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9 Hottest Facebook Makers in New BLADE

9 hottest Facebook makers in BLADE®!
9 hottest Facebook makers help highlight the new BLADE®, on newsstands now!

Nine of the hottest Facebook makers, the latest factory knives for 2016, one of the hottest trends going in cool side tools and much more inundate the latest issue of BLADE® Magazine, on newsstands now!

With social media embracing the cutlery industry like James Bowie’s long-lost knife, Facebook is near or at the top of the list of those peopled by any and all who admire sharpened steel. As a result, BLADE used its BLADE Facebook page to poll its friends on who they think are the hottest custom Facebook knifemakers who post pictures of their work on Facebook. Check out the results of our Facebook poll in “9 of Facebook’s Hottest Makers.”

Along with the annual BLADE Show, the annual Shooting, Hunting, Outdoor Trade (SHOT) Show is the place many factory cutlery companies introduce their latest knives. Feast your eyes on some of the latest in tactical, folding, fixed, traditional, hunting, bushcraft, automatics, flippers and other state-of-the-art blades in our edged exclusive, “Sweet 16s: The New Factory Knives for 2016.”

According to ABS master smith Wally Hayes, a side tool is “an ancillary tool for cutting, opening, turning; something useful and fun.” Cool side tools are flooding the industry, from the Dual Action Dragon Opener by Suz and Bob Terzuola on the custom side to the MacV Tool from SOG Specialty Knives on the factory side and everything in-between. Pop a top, cut a rug or whatever hones your edge with one of the latest in these handy multi-tools outlined in “Side-Tool Cool.”

Also this issue: How to build your own knife online; custom logo’d flipper folder tabs; some of the best EDC knives for under $50; the latest in pro-knife laws passed nationwide; the conclusion of Jeffrey Dane’s historical six-part series, “Bowie Legend: Fact or Fable?”; Chad Mock’s “Texas Ulu”; and much more in the latest issue of BLADE.

Forged In Fire at BLADE University

Do you have what it takes to appear on Forged In Fire? Learn if you do from ABS master smith J. Neilson, one of the judges on History channel’s hit TV show, in his BLADE University class on what the program’s officials look for in bladesmithing contestants.

Held in conjunction with the 35th annual BLADE Show at the Cobb Galleria Centre in Atlanta, the third annual BLADE University begins the day before the BLADE Show, June 2, and runs through show Saturday, June 4. The BLADE Show will be June 3-5.BladeU

ABS master smith J. Neilson—here testing a blade on History™ channel’s Forged In Fire—will give tips on how to be chosen to appear on the hit TV show in his special class at BLADE University. (Miller Mobley/HISTORY)

Having begun its second season Feb. 9, Forged In Fire (page 84, December BLADE) pits bladesmiths against each other to see who can make the best knife in a limited  amount of time, with the winner of each episode earning a $10,000 first prize. Last year’s FIF included such well-known forgers as ABS master smiths Murray Carter, Ray Kirk and J.D. Smith, David Goldberg, Peter Martin, ABS journeyman smith Mace Vitale and others, as well as many relatively unknown bladesmiths.

See page 10 of the May 2016 issue of BLADE to find out more.

Tomorrow’s Knife Trends Today

Adventure Flipper by Williams.
The Adventure Flipper by Lee Williams features a “pivot-less” build. Closed length: 5 inches. (Dave Stark image)
Thorburn's L46.
The L46 flipper in Bohler N690 stainless steel and an earth-brown G-10 handle is hot from Andre Thorburn. (BladeGallery image)

If you’re looking for what the knife trends are in custom blades or what the knife trends are going to be later on in the factory cutlery industry, some of today’s hottest custom folders is a great place to start.

 

Just about every current knife trend in both the custom and factory industries can be traced to a custom folder. LinerLocks™? BLADE Magazine Cutlery Hall-Of-Fame© member Michael Walker revamped the design circa 1980 and has continued to improve it and build evermore creative folding mechanisms ever since, but it was his LinerLock design that revolutionized the custom knife industry in the late 1980s and the factory industry followed, with the locking mechanism appearing on scores of folders worldwide ever since. Flipper folders? BLADE Magazine Cutlery Hall-Of-Fame© member Kit Carson popularized them in the 1990s and flippers seem to be appearing in droves in both the custom and factory industries to this day.

