “He said to get busy making these things because they would be big.”

    Like lightning, the demand for hawks soared—not only with the catalyst of 9-11, but also with the wars in Iraq and Afghanistan that followed. “I received a call from a gentleman working as an attaché to Donald Rumsfeld [Secretary of Defense] and made him a hawk. He sent me a picture back of him in his office at the Pentagon with a letter that said when the planes hit the towers, all the brass in the Pentagon were out in the hallway in front of his office passing that hawk around. A few moments later, a plane hit the Pentagon. Just before that happened, an admiral had walked by and said, ‘This war will be fought by hawks at the ends of the hands of soldiers.’”

    A short time later, a story on Ryan’s hawks appeared in the Chattanooga newspaper and was picked up by the Associated Press, ultimately appearing in countless media outlets. “The article was on making hawks for the military,” Johnson recalled, “and before long Green Beret units were getting in touch with me and asking why they weren’t getting hawks. When you look back at the early days of the wars, Task Force Dagger included the first 300 special forces and others into Afghanistan. We had hawks going in with them.”

    Orders kept coming, and civilian deliveries were postponed to fill the demand from the military as RMJ Tactical got started. Twenty-five Eagle Talon hawks went to Marines in the town of Najaf, Iraq, just before the battle for control of the city of Fallujah.

    “I got a phone call concerning those 25 hawks,” commented Ryan, “and it was from the wife of a Marine officer. She said there was a plane leaving that night with room aboard for the shipment if we could get it ready. I called my friend Richard Carmack and knew his kids might have the time to help wrap the handles if I could provide the pizza and a movie. Now, Richard makes sure things run right here, his son Jonathan is our production manager and I’m still working in design.”

    Conclusion

    The atrocity of 9-11 and the lengthy conflicts that emanated from it continue to echo through the lives of every American. Remembrance is tinged with vigilance and the pledge to never forget the sacrifices of those lost.

     Here are the beginning (bottom level), middle (mid-level bar of steel) and end products (top level) Murray Carter used to forge weld World Trade Center iron into a usable blade with a 1084 core. The blade is water-quenched for maximum sharpness and edge retention, and the blade surface still retains the soul-infused character of the WTC steel.
    Here are the beginning (bottom level), middle (mid-level bar of steel) and end products (top level) Murray Carter used to forge weld World Trade Center iron into a usable blade with a 1084 core. The blade is water-quenched for maximum sharpness and edge retention, and the blade surface still retains the soul-infused character of the WTC steel. (Murray Carter image)

    Though nothing is for sure at this time, there may yet be other knives produced with the venerated World Trade Center steel. Terzuola still has a small amount of the steel but probably not enough for another knife blade. He is considering a knife with Trade Center steel bolsters and G.L. Hansen Micarta® that includes a thin blue line in its composition. Proceeds from the sale of such a knife would go to benefit a law enforcement officers relief fund.

    Stainless Damascus: Challenges In Forging

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    Stainless damascus knives look fantastic and resist rust in the process, but present the knifemaker with a host of challenges.

    It’s not easy forging stainless steel. It’s harder still to forge damascus patterns out of it. Nonetheless, those who specialize in forging stainless damascus for sale to both factory and custom knifemakers, who spend their days before a power hammer turning out billet after billet, say the material is as hot as ever. Meanwhile, they’ve developed a couple of tricks to keep the welds sure, the patterns crisp and the innovation marching forward.

    “There’s just things that I’ve been able to do now that I thought I wouldn’t have been able to do when I first started,” said Mike Norris, a smith of stainless damascus since the mid-1990s. “For instance, I actually make Turkish twist damascus in stainless.”

    Norris runs a one-man operation in his Kentucky shop. In a moment when he wasn’t moving between his forge and Blanchard grinder, he explained part of the process. “When you forge carbon steel, you can use flux. You can just stack the layers up and flux ’em and stick it in a fire and make it weld like that. With stainless, you have to have a controlled atmosphere around the billet,” he explained. “Flux doesn’t work on it.”

    Stainless Damascus Forging Process

    If the weld in a carbon damascus billet doesn’t take, a smith may have an opportunity to get another whack at it. No so with stainless damascus. There’s one shot and if it doesn’t fuse, the billet heads to the scrap pile. Moreover, no oxygen can touch the stainless steel during the process. While other smiths build a can, fitting metal in some kind of container, fusing it shut and then launching into forging, Norris uses stainless foil.

