In the second of BLADE’s Midweek Makers series we continue with our armed forces active-duty members and veterans. This week: Midweek Makers Military-Style: Chris Rowley of Nomad Customs.
Chris Rowley was a farrier for 12 years or more before he joined the Army at age 34. During his seven years of service he deployed six times to Afghanistan with 2nd Battalion, 75 Ranger Regiment, winding up his service this year as a weapons squad leader with the rank of staff sergeant.
He always loved blacksmithing and found time after work and on weekends to keep his hand in it by making knives. “Pretty soon half of 2nd battalion had one of my knives,” he said.
When Chris entered blacksmithing competitions, his horseshoes were hammer-finished, essentially going from the forge to horse. He tries to carry those shaping skills over to his knives, completing as much work in the forge as possible. Although not applicable with all steels or designs, many of his knives maintain a richly textured hammered finish.
Chris lives with his wife in Rainier, Washington.
Best-selling knife patterns: small everyday carry knives and 4- to 10-inch bowie-fighters
Favorite blade steels: 1084, 1075 and 15N20 for ease in forge-welding and the contrast with 1084 and 15N20; also W2
Blade grinds: hollow and flat
How he tests his knives: cardboard and random materials for everyday carry knives; chopping kindling and prepping game for camp-oriented knives
Favorite handle materials: resin-and-burl-wood combinations by Voodoo Resins and J Hue Customs. “Both finish really well,” he added.
Price range: $275 and up
Forums he participate in: BladeForums.com
The diamond hole you see in Nomad Custom knives is representative of the U.S. Army unit in which knifemaker Chris Rowley served, 2nd Battalion, 75th Ranger Regiment.
This knife has a 9-inch flat-ground forge-welded blade of 1084 and 15N20 steels. The handle is made of redwood burl with Voodoo Resins spacers and G10 liners. His maker’s mark is a diamond cutout to represent the Ranger Battalion emblem. Maker’s list price: $500 with sheath.
Watch Chris Rowley Cut Out His Maker’s Mark
The diamond-shaped insignia is used to represent the battalion within the Ranger Regiment. Often in comments, you will see it typed as < 2 > for 2nd Battalion, for example.
This sticker, offered by Scroll Factory, shows what the 2nd Battalion, 75th Ranger Regiment diamond looks like that bladesmith Chris Rowley of Nomad Custom Knives & Tools cuts out of his blades as his maker’s mark.
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We’re kicking off a new series at BLADEmag.com called Midweek Maker. Each Wednesday we’ll feature a different knifemaker. The first six installments feature active-duty military or veterans. This week: Midweek Maker Military-Style: Dustin Driver of Driver Defense Knives.
Dustin Driver of Guntersville, Alabama served in the U.S. Army from 2004 to 2010. He was a communications expert, deploying to Iraq, 2005-2006, and Kuwait, 2007-2009. He uses that training and experience in his current job as a system and network administrator for a government contractor.
In October 2015 he was looking for a hobby. “I have always been into knives and have always been creative and good at making things,” Dustin noted. Aside from some You Tube videos and Internet research, he is essentially self-taught. “I have a beautiful daughter who has cerebral palsy, so I try and do a few charity knives a year to benefit cerebral palsy and other special needs areas.”
Best-selling knife patterns: Belladonna, an EDC mini cleaver; Toxin, an everyday carry with several blade styles; Timber Rattler, a small neck knife
Favorite blade steels: 1095 for consistent heat-treat; S35VN as a good all-around steel; pattern-welded steel from Alabama Damascus Steel
Blade grinds: flat with plans to offer hollow. “I like thick blades with full or high flat grinds. The thick spine makes for a strong blade, and the high flat grinds make them nice slicers.”
How he tests his knives: chopping 2-by-4s, field use, slicing paper
Dustin Driver bought a mill and he’s experimenting with fullers. He likes the looks of them when they end in a bevel. His Toxin model comes in a variety of blade styles, including a drop-point with or without hamon.
The 7.5-inch Driver Defense Toxin is a tanto-bowie with fuller made out of S35VN steel. The flat-ground blade measures 3 inches. The scales are stabilized spalted maple with carbon fiber bolster and orange G10 liner and spacer. Maker’s list price: $350 with Kydex sheath.
Contact Dustin Driver, 256-975-9857, [email protected], on Facebook at Driver Defense and on Instagram @driverdefenseknives. His Facebook Group is Driver Defense EDC. You’ll want to ask to join that one. Dustin makes beef jerky, too, and he’s a big-hearted guy with frequently donates portions of proceeds to charity.
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An annual U.S. subscription to BLADE is $21.98. You can get your 13 issues sent to Canada for $39.98 and internationally for $49.98. Or go green and get your issues sent digitally for $17.98.
A one year’s subscription to BLADE will ensure you’re the first to read all six Knifemaker Showcase stories. You’ll also get the latest knife news, knifemaking how-tos, knife reviews, plus knife history and articles that tap into the knowledge of both the legends and the up-and-comers. Don’t miss out. Subscribe.
Brent Vaccaro of Black Widow Knifeworks & Tactical Gear left high school in his junior year. He already knew carpentry inside and out. But it was when he turned to knifemaking that he found a way to identify himself that had eluded him during his other business attempts. This dropout knifemaker is a master at marketing.
Brent Vaccaro of Black Widow Knifeworks & Tactical Gear attended high school in New Jersey where he was born and raised. He excelled in woodworking, banging out projects that those two years ahead of him struggled through. His teacher helped him, Brent said, but perhaps most by giving him the freedom to do his own thing. Brent grew up building houses. His family lived in the middle of an open subdivision field and every day after school Brent would work on the other eight houses that needed to be constructed. In his junior year, bullying got too much. He left school and became a carpenter. Over the course of 15 years he worked in construction, running his own business and working for others. He also started a tactical gear company, and he dabbled in beard accessories during the height of facial hair resurgence. He never could quite establish an identity for himself in any of his three businesses, he admitted, but when he started making knives, everything came together. Now, no matter how different Brent’s knives are from each other, when you see a Black Widow knife, you recognize it immediately. The dropout knifemaker is a master of marketing.