Walker still going strong.
Michael Walker is still going strong after all these years and his folders remain hotter than ever. (Dave Ellis image)
Augustus by Kirby Lambert.
Kirby Lambert named his flipper folder after his son, Augustus. (SharpByCoop image)
Nadeau's Cyclones.
Brian Nadeau’s “Cyclone” appears here in three different versions. (SharpByCoop image)
The Machine by Bharucha.
Tashi Bharucha’s “Machine” features a 3 5/8-inch blade of CPM 154 stainless. (Dave Stark image)
McNees' Copper Baby Bolt Flipper.
Johnathan McNees makes the Copper Baby Bolt Flipper. Closed length: 4 inches. (Andrew Delavan image)If you’re looking for what the knife trends are in custom blades or what the knife trends are going to be later on in the factory cutlery industry, some of today’s hottest custom folders is a great place to start.

These are but two examples. There are many more. There are also some really cool custom folders on today’s market, some of which no doubt will inspire other custom and, later, factory makers to emulate them in some form or fashion. A few of those sharp studies in standout steel would include:

Arnold's Tactical Front Flipper.
The Tactical Front Flipper by John Arnold. Closed length: 5 inches. (BladeGallery image)

•John Arnold’s Tactical Front Flipper. “He creates some of the most elegant daily carry folders, yet with collector-grade quality, that I have come across,” noted Daniel O’Malley of BladeGallery;

•The Copper Baby Bolt Flipper in CPM 154 stainless by Johnathan McNees;

•The Adventure Flipper by Lee Williams with Lee’s “Kick Stop” flipper mechanism;

•Kirby Lambert’s “Augustus” flipper, named after the Lamberts’ newborn son;

•Brian Nadeau’s “Cyclone,” termed by custom knife purveyor Les Robertson as “a great EDC, compact and lightweight”;

•The aforementioned Michael Walker and his large folder in Damasteel damascus;

•Andre Thorburn’s L46 flipper. “Of all the knives that I open and close each day,” O’Malley noted, “Andre Thorburn’s have the most consistent, smooth action of any”;

•Tashi Bharucha’s “Machine” with frames of blasted titanium and a blade-tip-up pocket clip.

Also Check Out:

T7174Knives 2016, 36th Edition
The trusted guide for knife collectors, enthusiasts, knifemakers, and dealers around the world, this knife book covers the latest and greatest from front to back. A collection of feature articles explores the latest developments, history, and transformation of knives, swords, and edges of various kinds. Get your copy

 

Knife Trend: Titanium, Tritium and Timascus

Timascus Flip

Lambert_140606Now we all know that knifemakers are innovative, and we’ve seen incredible creativity in design, blade grinding, handle materials, damascus forging, one-hand-opening folder mechanisms, locks and gadgets. Trends don’t just happen without innovation. But using a radioactive isotope of hydrogen on a knife? One called tritium that contains one proton and two neutrons, an isotope that is rare on earth where trace amounts are formed by the interaction of the atmosphere with cosmic rays? Does it sound like science fiction? No, it’s non-fiction, real life, and true that some knifemakers inlay tritium into knife handles because it glows, looks incredibly cool and might actually help a guy stumbling around in the dark find his knife.

That last part might be a stretch, but it’s not the first time knifemakers have looked to the stars to find knife handle and blade material. They’ve been forging meteorite into knife blades and using it in handles for millennia. There’s mystique and legend surrounding ancient Egypt, and Tutankhamun, who had meteorite forged into a blade before the use of iron, of gold/meteorite knives among the Mongols or James Black using meteorite in Col. James Bowie’s blades.

Nadeau_141122

More commonly, knifemakers shape and often anodize titanium, using it for bolsters, liners and handles, or laminate two or more titanium alloys into patterns resembling damascus and resulting in what is known as Timascus. Various alloys color differently by heating or anodizing them, so the color combinations are endless, like the stars in the sky, the cosmos and the galaxies beyond.

This article was excerpted from the Trends section of the KNIVES 2016 annual book. For more incredible knife images and information like it, click here to get your copy of KNIVES 2016, and enjoy!

Appleton_140522B

Bone Handle Knives: Bone in the USA!

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According to Joe Culpepper, cattle bone constitutes 98 percent of the total bone sales at Culpepper & Co., with camel and giraffe bone being the remainder. H.L. Holbrook employs stabilized giraffe bone on his hunter in CPM 154 stainless. Overall length: 8.25 inches. (PointSeven image)
According to Joe Culpepper, cattle bone constitutes 98 percent of the total bone sales at Culpepper & Co., with camel and giraffe bone being the remainder. H.L. Holbrook employs stabilized giraffe bone on his hunter in CPM 154 stainless. Overall length: 8.25 inches. (PointSeven image)

Bone handle knives are good to the bone, including some of the latest blades made today.