    Herucus Blomerus outfits his HB 18 PHIRI folder in a blade of Intrepid stainless damascus forged by Chad Nichols Damascus. (SharpByCoop image)
    Herucus Blomerus outfits his HB 18 PHIRI folder in a blade of Intrepid stainless damascus forged by Chad Nichols Damascus. (SharpByCoop image)

    Stainless damascus is as popular as ever, Norris says. His patterns most in demand are Fire Clone and Hornet’s Nest, and he typically forges them from 19C27 and 302 stainless and D2 tool steels. In the past few years, he said he’s seen many makers grind blades from san-mai, a blade material with a core of hard steel sandwiched by softer ones.

    Tired of seeing a core sit off center on a finished knife, lopsided between two outer layers, Norris developed straight-core san-mai. He’ll cut a damascus billet in half, sandwich it between sides of an XHP stainless, and forge weld it all together. The result keeps the core centered and the pattern undistorted. That way when the maker takes the steel to the grinder, the core is “gonna be there every time,” he said.

    All that effort helps the end-user rest easy, Norris opined. Instead of worrying about caring for a carbon blade, a stainless damascus one has the corrosion resistance and can look good doing so. One other benefit, Norris said: it can hold its contrast. The knife Norris has taken bowhunting for about two decades—made with one of his early billets of stainless damascus—looks almost as good as the day he made it. “And,” he exclaimed, “I’ve skinned a lot of deer with it!”

    Experimenting With Stainless Damascus

    Forging stainless damascus requires a willingness to go off map. It’s not the land of 1080 carbon steel.

    Fire Clone stainless damascus by Mike Norris is the blade steel for a Jonas Iglesias folder. (Image courtesy of Mike Norris)
    Fire Clone stainless damascus by Mike Norris is the blade steel for a Jonas Iglesias folder. (Image courtesy of Mike Norris)

    Chad Nichols of Chad Nichols Damascus can typically devote time to experiment in December, when business slows down somewhat and he and his shop of five have a little extra time. Plus, the summer temperatures in his Mississippi-based locale can sometimes get downright hellish.

    Chad’s shop turns out a range of knife materials, including titanium damascus, Mokuti, carbon damascus and stainless damascus. Boomerang and Wave Pool have been damascus patterns popular with his customers, as have the san-mai-type billets.

    According to Chad, damascus essentially breaks down into two basic patterns: raindrop and ladder. Lately, though, he’s been trying out new types of steel. He’s been forging san-mai billets with unusual core steels. Hearing recently that CPM MagnaCut, a 4V-type of steel, might be the next hot blade material, he started using it as the core.

    Tempest by Brian Nadeau offers up a blade of stainless damascus in NitroV by Vegas Forge. The frame is titanium, zirconium and AKS Timascus™. (SharpByCoop image)
    Tempest by Brian Nadeau offers up a blade of stainless damascus in NitroV by Vegas Forge. The frame is titanium, zirconium and AKS Timascus™. (SharpByCoop image)

    And just how do you go about working with a new steel?

    “Guess,” Nichols blurted, laughing. “Start off with a pretty good educated guess and go from there. I mean, it still is steel, each one has a characteristic, but you just got to kind of baby step it until you figure it out. Then take notes.”

    Once he’s figured a steel out, it’s smooth sailing—mostly.

    “The first time, yeah, but after that, it’s just like anything else. I’ve been doing it for almost 20 years and if there’s one thing, it will take you to school,” he said. “Each one of them moves different, takes the heat different. There’s some steels you have to be super careful about not overheating them like by 20 degrees.”

    Yes, sir, some like it hot.

    Pattern Making

    According to Jesse Harber, president of Vegas Forge, it was just seven years ago that the average consumer didn’t know what damascus was. Now, they see it on Forged in Fire and know.

    Chad Nichols Damascus has been trying out new types of material combinations lately, including forging san-mai billets with unusual core steels. (Chad Nichols Damascus image)
    Chad Nichols Damascus has been trying out new types of material combinations lately, including forging san-mai billets with unusual core steels. (Chad Nichols Damascus image)

    The vast majority of Vegas Forge’s business is stainless damascus. Because it works with mosaic damascus—building patterns in a can, sealing it and applying the heat—Vegas can also put, say, a proprietary logo straight into the steel. Out of the 16 patterns Vegas Forge offers, Herringbone and Spirograph are the hot ones. They are patterns born out of some serious development.

