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Today’s Troop Knife Favorites

Before you can answer the question of what the most popular knives are among the U.S. military in Afghanistan, you must first answer such questions as: What are the knives used for? Which knives do the job and are the best buys for the money? Which knives are most available? There are other questions, but these are good starting points.

According to those interviewed, knives are used mostly for cutting boxes, tape, rope and 550 cord, small-gauge metal wire, prying things open, cutting the clothes of fellow soldiers to administer to wounds, and so on. “[I used a knife in combat] the last time I was deployed, but to cut open mortar ‘tootsie-roll’ cartridge carriers, not to disembowel the enemy,” one soldier observed. “The occasions where a knife is used to directly defend against or attack the enemy are notable in that they are the exception instead of the rule.”

“[Knives] are used literally every mission for combat-related tasks such as prepping vehicles, aircraft, fighting positions, flex cuffs, etc.,” one veteran said. Meanwhile, though it is not exactly a common occurrence, Curtis Iovito of Spartan Blades indicated knives are used in hand-to-hand combat more in Afghanistan than you might think.

Visit the Spartan Blades website to check out knives designed for military purposes.

Knifemaker Paul Fox Dies

Jesse Paul Fox Jr., long-time knifemaker known for his electric-motor-driven folder and winning the W.W. Cronk Award, died Nov. 19. He was 74.

Known to most by his middle name of Paul, Fox was a long-time member of the Knifemakers’ Guild and owner of Pioneer Woodcarving. As Fox’s friend and fellow maker Tim Britton noted on The Knife Network, “Paul may have been one of the most creative knifemakers of all time. He was perhaps best known for his electric-motor-driven folder and a series of very fancy knives that were a lot like sculpture. He won the W.W. Cronk Award at the Knifemakers’ Guild shows till they asked him to stop entering and let someone else win.

“Paul is the only maker I know who experimented with his own YAG laser and a trailing-wire EDM machine. The industry will miss him and so will his many friends throughout ‘knifedom.’ Paul and his wife Martha would appreciate our kind thoughts and prayers.”

According to Britton, Fox had a great sense of humor. “Paul had a Chevy Suburban that he bought at a North Carolina State Surplus auction for $700,” Tim recalled. “It was ugly, yellow and very beat up.  He took it to Hendricks Motors of NASCAR fame and had them put a full race motor in it.  Damned thing would fly and Paul loved nothing better than challenging redneck racers and usually beating them. Guess you have fugured out by now, that dude was a character!

“Paul was very much at home with locals—guys from the garage, bread-truck drivers, etc. He was one of a kind, like so many of us in knifemaking. I can still see Paul using the remote control boat to chase geese off his pond!”

A private service will be held at a later date. In lieu of flowers, memorials may be sent to Catawba Regional Hospice 3975 Robinson Rd. Newton, NC 28658. Bass-Smith Funeral Home is handling the services.

Llannoite Proves Inspired Knife Handle Choice

Bill Keller custom knife

OK, take off the dirty shop apron, remove the safety glasses, and go to the workbench and pull out the notepad and pencil. Now, add Llannoite to the list of incredible knife handle materials available to honest, hardworking knifemakers across the land. While you’re at it, add the Bill Keller locking-liner folder to the list of “Editor’s Favorites from the Knives 2013 Book.”

Knifemaker Bill Keller not only saw the brown hues within the makeup of Llannoite, but the blue, as well, and brought it out nicely through the use of blue-anodized bolsters and liners. Each complements the Chris Marks “lizard-skin”-damascus blade, filework and inlaid blued-titanium thumb stud. (Johnny Stout photo)

A Presentation Dagger Fit for a Commanding Officer

There are knives and then there are presentation daggers that would look right at home in a general’s belt sheath, sash or shoulder sling. Larry Lunn’s interpretation of a Scottish officer’s dirk showcases a carved-ebony handle in a Scottish modified-knotwork-style motif, an engraved guard, silver dollar pommel (literally) and a foot-long damascus blade. It stands up, salutes and qualifies itself, volunteering actually, as an editor’s favorite from the Knives 2013 book.

Video: How to Select a Milling Vise for Knifemaking

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This demonstration on the selection and use of milling vises is by Dale Schafer, Machine/Tool Technology Instructor at the Washburn Institute of Technology. This was one of the demonstrations at the 3rd Heartland Hammer-In in Topeka, Kansas sponsored by the American Bladesmith Society and hosted by the Kansas Custom Knife Makers Association.


For more about knifemaking, be sure to pick up a copy of BLADE’s Guide to Making Knives. This second edition shows step-by-step the tools and techniques for making a knife.

Click here to order BLADE’s Guide to Making Knives.

Tips for Grinding a Blade

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Editor’s Note: This is an excerpt from Murray Carter’s new book, Bladesmithing with Murray Carter. Click here to learn more from this renowned knifemaker.

The shape of the blade, or profile, must be precisely ground. Grinding is the operation of using files or other abrasives to mechanically shape the steel into a functional blade.

Grinding can be divided into two categories: grinding the blade profile and grinding the blade’s edges (secondary and primary).

Let’s talk about the profile. Grinding a forged blade’s profile can be done with a variety of tools. Heating the blade via friction is not a big concern because this grinding is done prior to heat treating (annealing, quenching and tempering). As you may know, the blade needs to be shaped after a pattern or template. At this stage that template is scribed onto the billet of steel that is to become your knife.

Place the pattern so that it most appropriately covers the billet in relation to the thickness and tang. Be careful on full-tang knife billets to orient the template the correct way. I once made the mistake of switching the tang end of the billet for the blade end and wound up with a blade with way too much taper.

