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Tony Bose: The Legend’s Effect On Pocketknife Designs

How the iconic custom maker transformed pocketknives and the knife industry.

The story of the knife is one of evolution, with thousands upon thousands of steps along the way. When you boil it down, however, it’s really just the passing of knowledge gained from one individual to the next. One who earned an immortal slot in that incredibly long span of time is BLADE Magazine Cutlery Hall-of-Fame® member Tony “Old Dog” Bose.

Born of humble beginnings, Tony suffered the loss of an eye at an early age—a setback for anyone, though especially a craftsman—and grew up in Indiana far from any cutlery center. Nonetheless, what he did have was a job repairing knives, and that was all the springboard he needed to launch him into becoming a highly revered custom knifemaker.

Tony produced his first custom knife in 1975 and by 1990 was going full steam—this while the Gulf War was inspiring the modern tactical knife movement. But he had his own plans and continued to gain popularity with the traditional slipjoint crowd, a popularity that surged throughout his knifemaking career. He had a huge impact in his day, not only for the sheer quality of his work and innovative styling, but for his lasting contributions to both the custom and factory knife industries.

Tony Bose As Mentor

Another of Tony’s slipjoint standards is the Lanny’s Clip. “In 1989 I met a good ol’ boy named Lanny Shell,” Tony wrote. “He asked me to make him a knife between 3¾ and 4 inches closed for heavy work with a clip blade in it. I didn’t know what to call it, so I called it Lanny’s Clip.” (Caleb Royer image)
Another of Tony’s slipjoint standards is the Lanny’s Clip. “In 1989 I met a good ol’ boy named Lanny Shell,” Tony wrote. “He asked me to make him a knife between 3¾ and 4 inches closed for heavy work with a clip blade in it. I didn’t know what to call it, so I called it Lanny’s Clip.” (Caleb Royer image)

One way to judge a master craftsman is by the people he taught.

“I first met Tony at the Guild Show in Florida,” notes Cutlery Hall-of-Famer Bill Ruple, a knife legend in his own right. “I had just begun making knives and when I saw what he had on his table I was blown away! Before that I was making folders and a few fixed-blade knives. After seeing his work I focused on multi-blades. As time went on, we became great friends. One of my biggest regrets was not taking time to go and visit him. He invited me many times.

“Any time I had a problem, Tony was there to talk me through it. I’d always pick what I considered to be my best knife and have him critique it at the BLADE Show. He set the standard for all of us multi-blade makers. Reese [Tony’s eldest son] is continuing to set that standard today. I was just one of many who benefited from Tony’s generosity to share his knowledge.”

ABS master smith Harvey Dean, who makes top-notch slipjoints in addition to his award-winning fixed blades, has fond memories of Tony’s mentoring and friendship.

“I met him around 1993 at the New York Custom Knife Show,” Harvey recounts. “He had quite a few slipjoints for sale, and if I recall they did not last long [before they sold out]. I remember most of the people that bought them had memories of carrying his type of knives many years ago. Tony brought them back into popularity.

“Tony’s influence, I think, was his approach to making slipjoints. His grinds, swedges and the function of the knife were all spot on. His handle material was always exceptional. For me, Tony’s generosity in sharing his knowledge was the most important thing. I could call Tony anytime for help and he always helped me out. I still have, I think, three patterns Tony made for me, mailed them to me, and would not take any payment for them.”

Tony did the same for Ruple and ABS master smith Steve Dunn. “Tony sent me many patterns over the years and never charged me a penny,” related Dunn, who passed away last year. “He will go down in the books as the best slipjoint maker ever.”

At a BLADE Show circa 2010, Ruple told Tony his favorite knife ever was the Bose saddlehorn trapper.

“After the show I received a package from Tony,” Bill writes. “Inside were two different-sized saddlehorn trapper patterns. He had hand ground them! That’s the kind of guy Tony was. He was a kind, generous gentleman, always willing to share his vast knowledge of knives.”

One look at Tony’s knives at a Knifemakers’ Guild Show and Cutlery Hall-of-Famer Bill Ruple started focusing on making multi-blades. The rest is history, including Bill’s five-blade sowbelly. (SharpByCoop knife image; image of Ruple by Chris Wellhausen)
One look at Tony’s knives at a Knifemakers’ Guild Show and Cutlery Hall-of-Famer Bill Ruple started focusing on making multi-blades. The rest is history, including Bill’s five-blade sowbelly. (SharpByCoop knife image; image of Ruple by Chris Wellhausen)

One of Tony’s greatest achievements, in his own words, was teaching his son Reese to make folding knives. Tony commented on mentoring him in about as strong a statement as it gets.

“I have helped a lot of guys figure out how to make pocketknives,” he noted, “but Reese is the only one I have taught.” Today, Tony’s son is considered one of the world’s best slipjoint makers.

Reese has fond memories of his father.

“When I’m asked about Tony, a few things come to mind: generosity, influence and impact,” Reese says. “Tony’s generosity with his time and knowledge were truly something special. I can’t even begin to count the number of phone calls we had over the years. I do remember one of our first conversations when Tony told me, ‘Boy, you are gonna have to learn swedge work.’ He was always ready to give advice about knifemaking and even the day-to-day of running a knife business.