    A few years ago, “we modified from MIG welding to TIG welding, which gave the can a lot tighter seals, so there’s no holes in it,” Harber said. “And we advanced the system that we used, actually worked with some engineers out of California, a couple of good old Russian boys. That’s probably the biggest advancement we’ve made.”

    The thing they try to prevent? A bad weld, something that would become all too apparent if the billet was milled and the steel started peeling apart.

    The Hybrid stainless damascus pattern by Mike Norris is the blade material for a folder by Alister Bastian. (Mike Norris Damascus image)
    The Hybrid stainless damascus pattern by Mike Norris is the blade material for a folder by Alister Bastian. (Mike Norris Damascus image)

    After forging the stock down to an inch thick, “from there, we’ll use the rolling mill to roll it out. It takes a lot more time to do it that way but the pattern stays crisp,” Harber noted. “It doesn’t blend or blur the layers together from all the impact.”

    Amidst all the innovation, the “crazy wizardry” of pattern development, Vegas Forge has expanded outside the knife industry. It also supplies round stock to jewelry makers for men’s rings, for instance.

    As it turns out, plenty of people appreciate the ease-of-care and mesmerizing patterns from a good piece of damascus made from stainless steel.

    Stropping: What It Is And How It’s Accomplished

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    What is the purpose of stropping? Is it the same as sharpening a knife? We’ll answer those questions and more as we explore how to put the finishing touches on a blade.

    Forged Knifemaking
    This article is an excerpt from Forged: Making A Knife With Traditional Blacksmith Skills available at ShopBlade.com.

    Burr is a term used to describe the turned-over edge of a freshly sharpened blade. The burr can be seen as an ultra-thin, wire-like structure at the edge. When sharpening you are bringing one edge surface closer to the other edge surface with alternating and even strokes, left-right-right-left against an abrasive such as a sharpening stone or metal grade sandpaper or strop. By alternating sides you simultaneosly remove surface material from both of the sides forming that burr. Sharpen back-and-forth, one side and then the other, and the burr appears.

    What Sharpening Does To A Blade

    At first the two opposite sides are divided by the blade’s edge thickness and there is no burr. This is seen as that paper thin shiny line from tip to choil. As one side is brought closer to its opposite side (i.e. sharpened), one side or the other will eventually meet the other and the thin shiny line will disappear.

    At that point there isn’t enough mass to support the edge against the hard-abrasive surface, and the super-thin edge rolls/curves over in the opposite direction, forming the burr. The burr can be seen with the unaided eye and felt with your thumb. The objective at this point is to switch and sharpen the edge from the other direction with a yet finer grit abrasive. This maneuver makes an even smaller and thinner burr on the opposite edge. After you sharpen several times like this in opposite directions, with finer and finer grit paper, the burr will be reduced microscopically and be difficult to see or feel but will still be there. This final use of fine grits of abrasive is considered, and is called, a hone.

    What Stropping Does

    At this point switch from a superfine hone-grit paper (1500 plus grit) to a leather strap, belt, or section of a belt, called a strop. The fine sandpaper hones, and the leather strops. Strop with the same back and forth motion, strop the blade’s edge against the leather. This action bends the now unseen burr back and forth against the leather and the burr finally breaks free. The edge thickness is now just paper thin or less. So “paper thin” doesn’t sound like the edge would bear up during use, being this thin, right on the very pinnacle of the blade’s edge—but it does.

    With removal of the burr the edge acquires maximum sharpness and can be re-honed repeatedly without subjecting the blade to recurring sharpening cycles with lower grit sandpaper. This maintains the thin-and-sharp element of your blade.

    Choosing A Strop

    Make your strop from a strip of leather belt (10-inches long) glued to a bit of yardstick or lath material. Glue a strip of 800-1500 grit wet-n-dry sandpaper to the other side for a hone.

    The same exact motion is used on the leather side of the strop stick. When the smith is “into” the motion it is similar to a continuous figure-8 movement. Most of the time the leather is enough to restore the blade’s edge without using the sandpaper side of the stick.
    The same exact motion is used on the leather side of the strop stick. When the smith is “into” the motion it is similar to a continuous figure-8 movement. Most of the time the leather is enough to restore the blade’s edge without using the sandpaper side of the stick.

