The New SOG Aegis AT Is A Clean, Sleek Assisted Folder That’s Great For EDC Or More Intense Outdoor Use.
The new SOG Aegis AT is bright, colorful and fun. The knife immediately catches the eye with its bright indigo and acid design. The indigo GRN scales are textured for a better grip, and the electric yellow accents pop in a big way.
The features are solid starting with a Cryo D2 tool steel blade boasting a titanium nitride finish for added durability, and a powerful assisted opening mechanism. Just give the thumb stud a little nudge and the blade deploys in a flash. SOG’s new AT-XR lock, similar to Benchmade’s Axis and Kizer’s Clutch Lock, keeps everything secure.
The blade is 3.13 inches long and the whole piece weighs in at 4.4 ounces so it will feel robust in the hand. A large lanyard hole accepts a thong for easy carry.
The safety on the back of the Aegis AT, which is easy to see thanks to the red accent dot, easily locks the knife closed and acts as a thumb backstop when deployed to aid in using the knife. Overall, this is a fine folder, especially considering it comes in at under $100.
The Folder From Zero Tolerance Knives Looks Ready To Attack Tasks Big And Small Thanks To A Sweeping Blade And Carbon Fiber Handle.
Innovative and durable, the 0762 from Zero Tolerance Knives is packed with features to help it stand out in the EDC market. For starters, the knife looks fun to use. The reverse tanto blade appears both classy and aggressive. The two-tone stain/stonewash finish on the CPM 20CV stainless steel blade helps with that. It flows and screams out that it’s ready to slice into whatever you put before it.
Beyond the steel, the 0762 features a carbon fiber handle with blue anodized accents. It provides a great grip without feeling heavy or bulky.
The tuned detent system allows you to adjust the detent how you like it. This means you can flip the knife open even when pressing down on the lockbar. The ZT Sub-Frame Lock is in the same anodized blue as the other accent pieces and confidently secures the knife in place.
This piece is pricier than many others on the market today, but with so many features and style touches it’s easy to see why.
The Boker Gnome Is A Fun Little Fixed Blade That’s An Excellent Neck Knife And Can Serve You Well As An EDC.
Sometimes bigger isn’t necessarily better. The new Boker Gnome fixed blade is a little gem that can be your trusty sidekick in the home and elsewhere.
It starts with a 2.2-inch wharncliffe blade of D2 tool steel. The knife comes in two different handle types. The one featured above is made from olivewood, and there is a slightly more expensive green Micarta® version. The big lanyard hole at the butt of the handle comes in handy if you want to lash the Gnome to your pack or hang it around your neck. Everything is kept safe thanks to the included leather belt sheath.
Even though it’s small, the handle is rounded in such a way that the knife is easy to grip. It weighs just 1.6 ounces so is light and simple to use. So many neck knives trade quality for convenience. The Boker Gnome is high quality as it is convenient.
The holidays are around the corner and besides spending time with family and stuffing ourselves with excellent food it is a time to give gifts and celebrate those we love. For the knife lovers in your family, whether they prefer a folder or a rugged fixed blade, now is the time to take advantage of Black Friday and Cyber Monday deals. Below are BLADE’S top picks for the best knife deals this holiday season.
This article will be updated as more deals become available, so be sure to check back often.
Amazon
Of course, Amazon has a ton of deals and is worth a look daily—especially if you’re on the hunt for a knife deal.
If the knife enthusiast in you life has more exotic tastes, Blade City will like scratch their itch. The site has its Christmas deals page up and running.
Blade HQ has a number of Christmas promotionals up and running. One of the more intriguing is laser engraving for an extra $9.99 on a purchase. Also, they’re giving away Winchester Shotgun Shell knives with a purchase over $75. Pretty Sweet.
The HQ also has a number of categories to shop their deals during the holidays:
SMKWis bursting at the seams with deals, with nine pages of site busters. You’re certain to find something for the knife lover in your life—even if that happens to be yourself.
The Kershaw Interstellar Is The Company’s Newest OTF Knife. The Piece Is An Excellent EDC Designed For All Sorts Of Utility Tasks
Folders? No thanks. One of Kershaw’s newest releases is a sliding OTF (out-the-front) automatic that’s great for utility tasks indoors and out. The Interstellar is a partially serrated 8Cr13MoV stainless steel blade that comes out the front of a glass-nylon handle thanks to a sliding button on the front of the knife.