Model: H.E.R.L Blade Length: 4.25 inches Blade Steel: CPM-S30V Blade Finish: acid wash with spider web etch Scales: Voodoo Resin’s Purple Haze with KS Carbon bolster Overall Length: 8″ inches Maker’s list price: $250-$350 shipped with Kydex sheath and Tec-Lok Contact: Message Brent Vaccaro on Facebook at Black Widow Knifeworks & Tactical Gear. (Additional contacts at end of article.)
Around the time that Brent was struggling with being in school, when he was 16, his father gave him a pocketknife. It was a now-discontinued Kershaw model. “I still have it. I loved that knife,” Brent said. But he never had the money to collect knives, and some days he gets a mock scolding from his wife, Megan for forgetting to carry a blade on him. He was getting disillusioned with the diminishing level of artistry within carpentry, the lack of appreciation from the customers and the sense that the industry was solely focused on money. Although the skill sets are similar in woodworking and metalworking, it took some time to transition. Now Brent loves metalworking. It’s not months or years to finish a project with barely a handshake and never a thank you. It’s the instant gratification of seeing a knife come to completion over a course of days, sending it out and having the customer write him that they have no words for how impressed they are with his knife.
Model: BW Tac Tanto Blade Steel: CPM S30V Blade length: 3.5 inches Blade Finish: dark acid wash and stonewash finish with aggressive gimping Scales: Voodoo Resins’ Bloody Hulk with KS Carbon Fiber bolsters. Overall length: 7 inches Maker’s list price: $230-$330 shipped with Kydex sheath and Tec-Lok Contact: Message Brent Vaccaro on Facebook at Black Widow Knifeworks & Tactical Gear. (Additional contacts at end of article.)
And therein lies his mastery. Brent is fulfilled by that appreciation for his craft, and he knows exactly how to represent his knives to the world in the best possible light—literally—without ever crossing into exaggeration. It means a lot to him that he has created an identity for himself that is true to him, celebratory of his knifemaking and honoring to the client. “It’s an extension of self,” Brent said, adding that he wants his knives to be passed on as a part of his and his client’s heritage. You only have to look at a photo of a Black Widow knife to get the “feel” for the candied richness of the colors, the smoothness of the handle and the badassery of the blade itself.
“I don’t keep them,” Brent said. So each night he takes the time to shoot exceptional photos of each piece, a running catalog of his work, for him to remember by and for the client to share. He takes 10 to 15 photos of every knife and picks the best ones. And that’s because he’s found a system that works for him. At first, you’ll need to shoot far more to find the right lighting and angles. “You have to take the time to do it. It’s part of marketing,” he said.
If you want to take great photos of your knives, upgrade your cell phone, make yourself a lightbox, buy some handheld lights and take the time to learn how to make your knives look, not OK, but fantastic.
Building A Lightbox That Works
Brent invested $50 in his lightbox. At The Home Depot he bought 1-inch PVC and eight 90-degree T connections. With those he made his two squares for the box ends. He also got alligator clips. At Walmart he bought a king-sized white sheet and clipped it taught to the PVC frame. The whole thing is collapsible so that he can move it out of the way when he’s working. And, of course, the white sheet is no longer white.
The Backdrop
Normally, light boxes are made with white construction paper on the floor that bends up the back. Not Brent’s. He does a lot of Kydex. He was heating up a 2-by-4-foot sheet of carbon fiber one day and as it bent, it occurred to him to use it in the lightbox. He had to buy more Kydex, but he likes the look of it. That was probably anther $50, but wouldn’t be necessary for everyone since every knifemaker’s style is different. Brent strives to build tough knives that military and law enforcement can respect, while still appealing to the civilian population with his Candy-Crush-like handles. He mostly uses Matt Peterson’s Voodoo Resins scales, but he’s also using some of J Hue Customs’.
Model: Recluse Neck Knife Blade Steel: CPM-D2 Blade Length: 3.25 inches Blade Finish: acid wash with American flag etch on both sides Scales: Voodoo Resins’ Chameleon Overall length: 5.5 inches. Maker’s list price: Price range: $165-$200 with Kydex neck sheath Contact: Message Brent Vaccaro at Black Widow Knifeworks & Tactical Gear
Lights! Camera! Action—No Really, Move Around!
For lights he purchased round Utilitech LEDs that he can hold while he shoots. “The light is never stationary,” he explained. He waits until complete darkness because he has two windows in his shop and he wants total control of the lighting. Because the LEDs are very white lights, bluish even, he adds a 60-watt lightbulb to add a yellow hue to balance out the lighting. He moves around with his iPhone 7 Plus (“There is a difference with the Plus,” he notes.) and his light and gets exactly the angle and lighting he wants. Not only are the knives well lit, especially for mood-inducing vignettes, for which the majority of a knifemaker’s photos will be used, especially online, but they are in crystal clear focus. Brent does not use the focus feature on the phone. That will only cause the camera to focus on one point on the knife, when the objective is to show the entire knife in full focus, even if you have the point or butt stylistically in the background. He also does not use the flash, which only washes out colors and overexposes the image.
Model: The Carnage Blade length: 4 inches Blade Steel: CPM S30V Blade Finish: acid/stonewashed with American flag etch on both sides Scales: J Hue Customs’ hybrid red, white and blue resin with maple burl Overall length: 8 inches Maker’s list price: $320-$500 shipped with Kydex sheath and Tec-Lok Contact: Message Brent Vaccaro on Facebook at Black Widow Knifeworks & Tactical Gear (Additional contacts at end of article.)
