Knife collecting is an extremely rewarding experience for knife enthusiasts. There truly is a knife for everyone. Many increase or hold their value throughout the years, making collecting knives something to pass on to the next generation of knife collectors.
Josh Blount reproduces Chingachgook’s gunstock war club.
ABS apprentice smith Josh Blount recently rewatched the 1992 version of The Last of the Mohicans, and the gunstock war club of the character of Chingachgook in the film inspired him to make his own stunning version.
Josh patterned his reproduction after the movie piece* but with his own spin, including a low-layer-twist damascus blade and curly maple stock decorated with silver wire inlay in assorted mountain images: a daytime scene with hawks circling the sun, a nighthawk nighttime scene amid moon and stars, etc. “My background is wildlife biology, so I live birds and chasing wildlife,” he noted. “So, I put a little bit of that in there.”
Josh and son Elliott appear here (inset) after beginning to forge a Scottish dirk for Elliott’s 10th birthday.
Josh’s mentors include the late Ron Claiborne and Larry Harley, and, of course, ABS master smith Daniel Winkler, who made some of the knives and tomahawks for Mohicans (February 1993 BLADE®). In fact, Josh visited the Winkler shop just over 20 years ago. Josh was bladesmithing then too, but life happened and he went to college. Now he’s back to hammering hot steel in Franklin, West Virginia, and hopes to test for ABS journeyman smith in the near future.
Gunstock War Club Specs Maker: Josh Blount Blade length: 6.5” Blade material: 80CrV2 carbon and 15N20 nickel-alloy steels Handle/stock: Curly maple from Dunlap Woodcraft, w/pewter pins and deerskin wrap from Crazy Crow Trading Post Overall length: 40” Maker’s price for a similar piece: $800
*The gunstock war club in The Last of the Mohicans was made by the movie’s prop department.
With BLADE Show 2024 just around the corner, many new knives are hitting the custom and factory markets. We scoured the former end—hitting all points of the compass along the way—to bring you some of the latest and greatest handmade gems. If you’re heading to Atlanta, be on the lookout for these and other great custom creations.
Camille Sennegon Fighter
Blade length: 8” Blade material: 80CrV2 carbon steel Blade grind: Flat, w/a small convex grind on the edge Blade finish: 800-grit satin Blade pattern: Harpoon w/recurve edge Handle: Ironwood Bolster: 304 stainless steel Overall length: 13” Maker’s price for a similar knife: $800 at press time rate of exchange Maker’s remark: “I made this knife based on a design drawn and given to me by my friend, ABS master smith Samuel Lurquin.” (Jocelyn Frasier image)
Francesco Piccinin Northern Style Utility
Blade length: 4” Blade steel: 14C28N stainless Blade grind: Flat Handle: White G-10 w/black G-10 frame and spacers w/hole for a lanyard Bolster: Ash burl Overall length: 9” Sheath: Leather w/belt loop and leather tiedown w/bead Maker’s price for a similar knife and sheath: $600 at press time rate of exchange (Jocelyn Frasier image)
Steven Ramos Pisces
Knife pattern: Hunting/utility Blade length: 7” Blade steel: CPM 154 stainless Blade grind: Hollow Blade finish: Bead blast Handle: Micarta® w/G-10 liners Overall length: 10.625” Sheath: Kydex over aluminum frame; made by Steven Ramos Maker’s price for a similar knife and sheath: $825 (Jocelyn Frasier image)
David Lisch Singing Crusader
Knife type: Fixed blade Blade length: 5.25” Blade material: Damascus of 1080 carbon and 15N20 nickel alloy steels Blade grind: Convex Construction: Damascus integral Handle: Forged pipe handle holds ball bearings that make the knife “sing” when shaken Knife to know: The bear head pommel is hand forged; the maker is an ABS master smith Overall length: 10.5” Maker’s price for a similar knife: $1,500, though this one being a one-of-a-kind, the pipe handle and carved pommel would be somewhat different, as would the damascus pattern davidlisch.com (Jocelyn Frasier image)
Jason Fry Border Bowie
Blade length: 8” Blade material: Explosion/twist/border-wall damascus D-guard/bolster: 1880s wrought iron artifacts Handle material: Mesquite Frame: 1848 and 2023 half dollars Overall length: 13” Knife to know: Border-wall stand included Maker’s price for a similar knife: $4,200 frycustomknives.com (SharpByCoop image)
