As rugged as the mechanics who use it, this overbuilt pocket knife features a modified drop point blade that’s built from stainless steel. It’s tough enough to cut hose but still precise enough to strip wiring. Meanwhile a black corrosion resistant coating keeps the blade intact no matter what you put it through in the shop.
Blade Steel: 1.4116
Blade hardness: 55-57 HRC
Blade Thickness: 0.120” (3.0 mm)
Blade Finish: EDP
Blade Length: 2.75” (69.85 mm)
Closed: 4.125” (104.76 mm)
Open: 6.875” (174.63 mm)
Weight: 6.2 oz. (175 g)
Handle: Glass-Reinforced Polypropylene with TPR Insert
For a minimalist with an appetite for big adventure. Jesper Voxnaes’ Scandinavian backyard is filled with fjords, punctuated by mountains, and sliced by surging rivers. So when he sets out to design an outdoor knife, it’s crafted to perform. Everywhere.
Editor’s note: In addition to a good blade, one of the best survival tools you can carry is a .22 pistol. Check out our sister site GunDigest.com for the Top list of best .22 pistol options.
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George E. “Skeeter” Vaughan (Grey Otter) was a sergeant in the Army’s U.S. Moccasin Rangers during World War II when he eliminated a German sentry with a prodigious knife throw on a snowy night in 1944.
George E. “Skeeter” Vaughan holds the distinction of making the most fantastic knife throw in recorded history—and considering the circumstances surrounding his legendary feat, he most likely will maintain his grasp on that honor for a long time to come.
An American Cherokee Indian whose given name was “Grey Otter,” Vaughan was a member of an elite Army unit called the U.S. Moccasin Rangers, all 15 members of which were American Indians especially gifted with excellent night sight. At the age of 19 he enlisted in the U.S. Cavalry in 1942, and later landed with his unit on Omaha Beach two days after D-Day in June 1944. Two weeks later the Moccasin Rangers were formed.
On a snowy November night in 1944, Skeeter and five other members of the Moccasin Rangers were given the assignment of knocking out a German bunker with pillbox on the Siegfried Line to make way for an American advance. Belly down in the snow behind the bunker concealed on the brow of a hill in a small stand of timber about 35 yards away, Vaughan and his men were faced with the problem of how to neutralize the emplacement.
Skeeter contracted trench foot during the war and doctors recommended his feet be amputated. He went AWOL from the service hospital and returned to his old unit, asking to be put on active duty rather than lose his feet. His request was granted. He was wounded five times and decorated profusely. He was the only member of the Moccasin Rangers to survive the war. He passed away in 1989.
Outside the bunker was a German sentry with his back to the hill where Vaughan and his men were positioned. The sentry had to be eliminated—and eliminated silently so he could not warn the other German soldiers. There was too much open ground for one of the Rangers to cross it and silence the sentry, and a gunshot would alert the enemy.
A sergeant and commander of the patrol, Vaughan was asked by one of his men if he could take out the sentry by throwing his bayonet/knife. As a boy, Vaughan had lived on Indian reservations and was taught all about weapons by his grandfather, old Limping Bear, a Cherokee born in the Smoky Mountains of Tennessee. Skeeter’s training included throwing knives and tomahawks, and he had put that training to use prior to the war hurling hawks and 16-inch knives made from old bayonets in performances at rodeos and in “Doc Willetson’s Big Medicine Show” that toured the West.
However, that training was about to undergo a test like no other.
As adept as he was at throwing knives, Skeeter was believed to be the world’s best at throwing hawks. His model of preference was a pipe hawk.
Skeeter crawled from the timber as far as he dared and stood, hoping he would not be spotted. The sentry’s back was still toward him. Skeeter threw the knife with a high trajectory, aiming about three feet above the sentry’s head. The knife turned silently over and over in its long, downhill pinwheel flight. The sentry dropped without a peep face down in the snow.
Considering the distance thrown—later measured at 87 feet—it was probably the longest successful throw in battle in the annals of knife throwing.
Later in life, Skeeter found acting roles in Happy Days, Gunsmoke,The Six Million Dollar Man, Magnum, P.I. and Revolution, per IMDB. He died in 1989.
Video Re-enactment
To get a better feel for what happened on that snowy day in 1944, here’s a re-enactment. Remember that Skeeter only had one chance to get it right.
