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Mike Haskew

7 Tips for Buying Custom Knives

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1) Know the Trends

“This has got to be through the old way of human contact,” Bob Loveless knife specialist John Denton observed, “sort of like the lunchroom in school. You hang out, listen, see what is moving, what dealers are buying and, of course, now with the ‘inter-web,’ we have so much more information within seconds, while in the ’70s or ’80s we had to wait for BLADE® Magazine or the gun magazines to run stories on Loveless.

“Shows are still important to attend, but nowhere like they were years ago. Face to face is still part of the knife world.”

2) Maker Charisma

A lot depends on whether the maker has the kind of personality that appeals to the knife enthusiast. At BladeGallery, Daniel O’Malley specializes in one-of-a-kind custom knives. The answer includes multiple factors.

“There are a lot of things that go into making a knifemaker’s knives ‘hot,’” he reasoned. “Part of it is the personality of the maker. When a collector meets a maker for the first time, the collector often has a picture in his head of what the maker will be like. If the maker falls short [of the collector’s expectations], it can be quite disillusioning.”

3) Customer Service

“[The maker] being willing to repair knives when there is a problem is also very important,” O’Malley continued. “It can easily make the difference in a collector continuing to purchase a maker’s work. It can even be the difference in whether a person continues to collect the maker’s knives over time.

“After all, if a collector has spent a large sum of money on their collection, it can be very nerve wracking to find that it’s hard to get a damaged knife repaired. Similarly, it can be comforting if a problem can be relatively painlessly solved.”

4) Do Your Homework

Les Robertson of Robertson’s Custom Cutlery offers custom fixed blade and folding knives, including tacticals and presentation pieces, as well as some exclusives. His take on the delicate topic of a maker’s reliability and the quality of the maker’s work is sage advice for knife enthusiasts in any price range or level of experience.

“I give my client the very best information I have at the time,” Robertson asserted. “This includes issues with a maker or the quality of their work. Often, a maker’s skill level, quality, customer service, and/or delivery issues are overlooked because the knife can be sold immediately for a profit.

“Given the prices of many of the custom knives today, I highly recommend that collectors do their homework before purchasing a knife.

“I realize this takes away from the thrill of instant gratification and removes some of the fun out of the hobby. Long term, though, you will feel great about every knife you have bought, and your wallet will thank you.”

Custom Knives
Purveyor John Denton said he turned down $60,000 at the 2014 BLADE Show for this Big Bear in sheep horn and Dan Wilkerson engraving. (PointSeven knife image)

5) Set An Allowance

Everyone, it seems, has spending limits. The role of the dealer often involves assisting clients in determining how much to spend. Recognition of the amount of disposable income available keeps a buyer/collector in the game.

6) Collect With A Purpose

Denton advises customers to acquire some knowledge on prices and to assess their real purpose for buying custom knives in the first place.

“First of all, you want collectors to be educated,” he commented, “and not to be buying just to make money. That is the most risky way to approach collecting. But then if they buy what they like and in three years can’t get 10 cents on the dollar, it will cut their knife buying down and drive them out of the market.”

Dealer Dave Ellis of Exquisiteknives.com notes that the investment perspective differs greatly from that of the collector who wants to enjoy, build and retain knives for years to come.

“When I chat with newbies,” he remarked, “a lot of them get into knives from an investment standpoint. They have read in the Wall Street Journal that investing in knives is a good idea, or heard about a knife that was purchased for $800 and then sold for $8,000. I tell them to buy what they like first and to worry about resale later because if it doesn’t pan out, then they won’t have to hold onto something they don’t like.”

Taking a measured approach is key to successful, price-sensitive acquisitions.

“I tell the collector to pace themselves,” Denton said. “Get into a knife that will be easy to turn if you get tired of it down the road. I’ve had several people ask me to build them a $300,000 collection, and I tell them I don’t do that because they will get mad if they don’t make 14 percent growth per year—and they don’t know why they’re buying the knife.

“The true collector has studied the knives and the market, and he will realize what knives are worth and what he can resell them for.”

Those who are new to the custom knife market can tap a great resource in a top dealer. Advice on the market, prevailing prices and hot makers is only part of the relationship. High-end folders by BLADE Magazine Cutlery Hall-Of-Fame® member Ron Lake, Warren Osborne and Jim Martin, along with Loveless fixed blades, are among Ellis’s offerings.

When Dave talks with a new buyer/collector, he asks a few basic questions.

“There are more heavy hitters getting in the game with lots of money,” he said, “but that doesn’t mean they are buying the right things. What have their interests been up to now? Did they grow up with knives? Do they carry and use a knife? What is their reason for buying now? Use it? Collect it? Give it to a nephew for college graduation? I don’t want to offer a $7,000 Loveless hunter when a $150 skinner by any smith will do.”

7) Attend Shows That Fit

Though knife shows may be one of many ways to gain information and see what is out there, the individual contact with dealers, makers and other knife enthusiasts is invaluable. Attending shows that mean the most to the individual buyer’s needs and wants helps in the education process and in finding the people and knives that enhance the experience.

Robertson attends the BLADE Show due directly to its diversity of custom knives for sale. He says that the Arkansas Custom Knife Show is also one of the premier forged blade shows and features apprentice, journeyman and master smiths in the American Bladesmith Society.

