A blade’s profile geometry has a considerable effect on how well the knife works for an intended use. A blade with a substantial curve facilitates slicing cuts along the length of the edge, as on skinners and some butcher knives, such as steak scimitars. Straighter blades work well for tip control and power cutting.
A recurve combines features of a couple of blade styles. Depending on the size of the knife and its intended use, the recurve provides certain benefits. The edge line is “S”-like in shape. The overall form leaves the front part of the blade with a sweeping curve. Such a curve provides the edge with belly for slicing and plow/furrow-like cuts, along with the ability to do detailed cuts using a reverse pinch grip.
Are Recurve Blades Better?
You can see how material being cut can get locked in the pocket of a recurve blade, here with the Ronin Shinto.
As to which cuts work best with which knife, it depends on the other characteristics mentioned in the story. On large knives such as choppers, the use of a recurve gives the blade a weight-forward advantage.
Simply adding length to a blade does make it heavier by default, but, to actually have a weight-forward design, the front half of the blade needs to have more weight than the back. The idea is to look at the weight of the blade and not the whole knife to classify it as “weight-forward.”
Near the handle the recurve forms a pocket, which tends to lock material in. The subsequent curve formed by the pocket provides a leading edge to a cut, depending on the curve’s circumference. A leading edge is an edge angle that leads into the work, as opposed to approaching the cut at 90 degrees to the material. You can also generate a leading edge by angling a straight blade while cutting. On a recurve, the arch formed by the pocket provides a leading edge.
Knives come in all types and sizes. The knives in Brittany Gambee’s collection, for instance, are miniatures, all of which, with the exception of one, are made by ABS journeyman smith Dale Huckabee. And the genesis for them all started with a hug—or the lack thereof.
“Give Me A Hug For A Knife”
It started almost two decades ago when Brittany was 6. She and her mom, Dianna, were visiting their first Batson’s Bladesmithing Symposium, a three-day celebration of bladesmithing seminars and knives at the Tannehill Ironworks and park in McCalla, Alabama. Then a fledgling bladesmith, Huckabee was displaying his knives at his second or third Batson event, when up walked Brittany.
“This little girl about 2 or 3 feet high came up and said she’d give me a hug for a knife,” Dale recalled. Huckabee was feeling pretty chipper back then because he had just won a scholarship to the Bill Moran School of Bladesmithing.
Brittany holds the knife at 6 (left) and wears it at 16 (right). In the background of the latter image is Brittany’s mom, Dianna.
“I had this miniature knife and sheath and reached over and hung it around her neck and said, ‘Where’s my hug?’—and she ran,” he grinned.
Dianna remembers the incident almost like it was yesterday.
“Dale told me when he gave the knife to her that it was sharp and to be careful, but he wanted her to have it,” she said, adding that Brittany wore the knife and neck sheath for many years. “Well, in our silliness we didn’t get his name, we just took the knife and sheath and figured ‘no big deal.’”
The DH Mystery
Fast-forward 10 years to when Brittany was 16. “The dog chewed the edge of the sheath and Brittany was very upset and wanted to replace it,” Dianna remembered. “Well, the knife had a ‘DH’ on it, but we didn’t know who DH was.”
Enter “Uncle Bill.”
“We’d been coming to Batson’s every year and there was this wonderful man who used to come here, ‘Uncle Bill’ Richardson—he’s passed away now—and he told us, ‘You bring the knife to the symposium and have Brittany wear it and somebody will recognize you.’”
Richardson—who Dale said didn’t make knives but was “a heck of a blacksmith”—was at least half right. Dale recognized Dianna but he didn’t recognize Brittany because at 16 she was 10 years older than the young lady he originally had met.
“This lady and this girl walk up and the lady said you don’t recognize her [Brittany], do you?’” Dale recalled. “I said no but I recognize the knife.”
Collecting Miniature Knives
Gambee’s collection includes 12 miniatures. The neck knife and sheath are at lower left.
