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Test your knowledge of damascus steel with this 25-question quiz from BLADE Magazine. From ancient origins to modern master smiths, see how deep your damascus expertise runs.

Think you know your damascus steel? From ancient Persia to modern-day master smiths, the history of damascus is layered—just like the blades themselves. This quiz digs deep into the facts, myths, and makers behind one of the most iconic steels in knife history. Whether you’re a seasoned collector, a curious forger, or just a damascus fanboy, it’s time to put your knowledge to the test. Ready to slice through 25 questions on the steel for the ages? Let’s see what you’ve got.

Answers at the bottom of the page.

1) Canned steel/canister steel is a method for the making of:
a) maidenhair damascus
b) stainless damascus
c) mosaic damascus

2) The first recorded use of canned steel was in the making of high carbon steel from:
a) blister steel
b) wrought iron
c) shear steel

3) BLADE Magazine Cutlery Hall-of-Fame® member Steve Schwarzer made his first powder-metal mosaic damascus in 1990 with the help of:
a) Cutlery Hall-of-Famer Alfred Pendray
b) Joe Hytovick
c) Daryl Meier

4) When Cutlery Hall-of-Famer Bill Moran introduced the modern American custom knife industry to damascus steel blades at the 1973 Knifemakers’ Guild Show, how many damascus knives did he display on his table?:
a) seven
b) 11
c) eight

5) Another name for damascus steel is:
a) Samarkind steel
b) pattern-welded steel
c) wood-grain steel

6) The art of forging damascus had developed into a highly developed industry in Damascus, Syria, by circa:
a) 1000 A.D.
b) 1200 A.D.
c) 1400 A.D.

7) According to Bill Moran, the first pattern-welded or damascus blades were made by the Merovingian Franks and Vikings at least as early as the:
a) 2nd century A.D.
b) 4th century A.D.
c) 8th century A.D

8) Damascus steel was named after Damascus, Syria, because:
a) the steel was forged there
b) the city was one of the most important centers of commerce for the steel
c) the name sounded a lot more romantic than calling it pattern-welded steel

9) In areas of Asia, damascus steel was called:
a) fulat
b) bulat
c) both a and b

10) The Arab word damas means:
a) sharp
b) aqueous, water, flowing
c) super steel.

11) What resident of Essen, Germany, forged blades of damascus prior to World War II?:
a) Hans Gruber
b) Erwin Mueller
c) Fritz Schwigat

12) Also known as the master smith of the Third Reich, who made hunting knives and entire sets of cutlery with damascus blades for his friends and others—including members of the Nazi Party?:
a) Max Schultz
b) Paul Muller
c) Herman Rommel

13) Toward the end of the 1960s, what German maker/steel researcher forged a number of bowie knives of damascus steel?:
a) Manfred Sachse
b) Erich Von Stupp
c) Heinrich Boker.

14) ABS master smith/Cutlery Hall-of-Famer Wayne Goddard popularized blades of cable damascus in the mid-1980s. According to Wayne, up to that time knives of forge-welded wire cable had been made in Oregon for at least how long?:
a) 40 years
b) 60 years
c) 80 years.

15) According to On Damascus Steel by Dr. Leo S. Figiel, steel made by a crucible process—that is, wootz steel—was made as early as:
a) 200 B.C.
b) 100 B.C.
c) 100 A.D

16) Also according to On Damascus Steel, the first damascus steel was made as early as:
a) the second century B.C.
b) the first century B.C.
c) the first century A.D

17) Western Europeans experienced the effectiveness of damascus swords used by defenders of the Muslim faith during the Crusades of the 11th, 12th and 13th centuries. The Westerners referred to the long blade used by their opponents as the:
a) Sword of Islam
b) Sword of Death
c) Sword of Destiny

18) Bill Moran once wrote the best and most beautiful damascus blades consisted of how many layers of steel?:
a) 256
b) 512
c) 1,024

19) With whom did Cutlery Hall-of-Famer Jim Parker collaborate to produce a series of factory damascus knives in the mid-1980s?:
a) Daryl Meier
b) Don Fogg
c) Fain Edwards.