“The New York Custom Knife Show offers a variety of knives from very well-known custom knifemakers,” Robertson added. “This show in recent years has had more of a tactical knife flavor. The USN Show offers the widest variety of tactical folders you will see at any show in the world.”

These are just a few of Robertson’s picks. Other shows are out there, and many of them are quite beneficial to knife enthusiasts looking for certain styles of knives and/or makers.

“He Made ’em Famous” – A Tribute to Ken Warner

Editor’s note: Ken Warner, the visionary behind and original editor of the acclaimed KNIVES annual book series, recently passed away. In tribute, BLADE is featuring this article from the August 2009 magazine issue about this titan of knives.


 

The turn of a phrase, the flow of the narrative, and simply getting the story straight are hallmarks of the writing craft. BLADE Magazine Cutlery Hall-Of-Famer® Ken Warner brought the ability to perform each of these, along with an unmatched eloquence, to the knife industry.

Universally, knife authorities acknowledge him as the individual who lifted custom knives out of the shadows. He helped to accomplish this with a straightforward, crisp, and clean writing style that captured the imagination of readers for nearly half a century.

A “True Poet” of the Knife Community

Ken Warner knife books
Warner edited and wrote much of the first Knives annual in 1981. The series went on to transform the knife industry. He continued editing the annuals until 2000. BLADE managing editor Joe Kertzman assumed the reins beginning with the 2001 edition.

“Ken Warner is the true poet of the knife community,” related BLADE field editor Ed Fowler. “While he did not write the most knife articles, what he did write was worth reading and serves as an eloquent inspiration for all who have thoughts to share. He had no axe to grind other than to share knowledge. As a fledgling knifemaker, I used to read his comments and soon learned that he knew well his subject matter.”

Though he is not currently writing—he instead stays busy offering a wide range of fixed blades and folders through his Ken Warner Knives knife company—there is always the possibility that Warner will return to print. Meanwhile, he says he is becoming computer savvy enough to run a knife forum on the internet and to continue his online blog (kenwarnerknives.blogspot.com). He also stays busy designing knives.

“I’m 80 years old,” he reflected, “and I have some things I want to say and there are some stories I can do that nobody else can do because I was there. I will get to that when I get to it.”

Forging a Path

Bill Moran Ken Warner photo
Blade Magazine Cutlery Hall-Of-Famers Bill Moran (left) and Ken Warner were good friends. According to Cutlery Hall-Of-Famer B.R. Hughes, Warner was the first to write about Moran and his knives in a national magazine. Here Moran and Warner visit and talk knives at an early 1980s Knifemakers’ Guild Show. (photo courtesy of B.R. Hughes)

Literally, when custom knives began to gain national and international attention, Warner was there. In fact, he was the prime mover in publicizing the work of the knifemakers. As a writer for the popular annual Gun Digest, he started writing about knives in 1964. That first article, titled The Best Knives Made, has been reprinted numerous times.

Back then, though, it was a challenge just to get enough material to put a story together.

“I could hardly find any knifemakers,” Warner commented. “I found [Bill] Moran and [Bo] Randall, and Buck was small then and I wrote about them. However, a number of knifemakers and collectors have told me that the article got them started. Bob Loveless, for example, has told me that he was about to give up making knives because it wasn’t going any place. Then, he read the article and decided that somebody would understand. There was a time that I was actually giving away Loveless knives just to see what people thought of them. Butch and Rita Winter were pre-eminent collectors of handmade knives, and they told me I got them started.”

A Calling

Educating the general public about knives evolved into something of a mission for Warner. In 1976, he wrote The Practical Book Of Knives, a primer of information on the mechanics, components, function and terminology associated with knives. Through editorial contributions to a number of publications, he has managed to spread the word.

Along the way, he has gained a multitude of friends and admirers. One of the closest was with the legendary Cutlery Hall-Of-Famer, Bill Moran. BLADE field editor and Cutlery Hall-Of-Famer B.R. Hughes, co-author of the Moran biography, Master Of The Forge, credits Warner with his introduction to the great bladesmith.

A Man of Many Firsts

Ken Warner article in Gun Digest
Ken Warner’s The Best Knives Made article in the Gun Digest 1966 book was a game-changing moment for what is now the modern knife industry.

“Ken was one of the first to write knowledgeably about handmade knives, and he’s important to me personally because he’s how I heard about Bill Moran,” Hughes remarked. “Ken used to live close to Moran’s shop and visited there often. He was the first to write about Moran in a national magazine. He mentioned Moran in the Gun Digest article in 1964, and that article did more to publicize handmade knives than everything written about them up to that time.”

Of course, Moran, Hughes, Don Hastings and Bill Bagwell went on to found the American Bladesmith Society in 1976 and the rest, as they say, is history.

Hughes said he remembers working at a magazine called Gunsport in the mid-1960s and Warner was the editor. Even then, Hughes knew Warner was something special.

“Ken’s writing was a cut above what I was used to seeing in a gun magazine,” Hughes continued. “I soon became shotgun editor of Gunsport, and no gun magazine of that day was going to publish a lot of knife articles, but Ken got a knife article in there from time to time.”

When Warner left Gunsport to publish his own magazine, Gunfacts, the idea of writing about knives had caught on.

Hughes said he recalls a memo circulating to ask if anyone else at Gunsport had an interest in or knowledge of handmade knives. Hughes raised his hand, contacted Cutlery Hall-Of-Famer A.G. Russell for a crash course in handmades, and took up writing about knives himself.