It looks great thanks to the blackwash coating, and it feels good to use thanks to the button lock keeping everything secure and snug when deployed. The blade is just 2.7 inches long, and the tip-up pocket clip allows you to carry the knife with ease.
The Kershaw Interstellar is a simple knife, and that’s a good thing. It’s a no-nonsense piece that can serve you well for a long time. Oh, and the bottle opener built into the backspacer is the cherry on top of it all.
Veronique Laurent Has Become One Of The Most Accomplished Smiths In The World Even After Fighting Against Prejudice In Her Native Belgium.
I come from Texas where a knifemaker is more likely to wear boots and a cowboy hat than a suit and tie. In many parts of the world, it’s commonly assumed that a knifemaker is a man.
This past March I caught up with American Bladesmith Society Master Smith Veronique Laurent at BLADE Show Texas in Fort Worth, Cowtown, USA. She had no boots or cowboy hat and her accent isn’t “Southern,” but she’s sure enough a bona fide knifemaker.
Veronique comes from Brussels, Belgium, where French is the spoken language. Now, I don’t speak French, so out of respect I asked her how a non-French-speaking person should pronounce her name.
Over here she’ll answer to the Americanized Veronica Lawrent, but the correct answer is more like Vehr-o-NIK-eh Law-ron, with the rolled R’s in the middle of each. In Belgium the people use the last name first, so she’s often just called “Laurent.” Now that you can read her name in your head in a beautiful French accent, let’s move on to the interesting part of the story.
Veronique found her first career as a clerk at a Belgian TV station. She did cold metalworking as a hobby. While on holiday in France in 2004, she attended a knifemaking and blacksmithing event similar to a U.S. hammer-in. She later took a one-day knifemaking class with the Belgian Knife Society and never looked back.
She became involved with the Society and learned more about knifemaking from the members of that community. The group eventually broke up but not before Veronique was well on her way.
In 2010, again in France, she attended a hammer-in that included ABS Master Smiths/BLADE Magazine Cutlery Hall-Of-Fame® members Joe Keeslar and Jay Hendrickson. In Belgium and France, a woman is not commonly accepted as a knifemaker. So it was that Veronique was pleased and surprised by the hospitality that Joe and Jay showed her, particularly with the respect they gave her as a craftsperson.
For while a female knifemaker is a bit of an American rarity, being female isn’t an automatic gale-force headwind in the American knifemaking journey. In Europe, however, things are quite different. Veronique struggled to sell knives in Europe even as her skills advanced.
“When a man came to my table and picked up a knife, he would ask me who the maker was,” she recalled. “When I said that I made the knife, he would then ask the person next to me who made the knife. Once he knew I was the knifemaker, he’d put the knife down and walk away. In Europe they don’t want to buy a knife from a woman.” She made it her goal to be a full-time maker, and her American contacts became even more important.
Becoming An ABS Master Smith
Veronique (left) makes a point as her fellow panel members—from right, ABS Journeyman Smith Lora Schwarzer and knifemakers Grace Horne and Abie Lyons—listen during the Women’s Bladesmith/Knifemaker Panel class of BLADE University at BLADE Show ’22.
After her contact with Keeslar, she journeyed to the 2013 BLADE Show and gained her ABS journeyman smith certification. She then began corresponding with ABS Master Smith John White, who encouraged her to learn to build takedown knives.
“In 2015 I built my first takedown knife, and that same week I received the ABS email notification that John White had passed away,” she recalled. “I built all of my master smith test knives as takedowns in his memory.”
Veronique pretty well blew away the crowd at the 2015 BLADE Show and gained her MS stamp. After the show, she and ABS Master Smith Jean-Louis Regel of France spent three weeks in Brazil learning advanced damascus techniques from ABS Master Smith Rodrigo Sfreddo.
“After I was a master smith, I began to ‘exist’ in Europe,” she noted. “I became a full-time knifemaker shortly after that.” Even with American renown and credibility, the headwinds of bias still were a challenge in her home country. “People were rude, and it made me think ‘I will show you!’ Their bad attitude became my motivation,” she said.