According to Dr. Jim Lucie, Scagel made sheaths for most of his knives and axes, though there were exceptions, such as when he supplied knives to some retailers. His sheaths ranged from simple but functional to ornately embossed. (Mike Carter image)
Scagel stamped many of his blades “W. SCAGEL” over “HANDMADE” and with the image of a kris knife. (Mike Carter image)
Scagel’s influence resonates across the decades as knives and knifemakers have taken their cue from his mastery of the curve and the spacer, his interpretation of the lines, fit and finish of a knife that stands the test of time, setting a standard for others to follow. Born in 1873, Scagel lived to the age of 90, and during his lifetime proved himself a master metalworker. His wrought iron adorned the windows of banks and other buildings in the city of Grand Rapids, and he participated in bridge building as well. His first knives were made in lumber camps in the Great Lakes area of the USA and Canada, with the earliest examples dating to around 1910.
Th rough the years Scagel made his imprint as a custom knifemaker, selling his wares through Abercrombie & Fitch during the 1920s, raising the profile of the custom knife with his recognizable style of stag and spacer handles. His friends at Brunswick Corp. kept him supplied with scrap pieces of Bakelite (the first manmade plastic and first true synthetic), wood, ivory and fiber from the manufacture of pool tables and bowling balls for use as spacers. He made bowies, hunters, fighters, folders and hatchets that have become coveted collectibles fetching high prices at auctions and private sales. His kitchen knives were second to none, and his paired carving sets were expensive masterpieces.
Meanwhile, those who appreciated a tough working knife that had a distinctive look gravitated toward custom knifemaking. Among them was legendary Cutlery Hall-Of-Famer Bo Randall, who became a protégé of Scagel. In turn, Randall influenced the likes of Cutlery Hall-Of-Famer Bob Loveless and so many others—and the legacy continues to grow.
William Wales Scagel’s personal hunting knife features a silver-mounted guard and a silver cap at the end of the stag. His signature is on the obverse side of the blade. (image from the 1996 Pictorial Calendar of William W. Scagel Knives; knife from the Dr. James Lucie Collection)
Scagel, the Man
Dr. Jim Lucie, Scagel’s longtime friend and personal physician, remembers a matter-of-fact kind of guy.
“He was sometimes quite opinionated,” recalled Dr. Lucie, who achieved status as an ABS journeyman smith in his own right. “He shunned publicity and did not like the public eye, and he was critical of some types of people. He was an atheist by choice and didn’t mind stirring the pot about something. If he liked you, and I spent many delightful hours with him, he would go to hell and back for you. If he didn’t, you only got one chance to take advantage of him.”
Published in 2010, Scagel Handmade by James R. Lucie is the quintessential book on Scagel. Famous for being reclusive, Scagel had few pictures taken of himself. The fuzzy one on the cover of Lucie’s book is one of the only known pictures of the famous knifemaker.As Lora Schwarzer noted, alternating brass and leather spacers with deer antler at the other end comprised Scagel’s signature stacked handle. (Mike Carter image)
The author of the quintessential book on the subject, Scagel Handmade, published in 2010, Dr. Lucie calls Scagel a “genius with metal work. He was a pioneer. He got Bo Randall started, and the first knives Bo made were around 1937-38, I believe. Scagel’s knives have been copied more than anybody else, more than even the Bob Loveless drop point.”
Scagel’s work has often been imitated, sometimes with dubious results. At other times, however, the style has been replicated with precision. ABS journeyman smith Lora Schwarzer worked in a hospital with Dr. Lucie, who introduced her to Scagel knives.
“Dr. Lucie helped me get started, and I wanted to do Scagel-style knives,” Lora remarked. “They are pretty and easy to hold. They feel good in your hand, and none of them are the same, basically. He might have done a few sets that match, but that was not the norm. The spacers are different and the antlers are different, and they are pretty with their curves and colors.”
Schwarzer started forging in 1996 and has made many Scagel repros since then. Her current work includes a couple with 1084 tool steel blades, brass guards, and leather, fiber, brass, copper and bronze spacers. Her favorite Scagel knife is an unmarked piece.
“If someone brought him a piece of steel,” she explained, “and asked him to make a knife for them, he would do it but not mark it because he didn’t know what kind of steel it was or where it came from. I got this one from Dr. Lucie, who got it from the person Bill originally made it for. Its handle is alternating brass and leather spacers with deer antler at the other end. That was his signature stacked handle.”
One of the great stories Lora likes to tell about Scagel involves a lady who regularly visited the local grocery store. In those days it was common to wrap purchases in brown paper and tie them with string. The lady struggled to break the string, so Scagel made her a miniature knife, which Lora has seen and is pictured in Dr. Lucie’s book, to cut the strings.