“Many makers went in and out of his doors with no money ever exchanging hands. It was this time spent sharing advice, knife patterns, and even loaning out vintage knives that illustrated the influence Tony will continue to have in the knifemaking world.”

Tony Bose & Case Knives

The knife collaborations Tony did with W.R. Case & Sons increased the awareness of and interest in the company to much higher levels, even during times when the cutlery world was consumed with tactical fare. His was also a constant presence at assorted Case collector events for knife enthusiasts of all ages, giving seminars, meeting and greeting all in attendance, etc.

His contributions were such that on July 14, 2023, he became the first person in over 20 years to be honored with a Wall-Of-Fame induction ceremony at the W.R. Case & Sons facility in Bradford, Pennsylvania. The induction included a plaque of Tony installed on the Wall Of Fame in the Zippo/Case Museum. Tony’s son Reese, Bill Ruple and others were on hand for the event.

Fred Feightner, Case director of marketing communications, remembers the early years in 1999 when Case hired Tony as a designer to elevate the company’s folding knives to a greater level of quality and relevance.

One of Tony’s greatest achievements, in his own words, was teaching his son Reese to make slipjoints. “I have helped a lot of guys figure out how to make pocketknives,” Tony noted, “but Reese is the only one I have taught.” From the looks of his son’s five-blade congress pattern, Tony taught Reese well. (Eric Eggly/PointSeven image)
One of Tony’s greatest achievements, in his own words, was teaching his son Reese to make slipjoints. “I have helped a lot of guys figure out how to make pocketknives,” Tony noted, “but Reese is the only one I have taught.” From the looks of his son’s five-blade congress pattern, Tony taught Reese well. (Eric Eggly/PointSeven image)

“My first one-on-one interactions with Tony came nearly 20 years ago as a result of an assignment I was given by Tom Arrowsmith, our company president at the time,” Fred recalls. “I had only been with the company a couple of years, so I was pretty new to the knife industry with very little exposure to the world of custom knives. The assignment was to produce an eight-to-10-minute video about Tony to support the introduction of the swayback pattern, our latest online edition of our Case-Bose series.

“Naturally, I was excited to be traveling to meet this famous knifemaker. So, with stars in my eyes, off I went to Tony’s shop in Indiana. The address I was given took me to Tony’s house. Once there, I was surprised to learn this superstar was making his impeccable knives from inside his attached garage. Tony came out to meet me and took me inside, showed me around the shop a bit, and introduced me to his son Reese, who was situated in a far corner. Then Tony offered me a cup of ‘cowboy coffee,’ which turned out to be coffee boiled in a camp pot and kept warm over a hot plate that was within easy reach from his desk all day.

“Over the next two days I would be treated to the most in-depth knifemaking tutorial series one could only imagine,” Feightner exclaims. “Being an eyewitness to the painstaking care that Tony took in preparing even a single knife for one of his customers was truly awe inspiring. I still recall watching him hunched in his shop chair, sanding down knife parts by hand for hours until they fit to perform perfectly when assembled. He was such a patient teacher! It was never a problem for him to answer questions while he was working away. That visit really provided me with the foundation I needed to do my job better as a Case marketing communicator.”

Tony collaborated on knives with Case for two decades, including this Eureka jack in abalone and 154CM stainless steel in 2017. (Case image)
Tony collaborated on knives with Case for two decades, including this Eureka jack in abalone and 154CM stainless steel in 2017. (Case image)

Tony’s collaborations with Case worked like magic. His upscale Case XX limited editions, delivered in signed brown leather zipper pouches, are some of the finest pocketknives ever produced by the company—or any company for that matter—and his Bose-branded boxed knives are highly collectible.

His signature Lanny’s Clip, designed for a friend, has become legend among both custom folder makers and Case collectors alike. Tony passed away in 2020, only one year after being inducted into the Cutlery Hall of Fame, but his imprint on the cutlery industry will last as long as his knives walk and talk—which will be a long, long time.

More Pocketknife Info:

Locking Folders Knives: Options That Unlock EDC Ease

Four new entries help show why locking folders rule the pocketknife world.

Locking folders are the most popular pocketknives—perhaps even the most popular sporting knives of all. Slipjoints have the romance and tradition, vintage style, natural materials and many other things that make knives coveted by so many users and collectors, but locking folders are a lock in terms of being the king of pocketknife sales.

For one thing, while slipjoints can have anywhere from one to multiple blades, they are basically limited to one non-locking mechanism, that being the slipjoint mechanism itself. Locking folders, on the other hand, come in a wealth of locks, including the lockback, linerlock, Integral Lock/framelock, Benchmade AXIS Lock/crosslock, ring lock, button lock, Spyderco Compression Lock and others. Not only that but since they lock they’re much less likely to close accidentally than slipjoints.

Meanwhile, since the explosion in lockbacks after the introduction of the Buck 110 folding hunter in 1964 and the introduction of the linerlock by BLADE Magazine Cutlery Hall-of-Fame® member Michael Walker in 1981—that by the end of the decade was catching on with custom and factory makers far and wide—locking folders have experienced booms in types and runaway sales that continue to this day.

As Matt Salazar, general manager of House of Blades retail knife store in Fort Worth, Texas, noted in “2025 Trends and Takeaways” of the Spring 2025 BLADE Complete Knife Guide, “While slipjoint collectors are diehards, they’re a drop in the bucket compared to those into locking folders.”