    How To Strop

    Stropping is a low-angle slap and slide motion. The leather actually sharpens the microstructure of the blade’s edge. It 1) bends the burr back to a sharp edge or 2) bends it back and forth till it breaks, like bending a wire coat hanger back-and-forth, revealing a new raw edge. Visualize a barber in an old-west, cowboy movie slappin’-n-slidin’ his straight razor on a big leather strop. Slap-n-slide your Frontier blade on the 800 to 1500 grit black W/D sandpaper 10 to 15 times then on the leather the same number of swipes. When your edge dulls you can often just strop with the leather, forgoing the hone altogether, in the restoration of a keen cutting edge.

    After stropping, if your knife edge isn’t near razor sharp, go back to your wet-n-dry-sharpening action with the higher numbered sandpaper grits (400, 600, 800) then strop again.

    Testing The Edge

    Feel the edge with your thumb, perpendicular to the edge. Never run your thumb or fingers vertically up or down the blade. It will cut. With time you’ll be able to tell in an instant various level of sharpness with just your thumb. With time you will feel the burr and know the angle of any blade with just a touch of your thumb.

    Another sharpness indicator is the use of an old leather belt or scrap of leather. Almost any “sharp” knife can cut a sheet of paper but stiff leather is the true challenge. First, use a knife of known sharpness. Cut a bit from the leather. Note the force needed to peel off a few pieces of leather. Use the same piece of leather on subsequent blade edges you sharpen in the future. By comparison, the quality of those blades’ sharpness can be gauged.

    This article is an excerpt from Forged: Making A Knife With Traditional Blacksmith Skills available at ShopBlade.com.

    Get More Knife Sharpening Info:

    Best High-Carbon Steel Knife Options

    Looking for a tough and ready option for EDC? Here are 4 factory high-carbon steel knife options that wear and use the reliable 1095 steel well.

    Knives in tried-and-true carbon blade steels such as 1095 often are left out of the conversation. Do they still have relevance in the modern world of knives? The short answer is yes—and they remain relevant for the same advantages that made them popular in the first place.

    “There are a number of reasons why 1095 is popular with consumers and manufacturers,” states Joe Bradley, sales and marketing manager for KA-BAR Knives. “It’s a great steel to work with and maintain, which is the primary reason we have used 1095 Cro-Van for decades.” Says Shane Adams, marketing director for ESEE Knives, “It takes a beating and is field-serviceable. We know it, use it and trust it with our lives.” Adds Jeremiah Heffelfinger of TOPS Knives, “1095 is also easier to sharpen, especially in the field, than some stainless steels.”

    You can work 1095 to death, then take your favorite sharpener and put an edge right back on it. Try doing that with CPM S30V stainless! Because of 1095’s tendency to rust, you must maintain it more than stainless. Many 1095 blades sport a coating that protects most of the surface except the edge. If you’re not careful, corrosion can begin at the edge then travel up underneath the coating. Consequently, in a wet environment keep a light coat of oil on the blade. If you wash the knife, towel dry it carefully and let it air dry, too. As for some of today’s top models in 1095, check these out.

    Condor Tool & Knife Bush Slicer Sidekick

    The Bush Slicer Sidekick from Condor Tool & Knife is a small, lightweight fixed blade designed to handle intricate food prep tasks similar to those paring knives address. It also functions as a stand-alone tool for bushcraft, as well as day hikes and such.
    The Bush Slicer Sidekick from Condor Tool & Knife is a small, lightweight fixed blade high-carbon steel knife designed to handle intricate food prep tasks similar to those paring knives address. It also functions as a stand-alone tool for bushcraft, as well as day hikes and such.

    The Bush Slicer Sidekick from Condor Tool & Knife is a small, lightweight fixed blade designed to handle intricate food prep tasks similar to those paring knives address. It also functions as a stand-alone tool for bushcraft, as well as day hikes and such.

    The 6.4-inch modified wharncliffe blade on this high-carbon steel knife has a defined tip for intricate cutting tasks, but also enough sharpened real estate to get work done. Close to 9 inches overall, the knife carries well and is neither too big nor too small for many food prep and camp chores. The black Micarta® handle is ergonomically shaped for maximum user comfort. The sheath is well designed, too. One of the few hybrid-constructed models employing Kydex and leather, it is quite user friendly. You get the rigid protection of Kydex along with the carry versatility a leather loop offers, allowing the sheath to move somewhat while on the belt. The gray Kydex complements the handle’s appearance.

