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They’re role is more than making a knife look groovy.

At first, it’s an item of curiosity. The fuller, the symmetrical groove that runs along the partial or full length of a knife or sword blade, might function simply as an aesthetic touch. It could have some utilitarian purpose. Or maybe it’s a bit of both.

Makers of knives and swords have included the fuller with their work for centuries, and today it remains a focal point in the process. Its presence is often prominent but its purpose is at best somewhat obscure. Why, then, is it common among the work of accomplished makers?

“The primary purpose of the fuller is to lighten a blade without compromising strength,” explained award-winning custom knifemaker and swordsmith Vince Evans. “Many cultures incorporate a decorative aspect into the fullers on their blades. Italians are well known for segmented fullers. You also see segmented fullers on Chinese swords, as well as some German hunting swords.”

Evans took home the custom awards of Best of Show for his Italian Cinquedea and Best Sword for his Italian Schiavona—the former at last year’s Solvang Custom Knife Show and the latter at BLADE Show 2024. He also won Best Sword for his Roman spatha and Best Fixed Blade for another of his cinquedeas at BLADE Show 2022. All four feature multiple fullers. Vince sees the fuller as operational on more than one level, from practical to pretty.

“Even in the Bronze Age you see multiple fullers,” Evans continued. “Sometimes they are very narrow. Multiple fullers can give more rigidity to a blade but with reduced weight, and a wide blade lends itself to multiple fullers. Typically, fullers are on both sides of the blade, although not always. There are examples of 2nd-century Germanic swords that have fullers on only one side or have different numbers of fullers on each side. Their purpose may be partially aesthetic.”

Evans uses a fullering tool to press the groove into the hot steel when working with a larger blade. On smaller blades he usually grinds the fullers into the steel after the blade has been shaped and beveled. Other techniques involve the use of round or flat tools to scrape the groove in, depending on the blade style.

Much of Vince’s work is an homage to history, and the fuller finds its place there for sure.

“Since my work is primarily historical in nature, I use fullers where they were seen on originals,” he remarked. “A fuller may be used on any blade that you want to lighten without losing strength.”

Varied Methods Of Creating Fullers

Seth Lopez is an accomplished master of the fuller and took home the custom award for Best Fighter at BLADE Show 2024. His take on the fuller lies in function, helping the blade to perform as optimally as possible.

“In a sword, the fuller will provide rigidity through surface area while also taking out a lot of weight,” he remarked. “In smaller knives, I like the way they look, and they help take out some weight. Fullers can be on one or both sides of the blade. Many single fuller blades are ground only on one side, so the fuller on the opposing flat side relieves that area. Many culinary knives and sushi knives are made this way.”

According to Lopez, fullers can be achieved via several methods. Traditionally forged blades may have them scraped in, while they can be milled, ground or filed in as well. Seth’s method is dictated by the size and shape of the blade he intends to create. The application from a practical standpoint is seen easily in the sword or chef’s knife, while in smaller knives he says fullers add “some completeness and flow to the overall design.”

When custom maker Thomas Taylor includes a fuller, his methods are varied.

“There are dies available for a press, and a fuller can be pressed in or hammered in,” he related. “Most bladesmiths will grind the fuller in before grinding the bevels in. After the initial grinds are done, fullers and bevels, then the heat treating and tempering are done. Then the long, tedious process of hand sanding begins.”

Taylor agrees that strength and weight reduction are primary purposes for the fuller.

“I think when you get to smaller blades under five inches, that it’s really for looks at that point. Yes, it does take some weight off, but it’s very little and any added strength is not noticeable in use. However, a tapered fuller can really dress up a knife, and the shape of the blade can be very pleasing to the eye. I believe that fullers should be on both sides of the blade and of the same depth and length. This, in turn, gives an even balance and slice. In my opinion, if a knife has a fuller on one side of the blade it would cause more drag on one side versus the other and would cause an arc in the slice.”

When knifemaker Eyal Landesman uses the fuller, it expands the aesthetic appeal of his blades.

“My work is mainly making folding art knives,” he commented, “so my experience with fullers is always on the small scale. I mainly use them for aesthetic reasons as I love to mix traditional classic design with a modern touch.