Smooth redbone completes the handle of the Boker Trapperliner. The 3.25-inch blade is 440A stainless steel. Closed length: 4 3/8 inches. MSRP: $107.95. (Boker image)
Smooth redbone completes the handle of the Boker Trapperliner. The 3.25-inch blade is 440A stainless steel. Closed length: 4 3/8 inches. MSRP: $107.95. (Boker image)

Bone is one of the earliest materials used on knife handles, becoming a high art during the early and mid-1800s when the factories in Solingen, Germany, and Sheffield, England, were peddling their wares to eager American consumers. When tariffs on the old-world manufacturers were imposed in the waning years of the 19th century, U.S. manufacturers gained a toehold on the domestic pocketknife market, and by the early 1900s were in high gear. Bone was the most prominent and popular handle material in those days—and remains among the most prevalent, if not the most prevalent, to this day.

Many offerings by pocketknife manufacturers are graced with bone scales, and custom knifemakers use it frequently on both fixed blades and folders. BLADE® went inside the knife industry to find out why bone remains such a dominant handle material on today’s knives.

Where’s the Bone?

Most bone used on knives is bovine—that is, from cattle. When you think about how much beef is consumed annually in this country, you have to believe there’s a whole lot of cow bone available. There is. We asked proprietor Joe Culpepper of Culpepper & Co.—a large wholesale supplier and processer of all types of handle materials to both factories and custom artisans—about the importance of bone on his bottom line.

Joe Culpepper of Culpepper & Co.—shown inset with his wife and business partner, Kristi—said both factory and custom makers, though more custom than factory, lean heavily toward bone in browns, ambers, reds, oranges, blacks and other more conservative colors. Levi Miller opts for brown jigged bone on his trapper in 52100 carbon blade steel. Approximate closed length: 3 5/8 inches. (PointSeven knife image)
Joe Culpepper of Culpepper & Co.—shown inset with his wife and business partner, Kristi—said both factory and custom makers, though more custom than factory, lean heavily toward bone in browns, ambers, reds, oranges, blacks and other more conservative colors. Levi Miller opts for brown jigged bone on his trapper in 52100 carbon blade steel. Approximate closed length: 3 5/8 inches. (PointSeven knife image)

“Cattle bone constitutes 98 percent of our total bone sales, with camel and giraffe being the remainder,” Joe says. “The overwhelming majority of the cattle bone that we use is from South America, although it is available in nearly every country that has a beef industry.

“We find that cutlers, both factory and custom alike, lean heavily toward browns, ambers, reds, oranges, blacks and other colors that are more conservative. This is probably a bit truer for the custom makers than manufacturers. As for surface texture, we sell a lot of the more traditional jigging patterns that resemble patterns used before World War II. Approximately 60 percent of our sales are to factories, custom knifemakers the other 40 percent.”

Joe indicates he has seen an increase in demand for bone in recent years and, along with it, an jump in prices.

“As with anything, costs are always rising. The cost of jigging, polishing and cutting bone is nearly always a product of labor costs, which is somewhat predictable. Coloring is a different story,” he notes. “All of the dye components have risen exponentially in recent years.

“As far as overhead goes, we have to buy the raw material, have it shipped to our processing plant, treat it, cut it into scales, bleach the scales, sort for characteristics, identify outliers, texture and jig the bone, stack it into vats, color with dye, and test and document a sample before we make the final product available to the industry. There are also hundreds of other smaller processes involved, but these are the major things.”

While jigged bone is the most popular, Joe has seen an uptick in stag or carved bone patterns made to simulate deer antler.

“Most of our varieties of our carved stag bone have seen a rapid increase in popularity in recent years,” he says. “This is primarily because of the ban and scarcity of genuine stag. To my knowledge, we made the first variety of carved stag bone in the 1980s. It was made based on a Delrin [a type of thermoplastic] sample. Carved stag bone is popular in a variety of colors including amber, green, and various shades of brown and orange.” While smooth bone is still popular, it lags behind the jigged and carved varieties—but it does have the advantage of being laser etched and scrimshawed.