    The Bush Slicer Sidekick is built extremely well, with high quality fit and finish. The edge is razor sharp out of the box. The standard Condor blade finish is two tone, with the darkened heat-treat scale finish on the flats and machine satin on the bevels. The cutting edge is tilted up a bit in relation to the handle, giving more hand clearance on a flat surface. The way the blade profile tapers toward the tip is smart as well, giving the knife the ability to tackle finer cutting tasks. Another nice feature is the 90-degree blade spine for use in conjunction with a fire-starting ferrocerium rod.

    Condor’s knives are not flashy but work like pack mules. The Bush Slicer Sidekick slices cardboard like a champ. The flat grind tapers the edge to a thickness that is both durable and sharp.
    Condor’s knives are not flashy but work like pack mules.  The Bush Slicer Sidekick slices cardboard like a champ. The flat grind tapers the edge to a thickness that is both durable and sharp.

    The flat-ground blade thins the edge well so it sails through a variety of materials, yet is thick enough for durability. The tip is controllable for fine and precise cutting. Integral front and rear guards prevent unwanted hand movement in either direction. However, those with larger hands may find the grip a bit small. It also lacks a lanyard hole. At a manufacturer’s suggested retail price (MSRP) of $119, the Bush Slicer Sidekick represents excellent value in an expertly crafted using fixed blade. County of origin: El Salvador.

    TOPS Knives 3 Pointer

    The TOPS Knives 3 Pointer is a great multi-carry fixed blade with the option of being a neck knife.  The drop-point blade is great for cutting food as well as utility tasks that require a sharp blade and precise control, such as wire stripping.
    The TOPS Knives 3 Pointer is a great multi-carry high-carbon steel knife, a fixed blade, with the option of being a neck knife.  The drop-point blade is great for cutting food as well as utility tasks that require a sharp blade and precise control, such as wire stripping.

    The TOPS Knives 3 Pointer might be the smallest of the test bunch, sporting a 3.1-inch blade and 6.6-inch overall length, but also has the most options. It comes in three handle choices—black Micarta, tan Micarta and skeletonized. In addition, each model comes with two modes of carry. Straps screwed to the sheath permit horizontal belt carry, and a chain provides neck carry (just remove the belt loops). The options might make you consider the 3 Pointer to replace a folder for EDC.

    The high-carbon steel knife’s heart and soul lies in its deep-bellied drop-point blade capable of field dressing game, doing chores in camp, etc. Black Traction Coating helps ward off rust. It is a very durable coat that withstands frequent heavy use.

    The handle is particularly interesting. The pronounced finger groove can lock into your grip, with the rest of your fingers falling into place on the tapered handle. Unlike other fixed blades of this size, the handle isn’t blocky or bulky, which allows it to be carried as a belt or neck knife.  We tested the tan handle version, which has a nice contrast in appearance to the black blade. Three large traction notches accept a thumb comfortably on the spine to exert control and pressure. The red liners provide a subtle pop of color contrast.

    The 3 Pointer’s handle is particularly interesting. The pronounced finger groove can lock into your grip, with the rest of your fingers falling into place on the tapered handle.
    The 3 Pointer’s handle is particularly interesting. The pronounced finger groove can lock into your grip, with the rest of your fingers falling into place on the tapered handle.

    The Kydex sheath is well made and designed with an integrated thumb rest that lets you grip the knife handle and push out, easily popping it free of the sheath. The feature is very well thought out and not found on many knives.

    I carried the 3 Pointer mainly as a neck knife for the evaluation. Neck knives are a love ’em/hate ’em proposition. If you want to carry a smaller fixed blade in a discreet manner this is the most viable option, as neckers conceal easily, even under a plain T-shirt*.  They also work well with polo-style and button-down dress shirts. And when you start layering as the temperatures drop, neck knives carry well under a hoodie and other cold weather wear. The flat handle profile enhances discreet carry without printing underneath the aforementioned T-shirt. I like how the shape and contours help you obtain a very secure grip.

    The drop point blade is usually my favorite when it comes to straight knives due to its versatility. The belly allows the blade to tackle sizeable cutting tasks while remaining easy to carry.  If you prefer taking a small fixed blade into a restaurant to substitute for the knives provided, the 3 Pointer is low profile enough to cut food without attracting unwanted attention.  The TOPS 3 Pointer in tan Micarta has an MSRP of $125—an excellent deal for a USA-made sheath knife.