“The fuller on a pocketknife has both utilitarian and aesthetic purposes,” Eyal continued. “From the practical standpoint, the fuller can help with weight reduction as it removes material from the blade without compromising strength. This can be a plus for making lighter-weight everyday-carry pocketknives and even enhances the knife’s rigidity under stress, like an I-beam. Aesthetically, my main reason for using them is that they add a distinct, sleek look to the blade, as well as for the historical appeal that I draw inspiration from.”

Landesman says that the single fuller is rather uncommon in blade construction, and when it is used the reasons are generally aesthetic or to facilitate a specialized design. Fullers on both sides help with balance, structural integrity, symmetry and reliable performance.

“Fullers are most appropriate for swords and larger knives, such as daggers where weight reduction and structural integrity are important to performance by making them easier to handle and therefore more maneuverable,” Eyal added. “While they can add aesthetic value, the functional benefits are mainly seen in blades used in combat or heavy-duty use. Fullers are less essential for smaller, precision-focused knives such as scalpels.”

His fuller process is straight forward.

“After I cut the blade profile, I then harden it,” he explained. “Once it has been through heat treatment, I then hard mill the fuller into the blade before grinding it.”

Blood Groove, I-Beam

Accompanying the positive elements of the fuller are a couple of interesting observations related to its function. The I-beam phenomenon as noted by Landesman is described by some as providing additional strength or rigidity, and by others as allowing flexibility while lightening the overall weight of the knife or sword. Its principle has long been utilized for steel beams in the construction industry.

“The I-beam effect does lighten the blade and can help in flexibility, but I don’t know that it will make the blade stronger,” Evans observed.

Added Landesman, “I agree that the main job of the fuller is to lighten the blade and increase its strength through the ‘I-beam’ principle used in construction. However, its main job is to look good.”

Blood groove is often associated with the fuller, and while there is plenty of speculation as to the origin of the term, practical evaluation doesn’t lend itself to validating that purpose.

“I think the term came with the use of the fuller in bayonets,” Evans said. “I don’t believe this is an accurate name for the fuller or its purpose.”

Lopez commented, “With many aspects of weapon history there is a lot of speculation on why certain features existed on different blades. Many of these speculations are made up, and it’s my understanding that there is no ‘blood groove’ function to a fuller on any blade.”

Perhaps in the hunting application there is some remnant of actual usefulness in the role.

“Some call the fuller a ‘blood groove,’” Taylor said, “thinking that it gives the blood a way out of the entry point of the carcass and makes it easier to remove the blade. This may help in these areas some but it is not the intended reason for the fuller.”

The consensus is summed up well by Landesman, who related, “The ‘blood groove’ term stems from the theory that it was designed to allow blood to flow out of a wound, supposedly preventing a vacuum from forming and thus making it easier to withdraw the blade in battle. In my opinion this is probably not an accurate representation of the fuller’s purpose, which has much more to do with its utilitarian and structural benefits, unconnected to blood or wound dynamics.”

There it is. Practical, pretty and adding a touch of class, the fuller brings along a bit of historical conjecture, completing a package that delights in many ways.

More On Knife Making:

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• Parts Of A Knife: Crash Course In Knife Anatomy 101
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With a hybrid lock system and a unique aesthetic, Aaron’s Blacksmith Automatic Folder cuts a distinctive profile.

Matt Aaron got the idea for his Blacksmith’s Automatic Folder when he took a friction folder class taught by ABS master smith Nick Rossi.

Matt’s original intent was how to get a more complicated knife with a similar number of parts as a friction folder. He mulled it over with Rossi and others for two or three years and, inspired by Nick and his taco-style friction folder construction approach, arrived at the Blacksmith’s Auto.

The lock is a hybridization of a lockback auto mixed with a little bit of bolster release auto and some of Matt’s own design. The brass lever operates the opening, closing and locking mechanism. The knob at the pivot is not a push button but simply the pivot.

Matt forged, folded and cut the lock spring and launch spring out of the initial single, eighth-inch flat piece of mild steel that served as the base for the Rossi taco construction style. The latest batch Aaron’s doing is commercially pure titanium.

Blacksmith’s Automatic Folder Specs
Maker: Matt Aaron
Blade length: 3”
Blade material: 52100 carbon steel
Handle: Forged mild steel w/brass lever
Pocket clip: Tapered scroll in a blacksmithing ironwork style
Closed length: 4”
Maker’s price for a similar knife: $500

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The collaborations of Gil Hibben and Paul Ehlers speak volumes without using words.