All of which brings us to the subject at hand: a sampling of a few of today’s top factory pocketknives that lock.

KA-BAR State & Union F01OD

The KA-BAR State & Union F01OD was with the author in the woods and carved a beautiful feather stick able to take a spark.
The KA-BAR State & Union F01OD was with the author in the woods and carved a beautiful feather stick able to take a spark.

State & Union F01OD Specs
Lock Type: Lockback
Blade Length: 3.25”
Blade Steel: CPM S35VN stainless
Blade Grind: Hollow
Blade @Thickest: .16”
Blade Finish: Satin
Handle Material: Olive drab G-10
Closed Length: 4.1”
Country of Origin: USA
MSRP: $175

The KA-BAR State & Union F01OD is the first all-USA-made folding knife by KA-BAR in over 50 years. The sleek, reliable edged tool features a sharp drop-point blade. The handle provides a solid grip and is complemented by eye-catching anodized orange hardware.

Designed for everyday carry, the F01OD has a reversible wire clip, ensuring it stays securely in your pocket. Checking in at a lightweight 3.2 ounces, the knife is suited for most any cutting adventure—whether in the field or around the house. Available in several colors, it also looks good while doing it.

Spyderco Alcyone

The leaf-shaped blade of the Alcyone has a sharp PlainEdge and the familiar Spyderco hole for ambidextrous opening.
The leaf-shaped blade of the Alcyone has a sharp PlainEdge and the familiar Spyderco hole for ambidextrous opening.

Alcyone Specs
Lock Type: Linerlock
Blade Length: 2.91”
Blade Steel: CTS BD1N stainless
Blade Grind: Flat
Blade @Thickest: .11”
Blade Finish: Shiny satin
Handle Material: G-10
Closed Length: 4.08”
Country of Origin: China
MSRP: $115

The Spyderco Alcyone is named after a multi-star system in the constellation Taurus. The locking folder combines high performance with classic Spyderco design at an affordable price, featuring premium U.S.-made blade steel. The leaf-shaped blade has a sharp PlainEdge and a Spyderco trademark round hole for ambidextrous opening.

Thanks to its open-backed construction and full skeletonized stainless steel liners, the ergonomic handle is lightweight and easy to clean. The rugged gray scales provide a secure grip with a non-slip peel-ply texture for sure handling. The four-position pocket clip provides left/right side, tip-up/tip-down carry. A generous-sized lined lanyard hole completes the handle package.

CobraTec Olympian

The modified drop-point blade of the Olympian flipper folder is tailored for precision cutting and slicing. The ball-bearing pivot system provides smooth, swift deployment. A robust glass breaker and lanyard loop enhance versatility.
The modified drop-point blade of the Olympian flipper folder is tailored for precision cutting and slicing. The ball-bearing pivot system provides smooth, swift deployment. A robust glass breaker and lanyard loop enhance versatility.

Olympian Flipper Specs
Lock Type: Framelock
Blade Length: 3.5”
Blade Steel: M390 stainless
Blade Grind: Flat
Blade @Thickest: .13”
Blade Finish: Satin
Handle Material: Titanium
Closed Length: 5.375”
Country of Origin: China
MSRP: $279.99

The CobraTec Olympian flipper folder is a marvel of precision engineering, seamlessly blending high-quality materials with an elegant, ergonomic design. A lightweight yet exceptionally durable titanium grip ensures effortless handling and superior strength. The right-hand carry clip provides convenient accessibility.

The modified drop-point blade is tailored for precision cutting and slicing. The ball-bearing pivot system provides smooth, swift deployment. A robust glass breaker and lanyard loop enhance versatility.

CRKT Ibis

Designed by Lucas Burnley, the CRKT Ibis features a drop-point blade with a prominent belly great for slicing, while the black finish complements the titanium handle.
Designed by Lucas Burnley, the CRKT Ibis features a drop-point blade with a prominent belly great for slicing, while the black finish complements the titanium handle.

Ibis Specs
Lock Type: Framelock
Blade Length: 3.08”
Blade Steel: CPM S35VN stainless
Blade Grind: Saber
Blade @Thickest: .13”
Blade Finish: Stonewash
Handle Material: Titanium
Closed Length: 4.14”
Country of Origin: China
MSRP: $200

Designed by Lucas Burnley, the CRKT Ibis is named after a graceful wading bird. For a distinctive look, the blade features a sleek curve along the spine. The drop-point blade boasts a prominent belly great for slicing, while the black finish complements the titanium handle. As Burnley notes, “It just looks good.”

With fast flipper deployment, the Ibis opens smoothly thanks to the Ikoma Korth Bearing System (IKBS)/ball bearing pivot. A low-profile pocket clip keeps the 2.9-ounce knife securely by your side.

Carrying

The way a knife is carried is essential. The sleek Olympian (top left) and discreet Ibis (bottom right) are great gentleman's knives, while the bulkier Alcyone (top right) is more noticeable. The State & Union (bottom left) is the least noticeable of all.
The way a knife is carried is essential. The sleek Olympian (top left) and discreet Ibis (bottom right) are great gentleman’s knives, while the bulkier Alcyone (top right) is more noticeable. The State & Union (bottom left) is the least noticeable of all.