Props Never Steal The Scene
Brent uses all kinds of props in his still-lifes. Because he also produces tactical gear, like custom Kydex sheaths, you will often see pistols, ammunition and other gear as accessories in his pictures. Chain, motorcycle gloves, even Halloween webbing have been used in Black Widow images. His artistic eye is always at work, not only in the making of the knives, but in his ability to let the knives do the talking. They are always center stage. They are the first things you see in the picture and the props are there only to compliment the knives, never upstage them.
Editing
Brent uses two apps to edit his images: PicLab and Aviary. He bumps up the saturation until the image represents what you see in person. It’s important not to overdue saturation because then your customers will be disappointed that your knife doesn’t live up to how it was displayed online, all back-lit by the computer screen. It’s equally important, though, that the knife not appear duller than it is in real life.
Creating An Image
Brent is one of those men who is smart, learns quickly and follows directions. He is also a good man, turning away from an industry that couldn’t fulfill his creativity and abraded his integrity. He has been rewarded with great success. “I’m outgrowing my shop,” he said. Brent knows he’ll have to return to carpentry to build himself more space. He can’t believe it sometimes when he thinks how far he’s come in his year of knifemaking. Metal work comes easier to him. “I don’t get nearly as angry as I used to get doing carpentry,” he said. He’d be thinking artistically and make a little strip of wood for something and it would break. Sometimes he’ll find a scratch in a knife handle and he’ll have to go back and grind it out and re-sand—normally, he goes all the way from 150 to 2000 grit—but it’s not nearly as frustrating as woodworking had been.
Model: The Patella Recurve Blade length: 4 inches Blade Steel: CPM S30V Blade Finish: acid wash Scales: Voodoo Resins’ Red Honeycomb with KS Carbon bolsters Overall length: 7.75 inches Maker’s list price: $380-$500 with Kydex sheath and Tec-Lok Contact: Message Brent Vaccaro on Facebook at Black Widow Knifeworks & Tactical Gear. (Additional contacts at bottom of article.)
Brent takes great pride when someone in the industry tells him they recognize his work right off. He has been an apt student of life. The years of entrepreneurship that didn’t work, prepared him for the one that would work. But no matter how much marketing you apply to your knifemaking, the knife must still cut. It must still hold up to wear and perform as expected upon arrival and for generations to come. Time will tell, but sometimes dues get paid behind the scenes and a meteoric rise is well-earned.
Meanwhile, Brent will have to break away for the birth of his first child, a son, Blake—due any day—and at some point, he’ll need to expand his shop, but he never closes his books for long. He doesn’t think it reflects well to just drop a knife. He refuses to do it. He respects reliability in the people he does business with, so he holds himself to that standard for his customers. Just get in touch, but be aware if you do, you’ll get caught up in the Black Widow web.
Contact: Brent E. Vaccaro by email at [email protected] or Message him on Facebook at Black Widow Knifeworks & Tactical Gear. He also has a website at www.blackwidowtac.com. If you need to call, Message first, otherwise he might not hear you over the machines, 908-328-2049.
It’s All In The Grind
Mastering this one skill will improve your craft immensely. For less than $5, you can add an essential to your knifemaking library.
Author R.J. Martin instructs on flat and double hollow grinds. He discusses chisel grinds, tip shaping, the two-hand pass and lots more in “Knife Grinding Secrets.” Most importantly the finesse of grinding will be covered so that you can master the skill. Downloadable version availabe for $4.99.
Depending on where you live and by what method you hunt, deer season is underway. There are any number of blade patterns you could select for a skinning knife, but why are they shaped the way they are? What is the maker considering when he crafts a knife he calls a skinner? Let’s look at 20 examples of 5 types of skinners, plus an extra.
1. Bull-Nose Skinners
“The blunt tip in conjunction with the trailing point helps from punching through the hide,” noted Travis Fleming of Fleming Fabrications in North Texas about bull-nose skinners.
This set of bull-nose skinners were made for a father and son by Travis Fleming. The 4 1/2-inch blade is made out of CPM 154 stainless steel. The bolster is brass, and the antler handles were supplied by the son from the first buck he got with his dad. Overall length: 9 inches. Maker’s list price: $500/set. Contact Travis Flemming at [email protected] or on Facebook at Fleming’s Fabrications.
Josh Bryant of JB Custom Knives put it this way: “The bump and large drop at the tip are intended to go over guts without popping them.”
Josh Bryant’s Mini Green River Skinner is made with a 2 3/4-inch blade out of CPM 154 steel. The handle is made of dyed stabilized maple burl. Overall length is 6 inches. Maker’s list price: $180 with leather sheath made by the maker. Contact Josh Bryant at [email protected], on Facebook at JB Custom Knives and on Instagram @jb_custom_knives.
“I like a skinner made with a CPM steel,” Mike Cleveland of Half Life Knives commented. “(It) keeps its edge longer and that means more game prepared before sharpening.” Mike added: “I prefer the fuller belly for its ability to cape around tight areas. I value that over the ability to stab in a skinner. With this style of blade you’ll finish ahead of those with a sharper point.”
Michael J. Cleveland of Half Life Knives uses CPM S90V to make the 3.85-inch blade on this skinner. The overall length is 8.5 inches. The handle is made of mammoth bone with Voodoo Resin bolsters. Maker’s list price: $650 with leather sheath. Contact Mike Cleveland at Half Life Knives on Facebook or at 405-627-6097.
2. Drop-Point Skinners
The drop-point skinner is one of the most, if not the most, popular skinning knife blade design. Within the drop-point category, however, there is plenty of individual styling.
When Raymon Hunt of 3H’s Knives LLC makes a skinner, he strives for “enough belly for caping, but with enough point to make opening the cavity easy without piercing the organs.” A skinner should be balanced and lightweight, he notes. “It is amazing how carrying a heavy knife along with a rifle on a six-hour stalk through the bush can wear you out.” Raymon added that comfort is important. There should be no areas on the handle that could produce hot spots.