The Knives (KNIVES) Books

First Annual Knives Book cover
The cover of the knife book that started it all.

For many, Warner’s greatest single contribution to the knife industry was not that first article in Gun Digest, nor his continuing effort to publish knife stories in popular magazines. Rather, it was the publishing of the first Knives annual in 1981 that sparked what became an explosion of interest in handmade knives.

“The big thing with Ken is that he mainstreamed knife interest, and everybody credits him with that,” assessed Cutlery Hall-Of-Famer Bruce Voyles, with whom Warner co-authored the book Knives Digest in 1999. “That, in my opinion, was not his greatest contribution. That came when he got the Knives series started. For the first time you had a listing of not just a particular organization’s members but all knife people. You also had pictures. It was a snapshot of the state of the knife industry at the time, particularly handmades—and the industry was pretty disorganized at the time unless you were a member of the Knifemakers’ Guild.

“I think he gave tremendous publicity to people that had not gotten publicity,” Voyles continued. “Plus, there’s something that most people will not notice about him unless he has edited something they’ve written. He’s one of the most gifted editors I have ever known in any genre. He takes average stuff and makes it sound good, and makes good stuff sound fabulous while making it flow easily. The different thing about Ken’s writing and editing is that Ken made it readable. Most of the stuff before Ken was clumsy, and he made it interesting. He could make the phone book interesting. One of my favorite quotes was when his former wife said some years ago, ‘Ken has the most annoying habit of being right most of the time.’”

Recognition

BLADE Show Ken Warner
Ken Warner inducts Bruce Voyles into the BLADE Magazine Cutlery Hall Of Fame at the 1993 BLADE Show Awards Banquet in Stone Mountain, Georgia. From left: George Herron, A.G. Russell, Buster Warenski, the inductee, Paul Tausig, Joe Mangiaracina, Warner, Houston Price and B.R. Hughes. All but Tausig and Mangiaracina are in the Cutlery Hall Of Fame. Along with Col. Rex Applegate, Hughes joined Voyles as an inductee that year.

Among the many happenings during his association with Warner, Voyles will never forget that it was Warner who organized Voyles’ induction into the Cutlery Hall of Fame at the awards banquet of the 1993 BLADE Show. It was Voyles’ 40th birthday, and Warner took the stage to announce—to Voyles’ surprise—that he was being inducted by acclamation of all living members of the hall at the time.

When Warner and A.G. Russell were inducted into the hall at the 1988 BLADE Show, each was invited to the banquet to provide the introduction speech for the other’s induction. Neither Russell nor Warner knew they were being honored themselves.

“Ken said at the time that as long as there was a BLADE Show, he would eat the BLADE Show’s rubber chicken,” Voyles grinned. “Then, the next year we presented Ken with a rubber chicken and taped a knife that he liked inside the chicken’s mouth.”

Warner is also a member of the ABS Hall Of Fame and counts the society’s prestigious Don Hastings Award among his many honors.

A Lasting Legacy

Best books about knives
The most recent KNIVES annual book on shelves is KNIVES 2019.

As for the Knives annual series, it is still going strong under the capable hands of former BLADE managing editor, Joe Kertzman.

Fowler said Warner was the right man for the successful development and promotion of what has become a virtually indispensable part of the knife industry, a book which will celebrate its 40th anniversary in 2020.

“Thanks to his knowledge, editorial ability, choice of writers and relevant topics, Ken started a legacy to the knife community that continues to this day,” Fowler noted. “Ken knew the difference between a hunter and an art knife, as well as the pretenders, and described each knife eloquently. Many of his one-sentence comments were worth hundreds of words. He inspired many makers through his comments on design, steels, handle materials, leatherwork and scrimshaw. Reading back through my collection of his books, I find many of his comments that I once glanced over were far from simple but offered great understanding and predictions of the future and well being of our community.”

A Renaissance Man

Ken Warner custom knives
The Warner SGG is a knife of all work, with lots of belly and a good bit of sharp. The blade is 5 inches of 10CR17 and, of course, is convex ground all the way. The drop of the grip puts the edge where it is needed. (Warner photo and caption)

Warner, it turns out, is something of a renaissance man as well. Fowler related sharing a huge bowl of crab legs following the BLADE Show a few years back.

“We debated the styles of Steinbeck and Hemingway, as well as other great authors, what makes poetry great, and the responsibilities of authors,” Fowler recalled. “I learned that everything we write is an echo of our total experience. The more we read and the greater our personal experience, then the better we will be able to express our thoughts. There is no question in my mind that Ken Warner has been, is and continues to be one of the great, if not the finest, of icons of the community of knives.”

Perhaps the greatest test of a true “living legend” is that he has contributed to his lifelong interest, building something where little or nothing existed before, and assuring that his influence will last long after he and his contemporaries are gone.

In the case of Ken Warner and the knife industry, there is no better definition.

Greatest Custom Knifemakers Of All-Time: George Herron

George Herron South Carolina knifemaker
The tapered-tang Model 6 was one of George Herron’s best-known knives and was named in a poll as one of the 20 best knives ever made. The 4-inch blade is ATS-34 stainless steel and the handle is curly maple. Overall length: 9 inches. Herron made this one in his Aiken, South Carolina, shop. (Jay Mealing image)

Without a doubt, he was one of the best custom knifemakers to ever pursue the art. He gave information, expertise and precious time freely to those who wanted to learn. He was a crack shot, spitting in death’s eye during the Korean War and walking out of literal hell to fight another day.