    ESEE 4HM

    The ESEE 4HM comes in some of the most utilitarian packaging anywhere with information that every outdoor survivalist needs, including how to determine distance traveled, GPS and topographical map tips, and much more.
    The ESEE 4HM comes in some of the most utilitarian packaging anywhere with information that every outdoor survivalist needs, including how to determine distance traveled, GPS and topographical map tips, and much more.

    The ESEE 4HM blends toughness and cutting efficiency in one package that carries easily and is built for extended use. The 4.3-inch blade has a generous belly for field dressing, food prep and some bushcraft. Overall length is just short of 9 inches. Blade thickness is .1875 inch and the flat grind is robust for long-term durability, though thin enough for slicing. The blade has a black powder coat to protect it from the elements.

    The ESEE Knives 4HM is designed to be a more modern variation of a bushcraft/utility knife. With its straight-forward design, it offers high performance with a more user-friendly blade.
    The ESEE Knives 4HM is designed to be a more modern variation of a bushcraft/utility high-carbon steel knife. With its straight-forward design, it offers high performance with a more user-friendly blade.

    The Micarta handle is beefy but rounded in the right places, and fills your hand without generating hot spots. The Micarta is fastened to the tang using three sets of flat-head Torx screws. A lanyard hole comes with a length of paracord, making the 4HM easy to extract from the well-made, sewn pouch sheath of brown leather. The knife sits down in it securely but loose enough so it comes free smartly when needed.

    It is a great all-around fixed-blade high-carbon steel knife. The blade and handle shapes are universal and work well in most scenarios. The drop point shape is also a great scraper, if needed. The fat handle cross section gives a reassuring grip, as opposed to shapes that might be comfortable but, due to being too thick, are not as secure in the hand. If you enjoy hunting, camping and hiking and use a fixed blade a lot, this is the knife you need. Country of origin: USA. MSRP: $178.

    KA-BAR BK18 Harpoon

    The BK18 Harpoon’s tall, flat grind engages whittling and carving jobs with gusto. The swedge provides a bit of visual attitude, too.
    The BK18 Harpoon’s tall, flat grind engages whittling and carving jobs with gusto. The swedge provides a bit of visual attitude, too.

    The BK18 Harpoon is Ethan Becker’s latest design for KA-BAR.  The 4.5-inch drop-point blade offers plenty of length for food prep and outdoor tasks. The prominent harpoon-style swedge projects attitude. The ergonomic handle features multiple swells for comfort and a non-slip grip. A palm swell fills your hand and provides excellent stability and control. The harpoon blade forms an integral forward guard, and the slightly dropped handle butt helps capture your hand. There’s an oblong hole for a lanyard.

    At 9.3 inches overall, it’s a great mid-sized sheath knife. The blade belly slices easily, while the handle provides the ultimate in control. Traction notches on the spine allow you to choke up. The sheath is a molded Celcon® polymer with a heavy duty nylon webbing belt loop. The knife fits/clicks in to avoid inadvertent loss. A nifty feature is the two molded-in vent channels that reduce moisture by allowing inside air flow. A secondary webbing button snap secures the handle in place, though the way the knife clicks tightly into the sheath, I cannot imagine it popping loose accidentally. The belt loop also can be re-mounted to set the knife up for left-hand carry.

    The KA-BAR Becker BK18 Harpoon is equally at home with food prep or work tasks. The blade’s sweeping belly tackles a host of chores inside and out.
    The KA-BAR Becker BK18 Harpoon is equally at home with food prep or work tasks. The high-carbon steel knife’s blade’s sweeping belly tackles a host of chores inside and out.

    One thing many remember about seeing their first Becker design is the chunky handle design. As awkward as it may look, it works. No matter the model, basically the same handle shape is used, a hallmark of Becker designs. The BK18 Harpoon has the same configuration but it’s slimmed down considerably. It’s comfortable for extended use and helps keep your hand in place with no awkward sliding in either direction. It also helps prevent the handle from rotating in your grip.

    Speaking of handles, there is an optional upgrade. The tan Micarta kit, which replaces the stock molded grip, is $35. It’s worth it. The Micarta has a nice grab-you-back feel that holds well even with wet hands—a feature the stock handle somewhat lacks. MSRP is $120, also not bad for a USA-made fixed blade.  

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