20) One of the landmark damascus knives Bill Moran exhibited at the 1973 Knifemakers’ Guild Show was this European quillon dagger. Who bought it at that historic show?:
a) Peter Semon
b) Rita and Cutlery Hall-of-Famer Butch Winter
c) Paul Lansingh.

21) In his groundbreaking The Hunter’s Dream mosaic knife, Steve Schwarzer adapted some of the techniques of what process to avoid the distortions seen in most mosaic patterns up to that point in time?:
a) glass blowing
b) Venetian glass working
c) glass inversion

22) In the early ’90s, an ABS master smith forged a damascus pattern with images that looked like flames ascending from the edge toward the spine. Not surprisingly, he called it flame edge. His name:
a) Robbin Hudson
b) Larry Fuegen
c) Don Fogg

23) In ancient Persia, the pattern called Kirk Narduban is the pattern known today as:
a) random
b) mosaic
c) ladder

24) Al Dippold created a mosaic damascus method that included his surname appearing 11 times on each side of the blade. Al called the method:
a) Accordion
b) Jigsaw
c) What’s My Name?

25) According to Daryl Meier, letters or words first started appearing on pattern welds between the:
a) 5th and 8th centuries
b) 11th and 13th centuries
c) 15th and 16th centuries

Answers

1) c; 2) b; 3) b; 4) a; 5) b; 6) c; 7) a;
8) b; 9) c; 10) b; 11) c; 12) b; 13) a; 14) c; 15) a; 16) b; 17) a; 18) b; 19) c; 20) b; 21) b; 22) a;
23) c; 24) a; 25) a.

More On Damascus:

• Hottest Damascus Patterns, According to Top Bladesmiths
• Damascus Steel: Experts Forecast Growth In The Knife Industry
• Damascus Folders: New Custom Examples
• Damascus Steels: What To Use And When
• How Many Damascus Knives Did Bill Moran Make?

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Jeremiah Burbank shares PVK’s trek around the knife world and a return to where it all started.

From a New England gentleman’s gift shop to a legendary—if not notorious—knife outlet on the Las Vegas Strip and online edge tool maven, PVK and PVK.com has carved a unique path in the knife world. We caught up with Jeremiah Burbank, the man behind the radical retail brand, and got a behind-the-scenes look at the company’s growth, cross-country moves and PVK starting a new chapter in its story. Buckle up as he surveys the ever-changing knife landscape, shares online sales insights and his enduring passion for knives.

BLADE: Give PVK’s origin story—how did the store come together and how did it end up in Vegas?

Jeremiah: My brother, Joshua, started with a storefront in 1994 in Amherst, Mass., with Pioneer Valley Knife & Tool. It focused on gentleman’s gifts—Maglites, Leatherman, a real eclectic mix. Over that first year, he shifted to pocketknives because he sold a ton of them. He eventually dropped “Tool” from the name and exclusively focused on knives.

By 1999, he had two storefronts in Amherst, and by 2000, he moved completely online with PVK. I came on in 2001 and joined the team, helping Josh with videos of knives, doing over-the-shoulder videos while Josh talked about the knives.

A lot changed in 2013, when some friends of ours went to the USN Gathering in Las Vegas and said we had to check it out. My brother went the next year and said that it was the future of knife sales. By the next year, we had a store by McCarran International Airport, and by 2017, we moved to the Strip—Las Vegas Boulevard—and became PVKVegas. We got to sell knives to the world.

All good things come to an end. Josh passed away unexpectedly in 2021, and shortly after, our landlord informed us they were tearing down our building for the Formula One race. Now PVK is back in New Hampshire—Hudson—and we just opened our showroom last year.

There’s never been a pause with the store.