“Another thing I know is that Bill Scagel had a kind heart,” she added. “During the polio epidemic in the 1950s, he built braces for people without charging them.”
ABS journeyman smith Lora Schwarzer’s Scagel repro is a work in progress and includes a blade of 1084 carbon steel, brass guard, and brass and leather spacers. She stated she needs to “drill and put in the pin and final finish the handle.” Overall length: 12 inches. (Schwarzer image)
Scagel Knives
Gordon White of Cuthbert, Georgia, has been collecting Scagel knives for about 30 years. Gordon sees the historic significance of Scagel’s body of work as a big reason for his lasting interest.
“Well, the knives are just so unusual and different,” he said, “and he is the father of handmade knives and the first person in the 20th century to start making a custom handmade knife. He forged everything he made, and the unique fact that he made his own machinery and equipment and did everything by hand tells me that there has really been nothing like Scagel before or since.”
According to White, one of Scagel’s most innovative tools was used to place the spacers on the knife handle and then press them together, followed by the stag or brass butt that was then pinned in place. Scagel hatchets in mint condition are difficult to find because they were meant for use, and those who bought them put them to work steadily.
Louis Chow owns three World War II Scagel daggers. Two are forged carbon steel with full-tang handles slabbed in wood. The construction of the guards is unusual with a wrap-around opening to fit onto the tang. “It’s just another aspect of Scagel’s work,” Chow said, “something different.” (Louis Chow image)
Unlike other custom makers who can point to a mentor or individual who helped launch their careers, collector Louis Chow says Scagel stands alone.
“He was unique, you could say, because in my opinion I don’t think Scagel was too much influenced by anyone else in the beginning. Still, there were great knives being made before Scagel. For some reason, he was somewhat of a hermit and didn’t research what other guys were starting to do. Of course, those famous makers had the power tools necessary to make precision knives. Scagel used whatever he had on hand, a small generator and grinder. He didn’t have anything to go by as a sample, no publications to refer to. So, he basically did what he thought a hunter or bowie knife would look like.”
In addition to making knives beginning circa 1920 for retail giant Abercrombie & Fitch of New York, Scagel also made knives for retailers Von Lengerke & Detmold of New York and Von Lengerke & Antoine of Chicago. The blade stamp above is on a knife he made for the latter. (Mike Carter image)
Chow is primarily a Loveless collector, and he acknowledges that the reasons for collecting a particular custom maker are varied. He agrees with White that the history of Scagel is a big factor.
“If I look back at how Loveless got started, as far back as you can go, Scagel is the granddaddy of the industry and influenced everyone else,” Chow explained. “For me, he is the source of what influenced Loveless. My preference is Scagel’s simple daggers that he made during World War II, his contribution to the war effort and the foundation of the current custom knife industry.”
Chow owns three Scagel daggers from the World War II era and a small pocket hatchet that was popularized in the 1950s. The daggers are forged carbon steel with full tang handles slabbed in wood. The construction of the guards is unusual with a wrap-around opening to fit onto the tang.
“Two of the three daggers are made like that,” Chow said. “It’s just another aspect of Scagel’s work, something different.”
As Dr. Lucie notes in his book, Scagel’s axes are interesting and considered rare. There are two varieties: 1) general camp axes medium to large in size and quite hefty and 2) the hiking or military backpack axe, which is smaller and more petite. The one above is an example of the former. (image from the 1996 Pictorial Calendar of William W. Scagel Knives; axe from the Dr. James Lucie Collection)
Values of Scagel Knives
The American Bladesmith Society presents the annual William Wales Scagel Award to an ABS smith for longtime service in promotion of the forged blade. ABS master smith Red St. Cyr (left) received the award from BLADE Magazine Cutlery Hall-Of-Fame member B.R. Hughes (right) in 2006. The portrait in the background is of Cutlery Hall-Of-Famer Bill Moran.
Scagel knives remain popular among collectors, and White considers the prices paid at the 2011 auction of Dr. Lucie’s collection as evidence of the demand.
“That auction is a good meter to go by,” he remarked. “The hunters were averaging from $12,000 to the mid-$20,000 range depending on appearance, and condition has a lot to do with it. Some of them look better than others, and a high-quality sheath with good looks adds to the value. Dr. Lucie had some fighters in his collection, and they probably averaged $28,000 apiece. One fighter brought $41,400.”
Schwarzer sees continuing appeal in Scagel knives simply because there is nothing else quite like them.
“They are different, and I have been at shows and seen people really get excited about them,” she commented. “Some people like them and some don’t, maybe like pizza with thick crust or thin. It is a matter of personal preference, but Scagel knives certainly have staying power.”