How a knife rides in your pocket is essential. The Olympian carried deep with enough handle to grab onto. The sleek diameter, closed and open, never felt bulky.

The Ibis also carried deep and was easy to retrieve. It came in second to the Olympian for sleekness. The black color also made it the most subdued of the gang, attracting less attention.

The Alcyone carried bulky and a lot more exposed. The protrusion makes it easier to get at but screams, “I have a knife!” If that bugs you, you can always opt for a different folder.

The State & Union carried exactly how I like—deep and almost invisible. It has the right amount of pocket capacity to let me know it was still there. It and the Olympian were my favorite pocket carry folders of the test bunch.

All the knives come with a lanyard hole.

Opening

The test knives are studies in differing approaches to colors, locks, blade openers, pocket clips, lanyard holes, bulk, dimensions and more.
The test knives are studies in differing approaches to colors, locks, blade openers, pocket clips, lanyard holes, bulk, dimensions and more.

The Olympian has a flipper-style opener—and it was smooth and sleek. The Ibis has two ways of opening. Despite how smoothly the flipper operated, the thumb studs were another animal. CRKT should remove the thumb studs altogether. I’ve handled hundreds of one-handed openers. I could not open this one, no matter how hard I tried. All the king’s horses couldn’t open it using the thumb studs.

The Alcyone, on the other hand, has the eternally trusty large opening hole. I could open the blade in an inverted position, using my middle finger to lightly disengage the blade and let a wrist flick do the rest. That’s a Spyderco. It doesn’t vary in quality from any other Spyderco. The State & Union has an undeniable thumb stud for easy access. It opened smoothly, and the sound of the lockback engaging gave a sense of confidence. Solid as can be—it’s a KA-BAR!

Ergonomics

An easy winner in hand comfort was the State & Union. I had it the longest and exposed it to more use than every other test model. Second was the Olympian, though it was close. After all, I spent more time with the S&U. The Alcyone earned a third place yet was very solid. The Ibis wasn’t uncomfortable but would show hot spots as a long-cutting task knife.

Final Cut

Packaging peanuts, leather, light phone cords, 550 paracord, cardboard and nylon webbing are all part of my test gauntlet for folding knives.

The State & Union made feather sticks in the forest for a winter fire with ease. I found some stray nylon rope in the woods and tried slicing it with the S&U. It did not slice through. The task may have dulled the edge. During the gauntlet test, the knife faltered on packaging peanuts, nylon webbing, leather and 550 paracord. It made it through phone cord and cardboard but was a step behind the others.

The Olympian deploys with a fierce snap and displays a ready-to-go attitude—and means it. It slices well and can easily fit the role of a gentleman’s carry knife. The Ibis deployed almost as smoothly as the Olympian. It sliced all materials with authority. It ranked second among the review bunch in knife tasks. However, the Alcyone absolutely smashed it—maybe I should say slashed it. It was the best slicer across the board. Winner, winner, chicken dinner!

More Pocketknife Info:

How To: Marketing Knives On Social Media

How to get the most from your knives on social media platforms.

It’s immediate. It’s visual. It’s effective.

These are just a few of the attributes that describe the impact of social media on modern life. Whatever the topic, some form of social media allows participants, observers, critics and commentators to weigh in, expressing their views and—of course—buying and selling.

For instance, the platform of Instagram has become a prominent factor in the marketing of many custom knifemakers, purveyors and collectors, and the reasons for the phenomenon are varied. They center around the immediacy, visual quality and effectiveness in showcasing and selling, developing a following, and generally in raising a knifemaker’s profile in the all-important marketplace. Setting up an Instagram account is simple, cost-effective and for many generates the desired results.

“Instagram and other social media platforms are an excellent way to put yourself in the public’s eye,” noted purveyor/ABS master smith Dave Ellis of exquisiteknives.com. “Through good knife photography, clear and precise descriptions of the same, and reasonable follow-up you can publicize your products as well as introduce your website. TikTok is rapidly gaining popularity, and YouTube is an excellent way to achieve your goal of spreading the gospel of custom knives.”

“I do videos and tutorials and just basically little blurbs of me building a knife,” Kim Breed commented. “Tutorials let people know this is why I charge what I charge, the little steps that you do when you’re making a knife.” ABS master smith Steve Randall grinds a blade in his shop. (Steve Randall image)
“I do videos and tutorials and just basically little blurbs of me building a knife,” Kim Breed commented. “Tutorials let people know this is why I charge what I charge, the little steps that you do when you’re making a knife.” ABS master smith Steve Randall grinds a blade in his shop. (Steve Randall image)

Kim Breed, knifemaker and BLADE® field editor, uses Instagram to generate sales and promote awareness among the buying public while also offering some insights into the knifemaking process. The value of experience is levered through the visual, and everybody gains.

“I do videos and tutorials and just basically little blurbs of me building a knife,” Kim commented. “I show the blade when I’m finished grinding and then the final product. That’s when it is put up for sale. Tutorials let people know this is why I charge what I charge, the little steps that you do when you’re making a knife. For example, when you’re forging you can show that process.”

Breed, whose videos are available on Instagram at kimbreed1911, advises that would-be Instagram users monitor their posts, beware of hashtags that are too generic, and frequently assess the return on their investment of time.