BLADE: PVK started as a gentleman’s store but ended up a knife retailer—were you and your brother knife guys to begin with?

Jeremiah: Josh was a knife guy through and through—our mother would definitely tell you he had a knife on him throughout his life and took it where he probably shouldn’t have. Josh was into balisongs and read The Advanced Balisong Manual by Jeff Imada. And PVK carried knives we all know today—Benchmade, ProTech, Microtech (we were their second or third dealer)—way before it was cool.

I was always into knives, too. There was some age difference between Josh and me, so one of my earliest memories was hanging out at the store when I wasn’t in school. Also, I think I might have brought a Master of Defense Lady Hawk to school once—I was really into that knife.

BLADE: For those who never had the chance to visit, tell us about the Vegas store—how was it set up?

Jeremiah: Excellent question because it was notorious on the Strip.

Honestly, the frontage was very small—we had 10 cases, maybe 4 1/2 feet long each… call it a 60-square-foot showroom. We had a red carpet, so it really fit into Vegas. We replaced it each month; it got so dirty. Above the cases, we had TVs showing all kinds of knife videos.

As for what we had to sell, we sold everything from $5 knives to $5,000 knives—we couldn’t just cater to knife people. And we had a 10-watt laser to engrave a knife on the spot if someone wanted to put their name or their spouse’s name on the knife.

There was a center section to the store—the VIP room—you accessed from behind the register. We actually had to move the register to get back there. It was differently lit, had a beautiful coffee table and Eames lounge chairs and ottomans. It was a very private and nice experience.

Back there, everything in the cases were customs, short-run knives and one-offs. There was an exclusivity to it. If a guy showed up in a robe and slippers but had a Rolex on his wrist or he said the right things, we’d invite him back to the VIP room. It was a thing of legend.

In the very back was inventory; it was pretty tight because we had 25 safes.

Out front of the store, I’d hang out with the guys and flip knives to get people in the store. You’d see the world in tourists walk by.

BLADE: Vegas is crazy. I imagine you had everybody from celebrities to guys who hit big at roulette come through your doors. What’s your most memorable stories from your time there?

Jeremiah: First and foremost, since I get asked about this a lot, my favorite thing about selling knives is the people—it doesn’t matter if it’s a celebrity or Joe Schmo. Either way, I love to talk about knives.

But we had a number of well-known people who came to our store. Aerosmith had a residency in Las Vegas, and they’d come in. And Post Malone came in unexpectedly with his security detail, hung out in the VIP room and bought a bunch of knives. Tim Burton, Johnny Depp, a whole range of people.

The thing is celebrities are like anyone else when they came into PVKVegas—they’re just a bunch of kids in a knife store. Steven Tyler devolved when he came in, wanting to see each knife and just having a great time.

We were Post’s first stop in the knife world—he’s big into them now. When he came in, you know what the first knife he headed for? The Swiss Champ—the Swiss Army Knife with some 70 functions. He said, “Ah man, you’ve got this?” and had us box it up.

Celebrities are cool, but it’s cooler seeing them geek out on knives. We’re all collectors.

BLADE: You guys were legendary in Vegas, beyond the knife community—was it tough to say goodbye?

Jeremiah: It was heartbreaking, and it was a hard time for me as a person, knife dealer and brother. I had high stree through it all, especially having to break ties with people around the Vegas community who were close with me—with PVK. Honestly, it really didn’t hit me until USN ‘22. Everyone from USN had something to say about the shop. Being back was a strange ripple in reality. Did that all really happen [with the shop in Vegas]? Or did I just dream it?

Closing the shop on the Strip was a flashback for me—in reverse—of when we came out West. Then it was packing up a Penske truck and driving across the country, and I was doing the same but heading for New Hampshire. Life can be very strange, very cyclical.

BLADE: PVK is now back where it started or close to it, does it feel like coming home?