When the great design prowess of Paul Ehlers and the incomparable shop skills of BLADE Magazine Cutlery Hall-of-Fame® member Gil Hibben merged some 40 years ago, they produced a synergy seldom seen, elevating the knife industry to a new plane of creativity in the realm of the fantasy piece.

Following a trail blazed early by the likes of W.W. “Bud” Cronk, the pair brought vision and glimpses of other worlds from the realm of theory and the ephemeral to tangible, captivating and thoroughly gripping. During a custom knifemaking career that has spanned nearly seven decades, Hibben has been recognized as the author of extraordinary work, designing the first Browning hunting knives in 1968, earning a rightful place in the Cutlery Hall of Fame, and creating legendary knives for famed actor Sylvester Stallone in the Rambo film franchise, as well as the American Kenpo Knife for Gil’s martial arts sensei, Ed Parker.

Ehlers is well known for his work in film, writing, voice, design and illustration. He was hired to produce a poster illustration for the 1981 cult classic film Madman and found himself cast as the title character, delivering an amazing performance. Versatility has been his hallmark through the years, expressing his artistic talent through a variety of media. His interests are literally boundless and his talents have been displayed across a broad spectrum of the arts.

It was Ehlers’ wide range of interests that led to a fortuitous conversation and brought about the most renowned collaboration in fantasy knife history—and one of the greatest industry wide in custom knives. “It arose from creativity on both parts,” attested Linda Hibben, Gil’s wife and a key individual through the years of the joint effort. “It was intended to create things that were never seen before in the knife industry, taking up the challenge to be true artists.”

Paul remembered, “Gil Hibben’s knives were featured in every martial arts magazine that I read. I was familiar with the Parker knife and wanted badly to buy one of Gil’s knives. So, by the mid-1980s I had saved enough money and placed an order with him.” Hibben produced a custom survival bowie with a 10-inch blade, characteristic sawteeth reminiscent of his Rambo knives, and a handle in the style of the Parker knife. Pleased with the finished product, Paul told Gil that he was a designer and illustrator with a particular love for fantasy characters. He commented that he had always wanted to see his characters with stylized knives and swords to complement their presentation.

Gil responded enthusiastically to Paul’s offer of sending an illustration for his review. “Love to see one!” was the reply. Game on.

Ehlers calls the initial brush with collaboration a “chance meeting of kindred souls.” The illustration led Gil to the shop with the goal of producing a knife named the Shark. A short time later, the designer asked about the maker’s progress. Hibben’s response was electrifying: “I already made it and sold it!”

In a short time, the creative tandem gained momentum. Interestingly, their success may be linked to the fact that Paul does not make knives. “I admire, collect, use and draw them,” he commented. “But Gil Hibben makes knives.” By the time Gil and Paul brought their Dragonfly creation to the 1983 Knifemakers’ Guild Show, there was excitement but also some trepidation. “We were concerned about how to price it, whether it would sell and how it might be received,” Paul recalled. “Gil suggested that we put a price of $3,000 on it, and such a premium was almost unheard of in those days. But it sold!”

Ehlers had conceived the Dragonfly, drawn it on paper, rolled it up, and placed it in a mailing tube addressed to Hibben. When it reached him, Gil pursued the project with gusto even though the effort in itself was unprecedented. “Nothing like this had ever been made,” Paul advised. “But that didn’t stop him. He huffed and he puffed, he ground and he buffed and emerged from his shop holding the new Dragonfly.”

Unseen Realms

Through the years the Hibben-Ehlers team flourished, one teammate with ideas and the other with the astonishing ability to grind steel and finish creations that brought visions of light, darkness, other worlds, and realms unseen as the tangible, real and dazzling works that are known the world over. Paul’s imagination effectively pushed Gil to new heights of creativity. The designer’s mind had remained fortuitously free to imagine the fantastic and the elements of the outer limits of innovation

“My mind was left open to create,” Paul explained. “If I knew then what I know now it is possible my concepts may have been restricted by the ‘impossible’ factor. I know now what other makers mean when they ask Gil, ‘How the hell did you make that?’”