BLADE Magazine Cutlery Hall-Of-Fame® member George Herron was many things to many people, and they will never forget the positive impact he had on their lives. The South Carolina resident was a fixture among the finest in the custom knife business for years, a winner of many awards, president of the Knifemakers’ Guild, founder of the South Carolina Association of Knifemakers and genuine friend to those he held close.

‘A Great Human Being’

George Herron custom bladesmith
Mr. Herron hardly went anywhere without his trusty pipe.

George Herron wasn’t just a great custom knifemaker,” began Bobby Branton, a custom maker who knew Herron and collected his knives for many years, “he was a great human being and a great person. You didn’t have to make knives for him to have an interest in you.”

Branton met George and his wonderful wife, affectionately known by the many who know her as “Miss Barbara,” when he was “bitten by the knife bug” and wanted to buy a few of the great maker’s knives.

“I started out as a collector and wanted to buy some John Nelson Cooper knives from a lady in a shop and found out from her that there were a number of South Carolina makers out there,” he recalled.

In his early days as a knifemaker, Branton bought the leading books on the topic by Sid Latham and David Boye. He noticed photos of some of Herron’s knives in Latham’s book and traveled to Herron’s home in Aiken and later Springfield, South Carolina.

“I called ahead of time and asked if I could stop by,” Bobby said. “I bought two knives with all the money I had. We looked around the shop and he was getting ready to go to a show. We went inside and he pulled a big deerskin off the table like a matador, and his inventory was sitting there.”

After Bobby made his first knife, he returned to Herron’s home to get a review of the effort.

“He said, ‘That’s nice, but if you’re going to make a knife, make a knife,’” Branton smiled. “He gave me tips and mentored me.”

A Custom Knifemaker Who Gave Back

George Herron knife collection
George Herron made many folders and varied his styles quite a bit over the years, including bolstered lockbacks, interframe lockbacks, slip-joint gent’s knives and others. The top knife is a slip-joint gent’s knife and the bottom three are interframe lockbacks. The scales are ivory. (Jay Mealing image)

George did the same for many would be custom makers who came calling. Custom maker Wayne Hendrix worked for him in the 1980s and learned to make custom knives from the master.

“He was a heck of a teacher,” Wayne said. “I tell you right now, if I went out there and picked a maker to work for, I couldn’t have picked a better one in terms of making working knives. His designs were simple and his knives were functional. He was a very intelligent man and he had common sense to go along with it. You don’t necessarily see someone with both that often.”

At the time he started working in the shop, Wayne indicated George was considered one of the world’s top five custom makers. Herron built a reputation of outstanding quality for a fair price, and part of his legacy is that his knives were affordably priced. He sold them by the thousands.

Wayne grew close to George, not just in the knife shop but in other aspects of life as well.

“I hunted with him and painted the inside of his house after they moved to Springfield,” he smiled. “It was super cold that winter, and he had an enclosed two-car garage where we set up his shop. We were a lot alike but he was a lot smarter than I am, and I consider him to be my second daddy. I couldn’t have picked a better maker to apprentice under, and I’m still riding George Herron’s coattails.”

The Secret To The Legacy

Custom knife George Herron
Named after Col. John Bigbie, the Bigbie skinner was another George Herron favorite. The 3.5-inch blade of ATS-34 stainless had a tapered tang and a stag handle. Overall length: 8 inches. This one was made in Herron’s Springfield, South Carolina, shop. (Jay Mealing image)

In an era when knifemakers looked to pricing of individual units as a barometer of their profitability, George was different. He never forgot that working people needed affordable knives.

“One time a committee of Guild members came to his table,” Cutlery Hall-Of-Famer and past BLADE publisher and editor Bruce Voyles remembered, “and they told him that he was selling his knives too cheap. He said, with a few words that I can’t repeat, that he would make and sell knives the way he wanted and they could do the same. Now, George sold most of his knives for $150 to $300, and most of those have doubled or tripled in value. None of the guys on that committee could say that their knives have done that.”

Voyles lighted up describing Herron as “a man’s man, gracious, courteous, or mean as he needed to be in a given situation.”

Perhaps the best tribute anyone could provide to the life and legacy of the great George Herron was Voyles’ effort to be at the only place on Earth he wanted to be when his friend passed away.

“We were in New Orleans at Mardi Gras,” Bruce commented. “On Fat Tuesday morning the telephone rang, and it was Bobby Branton telling me that Mr. George was gone. We loaded up and went home right then so we could attend the funeral in South Carolina. There are very few people I would have done that for.”

Such an effort proves one thing for sure. George Herron, larger than life, remains with those who knew him in undiminished spirit.


Meet Your Knifemaking Heroes At BLADE Show 2019

The world’s largest knife show takes place this June in Atlanta. Learn more here.

Popular Knives with Blades Less Than 2 Inches

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Whether it’s because of knife restrictions, portability or preference, these little blades aren’t too cute to cut.

  • CRKT Snicker
  • Camillus Heater
  • KA-BAR Last Ditch
  • Hogue A01 MicroSwitch

CRKT Snicker

Best knives with blades less than 2 inches
(CRKT image)

The CRKT Snicker debuted at BLADE Show 2017 and exemplifies the growing trend of blades measuring less than 2 inches.