Staying power, pioneer power, legendary power: They are each part of the Scagel legacy, one that is like no other in the history of custom knives.
The sword is 2,100 years old. Click for a larger view.
A rare Roman cavalry short sword made before the time of Christ that has been preserved in its entirety and still cuts is one of several recent highlights of the Celtic Collection Program in Milner, Georgia.
The ancient short sword is from the La Tène III (circa 2nd to the 1st century B.C.) timeline. It was in the H. Liebert private collection, Cologne, Germany, and was acquired during the 1960s and ’70s.
The iron sword is completely intact and is 20.5 inches long. Over time it has become permanently attached to its iron scabbard, and the buckle remains from where it once hung from a belt. Its thin hilt, which terminates in a small pommel, would have once been encased in wood.
According to a spokesperson, the sword has a double-edged blade still sharp enough to cut.
Though the ancient sword is believed to be from Gaul (modern France), Peter Connolly reports comparable swords in his book, Greece and Rome at War.
Similar swords reportedly have been recovered from Switzerland, France, the Thames in London, and Embleton, England.
The sword belonged to either a male or female warrior specializing in close combat tactics, a spokesperson stated.
Jamesan Stuckey, director of the Thomaston-Upson Archives, examines the Roman short sword relic. (Lewis Hales image)The sword’s thin hilt, which terminates in a small pommel, would have once been encased in wood. Part of the sword’s edge, which has remained sharp all these centuries, is exposed above the guard. (Lewis Hale image)The buckle remains from where it once hung from a belt. (Lewis Hales image)The sword relic as contained in the Prehistoric European Collection at the Thomaston-Upson Archives. (Lewis Hales image)
Learn More About Knife History
BLADE gathered 14 years of Knives annual books into a single collection. Get it here.
The Cutlery Hall Of Fame is the only such body to recognize all members of the knife community. Nominated and voted on by living Cutlery Hall Of Famers, the inductees must have a) demonstrated extraordinary service to the knife industry; b) displayed honesty, character and integrity; c) advanced the industry by the creativity and originality of their works or contributions; d) as ambassadors or outstanding contributors furthered the positive impact of the knife industry on the world at large; and e) in summary, demonstrated a worthiness to be a member of such a prestigious group.
Dan Delavan
Dan Delavan
Along with his wife Pam, Dan closed the Plaza Cutlery retail knife shop in the South Coast Plaza Shopping Resort in Costa Mesa, California in January after 44 years as one of the world’s most forward thinking of brick-and-mortar cutlery stores. Dan was in on the ground floor, helping his parents, Del and Lois, open the store in 1974.
From the outset, Plaza was a pioneer in selling knives in a mall setting and custom knives in general—the latter at Dan’s insistence and something only a handful of stores at most did at the time. Plaza was a leader in hands-on customer service; sharpening while you waited; in-store meet-the-knifemaker events; custom and factory knife exclusives; the latest factory knives, swords, kitchen knives and assorted knife accessories; and later and through to today, online knife sales, including Randall knives and customs.
The Delavans started what would become the California Custom Knife Show in the early 1980s and made it into one of the industry’s premier cutlery events, including a visit from Sylvester Stallone that helped pave the way for the Rambo knife revolution that transformed the knife culture in general. Dan and Pam sold that show and started another one that was very successful. They recently sold the latter and it will continue under new management.
Dan also helped start the National Independent Cutlery Association, a buying group for domestic cutlery shops that boasted 100 member stores at its height. NICA helped its members in their business relationships with knife manufacturers and importers, had an annual knife and knife exclusives, and otherwise aided in furthering the availability of fine cutlery to its members’ customers nationwide.
An image from 1975 of Dan Delavan in the old Plaza Cutlery knife store one year after it opened.
Phil Lobred
Phil Lobred
Phil may be best remembered for commissioning what is arguably the most important knife of the modern custom era: the King Tut Dagger Reproduction by fellow Hall-Of-Famer Buster Warenski.
Beginning in 1983 Phil coordinated the annual Art Knife Invitational, an intimate gathering of the world’s elite knifemakers in San Diego, who in turn offered their knives for sale to the world’s elite custom knife collectors. The show took about a 10-year hiatus but returned as a biennial event and continued to draw the elites worldwide. It continues under the direction of Phil’s daughter, Sandee.