Hibben, on the other hand, has stood up to the challenge and then some, delivering time after time. As the collaboration aged like fine wine to more than 30 years, it had produced more than 40 pieces—knives that came to life, from the mist of imagination to the gleam of steel, sculpture and artistry. According to Linda, Gil once said, “I loved the challenges and making these pieces, each and every one of them. They made my creativity and skills set on fire! Paul’s dreams are my nightmares!”

Looking back, a turning point for the Hibben-Ehlers collaboration occurred in the 1990s when a representative of the Sultan of Brunei contacted Paul with the shocking pronouncement that his employer wished to purchase many knives produced by the pair, with the added kicker that “money is no object.” It was a compliment of the highest order and led to some remarkable achievements.

Throughout the collaborative years, Linda has been a tremendous contributor to the success of the enterprise. Gil is approaching his 90th birthday and suffered a stroke in the spring of 2016. However, he has been resilient and remains in touch with the custom knife community while Linda assists with his communications. Gil has stayed active in the shop and keeps up to date on the happenings in the knife community. “He still goes to his shop and even oversees knifemaking classes to this day,” Linda noted. “The only lingering effect from the stroke is he has trouble with words and numbers once in a while. He has no major lingering side effects other than that.” Ehlers, meanwhile, is quite busy with numerous endeavors, his creative energy as effervescent as ever.

Linda captured the spirit of the great team’s aspirations, commenting, “They wanted knives to be taken to another level of art and imagination—to create and make sharpened shapes in steel that had not been done or seen before, and show that thinking ‘outside the box’ and making those creations into tangible works of edged art took a tremendous amount of skill. Just look at some of the grind lines Gil was able to accomplish.”

Showstoppers

Through the lens of knifemaking history and the gleaming facet of fantasy, those who see and admire the vision of Gil and Paul will continue to gaze with wide-eyed wonder at their works, including some of the most famous. The Alien, for example, was created in 1986 from a single piece of 440C stainless steel. “It burst from my mind in 1986,” Paul recalled. “There are a myriad of extra blades, spikes and projections Gil calls ‘long horns,’ plus hooks and a leather arm gauntlet.”

Linda noted, “The Alien was our biggest showstopper. This one got more attention at knife shows than any other. We allowed people to reach their arm into it and ‘wear’ the Alien, and in every instance the person’s entire demeanor changed. It was like they became powerful, and the smiles on their faces when posing for photos was and is priceless. Gil made a total of five of these Aliens, each one a bit different. Number five rests in our private collection, and to this day when people come over and actually hold or ‘wear’ it, the magic is still there. They become a ‘Master of the Universe’ for those few minutes.”

An early classic, the Elf Dirk was produced in 1984, and the image sprang from Ehlers’ fascination with gnomes, elves, giants and other mythical creatures. Hibben wrought its sleek lines in 440C with a reconstituted coral handle, 14-karat gold and garnets. A spider dangles from its web, carefully crafted in a crevice of the handle. Naja, completed in 1993, remains a favorite. The undulations of the cobra are almost physically felt as Norman Leigh’s sculpted bronze cast of the serpent rises above the grip, gazing with inset cat’s eye jewels for eyes and baring fangs. Gil’s expertise is on full display in this tour de force, and Paul considers Naja perhaps the finest art knife the two have ever brought to life.

Artists, innovators, visionaries and friends, Gil and Paul have created a body of work that speaks volumes without words, just towering interpretation and storytelling in thought and grind, idea and finish. Those who contemplate their many completed projects are often left speechless as well, awed by the intricacy, the timeless, tantalizing and touching renderings of their complementary experience.

More On Custom Knives:

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• What Do Judges Look At In Custom Knife Competitions?
• What Defines The Best Custom Hunting Knives?

On election eve, BLADE Show West fetes its cutlery constituents.

With a presidential election looming and parts of the USA still in a state of shock after the natural disasters of Hurricanes Helene and Milton, it was a BLADE Show West unlike any other. However, knife people are a hearty lot and many turned out to enjoy the knives and cutlery camaraderie this past October at the Salt Palace Convention Center in Salt Lake City, Utah.

“The environment was good as usual, with lots of excitement,” wrote Jonathan McNees of McNees Knives.

Eddie Johnson of CobraTec echoed Jonathan’s assessment. “As always, the environment was enthusiastic and filled with excitement to see and hold new merchandise,” he commented. “There is nothing like holding that knife you have seen pictures and videos of.”