“It serves a niche for those looking for a small blade that will tackle a variety of tasks and is a solid performer for CRKT,” explained company spokesperson Mike May. “Ease of use and ‘approachability’ are two key factors that make blades of this size popular. In areas with strict knife laws, the sub-2-inch blade can also help alleviate any concerns. In the case of the Snicker, its style and ergonomics make it an attractive small knife for consumer pockets as well.”

  • Blade Length: 1.846″ (46.89 mm)
  • Blade Edge: Plain
  • Blade Steel: 420J2, HRC 50-52
  • Blade Finish: Stonewash
  • Blade Thickness: 0.106″ (2.69 mm)
  • Closed Length: 2.938″ (74.63 mm)
  • Weight: 2.3 oz
  • Handle: Injection Molded Glass Reinforced Nylon
  • Style: Folding Knife w/Locking Liner
  • Overall Length: 4.688″ (119.08 mm)

Camillus Heater

Best two-inch blade knives
(Camillus image)

When Camillus launched the Heater in 2015, the idea was much the same.

“It has and continues to be an extremely popular model since it debuted,” noted Sam Dodge, Camillus senior brand manager. “We can attribute this to two factors: function and convenience. We find that people are purchasing a knife for different jobs or tasks. The fact that the knife comes in a slightly smaller package makes it more convenient to [store].

“There are still purists that will have ‘one knife to rule them all,’ but more and more we see that people want a knife for each activity.”

  • Blade Treatment: Carbonitride Titanium
  • Blade Color: Black
  • Blade Edge: Smooth
  • Blade Grind: Hollow
  • Blade Style: Spear
  • Fixed Blade
  • Handle Color: Black
  • Hand Orientation: Left and Right
  • Includes: Chain, Molded Sheath, Clip
  • Handle material: Stainless Steel + Paracord
  • Main Blade Material: 440
  • Rockwell Hardness: HRC54
  • Lifetime Warranty

KA-BAR Last Ditch

Backup knife
(KA-BAR image)

The KA-BAR Last Ditch, commonly worn as a neck knife or laced into a boot, hit the shelves in 2008 and has been a top seller ever since.

“I think two of the biggest reasons why knives with blades under 2 inches are popular is due to concealability and ease of carry,” said Joe Bradley, KA-BAR sales and digital content manager. “Many folks don’t like to draw attention, and sometimes even an exposed pocket clips will do that. Small blades offer a tremendous blend of being lightweight with a small footprint.”

  • Overall Length: 3.625″
  • Blade Length: 1.625″
  • Blade Material: 9Cr18MoV
  • Hardness: 58-59 RC
  • Blade Style: Wharncliffe
  • Blade Grind: Flat
  • Finish: Black
  • Edge Type: Plain
  • Handle Length: 2.00″
  • Handle Material: Stainless Steel
  • Color: Black
  • Weight: 2.40 oz.
  • Sheath: Molded Polymer
  • Knife Type: Fixed Blade

Hogue A01 MicroSwitch

Automatic knives with blades less than 2 inches
(Hogue Knives image)

The A01 MicroSwitch has been a hit since it was widely distributed in autumn 2017.

“It has been difficult to keep it in stock since its release,” he said. “It is the smallest knife in the Hogue Knives line, and there has been tremendous interest in it. It moves briskly at trade shows, through dealers and over our retail website.”

Crook considers many factors that weigh in on the wave of popularity in small knives. Among these is the company’s location in California, where he says anything larger in an automatic is illegal.

  • Blade Length: 1.95″
  • Overall Length: 5.8”
  • Closed Length: 3.85”
  • Weight: 2.7oz
  • Mechanism: Automatic Button Deployment with Manual Safety
  • Handle Material (Frame): 6061-T6 Anodized Aluminum
  • Pocket Clip: Stainless Steel Ambidextrous Tip Up Carry
  • Blade Style: Drop Point
  • Blade Thickness: 0.12”
  • Blade Material: CPM154 Stainless Steel
  • Blade Hardness: RC 57-59
  • Blade Treatment: Cryogenically Treated
  • Blade Finish: Tumbled Finish

The World’s Greatest Knife Book

Best books about knivesThe KNIVES annual book is back and better than ever. Here’s what you can expect:

  • 320 pages
  • Beautiful, full-color photos of knives and accessories
  • Comprehensive directory of custom knifemakers
  • In-depth features about knife collecting and making knives
  • Examples of the latest trends in knife designs and knifemaking materials
  • Edited by Joe Kertzman

ORDER HERE

 

Actor & Leather Supplier, Adam Drescher, Appears in Clint Eastwood Movie, “The Mule”

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Adam Drescher movies
Adam Drescher (middle) during a break between scenes of the upcoming movie, “The Mule.” At right is Clint Eastwood and at left is character actor Richard Herd. Adam owns Adam Unlimited, which specializes in exotic skins for the knife and motorcycle industries, especially rayskin. (Photos by Images courtesy of Adam Drescher)

Adam Drescher, known best to the world of knives for his stingray leather supply company, has enjoyed many highlights in an acting career that spans over 40 movies and TV shows, but his experience in The Mule directed by and starring Clint Eastwood ranks at or near the top.