She began to work with Jean-Louis more and more (Jean-Louis also earned his MS in 2015). Because of bias, it was often assumed that he did her work for her, that he made her damascus or that she worked only in his shop. This was not the case.
Though to Americans it makes sense that the two French-speaking master smiths must be connected, the real story is that Veronique and Jean-Louis each have their own shops in their hometowns. Their shops are roughly 375 miles apart, with Veronique in Belgium and Jean-Louis in France. The journey between them takes about eight hours.
Even in Texas, where we measure trips in hours, not miles, an eight-hour trip is a “long haul” or a “far piece.” While the distance was significant, they covered it about once a month depending on workflow. Veronique says that she has better grinding and finishing tools in her shop, while Jean-Louis has a bigger shop with better damascus-making equipment.
Veronique and Jean-Louis attended the International Custom Cutlery Exposition (now BLADE Show Texas) in Fort Worth in 2018, and each won multiple awards.
“In all my trips to America, only one time has anyone set my knife down rudely like in Europe,” she noted. They joined The Knifemakers’ Guild on that trip also and spent a week learning bladesmithing from ABS Master Smith Rick Dunkerley.
Covid got in the way of travel plans and so Veronique and Jean-Louis were unable to return to America until this year’s BLADE Show Texas. As an American, it wouldn’t cross my mind to visit France regularly to try to sell knives, so I was curious why Veronique keeps coming back. She explained that “Europe doesn’t like to ship big knives. It is very complicated and expensive. Sometimes you can ship a small letter opener or something, but it is very difficult.”
Rather than fight the restrictions, it’s easier to travel over here and sell her work where it is in high demand. Another thing she does is make a “junior baby” model of each major piece. If she makes a dagger, she makes another small one. If she makes a big bowie, she makes a similar hunter. These smaller pieces tend to sell better in Europe than the big works.
Veronique Laurent’s Knives
Based on the Musso Bowie, Veronique’s Big Boy Bowie won Best Fighter at BLADE Show Texas. It has a 13-inch feather damascus blade of O2 and 45NCD16 tool steels with a riveted brass back. Parts of the guard are mirror polished, parts are stippled, and parts are engraved with raised flowers. The handle is ancient walrus ivory. Overall length: 18.5 inches. (SharpByCoop image)
Veronique had a good variety of knives at BLADE Show Texas that showcased her skills and versatility: a large brass-backed bowie, a few elegant hunters and a folding dagger.
“It was an honor to be asked to make a big bowie,” she observed. “It’s a man’s knife and it took many years for a man to trust that I could build a large bowie.”
While she doesn’t build knives “to order,” she does keep a list of customers who are looking for a particular type of knife. “I don’t take orders. I want to be free!” she explained. She’d been asked to build a big bowie and did her research and came across the Musso Bowie. She built the Big Boy Bowie and it promptly won Best Fighter in Fort Worth.
Big Boy is highlighted by a feather damascus blade of O2 and 45NCD16 tool steels with a riveted brass back. The guard is O2 also. Parts of the guard are mirror polished, parts are stippled, and parts are engraved with raised flowers.
“O2 steel is good because you can finish it many ways and it works well for the engraving,” Veronique explained.
The handle is ancient walrus ivory. Also on her table was a fine damascus folding dagger that won the show’s custom judging award for Best Folding Knife. All the fittings, engraving, jewel settings, and display box are by Veronique.
So where does one go next when you’re already known worldwide?
“I want to focus on engraving and filework,” she said. “I am also learning to make automatic folding knives from Rick Dunkerley.”
Veronique is a strong woman and plays well at what is often a man’s game. She doesn’t take orders but builds a few major pieces in several categories each year. She prefers email communication from Americans because it is difficult to hear and translate over the phone. She’ll be at the major shows, but you’d better get there early as her work is in high demand.
For more information about Veronique Laurent and her knives e-mail her at [email protected].
Women Bladesmiths Thrive And Continue To Shape The Knife Industry.
Women’s pocketknives? Can’t anyone buy any type of pocketknife?
Sure, but knives designed and marketed specifically for women are few and far between even among the big knifemakers.