Blade length: 5.9” Blade material: Damascus of 1075 carbon and 15N20 nickel-alloy steels Blade grind: Flat Handle: Tasmanian blackwood Frame: Brass, copper, steel, clock parts, nickel silver Guard: Bronze Knife to know: The knife includes parts from clocks, a piano, cordless drill, gas valves, cigarette lighter and a gas bottle; the maker is a member of the Australian Knifemakers Guild and is an ABS apprentice smith Overall length: 12.2” Maker’s price for a similar knife: $4,700 at press time rate of exchange (Rod Hoare image)
Gabriel Turner Fixed Blade
Blade length: 6.25” Blade material: Damascus of 1084 carbon and 15N20 nickel-alloy steels Blade grind: Full flat Guard: Cable damascus Handle material: Bog oak Overall length: 11.25” Maker’s price for a similar knife: $1,050 (SharpByCoop image)
Julian Roche Nakiri Chef’s Knife
Blade length: 8.27” Blade material: 1084 carbon steel Blade grind: “S” grind Blade thickness @ ricasso: .196” Blade at widest: 1.77” Knife to know: Forged from one piece of 1084; rust-blue finish and brassed Overall length: 12.6” Maker’s price for a similar knife: $450-$475 at press time rate of exchange (Rod Hoare image)
Jeremy Wheaton Leon
Knife type: Lockback folder Blade length: 3.19” Blade steel: CPM 154 stainless Blade thickness @ ricasso: .12” Blade @widest: 1.2” Blade grind: Flat Handle: Crazy lace agate seed inlays; a local miner sourced the agate Frame: 410 stainless steel Closed length: 5.27” Maker’s price for a similar knife: $445 at press time rate of exchange Maker’s remark: “The photo is a testament to Rod Hoare, who has worked very hard to bring his work up to an international standard. All of us Australian knifemakers are very grateful that we now have an artist of his caliber servicing our industry.” wheatonartsandcrafts.com (Rod Hoare image)
Mike Tyre Beavertail
Knife type: Double-action automatic/manual folder Blade length: 3.5” Blade material: Damascus of O1 and L6 tool steels Blade grind: Flat Blade pattern: Wharncliffe Blade opener: Thumb stud Handle: Gold-lip mother-of-pearl Frame: Titanium Lock: Linerlock Closed length: 4.5” Knife to know: Engraving w/gold inlay by Joe Mason; heat-colored filework Maker’s price for a similar knife: $4,200 miketyrecustomknives.com (SharpByCoop image)
Observe all nine and your collecting pursuit can be most satisfying.
I have watched the custom knife market for 40 years with more than idle curiosity. The universal mantra of collectors regarding their collections is I buy what I like. At the outset, it seems a simple statement. The real question is, what does the collector collect and why?
The best thing about a collection is that it is yours. You decide what knives enter and which ones leave. Often, it is a combination of the design/style, material(s) and maker. Then again, it can be knives with a singular attribute that make up the collection. I have also found that the mantra of the collector is invoked when part of his or her collection is difficult to sell or trade.
TIP #1
Collecting and investing are not the same. Assembling a collection is done primarily for the pure joy of it. The search and subsequent acquisition of each knife only fuels your desire to increase/improve your collection.
One of the great things about custom knives is getting what you want. Custom knives can be made to your specifications, not knives that are merely one of a hundred thousand. Investing in custom knives is done for the specific reason to re-sell for a profit. Buy what you like because you may have it for a long time, whether that is your intention or not.
The author kept pages of notes in his copy of KNIVES ’86 that he bought in 1985. It became a blueprint for his knife collecting and then later for his business, including which knives he liked, questions to ask the makers and so on.
TIP #2
Do your research before you buy. I started doing research early on as a collector. I still enjoy looking at the KNIVES ’86 I got in the fall of 1985. In my copy of the book are pages of notes that became a blueprint for my collecting and then later for my business as a purveyor of custom knives, including which knives I liked, questions to ask the makers, etc. I then contacted the makers for their catalogs or just called them to get the information on each. Considering several factors or knife-buying skills listed here allowed me to identify and get the five knives I wanted at the 1986 BLADE Show. Today, the Internet saves a lot of time when researching knives.