Jeremiah: I love being back. I’m from New England, and the region has always been near to my heart. I love the cold weather and the passing seasons. Plus, my family is an hour away. Plus,  I’m offering something not offered anywhere else around here. I’ll also say, it’s great to sell to people face to face again.

BLADE: New Hampshire is a good place to set up shop, compared with some of the other New England states. 

Jeremiah: It is the “Live Free or Die” state. New Hampshire was the first state to repeal its ban on switchblades back in 2010, and now we’re seeing it nationwide.

BLADE: You mentioned selling face to face again; that just came about recently. What’s your new shop like in Hudson?

Jeremiah: It’s very different than Vegas, but in a good way. There is no pressure, very calm atmosphere and no VIP room… yet. We’re a 10 a.m.-5 p.m., Monday through Friday operation, which is very different than Vegas, where we were open to 2 a.m.

We opened on Black Friday last year, and it was great to see the excitement it generated. We had folks drive up from Massachusetts when we opened our doors. 

Part of what I did when I moved back was contact Nick Chuprin of NCC Knives, who was based in Brooklyn, N.Y., and offered him space. He moved his operation up here, and he has an entire machining cell in the back of the house.

It’s not a standard store; it’s multifaceted. It’s like a knife clubhouse. What other store can you come and get your knife sharpened by a custom knifemaker? And if you want to make, maintain or modify a knife, you bet your daisies I can get it done.

BLADE: Even with the new storefront, online knife sales remain PVK’s lifeblood. But it’s always been that way, correct?

Jeremiah: My brother was an early tech adopter; he had PVKnife.com online in 1997. Even before that, he was on list servers—Wreck.Knife—talking to people about knives. At first, online sales were a trickle, then in three or four years from going online, it became overwhelming. Josh went from having our parents help us ship to outgrowing their house.

He was clever. He used print media—we still do today with BLADE Magazine—to get the word out. And he mailed fliers letting customers know they could order online and have a knife delivered right to their door.

BLADE: Going from the 1990s, when there were a handful of online knife dealers, to today, when there seems to be a new store going online each week, how much more competitive is it now?

Jeremiah: I’ve been doing this a while and will say all competition is good competition. I am good with the free market; it makes us better.

The knife market has seen incredible growth and so have we. Around 2009 is when PVK saw the online market take off, and from then to 2015, our business doubled. By 2018, it tripled, and in 2019, it quadrupled. Then the pandemic hit, and everybody cared about knives.

The bad part about this is it brought a lot of part-time guys into the market who didn’t take it seriously. For better or worse, there aren’t a ton of regulations in the knife world, so there are some who take advantage of the community. That’s not good for anyone.

One of the things I always tell buyers is to make sure whoever they deal with online has a phone number on the website. If they don’t, don’t buy from them. We’ve always accepted all calls from customers and engaged with them.

BLADE: It seems, from your brother’s days on list servers and videos to your work on social media and your Bladeology podcast, PVK has also found it important to engage and build a community online. What motivates your focus on engaging with and building an online community?

Jeremiah: We’re in a disconnected world, and this is a way to make a connection with people. That’s why I find the online community so crucial. With the podcast, it’s friends talking about knives—me, Nick and Chuck Gedraitis—answering knife questions.

I also love recording history, especially with the knives we bring through the shop. You take the Marfione Dragon Slayer 1, it’s gone, it’s in someone’s collection, never to be seen again. So, I find it important to record knives so someday when someone wants to see them, there’s a video or a picture of the knife.

Same goes for the podcast but with the people in the industry. I had Mike Crenshaw of Knife Rights on six months ago, and he passed recently. But a little piece of him gets to live on.

BLADE: Let’s wrap up with something lighter. You have the choice of some pretty cherry knives to carry or fidget with. Do you have a go-to EDC choice?