Enter Brighten Knives, a small, upstart knife company based in Utah. Founded by Diane Carver and her daughters Kristy, Katie, and Kimi, Brighten has grown into a successful maker thanks to a strong vision and some good luck.
“We worked with [the Salt Lake Tribune],” Diane said. “They wrote an article about us because aside from being women’s knives, which is kind of a cool product, it was also a human-interest story where it was a mom and three daughters starting a knife company.
“It was unique and different. They put an article out and it kind of snowballed from there. A radio station picked up on it, and our Utah Senator Mike Lee even sent us a letter.”
All that good press, along with a Kickstarter that raised almost $14,000 (almost triple the initial $5,000 goal), and Brighten has been on a roll ever since.
Brighten’s Inspirational line of knives all come in bright, bold colors.
The company is built on Diane’s decades of experience in the industry. She was the knife product manager for Browning for 17 years and has worked with Fox Knives, along with marketing* household cutlery for companies like Traeger.
Diane’s experience in the industry is complemented by her daughters’ work. Kristy created all the original designs and colorways of the company’s knives. Kimi has worked in product development and sales, and Katie has a background in sales and writing as well.
As the quartet designed their knives the hard question to answer was: What exactly does a woman’s pocketknife look like?
“Being in the industry for so long I know that most women, and I don’t want to generalize because there are a lot of women that carry it in their pockets, but a lot of our pants are made where they can’t even hold a knife,” Diane said. “The one thing that we did that kind of separated us was including the case. The case comes with all of our knives no matter [the product line] so that you can throw it in your purse or your glove compartment.”
Brighten has two original lines of knives: the Inspirational line and the Not So Heavy Metal Series. They all come with a case that’s roughly the size of a wallet that is easily portable. Additionally, all of the knives are available in a smaller keychain variety.
All of the blades are made from 8Cr13MoV stainless steel. For the larger varieties, the blades are between 2.5- and 2.56-inches long, and the keychain knives are between 1.6- and 1.65-inches long. The knives open with a thumb stud and feature a linerlock.
The Inspirational line is the company’s original line of knives. Each blade is married to an aluminum handle resplendent in brightly colored designs. The blades all also have a different inspirational word on the steel, words like “Faith” and “Hope” and “Brave.”
“All of the designs on the knives and cases are originally designed by my daughter Kristy,” Diane said. “I know it’s kind of unusual to see words like “laugh” and “faith” and “love” on knives, but we wanted it to be something fun. On the packaging, there’s a quote that goes along with each one. One thing we’ve seen is people like purchasing them for specific things. Our Hope knife is a breast cancer knife, and the quote on it is ‘When the world says give up, hope whispers try one more time.’”
Diane’s market research showed there was a large segment that wanted more muted colors and streamlined designs. Enter the Not So Heavy Metal line. Every color is named after a popular rock-and-roll band or song.
The knives in the Not So Heavy Metal line come in more muted, monochrome colorways with a steel bolster.
Diane laughed, mentioning the generational differences as her daughters recommended Green Day while she mentioned names like Purple Rain and Blue Oyster Cult.
“There was about 25 percent [of women] that said they were more of a minimalist and wanted more plain, solid-colored things,” Diane said. “We want Brighten to be the premier knife company for women and so we wanted something that would appeal to everyone. That’s how we came out with our Not So Heavy Metal line. We had a ton of fun naming the colors.”
The full-length knives retail for $29.99, and the keychain knives sell for $19.99.
As Brighten Knives has continued to expand, the press and publicity around it has swelled. YouTubers such as Neeves Knives have reached out and produced content about Brighten, as have other digital creators.
Carver said the goal is to make knives that are women-forward that take care in their design and construction rather than just slapping some pink scales on the side and calling it a day. She did speak positively about the Kershaw Chive and some of Spyderco’s knives but that she hadn’t seen any marketing directly for women from those factory makers.
There is also the Femme Fatale line of women’s pocketknives from Defense Divas which are marketed as spring-assisted self-protection knives.
The Sneakerhead rescue folder is an example of the types of knives, both in terms of utility and style, made by Defense Divas.
While all of Brighten’s knives have a story and purpose behind their design there is one question Diane and her team get regularly: Can these knives be used in self-defense?”