Once the template is in place, secure it with a pair of locking pliers or strong clamps. Any sharp-pointed tool that is harder than the annealed steel will scribe (scratch) lines onto the billet. Trace around the template completely. Examine it before you remove the clamp(s) to make sure you can see the scribe lines clearly. Examine it again, checking it against this list:

* Are the lines clear and not making little “train tracks?”

* Is the blade/tang junction exactly where it should be?

* Is the blade where it should be?

* If you have made a mistake scribing the lines, you can lightly grind the surface and scribe again, but you will now be committed to grinding and polishing the flats of your finished blade.

Also remember that, on a laminated billet, if you grind steel from one side you really ought to grind the same amount from the other side as well, or the steel core will no longer line up in the middle. For blades
that are meant to have a forge finish or a hammer-forged finish, these options will no longer be possible, so take great care when scribing lines on a billet.

There are several methods for removing the excess steel from the billet to produce the perfect profile.

* Steel shears

* Cut-off wheel

* Band saw

* Drill press and hack saw

* Belt sander

* Bench grinder

* Kaiten toishi

As the smith is cutting out or grinding the blade profile, the scribed lines, which should be clearly visible, are the guide. As soon as you are so close to the lines that you are actually touching them in places, it is necessary to employ another “micro observation” technique to be in full control of the profile.

In a good source of natural light, hold the blade at eye height with the flats of the blade horizontal. Instead of focusing your attention on the flats, look closely at the outer edges of the blade. If you hold the blade with the point towards your eye, the spine of the blade should look compressed into a few millimeters.

Compressed like this, every high or low spot on your scribed line will be evident. Similarly, every line on the outer profile of the blade should be examined this way. In the pattern or template you used, every line should be well defined and with a purpose. Ask yourself if the lines you are now looking at were meant to be perfectly straight, curved or pointed. Pinpoint trouble areas, then attempt to grind in a way to affect only those areas and re-examine.

At this stage, the blade should be at 97 percent of its final profile. The other 3 percent will be removed in the final polishing stages.

Click here to get 40% off Bladesmithing with Murray Carter and take the next step in the knifemaking journey.

How to Select a Steel for Forging

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Editor’s Note: This is an excerpt from Murray Carter’s new book, Bladesmithing with Murray Carter. Click here to learn more from this renowned knifemaker.

The first and most logical approach is to select steel by doing some research on cutlery grade steel. Topics to especially pay attention to are the chemical composition of different steels and the effects of each chemical; isothermal transformation graphs for different steels; the effects and importance of thermal cycles, including annealing, quenching and tempering; the availability and cost of the steels and, perhaps most importantly, how easy the steels are to work by hand.

The above paragraph only took a few lines to write and a few minutes to compose, and yet many metallurgists will spend their whole lives researching those points. Pursue it to your heart’s content, and to that end I have included a thorough bibliography at the back of this book. However, to get you focused back on the task at hand, suffice it to say that there are some specifi cs you will need to concentrate on when selecting steel. These are:

• The amount of carbon in the steel

• Forging temperature range

• Annealing temperature, quenching temperature and tempering temperature

• Availability

• Overall workability

Let’s examine each of these in a little more detail.

Carbon is added to iron (Fe) to make steel. Carbon is the element that enables steel to harden when it is quenched at the proper temperature. Steel is unique in this aspect; all other metals soften when subjected to the same thermal cycle. The amount of carbon is very important. Too little carbon will fail to make steel harden when quenched, and too much carbon turns cutlery steel into cast steel. Generally speaking, less than 0.5 percent carbon is considered low carbon steel, and not suitable for blades. More than 1.6 percent carbon is considered extremely high carbon steel, and is very tricky to make into a blade. More than two percent usually equates to cast steel. Hence, most blades in the world have a carbon content between 0.5 percent and 1.5 percent.

In this range, all other factors being equal, the more carbon, the harder the blade gets when quenched. The harder the blade, the finer an edge and the longer it will stay sharp.

Forging temperature range is the temperature at which you can “work” or manipulate the steel. Most steel can be worked between a bright red heat and orange/yellow heat (approx .700~900 degrees Celsius, 1290-1650 Fahrenheit) and it will yield under the blow of the hammer, bend or twist etc.

Below this range the steel will cease to yield to manipulation and can be damaged by subjecting it to stress. Likewise, steel can be irreversibly damaged from working it at too high a temperature.

Annealing, quenching and tempering are the three phases of heat treating steel. These temperatures are very critical figures to commit to memory for the steel you are working. The heart and soul of a blade is the heat treat, as the final quality of the blade will be determined by how successfully these three operations are accomplished. Knowing the proper temperatures, and knowing what they look and feel like, is a critical skill for the bladesmith.

Availability determines whether or not you will be able to try forging that ‘super-steel’ you have been reading about. If you cannot locate or buy the steel in question, the pursuit becomes meaningless. Cost is another factor. Even if you locate the steel of your dreams, it may cost too much to have it shipped to your location. You want to know if you can acquire the steel for a reasonable cost and if it will be available in the foreseeable future.

Overall workability considers how the steel in question compares to other steels. Is it easy to manipulate under the hammer when you are forging it? How does it heat treat? Is it prone to warping, bending or cracking? Is it easy to straighten after heat treating? How does it take a final polish?

These questions are easier to answer once you have experience with a few of the common steels.

 

Click here to get 40% off Bladesmithing with Murray Carter and take the next step in the knifemaking journey.

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