There were custom and factory knife awards galore, the show’s popular “Let The Pros Critique Your Knife” seminar, the West Coast Flipping Championships conducted by Squid Industries, and much more.

As for those all-important knife and knife accessory sales, it was like most shows: some exhibitors did well, some didn’t and some did OK.

“It was a great show,” Pro-Tech headman Dave Wattenberg exclaimed. “We did sell most everything that we brought, strong sales to both retail customers and dealers who attended. It’s very important to have both and this show did work well for retail and dealer dynamics.”

The Pro-Tech models that sold well were a mix.

“New models always do well—the Chaves collaboration did very well,” Dave noted. “Some oldie but goodie models—Godfathers, etc.—also did very well. Our TR-3 Integrity manual folder was a hot ticket for sure.

“We built an amazing group of show specials; they also did very well. It’s important to make some special pieces for the show, not just offer the same thing customers can buy anytime.”

John Cammenga of another factory cutlery company, White River Knife & Tool, also was pleased with sales.

“We had a very good show,” he remarked. “We had great sales and a dealer took everything we didn’t sell. It’s nice to go home sold out!”

Ernest Emerson of Emerson Knives, Inc., was another who said it was a great show.

“We sold out, with the first day rivaling the BLADE Show in Atlanta,” he opined. Jonathan McNees said his company had a “really good show. We didn’t quite sell out but we brought a lot of knives, so I didn’t expect to. Our folders sold best, but again, that’s to be expected with our customer base.”

While CobraTec sold well, sales were off about 30 percent from their show average over the previous two years.

“Everyone was concerned over the current economy and its uncertainty with the election approaching,” Eddie Johnson wrote. Nonetheless, he said several CobraTec knives were “good movers, from the Enforcer OTF to the Raptor to the OTF Utility Knife to our Koonsman fixed blade.”

Custom maker Tobin Hill agreed with Johnson’s economy/election observation.

“Talking with other exhibitors, the general consensus was tighter pocketbooks due to economy worries and pre-election jitters,” he wrote. Tobin brought eight knives and sold three—two of his Hill Locks with the rear bolster release and a lockback whittler.

Who Attended BLADE Show West

Like show sales, attendees ran the gamut, from young and old, novice to sophisticated buyers and more.

“The crowd seemed like a bigger percentage of experienced buyers versus the BLADE Show in Atlanta and BLADE Show Texas,” McNees observed. “We really enjoyed the local crowd. They were extremely friendly and receptive. We got lots of appreciation for coming out.”

The fact that it was the third straight year at the Salt Palace Convention Center seemed to help, too.

“It was good to see repeat customers, so I’m glad we’ve been at the same venue for a few years,” Cammenga wrote.

“There was a nice mix in demographics,” Johnson pointed out. “As always, it is great to see the entire family out enjoying the show. I had several sales to the younger generation with the supervision and guidance of their parents.” 

“There was a very healthy mix of already established Pro-Tech enthusiasts as well as first time buyers,” Pro-Tech’s Wattenberg wrote. “It did feel like a smaller crowd than last year, but we did have customers to work with the entire time, so no complaints. I especially love the family atmosphere; there were so many nice people.”

“The crowd seemed an even mix of young and old, several families with kids,” Hill reported. “There were not many ‘sophisticated’ buyers or dealers.”

According to one industry professional, the fewer buyers and dealers than usual from the Eastern USA may have been due to the poor economy and also the aforementioned Hurricanes Helene and Milton that hit shortly before the show.

BLADE Show West Exhibitors

Shows are about contacts, not only among show attendees and exhibitors but among the exhibitors themselves, including factory knife companies and custom makers to broach possible collaborations and other knife deals.

“We made good contacts with other makers, including some prominent ones we had not previously met,” McNees wrote. “The size of the show was good for that.” Added Johnson, “The BLADE Show always gives us an opportunity to meet various designers and talk about collaborations.” Wattenberg agreed. “We had a few excellent conversations with makers,” he noted.

West Coast Flipping Championship

The 5th Annual West Coast Flipping Championships conducted by Squid Industries was another rousing packed-house event, with Squid providing cash prizes of $1,000 for first place, $500 for second and $250 for third.