Raymon Earl Hunt’s Nessmuk-style drop-point hunter has a forged 4-inch flat-ground blade made out of 1075 steel. The convex cutting edge is 3 1/2 inches, and the knife is 8 1/2 inches overall. The mortised handle is made with exhibition-grade desert ironwood with sterling silver pins and 416 stainless steel guard. Maker’s list price: $600 (includes sheath). Contact Info: Ramon Hunt at www.3hsknives.com, raymon.hunt@3hsknives and on Facebook at 3H’s Knives, LLC.
“I feel the most important parts of a good skinner are on edge-holding and the ability to be sharpened easily in the field,” Lane Ferrell of Farrell Custom Knives commented. He pointed out that comfort, not being too heavy and being balanced well, is essential “since some skinning jobs can take a while to finish.” He noted that a skinner “should also be small enough to be carried on a belt or in a pack, but large enough to get the job done effectively.”
Lane Ferrell’s Razorback model skinner has a 4.25-inch blade made with 1084 steel. The handle is Russian bog oak with red G10 liners and mosaic pins. Overall length is 8.75 inches. Price $275 with vegetable-tanned leather sheath with red stitching. Contact Lane Ferrell at [email protected] or Facebook at Ferrell Custom Knives.
“I do such a wide variety of skinners that it all depends on what the customer wants,” Spencer Aplin of STA Custom Knives noted. “Most people want a 3- to 4-inch drop-point. Then the second most requested is a trailing-point 4- to 5-inch blade.” And in Spencer’s experience, a whopping 99 percent want finger grooves.
This Spencer Aplin skinner has a 4-inch blade made of ELMAX Steel. The handle is made with stabilized myrtle burl. Maker’s list price $550 with padded zippered pouch. Hand-tooled and carved sheathes are available upon request at an additional cost. Contact Spencer Aplin at [email protected], www.stacustomknives.com or on Facebook at STA Custom Knives.
Chris Rowley made this 3.25-inch blade from pattern-welded 1084 and 15N20 steels. The overall length is 7.5 inches. Scales are by Voodoo Resins. Maker’s list price: $350 with Kydex sheath. Contact Chris Rowley at [email protected] and at Nomad Custom Knives and Tools group on Facebook.
Mike Jeffries of 2 Birds Metalworks made the smaller skinner in this set as a companion to the camp knife. “The slight fighter profile and small size make it excellent for thumb, as well as index, purchase for those internal and fine skinning tasks,” Mike noted.
This drop-point set was made with pattern-welded steel from Alabama Damascus Steel. The scales are made from dyed box-elder burl. The blade on the bottom knife is 3 inches, contributing to an overall length of just over 7 inches. Maker’s list price: $320 with leather sheath. Contact Mike Jefferies at [email protected], on Facebook at 2Birds Metalworks and on Instagram @2birdsmetalworks.
The carbon content in the steel James McClendon used to make this skinner is approximately 1.27 percent. “Makes a most excellent knife,” James declared. “Those old files are getting harder to find.” James likes the “second-to-none on edge-holding–at least as simple-carbon steels go.” He added that the addition of a soft backdraw gives the blade toughness. “I just prefer a guard on a blade so sharp it could take a finger off with one slip. LOL. I also leave just a hint of the file teeth but not enough to hold contaminants.”
James McClendon made this 4-inch drop-point hunter/skinner out of a Black Diamond file. The bolt-through handle is made of stabilized stag. Overall length is 8 1/2 inches. Maker’s list price: $180 with sheath. Contact James McClendon at [email protected].Johnny Stout’s Rio Grande Skinner has a 3 3/4-inch blade made out of 154 CPM steel. Overall length is 8 inches. Handle is made from amber stag antler. Fluted bolsters are 416 stainless steel. Maker’s list price: $925 with custom Paul Long sheath with red full-quill ostrich inlay. Contact Johnny Stout at 830-606-4067 or [email protected].
Will Thompson put it this way: “The 3 1/4-inch blade is perfect to get around those places that you just can’t get to with a bigger blade. It’s ready to help you get those hams and backstraps to the ice.”
Will Thompson made this 3 1/4-inch drop-point blade out of 1095 carbon steel. The Plantstone handles are by Robert Belcher. Overall length is 6 7/8 inches. Maker’s list price: $120 with leather sheath. Contact Will Thompson at [email protected] or 910-385-6021.Phill Bilkey’s Sambar Skinner has a 3.5-inch blade made of 1085 carbon steel. The handle material is Australian sambar antler with red G10 liners. $200 AUD with leather sheath. Contact: Southern Cross Custom Knives on Facebook.Eric Pearson of Lake Effect Knifeworks made this 4.25-inch hollow-ground drop-point blade out of 1095 steel with hamon. Overall length 9 3/4 inches. The scales are big-leaf maple burl. Maker’s list price: $200-plus. Contact Eric Pearson at Lake Effect Knifeworks on Facebook.
3. Nessmuk-Style Skinners
Joe Elinburg in northeast Florida likes the Nessmuk pattern for a skinner. “The rounded point makes skinning easier with less chance of putting a hole in the hide if you’re going to save it for tanning,” he commented. “Also the swoop in the back of the blade makes a great finger rest for more control of the blade.”
This Mini Nessmuk Skinner is made by Joe Elinburg in northeast Florida out of 1095 high carbon steel. The 3-inch blade is convex ground. Overall length is 6 inches. Handle material is camaru. Maker’s list price: $90 with Kydex sheath with mounted metal belt clip. Contact Joe Elinburg at [email protected], @jecustomknives on Instagram or call 904-962-0341.
4. Spear-Point Skinners
“I have always been a fan of spear-point skinners,” Jon Waltz commented. His son designed this model, and Jon made a few changes by adding the thumb ramp and expanding the belly. The deep finger guard and thumb ramp allow for full control of the blade. “The hollow grind makes for a extremely sharp cutting edge, and the large belly is great for slicing through flesh with precision,” Jon added.