Released on Dec. 14, 2018, The Mule is about a botanist—played by Eastwood—who unwittingly becomes a mule transporting drugs for a criminal cartel. As with most of his roles, Adam’s character doesn’t have a name.

Stingray leather knife case
Drescher designs most of the accessories he sells, including these rayskin knife cases made in a factory in Bangkok, Thailand.

“I’m a computer online sales guy trying to talk Clint into taking his business online,” Drescher said. “I’m in two or three scenes that were shot, though I have no idea what will end up in the finished cut.”

The scenes were in a bar, which is where Adam asked the person playing the bartender to photograph him, Eastwood and actor Richard Herd.

“Working with Clint was a dream come true,” he added. “I’m what’s known as a ‘day player’—I work on a film for a day, maybe two days at a time, then I’m done,” Adam explained. “People think they remember seeing me but they’re not sure. I’m usually there and gone pretty quickly, usually just a scene or two, and this thing with Clint is almost like the epitome. Being a day player I don’t know how it could get any better. I got to work with him, got to improvise a little bit, got to actually act, had more than one line, and had a little character part to do. I had some interaction with him. That made my day.”

Shark skin leather
There are different grades of rayskin and Adam said he uses only the best. “People would come to me and say the interior of their wallet had worn out, and we began using shark skin in the interiors of our wallets,” he noted. “[Shark skin] never wears out.”

So what was Eastwood like as both a person and a director?

“He was pretty much what I was expecting only because I’ve heard so much from other people who’ve had the privilege of working with him,” Drescher said. “He knows his stuff backward and forward, totally in charge, quiet, yeah, he’s the man.

Adam Drescher movie roles
Another of Adam’s roles was as Boss Man on the TV show Hap and Leonard starring Michael
Kenneth Williams (left) and James Purefoy (right).

“He never yells at you and from what I gather that goes all the way back to his days on Rawhide [the hit 1960s TV show]. Clint said the director would yell ‘action’ and it would spook the horses before they would start the scene, so Clint got that out of his system and said, OK, real quiet, and the next thing you know you’re doing the scene, you don’t even realize the cameras were rolling. Clint would say ‘cut’ and everything was respectful and really quiet and to the point. I’d heard that he shoots really fast. He did a couple of takes of our scenes, got different angles and got the dialogue right that he wanted. It was a pleasure of an experience for me, a highlight of a career that’s pleasurably been full of a lot of highlights.”

Instagram Knife Pictures Disrupt Knifemaking, Knife Collecting

Knife pictures
BLADE posts knife pictures on its Instagram account to highlight knifemakers’ work.

Editor’s note: Follow BLADE on Instagram here. Also, anyone buying or selling knives online should take caution when doing so on a social media platform. Recent events have singled out “weapons” content, and Instagram (owned by Facebook) is likely to be no exception. Diversification is key. Remember: In-person knife shows are still the best bet for buying/selling safely and securely. 

Instagram Knife Pictures Help Knifemakers Sell and Knife Collectors Buy

A wave of Instagram commerce is building in the knife industry, and there is no indication of a slowdown at this point. Those who have leveraged the platform have seen increased activity that otherwise might have required hours and expenses associated with travel, marketing and promotion.

“The impact on the knife community is significant,” Curtis Iovito of Spartan Blades commented. “I can say that this year we have reached more prospective customers and knife lovers than we have on Facebook based on customer responses. It truly is a mix of social responses, providing information and assisting prospective buyers. Instagram has started allowing businesses to sell via the platform, and we plan to do this soon. Sixty-four percent of sales for us are from mobile platforms, so we see this as a plus.”

“I had to come out of the stone age to get with the program, and it has doubled or tripled my business,” asserted knifemaker and BLADE® field editor Kim Breed. “You can put your wares out there for sale, and people comment or order and everything else on one simple site. You can go straight to your cell phone and post pictures and get immediate feedback.”

Spartan Blades Instagram knife pictures
Curtis Iovito of Spartan Blades said Instagram is a great way to share knife pictures and information, and
to do so “in a flash.” (Spartan Blades photo)

Purveyor Neil Ostroff of True North Knives started an Instagram account as a social tool to connect with friends, family and customers, but it soon became apparent that an additional sales tool was at his disposal. He changed his account from his personal name into the True North Knives (TNK) brand. He monitors how posts are received by the public, using the “View Insights” option for real-time metrics.

“As Instagram and other social media platforms are constantly evolving and getting better, I’m finding that Instagram is the easiest to use and provides the most results,” Neil explained. “An example of a result is getting a direct message, e-mail or phone call asking for more information about the product. Although we only post knives that are immediately available for online purchase, it’s always nice to have some practical contact with the buyer. We take pride in our knife images, whether they’re taken by a professional like Jim Cooper or our excellent in-house team. If the picture is not top rate, then it reflects badly on the product.”

Instagram knife pictures
Bertie Rietveld put this image of his Omega dagger on Instagram and received a number of interesting comments, including one that read, “More like OhMyGod Dagger.” The guard is stainless steel with 24k gold. The blade is Rietveld’s dragonskin damascus with Stanhope lens at the base of the fuller. (SharpByCoop image)

More Than Just Knife Pictures

Breed points out that advertising in most any format is expensive. Knife pictures posted on Instagram allow immediate access to potential buyers at virtually no cost.