TIP #3
Decide the direction of your knife collection (at least for this week). Determining a direction for your collection will be easier if you can master Tips 1 and 2. Doing your research before attending a show or placing the order will save you from a custom knife collector’s worst enemy—buyer’s remorse.
TIP #4
Buy the very best knife you can afford. This is an important concept to understand, as this will help you look past what many of us consider the most important factor: price. Price is not the most important factor, cost is. Price is what you are willing to pay for a custom knife. Cost is the hidden part of the price equation for not knowing if the knife is priced correctly for the maker’s position in the market. Overpaying for a knife will become an issue should you choose to sell or trade the knife.
A critical reason for mastering Tips 1 through 4 is that they will enable you to determine which knife is the best for you for the amount of money in your budget. Sometimes it is more prudent to take the money you would spend on two knives and buy only one. When considering buying a knife, always employ Tip #1 and consider the short- and long-term costs of the purchase.
TIP #5
The truth changes. This applies to many things in life, including the knives in your collection. Enlightenment can be a double-edged sword. You will begin to evaluate your collection as you gain expertise in custom knives. Mistakes that were invisible to you before now catch your eye. This expertise, however, is now helping you select better-made knives.
The author got the five knives he wanted at the 1986 BLADE Show. Scenes from the show, clockwise from top left: winning makers in the custom knife judging; Hubert Lawell’s collection of 500 pearl-handle whittlers; Jimmy Lile at his table; Bill Adams and Jim Cargill; Mr. and Mrs. G.T. Williams; Dr. Eiler Cook’s seminar; Jim Small’s seminar; and W.D. Pease at his table. Adams, Lawell and Lile are all members of the BLADE Magazine Cutlery Hall Of Fame®.
Knife publications, without a doubt, will influence the custom knife buyer by putting a knife on the cover or doing a big spread on a knife or knives. A feature or cover can create immediate demand for a maker’s work. You need to understand how this publicity will affect that maker’s short- and long-term pricing.
Because of the ability to disseminate information quickly, the Internet influences trends and fads. Social media creates the buzz with the latest photos of a particular maker’s work or a style of knives. Often the buzz influences buyers to act quicker than usual. This information can create a short-term inflated demand for the maker’s work. At the same time, it can drive up aftermarket prices to stupid levels. Those of you who bought the so-called tactical folders of the last decade know that what I like to call the Hype Cycle can be a double-edged sword. Collectors must pay attention to the buzz as it can have a long-term effect on their collections. My experience has shown me that the buzz is a poor shortcut for actual research.
KNIFE IQ
Try to determine the direction of your collection as early as possible with the understanding that you are not committed to this direction for an extended time. The reasoning behind this determination will help your focus, saving you both time and money. Once you have identified the direction you would like your collection to take, start your research. Raising your knife IQ prevents you from passing on a quality knife due to your failure to recognize the knife’s worth. Conversely, you could purchase a knife that you may trade or sell one day only to find that you overpaid for it.
The FOUR F’s
“Tactical movie knives have been and remain very collectible,” the author observed. BLADE Magazine Cutlery Hall-Of-Fame® member Jimmy Lile started the category with the Rambo knife. “This knife is responsible for my becoming a custom knife collector,” the author maintained. The 9-inch blade is bead-blasted 440C stainless steel. The cord-wrapped hollow handle has an aluminum buttcap. Guard: stainless steel. Lile passed away in 1991. (image courtesy of Jack Lucarelli)
Doing your knife research will increase your knife IQ. Increasing your knife IQ will help you get the best value for your money and enable you to confidently add knives to your collection. The building blocks of this research are the Four F’s: Fit, Finish, Flow and Function.
Fit: how does the knife fit together? Are there gaps between the blade and the guard? Are the scales flush with the tang? These are examples of some of the areas to examine.