The Gambees have been coming to Batson’s Symposium—including this year’s rendition April 7-9—ever since and each year Brittany, now 25, buys a Huckabee miniature knife. This year’s addition: a miniature chef’s knife. The only piece in her collection that Dale did not make is one miniature damascus tomahawk by ABS master smith Ken Durham.
“Ken made the hawk for me because Dale always makes knives,” Brittany noted. “He saw Dale’s knives and said he could make a small hawk for me, and then Dale saw Ken’s hawk and said he could make a small one of those and made one for me, too.”
A Lasting Friendship
Dale Huckabee, Brittany and her collection at the 2019 Batson’s Bladesmithing Symposium.
The lasting relationship between Dale and the Gambees is something all concerned seem to relish.
“It’s been a good journey. She’s grown up with me now,” Huckabee reflected. “When I get to the BLADE Show I see her over there some and she’s like family. I try to make something different for her every year. Last year I made the miniature damascus tomahawk, but I have to keep my head working to try to make something new and different each year. I don’t know what it will be next year. I’ll have to try and come up with something new.”
Oh, and in case you’re wondering, Dale replaced the sheath for Brittany’s knife, too.
With more and more states decriminalizing automatic knives (aka “switchblades”), knife enthusiasts are more interested than ever before in purchasing one of these knives. They often turn to online retailers, but that presents a sticky situation: federal law prohibits interstate commerce of autos (see a full explainer here).
This leaves many scratching their heads. For instance, if a buyer in Montana places an online order with a seller in New Hampshire, does federal law prohibit the otherwise-legal transaction?
BLADE addressed the issue with an expert team of panelists who have dealt extensively with knife laws. They include Jan Billeb of the American Knife & Tool Institute (AKTI), Doug Ritter of Knife Rights and Evan Nappen, an attorney and author who specializes in knife and gun rights cases.
Question: Doesn’t the Federal Switchblade Act ban the transport of an automatic knife across state lines?
BILLEB: The Federal Switchblade Act is widely misunderstood, as it only applies to interstate commerce—commercially selling automatic knives across state lines. It does not prohibit crossing state lines with an automatic knife. It also does not prohibit traveling by air with an automatic knife in your checked baggage. State law applies to those traveling by surface or air based on your location, which state you depart from, where you might pass through, and you need to be concerned that your knife is legal in any of those locations.
Question: Is legal to ship automatic knives through the mail?
RITTER: Shipping autos, balisongs, gravity knives and ballistic knives via the U.S. Post Office is generally illegal, with some very narrow exceptions—which an individual is unlikely able to take advantage of. You would be subject to fines and up to a year in jail, or both, for breaking this law. Any criminal intent involved ratchets up the penalties. We strongly suggest that individuals use only FedEx or UPS to ship these types of knives.
BILLEB: Never ship an automatic knife using the U.S. Postal Service. Federal law prohibits the shipment of ‘injurious articles’—which includes automatic knives. The penalty for breaking this law is a fine or imprisonment for not more than one year. However, there is no federal restriction on shipment of automatic knives by common/contract carriers, such as FedEx and UPS. When shipping an automatic knife, always use a private carrier such as FedEx and UPS. In fact, the American Knife & Tool Institute recommends that you do not ship knives by the U.S. Postal Service to avoid a possible issue over confusion of whether it is an automatic knife.
NAPPEN: If the law-abiding collector does not give up his or her constitutional rights and has taken the above measures, that person and their knives will have significant added protection from an unjust prosecution and property confiscation. The best way to avoid becoming a victim of anti-knife laws is to avoid being arrested in the first place and being prepared if you are arrested.
Question: Can a city, county or other municipality ban automatic knives even if they are legal at the state level?
BILLEB: There are states where automatics are legal, but city or political sub-division ordinances may provide otherwise and ban or limit autos or other types of knives. That situation can be possible unless the state’s constitution provides otherwise or there is a statewide preemption law. Accordingly, knife owners/users should [know] the laws where they live, work or travel.