A Case Study

ABS journeyman smith Steven Koster combed through the entire box of bone scales at a Tru-Grit knife show booth to arrive at the nice matched pair of black jigged ones for his English bowie. The blade is Koster’s feather-pattern damascus in 1084 and 15n20 carbon steels. Overall length: 11.5 inches. (PointSeven image)
ABS journeyman smith Steven Koster combed through the entire box of bone scales at a Tru-Grit knife show booth to arrive at the nice matched pair of black jigged ones for his English bowie. The blade is Koster’s feather-pattern damascus in 1084 and 15n20 carbon steels. Overall length: 11.5 inches. (PointSeven image)

“Bone handles have always given Case knives their distinctive look and feel,” begins Fred Feightner, Case marketing coordinator. “While all of our handle materials cycle from time to time in terms of consumer favoritism, bone remains our most popular. Right now we are using our traditional cattle bone, the same we’ve been using for generations. Beyond that, some of our synthetics, woods and shells, like mother-of-pearl and abalone, continue to be very popular.”

According to Fred, Case handles its own jigging and color-dying processes. “We receive the bone in smooth slab form, then do all of the work needed to turn it into beautiful Case knife handles—including jigging, dying, drying and cutting to size. There are costs implicit in our manufacturing plans as the bone is sometimes stored before it goes to the production floor. The slabs also need enough time to take just the right color shade before being moved to assembly operations.”
Feightner sees no let-up in the popularity of bone handles in the near future.

“Bone is such a traditional knife handle material. It remains among our top sellers at Case, which is probably true of most makers of traditional folding knives today. Even with all the new handle materials that continually enter the marketplace, there’s still something special about the way a bone handle completes the look of a Case knife. We see demand for traditional folders to continue to grow, especially for Case knives, as our distribution and reach continue to expand into new markets.”

Puma USA opted for smooth white bone on the appropriately named Deadwood Canyon White Bone hunter. The 3.8-inch blade is 440A German stainless. Weight: 4.6 ounces. Overall length: 8 inches. It comes with a leather sheath.
Puma USA opted for smooth white bone on the appropriately named Deadwood Canyon White Bone hunter. The 3.8-inch blade is 440A German stainless. Weight: 4.6 ounces. Overall length: 8 inches. It comes with a leather sheath.

Tried and True

The giraffe bone grip of Calvin Robinson’s “Little Bill” slip joint exhibits a two-tone color effect. The 2 5/8-inch blade is Damasteel damascus. Approximate closed length: 3.5 inches. (PointSeven image)
The giraffe bone grip of Calvin Robinson’s “Little Bill” slip joint exhibits a two-tone color effect. The 2 5/8-inch blade is Damasteel damascus. Approximate closed length: 3.5 inches. (PointSeven image)

Steve Koster is an American Bladesmith Society journeyman smith who specializes in traditional fixed blades, most featuring his exquisite handforged damascus as seen in the English-style bowie on page 37. It sports a forged 1084/15n20 feather-pattern damascus blade and a boxed-frame handle topped with thick jigged bone scales.

“I do not jig or dye any of my scales. I get most of them from various manufacturers and suppliers at knife shows,” he states. “The cheekbone scales on my English bowie came from Tru-Grit. I picked through the whole box to find a nice matched pair with a fine jigged pattern. Some of the jigged-bone patterns are not uniform so I have to spend time selecting a matched pair of scales to fit the tang or frame.”

Though Steve uses a wide variety of handle materials on his knives, bone finds its way onto a healthy percentage. “I do about two out of 10 knives with bone scales,” he says. “I like using natural handle materials, and bone has been used for knife handles for hundreds of years. It is very durable and I really like the look of anything natural or antique looking on handles. Natural cow bone, camel bone or any of the ancient bones can be used as they are, or can be stabilized.”

Koster opts for bone with a traditional look. “The imitation stag I don’t care for,” he notes. “I prefer bone that has been picked or jigged, and also bone sanded smooth with a natural finish.”

Rest Assured

Green bone is a traditional favorite and the Remington Bullet 200th anniversary R11035 jackknife employs it along with blades of 440A stainless. Weight: 3.2 ounces. Closed length: 3.5 inches. Made in a limited edition of 5,000, it has an MSRP of $115.99. (Bear & Son image)
Green bone is a traditional favorite and the Remington Bullet 200th anniversary R11035 jackknife employs it along with blades of 440A stainless. Weight: 3.2 ounces. Closed length: 3.5 inches. Made in a limited edition of 5,000, it has an MSRP of $115.99. (Bear & Son image)