Finish: I look for consistency and degree of difficulty. No matter what type of finish, is it consistent from the tip to the end of the knife with no spots, scratches or other inconsistencies? The degree of difficulty comes in the form of the type of finish. A mirror finish is much more complex than a tumble or bead blast finish. I give bonus points for two-tone finishes, such as a mirror finish on the hollow of the blade and satin for the flat of the blade.
Flow: Does the knife transition smoothly from one end to the other? Uneven grinds, blocky guards and poor ergonomics detract from the flow of the knife.
Function: Is the knife designed and built to complete the task it is supposed to accomplish? Will the knife do what the design intends it to do? While there is always room for improvement on standard designs, the maker should temper those changes and base them on reality. Often the designs border on or move into the fantasy realm.
Spending time on your favorite social media platform and reading knife magazines like BLADE® can help your knife IQ. However, nothing can replace attending a knife show and putting the knife in your hand, allowing you to apply what you have learned about the Four F’s. You can calibrate your eyes to the sometimes-subtle differences between knives in the same category.
Conclusion
“Some collectors look for entry-level ABS master smith knives,” the author stated. “Utility hunters such as this one by ABS master smith Jim Crowell are a perfect example of that collectible category.” Jim’s forged drop point hunter has a 5-inch blade of W2 tool steel with hamon and a black Micarta® handle. Overall length: 9.75 inches. Jim’s custom leather sheath completes the outfit.
Buy what you like, enjoy what you have and welcome to the hunt for the next piece of your collection.
A sushi knife that developed a taste for Texas brisket.
You might say Daniel O’Connor’s Black Widow leads a double life. It started as a sushi knife but when one of Daniel’s Texas pals said it looked like it would make a great brisket knife, O’Connor went with the flow, telling his friend, “It’s about whatever you want it to be.”
Based on a kiritsuke yanagi-ba sushi knife, Black Widow features a damascus of 150 layers of 1084 carbon and 15N20 nickel-alloy steels. Daniel forged the steels in a square and then forged them flat, perpendicular to the original stack. This resulted in the edges of the layers showing up in more or less straight lines, what Japanese swordsmiths call masame hada.
The accompanying image of the knife’s butt shows how the layers distorted when forged on edge. Daniel indicated he will use the pattern in the future.
Black Widow Specs Blade length: 12” Blade grind: A double urashi—double bevel w/a slight hollow on each side Handle: Bocote burl w/red fiber liners Bolster: Bog oak Overall length: 17” Sheath: Irish yew and bog oak Maker’s price for a similar knife and sheath: $1,500
Designers and companies join forces to help consumers win with these knife collaborations.
A collaboration knife is produced when a designer or knifemaker partners up with a knife company to produce a particular knife. And more often times than not, such models offer the best of both worlds. Designers able to focus purely on designing and not confined to the limits of their shop can shoot for the stars. While companies take the reigns of producing the knife to exacting specs and usually at a buyer’s price. In the end, the knife consumer wins. Here is a handful of the latest collaboration drops certain to get knife aficionados juices flowing.
Harlock Mini / Boker Plus
A blade only .11 inch at the thickest helps the Boker Plus Harlock Mini tip the scales at a scant 2.19 ounces. At about 2.87 inches closed and with a lean, sexy pocket clip, the Harlock Mini is made for executive wear. It comes with a nylon pouch.
If you’re looking for an elegant knife present for that special someone, you could do a lot worse than gift him or her the Boker Plus Harlock Mini designed by custom knifemaker Darriel Caston.
Designer: Darriel Caston Knife type: Push-button automatic Blade length: 2.05” Blade steel: Black-coated 154 CM stainless Blade grind: Convex Handle material: Black-coated aluminum Hardware: Brass Knife to Know: A latching slide lock locks the blade closed and prevents accidental release Closed length: 2.87” Carry: Pocket clip and nylon pouch Country of origin: USA MSRP: $146
A.P.C. (Always. Pocket. Carry.) / CRKT
The A.P.C. is a two-hand opener, with the blade deploying via a traditional nail nick. The Fat Carbon Dark Matter handle material is strong and lightweight.