“Putting yourself out there to hundreds of thousands of people is powerful,” he noted. “If they’re looking for a knife, as soon as they search for custom knife or damascus, all sorts of stuff pops up to choose from.”

Kim refuses to hard sell on the platform. “Buyers just ask ‘how much?’ and it is a process of direct messaging between you and that person,” he said. “Some people post prices out there and everything has a different price to it. [Costs of knife- making supplies] have gone up 20 to 25 percent this year. If you’ve got old stock maybe you can keep prices lower, but if it’s newer stock you’ve got to pass the cost on. People will message me if they’re interested in something and then we talk price.”

After seven or eight months on Instagram, Kim sees an unlimited future for the platform.

“All the stuff you’ve posted from when you first started [on Instagram] is out there,” he observed. “So, you don’t have to continually post the same kind of knife. Just as you make them you can throw them up on Instagram.”

Instagram Cautionary Tales

Though social media is asserting itself in the TNK sales process, Ostroff is warily watching developments. His website is still king with his business at this point.

“In spite of Instagram’s popularity and audience, for True North Knives our website still takes in 90 percent of our sales,” he added. “As with any other shopping-cart-based website, the purchase is triggered by the photos, but then we offer a smooth and easy way to select, pay and order the knife. Instagram does not do that. It merely brings the product to the subscribers but then the hunt begins, and many potential buyers must go through many steps trying to contact the knifemaker, who may or may not be available to take an order.”

Another caution from Ostroff is that Instagram provides any seller with an “escape hatch” to sell a knife to anyone and not necessarily the first customer who steps up to buy. When a traditional e-commerce website operates, the item for sale is listed and directly connected to actual inventory; once it is sold it is gone and marked as out of stock. “Fair game for all!” he said.

“Many knifemakers on Instagram are only offering their knives for sale by lottery or raffle. As I don’t buy knives from Instagram I feel sorry for the people who aren’t always ‘attached to’ their phones, and also don’t have the money to, in many cases, overpay for knives due to the hype,” Neil related. “Many knives are sold at grossly inflated prices by knifemakers who are merely looking for the quick buck with no regard for a potential secondary market”—a secondary market that will never come about when the initial/primary purchase price is way too high.

Still, the luster of Instagram has drawn custom makers, purveyors and purchasers to the platform like moths to a flame.

“Initially, the knifemakers get a large audience, not only from active buyers but also from fans who may not be able to afford these knives but who really enjoy seeing the blade—like eye candy,” Ostroff said. “Knifemakers should assign or hire others to manage their account after knives are posted. Potential clients have questions, most of which never get answered by the knifemaker.”

According to Breed, payment is sometimes a sticky proposition. “When people talk with the knifemaker they should use common sense,” he remarked. “Like the internet, Instagram is a great thing, but it can be ugly at the same time. I let a guy place his order, and when I get close to sticking the handle on [the knife], then he needs to pop a check in the mail. Others pay with Paypal as soon as they order a knife, but some want to see what the finished product looks like.”

Mixed Signals?

No, simply an assessment of the pros and cons of a growing medium in the knife industry, one that cannot be ignored and likely will never go away.

“You almost have to get on Instagram,” Breed offered. “The younger generation that was raised on it will be jumping on other sites, too. I get on the computer once or twice a week because I’m spending most of my time making knives. Instagram is nice because it’s on your phone. If you’re grabbing lunch out or in your shop, you can have a brand new knife posted in less than two minutes and can follow up on what is happening with it.”

However, the traditional opportunity to hold the real knife in your hand is diminished. Buying from knife pictures has its own risks. The situation is always improved when buyer and seller really know one another. Time will tell how Instagram truly changes the buying/selling process.

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5 Military Knives for Memorial Day

Editor’s note: The following originally ran in the August 2015 issue of BLADE magazine. All images are from their respective manufacturers unless otherwise noted. 

Memorial Day (taking place in 2018 on Monday, May 28) holds a revered place in the hearts and minds of Americans, and knife manufacturers recognize the heritage of freedom that fits well with such a commemoration. Knives have equipped American fighting men and women since the first call for national defense more than 200 years ago, and these modern knives convey a sense of pride and honor for our time.

Buck 245 MWG

Buck 245 mwg

Buck Knives introduced the 245 MWG at the 2015 SHOT Show to honor the memory of Matthew J. Leathers, a highly decorated U.S. Navy SEAL who lost his life at sea in 2013. Matt was a member of Basic Under water Demolition/SEAL Training class 245, and the knife’s name says it all—245 to honor the class and MWG referring to the simple yet powerful phrase that was the young SEAL’s nickname: “Matt Would Go.”

The 245 MWG represents a partnership between Buck and Matt’s father, Tim Leathers. “During his nine years with the U.S. Navy SEALS, Matthew used many knives, but none that held up to his standards,” explained Stephanie Young, Buck marketing and communications manager. “He decided the only way to find a knife that met his criteria was to build it himself. Matt designed the knife that became a favorite among his fellow SEALS.”

The result of the Buck collaboration with Matt Leathers through his father is a sleek fixed-blade utility/fighting knife with a 5160 spring steel blade and tough Micarta® handle. Other features include the TEK-LOK® belt clip and a Kydex® sheath designed with a low-infrared signature.

A portion of the proceeds from sales goes to MattWouldGo LLC and in turn to the Navy SEAL Foundation.

“We are honored to bring this knife to the market for the Leathers family and happy to give something back to those who protect us,” Young commented.