Banks Tracy, aka banksqro, took home the title using a Squid Silver Krake Raken Tanto V3 balisong. Runnerup was Max Wenham, aka balisongnerd, who also used a Squid Silver Krake Raken Tanto V3 balisong. Madi Thomas, aka oximityy, took third with her Squid DT Red Krake Raken Tanto V3 balisong. The top three finishers also won prizes from the events’ gold sponsors.

BLADE SHOW WEST ’25

If you were there, you know; if you weren’t, you need to be. Make it so and plan now to attend next year’s BLADE Show West, Oct. 10-11, once again at the Salt Palace Convention Center in Salt Lake City.

More On The BLADE Shows:

• 2024 BLADE Show West Custom Knife Award Winners
• 2024 BLADE Show West Factory Knife Award Winners
• BLADE Show 2024 Recap
• 2024 BLADE Show Texas Recap

If you think carry systems are rote, you need to get a gander at these knives and their revolutionary ways to keep them on person.

The carry systems for EDC knives have evolved to offer you a seamless experience, with an array of different spins on pocket clips, sheaths, lanyards and more. This convenience benefits you by saving time, providing peace of mind, encouraging regular carry and increasing utility. The popularity of EDC knives has spurred innovation in design and materials, leading to a market rich with options catering to every preference and need.

The carry systems play a pivotal role in this dynamic, as they directly influence your experience and the practicality of the knife in everyday scenarios. The benefits of EDC knives extend beyond individual use; they represent a culture of preparedness and self-reliance that resonates with many, reflecting a broader trend toward function and efficiency in personal gear.

Big Idea Design TI Lookout Fixed Blade

TI Lookout Specs
Carry: Two Kydex sheaths for left- and right-hand pocket carry, each equipped w/a titanium pocket clip
Blade Length: 2.2”
Blade Steel: M390 stainless
Blade Grind: Flat
Blade @Thickest: .12”
Blade Finish: Satin
Handle Scales: Grade 5 titanium
Overall Length: 6.2”
Country of Origin: China
MSRP: $200

The TI Lookout Fixed Blade by Big Idea Design offers precision engineering and high-quality materials, making it an essential companion for everyday carry enthusiasts.

At the heart of the compact and robust knife is the M390 stainless blade steel, renowned for its superior edge retention and wear resistance. The premium material ensures that the TI Lookout maintains its razor-sharp edge through extensive use, reducing the need for frequent sharpening. The addition of Grade 5 titanium scales provides a sleek aesthetic and contributes to the knife’s lightweight yet durable construction.

The lanyard hole in the rear handle screw adds a functional touch, allowing for easy attachment and accessibility. The knife offers a perfect balance of control and cutting power.

The two included Kydex sheaths provide versatile carry options for lefties and righties. Each sheath is equipped with a titanium pocket clip that easily affixes inside a standard pocket or sunglass/device pocket found on many outdoor cargo pants. Consider it a gentleman’s fixed blade.

I put the TI Lookout through a range of EDC tasks, from cutting mundane materials to pushing it to the limits of the extremely aggressive, stabbing through light gauge metals. The knife thrived in this realm.

However, it dragged on thick, heavy-gauge cardboard. After slicing more cord, it remained sharp—it just got hung up a bit on cardboard. Wire, 550 paracord, nylon webbing and heavy leather succumbed to the keen edge.

In this writer’s humble opinion, the TI Lookout is not just a cutting tool but a statement piece reflecting the pinnacle of knife craftsmanship and material excellence.

TOPS Knives Quick Skin

Quick Skin Specs
Carry: Kydex w/beta material loops allowing for appendix, vertical, horizontal or scout-style carry
Designer: Leo Espinoza
Blade Length: 3.5”
Blade Material: 1095 carbon steel
Blade Grind: Flat
Blade @Thickest: .19”
Blade Finish: Tungsten Cerakote™
Handle Material: Dragonfly Tread Micarta®
Overall Length: 7.13”
Country of Origin: USA
MSRP: $230

The TOPS Knives Quick Skin marries master craftsmanship, elegance and utility.

Designed with the avid hunter in mind, it boasts an “all-belly” blade in a Rockwell hardness of 56-58 HRC that ensures fewer strokes are needed, making skinning quick and painless. It comes with a versatile Kydex sheath sporting beta material loops allowing for various carry positions, including appendix, vertical, horizontal or scout-style. Ultimately, the beta loops will clip to pack straps, keeping the blade easily accessible regardless of your adventure.