Unlike traditional slip joints, Steigerwalt’s new slip joint design for CRKT does not have a standard steel backspring. Instead, the slip joint springs from the liners and connects the liner springs with a hardened steel block that contacts the heel of the blade, eliminating the need for the backspring. Among other advantages, this reduces a fair amount of the weight a backspring would add, there is more space inside the handle to hold a wider blade, the position of the blade pivot pin can be changed and more.
Designer: Ken Steigerwalt Knife type: Slip joint Blade length: 2.88” Blade steel: Bohler M390 stainless Rockwell hardness: 59-61 HRC Blade grind: Flat Handle material: Fat Carbon Dark Matter Weight: 1.7 ozs. Closed length: 3.72” Country of origin: Taiwan MSRP: $175
The Sicilian / Fox Knives
The Sicilian is a reinterpretation of Fox’s model FX-525, and the name pays homage to the Sicilian roots of Bob Terzuola’s family. Changes from the FX-525 include the BECUT stainless blade steel, the OD green canvas Micarta® handle and the wire pocket clip.
According to Fox’s Athena Greta Barbieri, “Bob Terzuola conceived the Sicilian taking inspiration from traditional knives used by ordinary people for everyday activities such as eating or working in the fields. The idea for this knife evokes images of landscapes warmed by the Sicilian sun and simple meals eaten among olive trees and vineyards.”
Designer: BLADE Magazine Cutlery Hall-Of-Fame® member Bob Terzuola Knife type: EDC folder Blade length: 3.35” Blade steel: BECUT stainless Rockwell hardness: 58-60 HRC Blade @ thickest: .12” Blade finish: Stonewashed Blade opener: Disc Handle material: OD green canvas Micarta® Spacer: Aluminum anodized orange Pocket clip: Wire Lock: Linerlock Weight: 3.53 ozs. Closed length: 4.52” Country of origin: Italy MSRP: $164
Prohen XR / SOG
The extremely strong G-10 handle is micro-textured for a secure, comfortable grip in wet or slippery conditions.
Designed by custom knifemaker Mikkel Willumsen for SOG, the beefy Prohen XR flipper folder is a mix of curves and angles that features the XR Lock, a sliding transverse bar that locks the blade in place and promotes ambidextrous one-hand operation.
Designer: Mikkel Willumsen Knife type: Flipper folder Blade length: 3.4” Blade material: Cryo D2 tool steel Blade @ thickest: .157” Blade grind: Flat Blade pattern: Drop point Blade finish: TiNi Blade opener: Flipper tab or thumb hole Handle: G-10 Pocket clip: Reversible, low carry Lock: XR Lock Knife to know: The XR Lock can withstand 1,500 lbs. of force Weight: 5.6 ozs. Closed length: 4.8” Country of origin: China MSRP: $70
Dmitry Sinkevich/ Spyderco
Drunken / Spyderco
The Spyderco knife’s handle includes a titanium scale on one side and a solid carbon fiber scale and nested stainless steel liner on the other. The titanium scale is “webbed” to reduce weight and forms the basis for the knife’s Reeve Integral Lock (R.I.L.) mechanism, which includes a long-wearing stainless steel interface. Both scales are meticulously machined with the intricate “drunken” texture that gives the knife its name, and are accented by a matching color-anodized backspacer, pivot assembly, and right-side, tip-up pocket clip.
Designer: Dmitry Sinkevich Blade length: 3.45” Blade steel: CPM S90V stainless Blade grind: Full-flat Blade @ thickest: .138” Blade finish: Tumbled Handle: Carbon fiber/ titanium Pocket clip: Right-handed, blade tip up Lock: R.I.L. (Reeve Integral Lock) Weight: 3.8 ozs. Closed length: 4.61” Country of origin: Taiwan MSRP: $770
Tony Bose said if you can make a lockback whittler, you have arrived as a knifemaker.
While the whittler is a classic pocketknife pattern that dates back at least to the 1850s, a variation on the theme incorporating both the lockback and slip joint mechanisms offers a challenge to the custom knifemaker and a delight to the owner of this intriguing style.
Custom knifemaker David Taber explains his take on the whittler as a three-blade knife with the main blade on one end and two secondary blades on the other. Simple as that. However, from definition to completed construction it’s a bit more complicated, particularly when the lockback mechanism is thrown into the mix.