RITTER: The better question—with a much shorter list—is: Which states preempt local jurisdictions from regulating knives? If there is no state preemption, then jurisdictions are free to make up their own restrictions. Preemption prevents enforcement of existing local knife ordinances and prohibits new ordinances more restrictive than state laws, which only serve to confuse or entrap law-abiding citizens traveling within or through the state. Preemption ensures residents and travelers can expect consistent enforcement of state knife laws everywhere in a state. In total, 10 states have now enacted preemption bills: Alaska, Arizona, Georgia, Kansas, New Hampshire, Oklahoma, Tennessee, Texas, Utah and Wisconsin. Existing constitutional weapons preemption law covers knives in New Mexico and Wyoming. Elsewhere, there is no preemption covering knives, and owners should be wary of local regulations more restrictive than state law.
For answers to more questions about automatic knives, visit Knife Rights or AKTI.
Atlanta, Georgia (June 8, 2019) – Awards recognizing the highest achievement in the production and custom knife industries were bestowed the evening of Saturday, June 8, 2019, at the BLADE Show in the Cobb Galleria.
2019 BLADE Show Knife of the Year® Award Winners
Representatives from BLADE (www.blademag.com) distributed BLADE Magazine Knife of the Year® awards in 11 categories, plus awards for individuals’ career achievements. All entrants in the Knife of the Year® competition were evaluated by a super panel of undisclosed judges on a number of factors, including utility, design, creativity, materials, aesthetics, feel and other traits. This was different from years past, when booth holders at the show voted by ballot.
Overall Knife of the Year®: FOX Knives Radius
Judges commented on the innovative opening mechanism and quality workmanship. The patent-pending mechanism requires the user to slightly depress and move the button along the U-shaped track for opening and closing.
The Radius also brings home the Imported Knife of the Year® award.
American-Made Knife of the Year®: Microtech Socom Elite
This exemplary automatic is a hallmark of the American knife industry.
Most Innovative American Design: Spyderco Para 3 Lightweight
Spyderco knocked out about a third of the weight (and the price point) of the standard Para 3 for this lightweight version.
Most Innovative Imported Design: WE Knife .037
WE’s takedown design makes simplicity look easy. The company describes the .037 as sporting “self-locating interlocking tab frame construction.”
Best Buy of the Year: CRKT CEO
The CEO brings gents’ knives to the masses with its $49.99 price point.
Investor/Collector Knife of the Year®: ProTech Warenski/Brend Masterpiece Custom
ProTech continues to dominate this category with another attractive entry for investors. This one must be seen to be believed, but you’ll need to shell out $12,000.
Manufacturing Quality Award: Chris Reeve Knives
It’s not enough to perform at a high level once or twice. Chris Reeve Knives’s consistency in craftsmanship is key to this win.
Accessory of the Year: Outdoor Edge Para Spark
This survival bracelet is handy and just plain cool. Using the latch as a sheath is a nice touch.
Collaboration of the Year: Casstrom/Lars Falt/CAS Iberia Lars Falt Lockback
Simplicity equals versatility, as this lockback demonstrates, and yet the distinct touches of the collaboration still shine through.
Kitchen Knife of the Year®: Apogee Dragon Storm (set of 4)
This set demonstrates the intersection of art and utility at a high level for a production kitchen knives.
Cutlery Hall-Of-Fame® Inductee (by proclamation): BLADE Editor Steve Shackleford – This came as a surprise to Shackleford, who was emceeing the ceremony. Inductees typically know they will be honored before the event. However, with the blessing of the others in the Hall of Fame, Shackleford was inducted by Bruce Voyles, former publisher of BLADE.
Adam Drescher (middle) during a break between scenes of the upcoming movie, The Mule. At right is Clint Eastwood and at left is character actor Richard Herd. Adam owns Adam Unlimited, which specializes in exotic skins for the knife and motorcycle industries, especially rayskin. (Photos by Images courtesy of Adam Drescher)
Industry Achievement Award: Lucas Burnley, for his charitable work with Toys for Tots
Aldo and Edda Lorenzi Award: Bill Ruple (this award comes with a $1,000 cash prize from the Lorenzi family to support the custom knife industry)
2019 BLADE Show Custom Knife Winners
The 2019 BLADE Show Custom Knife Award Winners were also announced on Saturday, June 8, 2019, at the Cobb Galleria in Atlanta.