Jeremy: That might be my biggest problem—my EDC tray overfloweth. But there are two knives that I go to usually. My first is a Microtech Scarab Executive. I was a huge early carrier of the Executive; there’s just something about it. The second, an exclusive Pro-Tech 3V Malibu. Love that button lock, and Dave Wattenberg makes it in an exclusive 3V. I’ve laughed with him about it before; he has been making autos for 25 years, and his best seller is a flipper. But those are my EDCs for real.

BLADE: Thank you for taking the time to speak with us.

Jeremiah: Thank you.

Read Up On Knife Buying:

• Buying Custom Knives: Four Lessons To Get A Deal
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• Is A Knife’s List Price the Same a Knife’s Value?
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Rusty Preston gets an unforgettable slipjoint from good friends.

As a founding member of the South Texas Slipjoint Cartel, Rusty Preston made lots of traditional pocketknives over the years, but never did he have one made for him like the trapper recently built by fellow Cartel member Phil Jacob and Ben Champagne.

It all started when a friend sent Ben some green Micarta® bearing some unusual part and serial numbers. They traced it back to a Vietnam-era F4 Phantom fighter jet. The Micarta was part of a chafing block used on F4s as a support to keep hydraulic-activated metal rods used throughout the plane from rubbing or chafing against each other. Ben and Phil knew Rusty was an Air Force pilot during the Vietnam War and when they learned he flew an F4, they decided to use the Micarta in making a surprise knife for him.

The knife had to be a slipjoint, of course, and the two decided on a one-blade trapper pattern. Phil made the blade and springs and Ben made the handle. For a shield they figured a silhouette of an F4 would be appropriate. They got a photograph of an F4 to use as a guide and made the shield of 416 stainless steel to inlay into the Micarta. However, the shield was an inch-and-a-half long.

“It was so long it wouldn’t fit from the center pin to the pivot pin,” Phil said.

The solution? The knife would have to be a shadow pattern, which has no bolsters and provides a bigger canvas for a shield. Phil added some Roman knot filework—which Rusty taught him how to do—to the backspring, and the result is a really cool pocketknife.

Once the trapper was done, they had to settle on a place where they could all meet, including many members of the Cartel, and Rusty would be there, too. BLADE Show Texas would be the place and Rusty was about to get a surprise for the ages.

Parting Gift

Rusty and his wife Sally had visited with BLADE Magazine Cutlery Hall-of-Fame® member Bill Ruple and the rest of the Cartel members during the show at the Fort Worth Convention Center and were preparing to leave on show Saturday.

“We were just saying our goodbyes and somebody hollered at me—Bill, I think—‘Hey Rusty, come over here,’ and I realized he was at the end of the aisle and he had a group of guys there,” Rusty recalled “Everybody there was a friend of mine, and I thought, ‘Oh, what’s gonna happen here?,’ and sure enough Sally and I walked up—Sally knew about it but I had not a clue—and they started in on me.”

It was all Rusty could do to keep from breaking down—which is about what he did.

“I’ve had this birth defect I’ve had all my life,” he said. “I can squall like a baby at an ice-skating contest at something like that, so it was pretty hard on me but in a good way—you know how that is. So they told me they wanted to present me with something and I saw what it was and I couldn’t believe it. It came as a total, absolute surprise to me. I was dumfounded at what they had done, and why they saw fit to honor me in that fashion is a marvel to me.

“It was just an honor to look around and see the approval on every one of those guys’ faces for what was happening.”

Rusty called the work on the knife “stunning.”

“It’s got both Ben and Phil’s names on the blade and it’s just absolutely outstanding detail work on the inlay and the silhouette of the F4,” he observed. “That took a lot of effort. I don’t know how they managed to get ahold of all that but they did. It’s beautiful, it’s perfect.”

But what about that Micarta? How in the heck was Ben able to obtain material meant for an F4 Phantom jet fighter? Some things are just better left unsaid.

“The fact that the handle material is what it is and where it came from, how in the world Ben ever got ahold of F4 parts I don’t know. And I’m scared to ask him,” Rusty grinned, “because he’d probably tell me.”

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