“The whittler as originally designed was very functional in that the larger main blade is used for making larger cuts and the two smaller blades are for more detailed cutting,” Taber advised. “The knife is necessarily thin by design with the two small blades nestled on either side of the main blade in the closed position, which makes for a slim, pocket-friendly knife.”
Taber’s rendering of the lockback whittler features hollow-ground blades of CPM 154 stainless steel and a mammoth ivory bark handle. The main locking blade length is 3 inches and his price for a comparable piece would be $2,100. He attributes an early interest in the lockback whittler to comments made by BLADE Magazine Cutlery Hall-Of-Fame® member Tony Bose in a 2008 issue of BLADE® relating to the skill level required to make one.
BLADE Magazine Cutlery Hall-Of-Fame® member Tony Bose (Kerry Hampton image)
“I was intrigued and called Tony,” David remembered. “That single conversation started a lasting friendship and started me collecting and eventually making knives. In later years he challenged me to make a lockback whittler and shared his pattern with me. He said, ‘If you can make one of these, David, you will have arrived.’”
Taber took on the task with gusto and through personal experience describes the challenge. “The difficulty, in my opinion, lies in centering the main locking blade in the closed position between the two slip-joint blades at the opposite end without rubbing during function. Equally difficult is balancing the two springs that operate the two slip joints on the one end and the underside of the lockbar on the other end. Think of it like a sophisticated teeter-totter,” he explained. “Care must also be taken to maintain the length, particularly the end that controls the lock tab. It has been my experience that to shorten it even the slightest amount will increase the load deflection rate and thereby make the lock tab not function properly.”
David Taber’s lockback whittler sports hollow-ground blades of CPM 154 stainless steel, stainless bolsters and a mammoth ivory bark handle. His price for a similar knife: $2,100. (SharpByCoop knife image)
The level of difficulty in making the lockback whittler contributes to its collectability, Taber says, which in turn makes the design rarer in the marketplace. “The typical collector of the lockback whittler is usually aware of the skill required to make such a knife and achieves great satisfaction from owning one,” he reasoned.
MOST DIFFICULT?
Knifemaker Luke Swenson shares a connection to Bose with Taber. The Case-Bose collaboration effort introduced Swenson to the design. “The blade configuration and the smaller blades being half the thickness of the main blade set it apart from other patterns,” he commented. “Some whittlers have a ‘catch bit’ or a piece of liner material to hold the blades apart at one end so the main blade clears, and some have a tapered wedge, commonly called a splitback. In the case of the lockback whittler, there is a full spacer that rests between the rear slip-joint blades. Also, in a lockback whittler the small blades and spacer are exactly one-third the thickness of the main blade. The main blade locks, and I believe this is for safety and allows for harder use.”
Swenson’s lockback whittler features a hollow-ground 2.8-inch blade of feather damascus forged by Mike Tyre. The fittings are 416 stainless steel and the handle is natural stag. Luke’s price for a similar piece is around $3,000. He describes the lockback whittler as “the most difficult pattern to build, even more so than a six-blade. I believe it isn’t just the combining of elements, but the springs are somewhat tricky in that you have to be paying attention—one false move, or even one over-aggressive pass on your grinder, and you’ll be making new springs. Grinding the small blades isn’t easy and requires a developed feel for getting them right. Very challenging! But if it’s right, the results are magic.”
Feather damascus forged by Mike Tyre comprises the hollow-ground blades of a lockback whittler by Luke Swenson (inset)in natural stag and integral bolsters and liners of 416 stainless. Closed length: 4 inches. Luke’s price for a similar knife: $3,000. (SharpByCoop knife image)
According to Luke, the construction of the slip joint and the lockback are completely different, at least in the opening stages. Putting the two mechanisms together with tiny parts, delicate springs and narrow tolerances tests the skills of the knifemaker in an extraordinary way. “The blades have to sit in the handle to make their tips sit in the handle,” he concluded, “and yet the nail nicks have to be accessible. That takes time and patience to get right.”
Renowned custom knifemaker Wolfgang Loerchner happened past Swenson’s table at the East Coast Custom Knife Show some time back and asked if Luke could make a lockback whittler. “This was in the March of that year, and we agreed on a BLADE Show delivery in June,” Luke laughed. “Keep in mind I’m an unknown maker, and starstruck doesn’t quite describe what I was feeling. I said, ‘Sure, I can get one built.’”