Jon Waltz of Edge7 Custom Knives calls this model the 24/7 Skinner. The Hex resin scales are custom-made. Overall length is 7 inches. The 3-inch hollow-ground blade on this particular one is made of CPM D2 steel, but they are now made in PSF27 steel. Available finishes include acid etched, sandblasted and stonewashed. Makers list price: $275 and up with leather or Kydex sheath with combat loop. Contact Jon Waltz through www.edge7customknives.com.
Denny Furey of Furey’s Urban Combat Knives Unlimited uses NJ Steel Baron 1095 steel to make his Sukina, which is Japanese for skinner. Overall length is 7.75 inches with a 3.25-inch blade with a dark blued polished finish. The handle scales are Rob Carper Innovations (RCI) stabilized, dyed spalted maple. Maker’s list price: $175 with Kydex sheath with belt attachments. Contact Denny Furey at Furey’s Urban Combat Knives Unlimited on Facebook.
5. Trailing-Point Skinners
Trailing-point skinners excel for skinning small game, and are probably the second most popular skinning knife blade design behind drop-points.
“I believe that the finger groove and the thinned spot between it and the spine allows for easier indexing when trying to be precise while skinning raccoons or fox,” commented Tyler Freund of Freund’s Custom Knives. “One can simply pinch the knife between their thumb and finger. Much like you would a scalpel.” In addition, “the thin tip and thin steel lets the user make less intrusive cuts and more precise cuts around the wrists and ankles of the coon,” Tyler explained. He feels this would be more challenging with a bigger-bellied or thicker-bladed knife. “The knife has just enough belly in it that you can draw the knife and skin efficiently once you’ve gotten around the ribs,” he concluded.
Tyler Freund made this small-game skinner for a local trapper. The 3-inch trailing-point blade is made out of Vegas Forge’s raindrop-patterned steel, and the maker added file work along the spine. The handle is bone Micarta paired with Mike Sakmar mokume-gane. The knife is 7 1/4 inches overall. Maker’s list price: $350. Contact Tyler Freund at Freund’s Custom Knives on Facebook or on Instagram @tylerfreund08.Bryce Love’s trailing-point skinner has a 5-inch acid-etched stonewashed blade made out of 1095 steel. Overall length is 9 inches. The handle is made from curled cherry. Maker’s list price: $140. Contact Bryce Love on Facebook at 50Cal Forge or [email protected].
“This skinner has a short blade with pointed tip to reach into tight areas when skinning and caping,” Scooter Davis of Rough Run Forge explained about his Shrade-Sharpfinger-like knife. “The recess on the spine serves as a finger rest, allowing you to choke up forward on the knife for more control.”
Scooter Davis made this Shrade-Sharpfinger-style skinner with a 2 1/2-inch hollow-ground blade forged from 52100 steel. The scales are prickly pear cactus fastened with stainless steel corby pins. Maker’s list price: $175 with leather sheath. Contact Scooter Davis at Rough Run Forge on Facebook or call 540-560-1672.
Although not a traditional trailing-point blade shape, an upswept point is still evident. Richard Darby’s customer said you can make long sweeping cuts with this big-bellied blade design, as well as flesh with it. “Plus it gives a longer cutting edge for the length of the blade,” Richard noted.
Richard Darby’s big belly skinner has a 4.5-inch blade of 1095 steel with hamon. Overall length is 9 inches. The handle is made with flame masur birch from JHue Custom Sales. Maker’s list price: $150. Contact Richard Darby at [email protected].
Miscellaneous Skinners
When you skin, the idea is to pull the skin back and make sweeping slices like you would when using an ulu, but it’s not an ulu, Matthew Nolan from Angry Beaver Knives explained. “The whole handle fits in your hand while grasping the blade with thumb and pointer finger…more blade…angles…equals more slicing…and it fits nice in the hand for sweeping strokes.”
Matthew Nolan’s Dear Beaver deer skinner is made out of 15N20 or 1095 steels. The overall length is 5 to 6 inches, depending on the hand size of the customer. The scales are Dustin Smith lace maple burl at Simply Scales. Maker’s list price: $225 with Kydex only sheath. Contact Matthew Nolan at Angry Beaver Knives at [email protected] or at 518-791-2551.
Learn Which Knife Designs Stand The Test Of Time
“101 Knife Designs” provides actual scaled patterns that you can use to spark your own designs. At $19.53, you’ll be saving 35 percent on a classic.
Compare and contrast different skinner designs as well as knife patterns of all types. Hiro Soga’s images will satisfy your knife eye-candy jones, you’ll be able to delve into the theory of blade design and you’ll get 101 scaled patterns that you can use to initiate you’re own design. “101 Knife Designs” by Murray Carter is a must-have in hard copy so you can work with the designs, mark with notes and refer to again and again.
Notation knives dating from the mid-16th century were used to sing a pre-meal blessing and a post-meal grace. This example is on display at the Medieval and Renaissance Galleries at the Victoria & Albert Museum in London.
They’re called notation knives, and they’re engraved with what amounts to sheet music for multi-voiced song. They’re indicative of the formal role music played in medieval dining, according to Flora Dennis, an art historian and author of the book “Re-thinking Renaissance Objects: Design, Function and Meaning.” Holding the knife in the left hand, edge up, diners could see the notes and lyrics for the benediction, or blessing, sung before a meal. After the meal, again held in the left hand, edge down, the knife showed the music for the grace, thanking God for his generosity. Since cutting was done with the right hand, the knives may have been ritualistically transferred to the left hand, or they may have been solely used for singing purposes. Dating from the mid-1500s, one notation knife is on display at the Medieval and Renaissance Galleries at the V&A (Victoria & Albert) Museum in London, where Ms. Dennis works. There are others—seven in Paris, three in Philadelphia, two in The Hague, one in Austria, some in private collections—but as much as is known, much more remains unanswered about these rare items.