Best in Show: Harvey Dean
Best Art Knife: Veronique Laurent
Best Folder: Javier Vogt
Best Bowie: Jerry Fisk
Best Kitchen Knife: Doberman Forge
Best Fixed Blade: Harvey Dean
Best Damascus: Franco Custom Knives
Best New Maker: Esnyx Knives
Best Collaboration: David Lisch & Andrew Meers
Best Handle Design: Ben Breda
Best Fighter: Brian Sellers
Best of the Rest: Ron Newton
Most Innovative Design: RJ Martin
Best Utility Hunter: Ben Breda
Best Sword: Vince Evans
Best Mini: Ohbuchi Isao
About BLADE Show
The BLADE Show is the world’s largest, most important knife show, and has taken place every year since 1982 and in Atlanta since 1992. Upwards of 1,000 exhibitors from more than 20 countries display their knives and knife-related items over a three-day cutlery celebration that also features BLADE University knife seminars, knife auctions, custom knife awards, celebrity appearances and much more.
About BLADE
BLADE® Magazine (www.blademag.com) is the world’s No.1 knife publication. It is also the world’s oldest knife magazine, publishing its first issue in 1973. In conjunction with the BLADE Show, it has sponsored the Knife of the Year® Awards annually since 1982. The awards are the most coveted honors in the factory knife industry and are voted on by the booth exhibitors at the BLADE Show, who this year number more than 200. Only BLADE Show booth exhibitors are eligible to enter.
The BLADE Show and BLADE Magazine are the properties of Caribou Media LLC.
The Buck 110 pictured here, one of the most common folding knives in the United States, could’ve counted as an illegal “gravity knife” under a now-repealed New York law. If the blade could open with a flick, as determined by a law enforcement officer, the possessor of the knife could be arrested and charged with a felony.
In general terms, the now-defunct restriction defined a gravity knife as one with a locking blade able to open with the flick of a wrist. As many in the knife community know, the difference between a folding knife that can and can’t open with a flick is minute. A stiff folding knife on Monday may loosen up by Friday with regular use.
However, up until last week, that small difference came with big consequences, including felony charges or prison time for the 4,000 people arrested each year in New York state. Even if those people, overwhelmingly from minority backgrounds, committed no other crime, possession of a gravity knife alone was grounds for arrest. Due to the vague wording of the law, what constituted a gravity knife was left to the discretion of the arresting law enforcement officers.
A report issued by the Legal Aid Society in 2018 details the lopsided demographics of those charged under the gravity knife ban. Click the image to download the full report (PDF).
As such, major media outlets featured faces familiar to the world of knives in news packages, such as Doug Ritter of Knife Rights.
Reactions
News of Gov. Cuomo’s signature, tempered by the fact that that same governor vetoed the repeal twice before, came as a welcome development to those in the knife community and beyond.
“After nine years fighting, it is a relief to close the book on this extraordinary abuse of authority by a corrupt system that has terrorized over 70,000 honest, law-abiding people, disproportionately minorities, for simply carrying a common tool used daily in their lives. I am thrilled that we and our partners across the political spectrum in this fight have finally prevailed, but it is a sad commentary on the state of politics and justice in New York State, New York City and at the Second Circuit that it took this long and that tens of thousands of innocent folks had to suffer so much for so long,” Ritter said in a Knife Rights article posted May 30.
“A sincere thanks to the New York Legal Aid Society, Rep. Dan Quart, and Senator Diane Savino for not giving up on solving the inconsistency and ambiguity that the NY gravity knife law created. We began working with attorneys at the NY Legal Aid Society on draft language back in 2010 – never imaging success would take so long,” a statement on the website of the American Knife & Tool Institute (AKTI) read.