“A lot depends on the hashtags,” he said. “People can copy stuff, come up with a fake account, or hack into anything. Once you start, you’ve got to stay on it. I’ve gotten messages that don’t make sense, and you can catch situations where people have set up fake accounts and used your pictures to get people to send money first when they are scamming. Check every hashtag you do and make sure it’s going to a knife site. That was something I’ve picked up in the five or six years I’ve been doing Instagram.”

For those who choose to display their wares on Instagram or any other social media, Ellis recommends, “Scammers are everywhere, so do your due diligence and look deeper into anything that looks too good to be true. Haters are very common, so expect some negative comments and take them in stride. Getting into a heated battle only fuels the folks that like to fan the flames, so keep a cool head and remember that your goal is to promote the use and collecting of custom knives as an art form and tool.”

Knife Makers & Knife Collectors Connect

ABS master smith Neels van den Berg, who runs Black Dragon Forge based in South Africa, keeps his Instagram use in perspective. There are obvious positives and potential pitfalls, but he sees an incredible opportunity to raise visibility.

Showcase your knives as tools for culinary use, outdoor adventures or collectible art. The BBQ Chef’s Knife by Matt Williams has a 9-inch blade of 400-layer damascus forged from 1084 carbon and 15N20 nickel-alloy steels. Overall length: 15 inches.
Showcase your knives as tools for culinary use, outdoor adventures or collectible art. The BBQ Chef’s Knife by Matt Williams has a 9-inch blade of 400-layer damascus forged from 1084 carbon and 15N20 nickel-alloy steels. Overall length: 15 inches.

“Instagram is a free platform designed primarily for sharing photos and videos to foster social interaction,” Neels commented. “Users can reasonably expect to engage with its 2.11 billion users worldwide by uploading and interacting with content through likes, comments and direct messages [DMs#]. However, it’s important to understand that Instagram’s core purpose isn’t sales, it’s connection. Social media users should approach the platform as a tool for storytelling, networking, and building a community rather than expecting it to function as a direct sales engine. Understanding this distinction is critical when crafting a marketing strategy for your business.”

According to van den Berg, Instagram can amplify a knifemaker’s reach, create brand awareness and build credibility, which may lead to sales. But these are byproducts of fostering genuine engagement and building relationships through the platform.

“For a knife business or hobby, this means showcasing the passion and craftsmanship behind your work,” Neels remarked. “People will follow you for who you are—your skills, values and story—not just for what you have to sell. Social media users are often turned off by hard sales pitches, so the focus should be on creating content that resonates emotionally or intellectually with your audience. While sales might be part of the eventual outcome, it shouldn’t be the primary intent. Instead, aim to captivate your audience by showing the process behind your craft: the highs and lows, the struggles and triumphs, and the sheer joy of creating. When you build this level of connection, your products naturally become a way for followers to support you rather than a commodity you’re trying to sell.”

Videos of forging are another great way to demonstrate how knives are made and build interest among viewers. (Lin Rhea image)
Videos of forging are another great way to demonstrate how knives are made and build interest among viewers. (Lin Rhea image)

The secret to Instagram and social media success is certainly influenced by the delivery. Setting up a presence and presenting a perspective on the maker’s work and creative journey do make a difference.

“Users should expect to display their point of view in a clear and cohesive way,” related ABS master smith Nick Rossi of Vassalboro, Maine-based Nick Rossi Knives. “That means who they are, what they make, and why they make it. Social media is a relatively efficient way to project that to a potential customer. Sales and cultivating a customer are byproducts of that action.”

Setting Social Media Goals

Finding the right combination of social media outlets depends on the knifemaker’s perspective. Analyzing what the maker hopes to achieve drives the investment of time and attention.

“The best social media platform depends entirely on your goals, audience and the type of content you want to share,” van den Berg observed. “Each platform serves different purposes and attracts unique demographics, so a thoughtful combination works best.

According to Neels van den Berg, using in-progress shots can sidestep direct visual triggers while still highlighting a maker’s work. In his version of frame handle construction, bladesmith Salem Straub uses a threaded fastener in an internal slot in the frame to mechanically lock all the parts together tightly. (Salem Straub image)
According to Neels van den Berg, using in-progress shots can sidestep direct visual triggers while still highlighting a maker’s work. In his version of frame handle construction, bladesmith Salem Straub uses a threaded fastener in an internal slot in the frame to mechanically lock all the parts together tightly. (Salem Straub image)

“I have three primary goals on Instagram: 1) Showcasing my craftsmanship—I aim to highlight the intricate details and artistry of my creations, emphasizing their quality and uniqueness. This draws attention to the skill and effort behind each piece, making my work stand out in a crowded marketplace; 2) Building my brand identity—My goal is to establish a recognizable and authentic brand that resonates within the knifemaking community. This isn’t about a logo or maker’s mark, it’s about the story, values and personality behind my work; 3) Engaging with my community—Social media is about relationships. By actively participating in discussions, responding to DMs and comments and sharing insights, I foster a sense of community among knife enthusiasts and artisans.”

To achieve his goals, Neels relies on high-quality visual content, educational posts, consistent branding, and authentic interaction through responses to comments or joining a relevant conversation.