The shape of a blade dictates its purpose. The TOPS is designed for slicing and skinning. I opted for an appendix carry for comfort and a non-rib-jabber solution.

While all wild game was out of season in my region, food wasn’t. Knives with a deep belly thrive on food. The Quick Skin followed suit. Despite its thick blade stock, the knife successfully sliced bacon, peppers, onions and mushrooms. Later, I moved to slicing beef, pork and chicken equally well. Thanks to its sophisticated design and practical features, the Quick Skin is a standout choice for hunters seeking a top-tier skinner.

Reiff Knives Circadian Clip Point EDC Fixed Blade

Circadian Specs
Carry: Crazy horse leather pocket sheath and UltiClip 3.3 Slim attachment
Blade Length: 3.28”
Blade Steel: CPM MagnaCut stainless
Blade Grind: Flat saber
Blade @Thickest: .12”
Blade Finish: Stonewash
Blade Pattern: Clip point
Handle Material: Black canvas Micarta®
Overall Length: 7.25”
Country of Origin: USA
MSRP: $285

With its superior craftsmanship, utility and CPM MagnaCut stainless blade steel, the Reiff Knives Circadian Clip Point EDC Fixed Blade is an ideal choice for outdoor enthusiasts and everyday carry.

The blade’s stonewash finish adds a rugged aesthetic and helps hide scratches and wear. The handle provides a secure grip even in wet conditions, and the ergonomic design ensures comfort during extended use. Weighing in at only 4.1 ounces, the Circadian offers a lightweight yet robust solution for various cutting tasks.

The knife has a premium, deep carry, crazy horse leather pocket sheath and UltiClip 3.3 Slim for versatile carrying options. Inside-the-pocket carry is popular for discreetly carrying fixed blades. It makes the knife unobtrusive and out of the view of the sheepish.

More importantly, it gives a release option, making it easier to free the secure grip from your pocket. The UltiClip 3.3 Slim offers a versatile and secure method for attaching the knife to various clothing or gear, enhancing practicality and convenience.

As well as the Reiff fits into the EDC world, it teeters on the line of woods-worthy EDC. I was in the northeast woodlands during the test, and the Circadian was on hand. The knife was tasked with splitting wood via baton and also a round or two of feathering. It didn’t disappoint. Fit finish and comfort are standard. The handle offers a full-hand grip and the blade is stout.

A.G. Russell Woodswalker

Woodswalker Specs
Carry: Leather pocket sheath that fits into a back or cargo pocket perfectly, or a Kydex neck sheath
Blade Length: 2 3/8”
Blade Steel: 8Cr13MoV stainless
Blade Grind: Flat
Blade @Thickest: 1/16”
Blade Finish: Satin
Handle Material: POM thermoplastic
Overall Length: 6”
Country of Origin: China
MSRP: $34.95 to $36.95

The A.G. Russell Woodswalker is a versatile, durable knife designed in the 1970s for the outdoorsman who values tradition and function. Crafted for the casual hunter, this lightweight, non-folding pocketknife is perfect for a tranquil morning in the wilderness.

Whether you’re pursuing small game like quail, squirrel, dove or rabbit, or preparing a meal in the great outdoors, the Woodswalker excels with its drop point blade in a Rockwell hardness of 57-59 HRC. Full-tang construction ensures stability and balance, while the handle provides a comfortable and secure grip. Measuring 6 inches overall and weighing a mere 1.2 ounces, it’s an unobtrusive addition to any hunter’s gear.

Choose between the leather pocket sheath, which fits into back or cargo pockets perfectly, or the Kydex® neck sheath for convenient carry. I used both but I hate my pockets weighing me down. The neck carry option suited me well.

The Woodswalker is the classic of the test batch of roughnecks. It’s been there and back—that’s why I spared it no quarter. In my usual neck of the woods, I wanted to make a small fire and selected hardwoods like oak and maple to craft feather sticks.

This one isn’t a splitter or chopper, so act accordingly. It feathered wood like a dream and felt like a zipper effortlessly gliding through wood. The most impressive feature that’s not mentioned in any product description is the sharp 90-degree spine, ideal for striking a ferro rod and showering sparks worthy of the 4th of July. This knife isn’t just a tool, it’s a trusty companion for all your outdoor adventures.

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