In addition to the 16 surviving notation knives, there are also written references to at least four others, according to Ms. Dennis. Essentially, though, the knives have been overlooked by historians because they don’t fit neatly into either “knives” or “music” and have been relegated to curiosity status. All the notation knives share a similar look. The steel blades are broad with straight spines and triangular points on center. According to V&A curator Kristen Kalber they may have been used to proffer a slice of meat to a diner, the point skewering the serving. Then again, squires normally carved meat and that was a highly skilled, status-imbued position. Carving rose to the level of entertainment with offerings carved from cooked fowls and beasts held aloft on forks. So, while some knives seem not to have been used other than to sing from, others show wear on the point and were definitely used.
Museum Curator And Historian Bring Notation Knife To Life
In this 2009 video V&A Museum curator Kristen Kalber shows the notation knife in the museum’s collection and demonstrates its use. Flora Dennis, an art historian at the museum, discusses the project that allowed the music on the knife to be recorded. Ms. Dennis holds a PhD in musicology, specializing in early music, and through an Arts and Humanities Research Council grant she was able to convert the music into modern notation, and then work with the Royal College of Music to bring it to life.
The points and the bolsters are engraved with leaf scrolls and strapwork, often gilded. The handles are made of ivory and green-dyed horn or bone with copper or brass spacers. The ivory is decorated with foliage, empty tablets of scrolls, Arabic or Moorish designs or winged cherub heads inlaid in black. The pommels are adorned with silver spherical knobs. The engravings are usually in Latin, though some are in the vernacular. The one from the V&A reads Benedictio mensae (The blessing of the table) on one side and Gratiarum actio (The saying of grace) on the other. The musical stave runs the length of the blade. In the upper right is the voice part, in this case “Tenor.” What this means is that there were different knives for different voices, in some cases as few as five or six or substantially more than 20.
Royal College Of Music Singers Record Two Versions Of The Meal Benediction
Knifemakers across Europe at the time would have been members of guilds and were specialized. Handles would have been made separately and assembled by the cutler who sold them. Ms. Dennis’ writings detail how challenging it can be to pinpoint where the notation knives were made or by whom. Knives were being made in Solingen and Nuremberg, Germany, and in Milan and Brescia, Italy. Possible guild marks show up in the form of arrows, fluers-de-lis or clovers, and etched Ns can be found on many of the blades, but those are more likely an engraver’s mark. One of Ms. Dennis’ knife consultants intimated that a Nuremberg mark would be on the tang, not the blade. The best guess is that they were made in France, with Italianate influence or for an Italian patron.
Were the knives collected after the gathering or did each singer keep his or her knife? In Ms. Dennis’ summation, judging by the scattering of surviving pieces, the latter might be more likely. It could also be that the knives were made for a group, such a monastery. In some instances, the strict, mass-like approach to such a shared meal could result in latecomers being fined for missing the benediction. What is clear is that the knives are not all from the same musical piece; there are two separate pieces of music represented by the known notation knives.
Royal College Of Music Singers Record Two Versions Of The Meal Grace
Interestingly, the notation knives are representative of both coming together and separating. It is the very nature of a knife to cut apart, but in this instance it is for the purpose of sharing, both repast and praise.
As Ms. Dennis writes:
“Benediction and Grace texts are inherently collective, expressing notions of conviviality and sharing. The knives reiterate this idea, needing to be brought together in a social context in order for their music to function. Simultaneously, however, they represent a contradictory action of dismembering and dividing. By slicing meat, the knives permit it to be shared between the gathered company in the same way that dismembering and scattering the musical text across the knives enabled a group to perform it collectively. The acts of uniting to say the Benediction and Grace, uniting to eat, and uniting to sing become inextricably intertwined with those of separating, dividing and sharing both meat and music.”
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Travis Payne of T-Bone’s Custom Creations was hesitant at first, but when Kelly Pilcher asked, he made a knife with her rib. The overall length on this spey knife is 6.75 with a 2.5-inch cutting edge.
Kelly Pilcher of Collinsville, Texas, was 20 years old when doctors told her that hope of regaining feeling in her right side lay in having her first rib removed. She put the surgery off for as long as she could, but at 22 opted to go under the knife to alleviate her thoracic outlet syndrome. During surgery preparations Kelly asked, “‘What happens to body parts that come out of people?’” She was told that they were disposed of properly, but that if she wanted to take her rib home with her, she could. It was hers. She was adamant that she wanted to keep it. When she awoke from surgery, her dad was there and he had an idea of what to do with the bone. Shane Pilcher works at the New Gainesville Livestock Auction barn and when someone had mentioned making a knife with the rib, they knew just who to ask. Travis Payne, of T-Bones Custom Creations in Telephone, Texas, makes castration knives so all the cattlemen knew he could fashion a knife made from her rib. “Let’s do it!” Kelly remembers saying.
Travis Payne is renowned for his castration knife design. It is often copied by manufacturers using low-grade steel. Look for the T-Bone’s makers mark to ensure you’re getting the real thing.
TOS is a condition in which the surrounding soft tissue constricts nerves and blood vessels between the collar bone and first rib. Normally it is something diagnosed in people in their 40s to 60s, more commonly women, or perhaps mail carriers who consistently carry a heavy bag on their shoulder. Kelly was diagnosed when she was 14. It is believed in her case that years of catching slow-pitch softball as well as playing volleyball may have constituted the kind of overuse usually only seen in older patients.
By 17 Kelly had undergone a year of physical therapy. Although the therapy improved the symptoms of her TOS, it did not eliminate them. She went for an additional course of physical therapy a couple of years later, but the results were not as good. Her condition continued to worsen. “It’s different in each person,” she explained. She endured numbness that started in her arm, but then advanced to her whole side. Although she learned how to teach her body to move when numb, she was left with few options if she wanted to become fully functioning again. She decided to have her rib removed.