Ellis commented, “For retail sales, I prefer TikTok and YouTube. By utilizing every media that you can, your products are constantly put in front of not only the buying public, but you are also promoting yourself to show promoters and attendees.” Instagram and Facebook are the priorities for Rossi “because that’s what most of my customers use.”

He added, “I only have time to manage two platforms on top of being a professional craftsperson. For collecting and very niche topics, Facebook groups provide a wealth of knowledge. I have a private Facebook group for only my online and in-person students that has worked very well for advice and troubleshooting.”

 “I want people to think of me as a skillful knifemaker with a focus on forging, a maker of interesting and innovative knives, and an experienced educator,” noted ABS master smith Nick Rossi, here giving a class on how to hand rub a blade to a satin finish in a BLADE University class.
“I want people to think of me as a skillful knifemaker with a focus on forging, a maker of interesting and innovative knives, and an experienced educator,” noted ABS master smith Nick Rossi, here giving a class on how to hand rub a blade to a satin finish in a BLADE University class.

Variations of content help keep social media posts entertaining and business related, and encourage a possible exchange of information.

“We live in a world of short, informative, and, let’s face it, lively. Clicks mean interaction, potential video formats,” Rossi observed. “Attention spans have grown shorter, and social media users have come to expect shorter, action-packed video. If you are going to have narration, subtitles are important. Users want the option of viewing without sound. Choosing popular songs may help your videos pop up in the algorithm more readily. I want people to think of me as a skillful knifemaker with a focus on forging, a maker of interesting and innovative knives, and an experienced educator. Each post focuses on one of those three things.”

Social Media Do’s And Don’ts

An awareness of certain standards provides knifemakers with extra assurance that their posts meet the chosen platform’s guidelines and minimize the risk of being flagged or taken down. Though Breed said he has done well with Instagram sales, the limitations of filters can have negative effects on viewership.

“Filters can hurt a knifemaker, so before you might get 100,000 or 200,000 views,” he said, “but you can’t do that if you picture a knife as an item of war, and watch out what you say about politics and whatever. Stay away from there.” Ellis agrees. “Stay away from animals or any violent visuals when posting,” he added. “Stick to the art or utilitarian uses for custom knives, and you should be OK.”

For van den Berg, compliance and creative communication are essential to success when visualizing or discussing knife-related topics on social media.

“The key is to reframe how your work is presented, ensuring that it aligns with platform guidelines while still engaging your audience,” he remarked. “Avoid flagged terms like ‘knife,’ ‘blade,’ or ‘weapon,’ and instead use neutral or creative alternatives such as ‘tool,’ ‘craft,’ or ‘functional art.’ These terms emphasize the artistry and utility of your pieces, shifting focus away from their potential as weapons. Repositioning your knives within broader contexts is another effective tactic. Showcase them as tools for culinary use, outdoor adventures or collectible art. Using in-progress shots, close-ups of handles, or images that emphasize materials and craftsmanship can sidestep direct visual triggers while still highlighting your work.”

Another knifemaker option is to place the work in context.

Knifemaker/BLADE® field editor Kim Breed advises that would-be Instagram users monitor their posts, beware of hashtags that are too generic, and frequently assess the return on their investment of time.
Knifemaker/BLADE® field editor Kim Breed advises that would-be Instagram users monitor their posts, beware of hashtags that are too generic, and frequently assess the return on their investment of time.

“To further circumvent restrictions, use storytelling and indirect messaging,” Neels encouraged. “Instead of explicitly saying, ‘Check out my new knife,’ share the inspiration behind the design or challenges faced during its creation. Platforms like Instagram and TikTok, which favor storytelling and visual diversity, are ideal for this approach. Additionally, private groups, email newsletters, or niche forums provide safer spaces to share uncensored content with your core audience.”

Reaching as many followers, shoppers, and potential buyers as possible, custom knifemakers who take advantage of social media routinely find that the reward is in lock step with the attention and time devoted to originate and maintain a strong presence. For those who manage it well, social media exists in the present and will remain a formidable asset in the future.

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2025 BLADE Show Texas Custom Knife Award Winners

See who took home the hardware from the BLADE Show Texas Custom Knife competition.

With deep roots in fine custom knifemaking, BLADE Show Texas consistently attracts the top names in the industry, making its Custom Knife Awards a true showdown of elite craftsmanship. The 2025 competition, held March 7-8 at the Fort Worth Convention Center, was no exception.

The judging hall overflowed with exceptional entries in 12 categories, pushing the three-judge panel to their limits. After intense deliberation, the judges selected the finest blades of the year—including Best of Show and Best Fighter, awarded to Franco for his stunning fighter that felt as good in the hand as it looked to the eye.


Best In Show & Best Fighter: Franco

Fighter Franco

What The Judges Said: “We felt his had the best technical aspects with the gold inlay and engraving. It’s a very long blade but has a short feel and is very [wieldly], easy to maneuver.”


Best In Show Contender & Custom Folding Knife: Tom Overeynder

Best Custom Folding Knife: Tom Overeynder

What The Judges Said: “The fit and finish, the action… there is nothing wrong with this knife. It’s an awesome knife that’s super clean.”


Best Art Knife: Paul Distefano

Art Knife Distefano

What The Judges Said: “It has a cohesive vision, executed with no flaws. It’s color, texture and finish all tie together.”