“For far too long, the NYPD exploited the gravity-knife ban to drive up arrest numbers at the expense of our clients,” Tina Luong, an attorney representing the Legal Aid Society, was quoted as saying in The New York Times.
BLADE reached out for comment from a number of organizations, and had yet to receive responses as of this writing.
NYC Mayor Expresses Opposition
Despite the repeal, some officials remain determined to enforce the restriction through some other mutation. New York City Mayor Bill de Blasio’s office expressed its opposition to the repeal, vowing to find “an alternative” method of restricting gravity knives.
The factory cutlery industry’s most coveted honors, the BLADE Magazine Knife-Of-The-Year® Awards will be announced during the BLADE Magazine Awards Reception the Saturday night of the show in a new venue for this year: the Garden Court Area of the Renaissance Waverly Hotel (tickets required).
Also new for this year, the public will be able to view the proceedings for free from outside a roped off area.
The Garden Court Area is the large room at the top of the escalators on the second floor of the Renaissance Waverly Hotel. When you get to the top of the escalators walk straight ahead and you can’t miss it.
The categories are Overall; American-Made; Imported; Most Innovative American Design; Most Innovative Imported Design; Best Buy Of The Year; Investor/Collector; Collaboration; Manufacturing Quality; Accessory; Kitchen; Publisher’s; and Industry Achievement.
The factory entries are limited to applicable BLADE Show booth exhibitors, and will be exhibited show Friday and Saturday in a special display in the show lobby.
The BLADE Show is the Gigantopithecus of knife events. How did it get there? In chronological order, let’s review.
1) No Top 10 list can start without the start, and the BLADE Show started when BLADE Magazine Cutlery Hall-Of-Fame® members Jim Parker and Bruce Voyles organized the first one at the Drawbridge Motor Inn across the Ohio River from Cincinnati in Erlanger, Kentucky, in 1981.
2) Jim and Bruce’s creation, in 1983, of the BLADE Knife-Of-The-Year® Awards and the BLADE Magazine Hall Of Fame® set in motion two cutlery industry achievements that today are among the most coveted knife recognitions. Announcing them all at the BLADE Show gave—and to give—both the honors themselves and the show more cachet.
3) Moving the BLADE Show to the sprawling Holiday Convention Center in Knoxville, Tennessee, in 1984, to the site of the 1982 World’s Fair announced to the community that Parker and Voyles were determined to host a serious knife show contender.
4) The decision by the American Bladesmith Society to hold its annual meeting in conjunction with the BLADE Show—which the ABS has done every year since—established bona fides with many in the custom knife industry.
5) The decision in 1992 by Bruce Voyles, who by that time owned both BLADE® Magazine and the BLADE Show, to move the BLADE Show to the Renaissance Waverly in Atlanta thrusted the event onto the international cutlery stage. The show has never looked back.
6) The phenomenon that remains The Pit—the sunken lounge in the Renaissance Atlanta Waverly Hotel—became a magnet not only for revelers after the BLADE Show’s daily closings, but also a place where industry movers and shakers brainstorm new knives and knife innovations that shape the cutlery industry.
7) Then-BLADE publisher David Kowalski’s decision in 1997 to move the BLADE Show from the Renaissance to the adjacent Cobb Galleria Centre exhibition halls expanded the show’s look and size dramatically, and completed its ascension to the status of the world’s largest knife show.
9) The wholesale embracing of the BLADE Show over the past five to 10 years by the international cutlery community as the ultimate knife event has elevated the show to unheard of heights. A wealth of exhibitors—including herds of Knife-Of-The-Year and custom knife judging competition winning makers—dealers, buyers/collectors and industry professionals from every continent but Antarctica have taken the BLADE Show from being not only the world’s largest knife event, but also the most transformative global knife forum of all time.
10) Last, but most important of all, are the many thousands of patrons over the years who have made the pilgrimage to the BLADE Show to enjoy knives, knifemakers and each other in all their splendor. In the final analysis, it is the supporters of any endeavor that make the endeavor go. And nowhere does the preceding statement apply more aptly than in the case of the patrons of the BLADE Show.