Shane Pilcher wasn’t sure about his daughter Kelly’s plan to keep her rib, but the cattlemen at the livestock sale barn convinced him that a knife might be the perfect solution. “I don’t leave home without it,” Kelly said of the knife Travis Payne fashioned from her first rib.
Shane had been at the livestock sale barn and was expressing some hesitation about Kelly’s decision to keep her rib. Someone pointed out that knives are made with animal bone and antler all the time, why not a human bone? “‘And doesn’t T-Bone make a knife?’” Travis said, recreating how the conversation may have gone at the barn. Since 1993 when Travis was still in high school he’d been making knives. His father and brother work the ranch where he lives in Telephone, Texas, but he makes knives full time. He is renowned for a style of castration knife that is frequently copied, most annoyingly by manufacturers using cheap steel. Since Travis’ father-in-law frequents the same sale barn where Shane works and the barn owner had purchased several of Travis’ knives and many of the cattlemen owned his knives, he was the first knifemaker that came to mind. Shane warmed to this idea and presented it to Kelly in the recovery room.
Travis Payne was nervous about slicing Kelly McGuire’s removed rib. What if it broke?
Like everyone involved in the project—except Kelly—Travis was hesitant, but he agreed to make the knife. He decided on his 3100T everyday carry model, a spey in cowboy parlance, usually the second blade on an old-school slipjoint trapper. Only this would be a fixed version. “It came to me in a hospital specimen jar,” Travis said, taking a drag on his cigarette and waiting for the laughter. “With the meat still on it.”
He approached the project like he would any deer skull. “Only I knew I wasn’t going to be using my wife’s cook pot,” Travis said, laughing. He bought a throw-away pot and boiled the bone to get off any connective tissue. Although bleaching a bone works, it also can break the bone down. Travis soaked the 3-inch bone in hydrogen peroxide for a week. The same whitening was achieved without compromising the strength of the bone. Then he let it dry for several months, providing a convenient delaying excuse. The bone was very thin, only an 1/8-inch at its widest point. Travis feared breaking it.
Once the rib was clean and dry, knifemaker Travis Payne was able to see its true size. It would need to be cast in resin if it was going to be used as a knife handle.
“I had to regroup and talk to Kelly,” he said. She remembers the call. He explained to her that the bone was too small and thin to make a handle out of, but that he could arrange for it to be cast in resin. Only he would need to slice it down the middle to have bone on each side of the handle. He could break it in the process. “I told him to go for it,” Kelly said.
“Anyone who knows me, will tell you that I procrastinate,” Travis said. He continued to analyze the problem. Meanwhile, he needed to find someone who would cast a human rib. Travis figured if anyone would do it, it would be Robert Belcher of Mental Co. Robert eschews phones and social contact, but his resins like Plantstone are innovative. “‘No, but hell no. I can’t be touching that,’” Travis recalled him saying. Travis moved on and got similar responses, but at least there was no point cutting the rib if he didn’t have someone lined up. Finally, he took the rib to a show and unwrapped it for Pat Ankrom, of Ankrom Exotics in Centerville, Iowa, specializing in natural and cast scale materials. “Pat was like, ‘I’m leery, but I also think it’s kind of cool,’” Travis said. The men discussed the casting, and Pat agreed to do the job. Pat did not want something to happen to the bone in the process of packing up from the show, so Travis said he would mail the rib to him.
Travis Payne, 41, started making knives in high school before everyone had access to the Internet. He’s been a knifemaker for 20 years.
Now Travis had no choice but to cut the bone, but it was a nerve-wracking proposition. Travis wasn’t about to charge a young woman who didn’t have a lot of money and who had a debilitating condition more than the $200 he normally charged for such a knife, but in hindsight the cost to attempt something like this again would be closer to $500, Travis said. Kelly, of course, was excited to both see the knife and to have her rib back in her possession, so periodically she’d call for a status update. Finally, Travis got his courage up and sat down with a jeweler’s saw. “Even with a jeweler’s saw it was a tedious process,” he said. The whole project was “intense,” he said, laughing.
The two halves were packaged up and shipped to Pat, an exercise in trust in itself. Meanwhile, the blade awaited. It was made out of PSF27, a powered version of D2 that allowed for a true mirror finish. The lack of a point on a spey design means it’s ideal for active cattlemen, ensuring nobody stabs themselves or punctures a sheath. It has a hollow grind, and a finger groove for more controlled cutting. The file work on the spine increases a sure grip in what can be wet or messy work.
The bone was cast in clear resin so you could see it, but so that you couldn’t see the full tang Travis consulted with Kelly about colors. She was open to a turquoise or blue. Travis added a blue liner, which casts the clear with a blue tone. The knife was then sent to Jack Andress, who made a sheath in a yellow leather, complimenting the blue perfectly.
How’d it come out? “I love it,” Kelly declared. Shane and Kelly came together to pick up the knife from Travis. Kelly said that she’d had that rib her whole life and she saw no reason why she shouldn’t have it with her for the rest of her life. She carries it everywhere, either on her person or in her vehicle. Although she does use it, she tries not to. Her surgery was a success, and feeling has mostly returned. There is no cure for the many variations of TOS and symptoms can return, however, Kelly’s pluck and resolve are ever-present. “I can’t complain,” she said.
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Pete Sloan made two neck knives for the wife and son of his friend and fellow maker Spencer Aplin. He used his daughter’s hand to perfect mini knife’s design, ensuring it fit the tiny hands of Lisa Johnson Aplin and son Alexx who suffer from brittle bone disease.
“One thing that Spencer is very good at is knowing what I’d like,” Lisa Johnson Aplin said. Lisa is the co-founder and chief operating officer of STA Custom Knives out of Brazoria, Texas. She and knifemaker Spencer Aplin were married in 1993, and together they have a son Alexx who will be 24 in a couple of months, a journalist and sometimes quality controller in his father’s shop. Lisa had no idea that a Sloan Custom Knives creation she admired had already been custom-ordered for her by her husband. Lisa suffers from osteogenesis imperfecta, or brittle bone disease, so although she does not have dwarfism and is therefore not a “little person,” she is a very little person. The one thing that Pete Sloan has plenty of access to is little people in the form of children, 9 to be exact. So, he used one daughter’s hand to perfect the mini knife fit and design.