Best Custom Bowie: David Lisch

Best Custom Bowie: David Lisch

What The Judges Said: “The organic flow of the guard and fittings and the complication of doing the subhilt all flow into one. The damascus is well executed and the knife has near perfect fit and finish.”


Best Damascus: Pedro Fornari

Best Damascus: Pedro Fornari

What The Judges Said: “It’s an eight-bar Turkish twist that’s nearly perfect in execution. It’s difficult to make and it’s an integral.”


Best Custom EDC: Evan Nicolaides

Best Custom EDC: Evan Nicolaides

What The Judges Said: “It’s light, elegant, deploys quickly with little movement and it’s efficient.”


Best Custom Hunting Knife: Josh Fisher

Best Custom Hunting Knife: Josh Fisher

What The Judges Said: “We all think this is a differentially etched damascus blade with the damascus showing on the spine of the blade. It’s lightweight with a great blade length for a hunter.”


Best Custom Kitchen Knife: Luke Dellmyer/Richard Patterson

Best Custom Kitchen Knife: Luke Dellmyer/Richard Patterson

What The Judges Said: “The blade shape is spot on. It doesn’t have any undergrinds or overgrinds. The heel doesn’t rock, it’s balanced and feels lightweight.”


Best Custom Slip Joint: Evan Nicolaides

Best Custom Kitchen Knife: Luke Dellmyer/Richard Patterson

What The Judges Said: “The action is great, everything lines up and it’s beautifully well made.”


Best M.A.C.K.: Jared Oeser

Best M.A.C.K.: Jared Oeser

What The Judges Said: “Overall it has clean lines, operates smooth as silk and technically it’s perfection.”


Best Of The Rest: Josh Taylor

Best Of The Rest: Josh Taylor

What The Judges Said: “It’s a very cool piece. The blade is dead-nuts straight and the carving is good. Very stylish use of the natural contours of the wood.”


Past Custom Knife Award Winners:

2025 BLADE Show Texas Factory Knife Award Winners

See which factory knives took home the coveted hardware from the BLADE Show Texas Factory Knife Awards.

The BLADE Show Texas, held March 7-8 at the Fort Worth Convention Center, saw an intense factory knife competition. With an excellent turnout of competitors and a high-level of execution on the knives, it was most definitely a showcase of the top-tier production knives at the show.

With such an impressive lineup, the three-judge panel faced a tough challenge in determining which blade best represented each of the seven categories. In short, competition was hot. With the dust settled, here are the winners who claimed top honors, including Best in Show.


Best In Show & Best Imported Knife: Poikilo VK Zen

Import Best Poikilo

What The Judges Had To Say: “It’s a well thought out knife in both design and function.”


Best American Made Knife: Dauntless Manufacturing Clifft

Dauntless Manufacturing Clifft

What The Judges Had To Say: “The details and craftsmanship in [the Clifft], you don’t expect to see that in a factory knife.”


Best EDC Knife: Dauntless Manufacturing Moss

Dauntless Manufacturing EDC

What The Judges Had To Say: “It’s the entire package. The company has an attention to detail and the knife has one of the best sheathes [we’ve] seen.”


Best Fixed Blade: QSP Viper

Fixed Blade QSP Viper

What The Judges Had To Say: “It comes with an excellent and functional sheath. It’s ergonomics and carriablity come together to create a complete package.”


Best Folder Knife: Pro-Tech/Vero Engineering Synapse Auto

Best Folder Protech Vero

What The Judges Had To Say: It won, “Because it’s badass!”


Best Of The Rest: Vero Engineering Vortex TI Maintenance Kit

Best Of The Rest: Vero Engineering Vortex TI Maintenance Kit

What The Judges Had To Say: “Far too many bit drivers have thin handles. This one is made to fit the hand and torque down on.”


Past Blade Show Award Winners:

5 Pocketknife Breakthroughs That Changed The Class Of Knife

The technological advancements that have redefined the pocketknife as we know it.

When I stumbled onto the knife scene in 1985, the only pocketknives I had carried up to that point were slipjoints and lockbacks. Of course, slipjoints weren’t called slipjoints back then but simply pocketknives. Today, as far as BLADE® is concerned—not that it’s any major newsflash or anything—any knife you can carry in your pocket is a pocketknife.

All of which brings me to the subject at hand: my picks of the five most important pocketknife developments of the modern sporting knife era. In rough chronological order they are:

The pocket clip: BLADE Magazine Cutlery Hall-of-Fame® member Sal Glesser’s introduction in 1981 of the Spyderco pocketknives with the hole in the blade and the pocket clip would turn the genre on its head. While the hole in the blade was a masterstroke in and of itself, it was the pocket clip that forever changed the way people would carry their pocketknives. Rather than rattling around in the bottom of a pocket with change, car keys and what have you, the closed knife was held on the pocket lip by the clip, free from pocket-bottom scratches and poised at the ready to be deployed to cut whatever needed cutting.

The linerlock: Cutlery Hall-of-Famer Michael Walker invented the linerlock in 1981, but it would take a few more years before custom knifemakers—and shortly thereafter, factory makers—began readily adopting the lock that made one-hand manual opening and closing of the pocketknife an easy reality rather than an exercise in hand contortions. Today, the argument can be made that the linerlock is used on more sporting folders than any other lock.