The tactical end of the cutlery industry (page 12) has ruled the roost for many years—and with it synthetic handle materials such as Micarta®, G-10 and carbon fiber—but traditional knives (page 12) still garner a sizable segment of the market. If you’re one of those who appreciate old-school pocketknives and fixed blades, rest assured—the factories and custom knifemakers have your back!one is one of the earliest materials used on knife handles, becoming a high art during the early and mid-1800s when the factories in Solingen, Germany, and Sheffield, England, were peddling their wares to eager American consumers. When tariffs on the old-world manufacturers were imposed in the waning years of the 19th century, U.S. manufacturers gained a toehold on the domestic pocketknife market, and by the early 1900s were in high gear. Bone was the most prominent and popular handle material in those days—and remains among the most prevalent, if not the most prevalent, to this day.

Many offerings by pocketknife manufacturers are graced with bone scales, and custom knifemakers use it frequently on both fixed blades and folders. BLADE® went inside the knife industry to find out why bone remains such a dominant handle material on today’s knives.


BLADE Magazine May 2016This article appears in the May 2016 issue of BLADE Magazine. Click here for a one-year subscription!

What Makes a Knife Sexy in New BLADE

What makes knives sexy? Find out in the new BLADE®!
See what makes a knife sexy and much more in the latest BLADE®, on newsstands now! The cover knife is the Chris Reeve Knives TNK Flag Sebenza 21.

Learn what makes a knife sexy, why select makers of custom folders are crossing over to making different styles, whether James Bowie was an orator, rowdy or some of each—and more—in the latest BLADE®, on newsstands now!

You hear it all the time: “Man, what a sexy knife!” or “That knife has sex appeal!” So what makes a knife “sexy”? Part of it is what our special story identifies as the “feminine factor”—which includes knives that look and feel good and perform well. But there’s more to it than just that. Get the details in the story on page 74.

While tactical folders have been king in the knife industry for many years, some top custom makers have resisted making them—until now. Some award-winning makers of custom slip joints are trying their hand at tacticals or even hybrid tacticals, as are some makers of high-end custom folders. Les Robertson takes you on a tour of those who are doing it and why, and what it means for the present and future of custom knives in “4 Unintended Consequences of Tactical Folders.”

BLADE Magazine Cutlery Hall-Of-Fame© member James Bowie has been portrayed in any number of ways in recent years, including as a brawler, a drunkard and other unflattering descriptions. However, what did those who served with him before and during the Alamo siege think of him? In part five of “James Bowie Legend: Fact or Fable?” Jeffrey Dane shares what some of those who served with Bowie wrote about the famed frontiersman. See what they had to say in the story on page 30.

Also: Learn how you can enroll in J. Neilson’s special class at BLADE University on how to qualify for the hit TV show, Forged In Fire (BLADE University will be held in conjunction with the 35th Annual BLADE Show); see how four new Asian-style blades perform, as well as two of the latest skinning knives; immerse yourself in the latest of quick blades in “Golden Age of Autos?”; discover how bone remains at or near the top of handle materials in terms of popularity in “Bone in the USA!”; join in BLADE‘s salute to the late Warren Osborne in “‘Good Enough’ Wasn’t Good Enough For Him”; and much more in the latest BLADE.

 

Do the Straight Razor Strop!

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As noted by Pat Covert in the April 2016 issue of BLADE®, there was a time in this great country when all men used straight razors to shave because, well, they had no other choice! Today, though, shaving with a straight razor has been experiencing a revival in an age when five-blade handhelds and multi-head electric shavers are the norm._A PHOTO

Two of the latest straight razors include Boker’s “The Celebrated Ebony” (left) and knifemaker Tom Krein’s model in orange-and-black-layered G-10.

According to Wikipedia, narrow-bladed folding straight razors were listed by a Sheffield, England, manufacturer in 1680. By 1740, Benjamin Huntsman was making straight razors complete with decorated handles and hollow-ground blades made from cast steel, using a process he himself invented. Think about that. Straight razors have been in use, uninterrupted, for nearly 350 years—and no doubt much longer in terms of those who made them earlier.

Larry “The Hammer” Harley forged the wootz damascus blade and handle of his straight razor. A special heat-bluing technique provides the color. A mammoth bone spacer adds the final touch. (SharpByCoop image)

Harley razor

Shaving with a straight razor takes both skill and time when most people get their news lightning-fast off a handheld device—and the rat race shows no sign of waning. So, why would you want to take the time to meticulously shave your face or trim your beard?

To read the rest of the story, see the April 2016 issue of BLADE.

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