“We have a lot of questions about whether these are self-defense knives,” Carver said. “Obviously, any knife can be used for self-defense in a pinch, but that’s not what these knives are designed for. They’re in a case in your bag. We are coming out with some designs for self-defense but that’s another story.”
That “another story” will feature self-defense videos made by the company featuring self-defense experts with military backgrounds. Everything is one step at a time as the company looks to grow and sustain itself going forward.
For now, the company started by a mother and her three daughters continues to grow and thrive, and make fun, exciting pocketknives for women.
Female Knifemaking Standout Audra Draper
Few women in the field are as accomplished as Audra Draper. The Wyomingite was the first woman to earn master smith status in the American Bladesmith Society back in 2000. Since then she’s made pretty much everything and, along with her husband Mike, taught countless new makers the craft of making knives.
“Back in the day it was hard to get people to acknowledge that yes, a girl can do this, too,” Draper said. “But now it’s not a big deal, people don’t react so crazy anymore and that helped, because if you’re a young girl and walk up to a knifemaker’s table at a show and tell them you want to make knives, you need them to react like ‘Sweet, what can I do to help you?’ which everyone does now.”
While Draper is as experienced as it comes, one thing has both eluded her and caused her very little concern: making knives specifically for women. She said that she just wants to make beautiful, functional knives that people will want.
She said the only key difference can be making knives with a smaller handle since a woman’s hands are usually smaller than a man’s.
Audra Draper’s Turmoil is a beautiful damascus fixed blade. (Image: SharpByCoop)
“Most women that are interested in knives don’t want a woman-specific knife,” Draper said. “They just want what the guys are carrying. I’ve made some knives that I was so certain would be purchased by a woman, and a man buys them 99 percent of the time. The women are usually hunters and fishers or they want it for the kitchen. The only difference if you’re a woman or a man is maybe a smaller handle.”
She laughed thinking about the times she’d made knives designed for women utilizing materials like turquoise, and when they hit the table the piece was scooped up by a man. She stressed that knives are neither feminine nor masculine–they just are.
And for young women interested in learning the craft she had one simple bit of advice–reach out and ask people to help.
“Just ask questions. Talk to people,” Draper said. “There’s plenty of info our there now and plenty of courses to take. I would highly recommend before buying expensive equipment to take a course with an established maker because that’s going to tell them right away if this is something they want to do.”
Young Women Shining In The Knifemaking World
Raegan Lee and Karis Fisher are two young makers establishing themselves in the world of bladesmithing. Lee, an Idaho native, is just 21 years old but has been making fixed-blade knives for years from CPM 154 stainless. Are these specific knives for women? No, but having an enthusiastic, creative woman making knives will help craft what a “woman’s knife” becomes.
“I want to get into folders, specifically slip joints,” Lee said when we talked at BLADE Show West. “That’s where I’m heading. To be one of those makers that can bring three knives to a show and sell out on a lottery is a great feeling. To really be known in the community would be a huge, huge thing.”
Raegan Lee’s “Cow Poke” with red fiber Micarta® handle. Her price: $200
Lee went on to say how important it is to have female makers creating knives and being mentors and examples for young artisans entering the field. She said Audra Draper was an inspiration for her.
“I think it’s extremely important,” Lee said. “I do knives most of the time, but I’m also an aluminum welder at an off-road company, and that’s also a male-dominated world. I just think there has to be one of us, and the rest of us can see [what’s possible]. The more we have the more it’ll be great for us.”
Fisher is the daughter of ABS master smith Josh Fisher. Even though just a recent high school grad, her fixed blades are stunning and show off her skill in the forge and with the hammer.
A hunting knife with an ironwood handle made by Karis Fisher
For Fisher, the biggest way to grow the base of female makers is simply by exposing more people to the craft of bladesmithing. TV shows and numerous YouTube channels have certainly helped a lot in bringing knifemaking more into the mainstream in recent years, and Fisher said that can only help.
Fisher even said that if her dad wasn’t a successful smith she probably wouldn’t even know about knifemaking.
“I think not too many people really know that knifemaking’s out there,” Fisher said. “If more people knew about it, it might be more [popular]. Forged in Fire does quite a bit for it.”