Two Camillus Fixed Blades

Camillus Powell
Featured on the National Geographic Channel’s “Ultimate Survival Alaska,” retired Green Beret Grady Powell
(above) designed the Camillus Grady Powell fixed-blade tanto. Powell trains military, law enforcement and civilians in survival training.

A pair of Camillus fixed blades made to the exacting specifications of retired U.S. Army Green Beret and current military, law enforcement and survival trainer Grady Powell, and of Jared Ogden, a combat-decorated retired Navy SEAL and surface warfare officer, both of whom are featured on the National Geographic Channel TV show Ultimate Survival Alaska, makes great Memorial Day remembrance knives.

“These knives accommodate everything a SEAL or Green Beret would do in their duties,” explained Rick Constantine, Camillus marketing manager. “Both of these men had input on the design of these knives. They are true-life heroes, and that’s why we went after them. We all said we wanted to build knives that anyone would be proud to carry on active duty or elsewhere.”

Both knives feature 1095 high carbon steel blades and custom molded sheaths. Constantine said Powell wanted a knife useful in hand-to-hand situations, while Ogden stressed cutting ability and grip strength—particularly in water.

The Powell model features a half-serrated 4.87-inch blade with a G-10 handle that sports Micarta accents, and a 10.5-inch overall length.

Ogden’s knife includes a 4.75-inch blade with gut hook, a G-10 handle, a 10-inch overall length, and versatility that allows the user to fashion it into a survival spear.

Camillus SEAL knife
Ogden (above) served as both a Navy SEAL and a surface warfare officer. His military awards include the Combat Action Ribbon and the Bronze Star with “V” for Valor. He is featured on the National Geographic Channel’s “Ultimate Survival Alaska.”

Each knife is serial numbered.

“We have worked with a number of personalities through the years,” Constantine remarked, “but none have been better or more knowledgeable than these guys.”

Case FSSF V-42

Case V-42 Devil's Brigade knife
The Case V-42 reproduction is based on the company’s original museum piece. (Kris Kandler image)
Case V-42
The V-42 in its display case.

When members of the First Special Service Force Association approached Case about a revival of the legendary V-42 stiletto, the company jumped at the chance.

Special Forces Association Montana Chapter 28 and a large number of knife enthusiasts supported the idea, and the new Case V-42 is true in detail to its heritage. Commissioned by U.S. Army Colonel Robert T. Frederick in 1942, the V-42 was issued to troops of the joint U.S.-Canadian First Special Service Force (FSSF), popularly known as the Devil’s Brigade. These soldiers served with distinction in World War II, and the V-42 was with them all the way. Case evaluated its own original museum V-42 and reproduced that fighting gem with painstaking accuracy.

Though the V-42 has been reintroduced a couple of times in the past, Case officials indicate this rendition is more accurate than ever.

“We really have a greater appreciation for what goes into making this knife,” said Case representative Fred Feightner. “We actually had it X-rayed to see how the handle was put together. We examined the knife from the inside out, and this was done on a much more detailed basis than previous re-releases of the V-42. The project took about five years to complete.”

The V-42’s blade of Case chrome vanadium steel—essentially, 1095 high-carbon steel with added chromium and vanadium—is double concave ground to reproduce the distinctive centerline along its length. The stacked-leather-washer handle is constructed with specialty gimping, and the famed V-42 “thumbprint” is embedded in the ricasso of the 12.5-inch, 7-ounce knife for proper blade orientation/indexing and grip strength. The leather sheath is complete with steel teeth reinforcing the sleeve and brass rivet covers.

“We’re extremely proud and honored to present a reproduction knife that is symbolic of our military elite and the American freedom they fought, and fight every day, to protect,” noted John Sullivan, Case marketing director. “Case knives and the American military share a long and distinguished history dating as far back as World War I, so we’ve taken great measure to ensure that the V-42 reproduction model meets the highest standards and is deemed authentic by the same brave Forcemen who carried the original into battle so many years ago.”

SOG SEAL Strike

SOG Seal knife
The SOG SEAL Strike model SS1002-CP sports a 4.9-inch partially serrated blade of powder-coated AUS-8 stainless steel. The handle is glass-reinforced nylon with a stainless steel overwrap. Weight: 5.6 ounces. Overall length: 9.6 inches.

The new SEAL Strike from SOG Specialty Knives & Tools includes a 4.9-inch partially serrated AUS-8 stainless steel blade with cryogenic heat treatment, and a handle of glass-reinforced nylon.

“The biggest differentiator for the SEAL Strike is the sheath,” SOG’s Chris Cashbaugh explained. “It has several features that enhance the functions of the knife. You can use the line cutter to cut cord or webbing without having to expose the blade. The carbide sharpener is in the side of the sheath and can be used to touch up the blade while out in the field. The ferrocerium rod can help start a fire in an emergency situation.”

SOG Seal Strike sheath
Boasting the SOG logo etched in steel, the deluxe molded MOLLE-compatible sheath for the SOG SEAL Strike SS1002-CP includes a cutout for cutting line with the knife sheathed, a sharpening notch on the low side toward the tip, and a ferrocerium fire-starting rod.

The SEAL Strike fits the Memorial Day theme well since its design relates to the longtime SOG collaboration with the military and the ultimate goal of producing a knife that fills the bill for troops on deployment or anyone in the field.

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