The flipper: While exactly who made the first folder with the flipper tab that manually deploys a folding blade with the tap of a finger may be up for debate, there is no debating that the person who popularized it was Cutlery Hall-of-Fame knifemaker Kit Carson. A simple addition to the pocketknife on its face, the flipper tab opens a blade as fast and easy as any other manual method—probably faster.

The Ikoma Korth Bearing System (IKBS): Pivot systems that helped open folding blades quickly and smoothly had been around before, but it was the IKBS conceived in 2002 that took blade opening to a new level of quick and smooth. In conjunction with the flipper especially, the IKBS transformed one-hand pocketknife opening from fast to just this side of automatic. Developed by Brazilian custom knifemakers Flavio Ikoma and Ricardo “Rick” and Paulo Lala (the latter two collectively known as Korth), the IKBS is another masterstroke of design and invention.

Material upgrades: These cover a number of materials and years, from Walker’s switch to titanium for his linerlock spring in 1983, to a wide array of other hi-tech substances in subsequent years for pocketknife handles, including titanium, thermoplastics, Micarta®, G-10, carbon fiber and other state-of-the-art materials that not only were super strong and tough but also were lightweight, reducing the weight of pocketknives to the point that they were basically unnoticeable in a pocket. Meanwhile, the advances in blade steels over that same stretch are too many to mention.

How about you? What are the most important pocketknife developments? Tell us in the comments.

More On Pocketknives:

Bradford USA Guardian Review: Cutting Performance At Hand

Bradford Guardian 3.2 in MagnaCut is a rope-eating animal.

EDC fixed blades are very popular, small enough to avoid unwanted attention yet able to do most jobs. They often range from 2-to-4-inch blade lengths and 3-to-4-inch handles. Usually carried in a cross draw or pocket sheath, in a pinch they can be used for self-protection (if you have training).

In general, it is a very useful tool that is always on you. I carry one constantly. The Guardian 3.2 in CPM MagnaCut stainless blade steel from Bradford USA definitely fits the bill. As to how well it works, let’s see if it holds up to everyday carry uses.

Guardian Light-Duty Cutting

I started with a 20-pound bond paper slice to check the fresh edge. The Guardian 3.2 was scary sharp. I nicked my fingernail three times by being slow. The blade made smooth, forceful slices with very little pressure. I did all push cuts with nary a snag or rolling of the paper.

Very aggressive slicing into the 8-ounce leather resulted in nice crunching noises.
Very aggressive slicing into the 8-ounce leather resulted in nice crunching noises.

Single-walled cardboard was next on the menu. The results weren’t much different from the bond paper, though there was a slight drag when the thicker part of the blade encountered the cardboard. That didn’t stop the Guardian 3.2 from doing its job. It sliced the cardboard as fast as I could move my fingers out of the way.

Guardian Medium-Duty Cutting

It was time to skive 8-ounce leather. Very aggressive slicing into the leather resulted in nice crunching noises. The handle provided positive control of blade depth and angle during the skiving. I even did some end-grain slicing to keep the crunching going. This is a very sharp knife indeed.

The pouch sheath of 6-to-7-ounce leather holds the knife securely. (BLADE® staff image)
The pouch sheath of 6-to-7-ounce leather holds the knife securely. (BLADE® staff image)

Springtime means camping so I needed to whittle lots of fire sticks. Using leftover pine, I whittled a bunch of excellent curlicues. The Guardian cut very smoothly. The thumb notches on the spine aided in control of cutting depth. Deep cuts or fine cuts, it can do both.

I used the Guardian to baton cut and it split the pine nicely, providing a nice pile of kindling. The handle felt comfortable. There was just one small point by the lanyard hole that was sharp when I rotated my grip. The knife does excellent wood work.

Guardian Heavy-Duty Cutting

As expected, after 30 hard whacks, the MagnaCut blade had a couple of very small nicks along the edge. It would be no big deal to work out the nicks with a very fine diamond hone.

Using leftover pine, the author whittled a bunch of excellent curlicues. The Guardian cut quite smoothly.
Using leftover pine, the author whittled a bunch of excellent curlicues. The Guardian cut quite smoothly.

To show that the small nicks are not that big of a deal, I went back to the 20-pound bond paper slice. There was only one snag when I tried to start a cut on the edge nick. Otherwise, the edge sailed through the paper without tearing. I was impressed the edge didn’t have more issues.

Final Cut

The thumb notches on the spine aided in control of cutting depth. (BLADE® staff image)
The thumb notches on the spine aided in control of cutting depth. (BLADE® staff image)

Some softening at the back of the handle is in order. This knife is designed for slicing every day. The Guardian 3.2 is an impressive fixed-blade EDC.

Guardian 3.2 Specs
Company: Bradford USA
Blade length: 3 1/8”
Blade steel: CPM MagnaCut stainless
Rockwell hardness: 63-64 HRC
Blade finish: Stonewashed black
Blade grind: Saber
Blade pattern: Drop point
Scales: Jade-green G-10
Construction: Full tang
Weight: 4.5 ozs.
Overall length: 7 1/8”
Sheath: Pouch type in 6-to-7-oz. leather
Country of origin: USA
MSRP: $229

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