Erin Sloan is 9 now, but she was 5 when her dad, Pete, asked her to help him custom-fit a tiny neck knife. Erin is one of 9 Sloan children.
Lisa’s favorite color is green and Spencer had been admiring a green knife he saw on Facebook that his friend Pete had made. “He asked me if I could make one for his wife,” Pete said. Pete was surprised and honored that Spencer, a maker he greatly admires for his knifemaking in general and blade-carving in particular, would ask him for a knife. Pete told Spencer that he was welcome to make the knife if he wanted, but Spencer said, no, that Pete had a good command of the Wharncliffe design and he wanted Pete to make it.
Pete Sloan started out with an old 4-by-36-inch belt grinder–generally considered underpowered and not ideally configured for knifemaking–and some hand files. “I liked it,” he said.
Humbled, Pete was determined to get it right. But he lived in Medina, Tennessee, and had never met Lisa. He only had Spencer’s description of her size to go on. Lisa is 2 feet, 10 inches tall. Pete’s daughter Erin was 5 at the time. So, he roughed out the 440C stainless steel blades and then with a Sharpie marked the first finger groove using Erin’s grip as a guide, grinding until it was just right for her petite hand. Spencer requested the stainless steel because the Aplins live next to salt water, and he wanted to minimize corrosion. Pete said he mostly gets requests for pattern-welded steel.
Spencer Aplin of STA Custom Knives, standing, took his son, Alexx, and wife and business partner, Lisa, to the 2015 BLADE Show.
If you’ve ever seen the movie “Unbreakable” starring Bruce Willis, you know what osteogenesis imperfecta entails. Mr. Glass’ character, played by Samuel L. Jackson, has a form of the condition that allowed him to grow to full height, but his lifestyle is still hampered by debilitating bone breaks. Lisa and subsequently her son Alexx have Type III OI. A genetic mutation causing a lack of collagen, subsequently prompting connective tissue issues. The result is that bones fracture easily and those with the affliction will be short in stature with a curved spine and barrel-shaped chest. Type I is the most mild form of the condition, Type II and Type VIII the most severe and most often fatal. Types III through VI vary in symptoms and genetic causes. OI has been traced through mummies back to 1000 BC Egypt. Even though the condition has been around a long time, there is still no cure.
Pete Sloan used green-dyed curly maple for the scales on Lisa Aplin’s knife and blue-dyed and natural sycamore for Alexx’s. You can contact Richard Beam on Facebook for such impregnated wood products.
Pete used stabilized curly maple dyed green from Richard Beam at Nicholas Impregnated Woods to make the handle for Lisa’s knife and a combination blue-dyed and natural sycamore for Alexx’s. Each came with a Kydex sheath and cording to wear around the neck. At the 2015 BLADE Show, Lisa finally met Pete in person and he presented her with the knife. She loved it! “Green is my favorite color,” she said. She uses the knife all the time, opening boxes that come to the shop and for everyday uses around the house. Although it can be used for food preparation, Lisa doesn’t cook, she said laughing. Spencer does the cooking. She treasures the knife. “It’s one of my favorite’s in my collection.” She continues to be impressed with the fit and with how Pete obtained it.
Push Kydex sheaths away with your thumb rather than struggling to pull the knife out. If they are too tight, contact the maker. He can heat and loosen the fit while still ensuring the knife does not fall out.
The only thing that Pete could not have accounted for was hand strength or lack thereof. Both Lisa and Alexx had a hard time drawing their knives. Spencer simply heated up the sheaths and worked the knives in them so that they released more easily without falling out. “It not something he could have known about,” Lisa said. “I think he did a great job.”
When asked how she adapts to daily activities in a full-size house at her stature and in a wheelchair, Lisa’s answer was immediate and delivered in as cheery a tone as everything else she talks about. “The great thing about being married to someone who works with his hands,” Lisa explained, “is that Spencer can make me anything I might need customized.” The Sloan Custom Knife was an unexpected surprise, but in hindsight typical of Spencer to have picked out exactly what she would have picked out for herself long beforehand.
It’s a challenge to get all the Sloans in one place. This is the whole family minus oldest daughter, Becca, who is in the U.S. Air Force.
Pete visited Spencer before the 2017 BLADE Show and the two slept little working hard to finish up knives to sell. Spencer and Pete make knives with similar styles as Spencer shares his knowledge with Pete. And if Pete ever needs another hand model, he can turn to one of his and his wife, Holly’s, nine children, some biological, some adopted, some that came by other means: Becca, 19; Carson, 18; Gage, 15; Brant, 14; Makenzie, 13; Leigha, 10; Erin, 9; Madeline, 8; and Grace, 7. The couple used to be foster parents. “There a story to just about all of them,” Pete noted with a laugh.
Contact Pete Sloan at [email protected] or on Facebook at Sloan Custom Knives.
These mini neckers are 4.25 inches overall. The 440C stainless steel blades are 2 inches. The full-tang construction allows for a lanyard through hole. These were designed for child-sized hands, but come in larger versions. Handle material is impregnated wood from Richard Beam. Maker’s list price: $200 shipped with Kydex sheath.
Are You Looking to Perfect Your Own Everyday Carry?
Another thing you’ll learn more about in Wayne Goddard’s “Making The Everyday Carry Knife” is selecting the right materials for a handle that lasts.
“Making the Everyday Carry Knife” by Wayne Goddard includes information on how to determine the best blade and handle length. You’ll also get tips on how to use your computer to assist you in designing your knife, plus lots more including grinding and tempering techniques and tool suggestions. At only $4.99 in digital format it’s a wealth of information at a steal.