For a time in the 1970s Phil shared his home with Hall-Of-Famer Gil Hibben. Hibben made knives in Phil’s garage, with Phil by his side. Later, with Phil in tow, Gil enjoyed an audience with a special fan of Hibben knives: Elvis Presley. Phil and Gil visited with Elvis until the wee hours, a meeting that remains the stuff of legend.
Phil’s vast knowledge of custom knives and also 19th-century dress bowies proved an invaluable source of information for many, including BLADE. Perhaps Phil’s most important contribution was his faithful patronage and support of the custom knife industry. He bought and collected the knives of many makers from the early 1970s on at a time when the industry needed such buyers/collectors desperately to survive. As a Hall-Of-Fame nominator noted, “Phil was the definition of a knife collector, always talking and promoting knives. Then he started his Art Knife Invitational and that changed the custom knife industry forever.”
The King Tut dagger repro Lobred commissioned Buster Warenski to create.
SHEATH: Tri-Composite System Kydex w/3” nylon webbing, Box X stitching, stainless hex fasteners and liners; locks blade in; MOLLE system sheath also available
Here are four folding knives that employ unusual opening mechanisms.
“Cool Factor”
Some knives have a “cool factor” that makes your eyes pop out. Whether sporting creative designs, spine-tingling handles and blade shapes or—in this case—ingenious mechanisms, such knives always have that special something which sets them apart.
Cool can be anything from a notable mechanism to a standout design. From left: Boker Tucan, AIK Buck 112 Ranger Double-Action Auto, CRKT Daktyl and Olamic Busker Semper.
Boker Tucan
The Boker Tucan is a stately looking folder, but its 3-inch blade of Bohler N690 stainless steel is all business.
Boker’s sleek Tucan would be cool on its design alone, but designer Wilfried Gorski’s innovative blade-release mechanism puts the folder over the edge. A slide release just below the oversized pivot pops the blade out of the frame so it can be opened manually, and the release also serves to deploy the blade. Simply thumb it down and the blade is ready to fold into the frame.
Everything about the Tucan is upscale, from its stealthy 3-inch Bohler N690 stainless steel clip-point blade to its beautifully sculpted 3.875-inch titanium frame with carbon-fiber inlays.
There is no pocket clip but no matter—the Tucan is meant for loose pocket carry. At a weight of 2.82 ounces that is not a problem.
MSRP: $339.
CRKT Daktyl
(CRKT image)
The CRKT Daktyl is a revised version of the Tom Hitchcock “Hole In One” design.
Every bit as enigmatic as the original, if not more, the Daktyl has a 3.05-inch 420J2 stainless steel blade that rotates out of a 4.42-inch wire-frame handle.
The fun begins trying to figure out how to release the blade via Hitchcock’s Slide Lock mechanism, which requires sliding and tipping back the thumb lever.
Once you get the hang of it the Daktyl is pure fun and will amaze your friends. The modified wharncliffe blade has cutouts for lightening and a round carabiner at the base allows you to clip it to a belt loop, keychain or pack and—get this—pop a beer cap.
The Daktyl has a pleasant beadblast finish overall and weighs in at 2.4 ounces.
MSRP: $59.99.
Buck 112 Ranger DA Auto (Adams International Knifeworks conversion)
Adams International Knifeworks Buck Ranger 112 DA Auto has all the traits of the original. The 3-inch 420HC stainless steel blade whipped and sliced through paracord, 3/8-inch rappelling rope and tough waxed lasso rope with ease.
Unlike the new Buck 110 Auto, the AIK version of the smaller 112 Ranger differs in that it is a double action—opens both manually and automatically—and uses a leaf spring on the spine as opposed to a coil. The blade is employed via a flush brass button on the front, which matches the bolsters nicely.
Blade deployment is via the standard lockback on the rear base.
Everything else is Buck 112 Ranger, from the Dymondwood lockback grip to the 3-inch 420HC stainless steel clip-point blade and black leather belt sheath.
MSRP: $160.
Olamic Cutlery Busker Semper
Olamic Cutlery is known for making fashionable knives and the Busker Semper model, designed in-house, exudes coolness on every level. The folder sports curvaceous lines from stem to stern, including its ability to open 10 different ways (see above video), including a top-mounted flipper.
It is a small knife—6 inches open—featuring a 2.375-inch Bohler M390 modified wharncliffe blade and a 6Al4V titanium framelock handle. Other features include a machined pocket clip, caged bearing pivot system, stainless steel lockbar insert with an over-travel stop, ceramic detent ball, and ceramic pocket clip retention ball. In a nutshell, this is the good stuff!
The test model was delivered with a deep-brushed surface texture and gold anodized accents.