From there, Swenson went to “The Maestro,” Cutlery Hall-Of-Famer Bill Ruple. “He was quite amused and laughed, a little more than was polite I thought, but he agreed to help me through the process,” Luke recalled. “Like all my slip-joint making, anything I learned to do right was in Bill Ruple’s shop. He was key. I don’t believe I would have made the deadline if he hadn’t helped me. I’d send him pictures, and he’d say, ‘remake this and fit it like this instead.’”
The bottom line for the Swenson lockback whittler is its tremendous appeal. “It is a sleek, streamlined beauty,” he offered. “Like anything Tony Bose decided to do, it is elegant and feels comfortable in the hand.”
COMPLEX SIMPLICITY
When knifemaker Tim Robertson envisions his next lockback whittler project, he knows what he’s getting into. “What truly makes the lockback whittler so difficult to build is the way the springs operate,” he noted. “The slip joint is a standard arch spring pushing down on the blade tang while also lifting up at an equal force on the rear of the lockbar, keeping the blade firmly in position. Too much load on either end loosens the opposite end. In a nutshell, the springs have to be balanced between lockbar function and slip-joint function.”
According to Tim Robertson, “The lockback whittler is appealing due to the complexity of the multiple parts and simplicity of design and operation.” Note the spacer that separates the two smaller blades Robertson mentions in the story at the bottom of the closed knife at right. (Mitchell Cohen knife image)
Robertson has become well known for his lockback whittler proficiency, and two recent examples have won awards. His winners of Best Locking Folder at BLADE Show West 2022 and the 2023 Knifemakers’ Guild Best Multiblade Folder both sport CPM 154 stainless blade steel, 416 stainless frames and stag handles. His prices for similar knives would be about $2,500 each.
With a simple explanation for his foray into lockback whittlers, Robertson remarked, “I just wanted to see if I could do it. The lockback whittler is appealing due to the complexity of the multiple parts and simplicity of design and operation.”
Defining the whittler as a knife with three blades and two springs, Tim commented, “The most common types are the splitback variety with a tapered spacer separating the two pen blades. The reason for the tapered spacer is to allow clearance for the blade to fold into the handle without having to have the main blade thickness increased, and then offset ground for the clearance so that one pen blade falls on each side of the main blade.”
SIDE-BY-SIDE KNIVES
Knifemaker Rhidian Gatrill consulted friend and historian Neal Punchard on the origin of the lockback whittler. In response, Rhidian learned that the earliest examples of it were probably made in Sheffield, England, a major center of European cutlery, and later by German and American cutlers.
“It is a premium pattern and difficult to make, so not many companies took on the challenge,” Gatrill explained. “Some of the early Sheffield multiblade sportsman knives and a few rare jackknives had lockback main blades and slip-joint blades, but they are basically two knives side by side. There’s nothing quite like the lockback whittler. There are a few other pocketknives that have locking main blades and slip-joint secondary blades, but they’re not lockback knives. The electrician knives, for example, have a [locking liner] on the screwdriver blade. And there are pen-blade-release knives where the small secondary pen blade gets pushed in to unlock the main blade.”
Rhidian Gatrill’s Lockback Rhiddler captured Best Folder in the custom category at last year’s BLADE Show West. The cleverly named lockback whittler features a locking 2 7/8-inch flat-ground wharncliffe and 2-inch hollow-ground slip-joint clip and coping blades of CPM 154 stainless steel. His price for a similar knife: $2,600. (Jocelyn Frasier knife image)
Motivation to make the challenging pattern was easy for Gatrill, who won Best Folder at BLADE Show West 2023 for his lockback whittler cleverly named Lockback Rhiddler. “I like interesting mechanisms and figuring out how to make them work,” he related. “I wanted to challenge myself and see how hard it was to make. Plus, I was attending my first knife show ever, which was the Oregon Knife Collectors Association show in Eugene, Oregon, and I wanted to take something that would possibly win an award. That knife ended up winning Best Folder and Best of Show.”
Looking for examples of lockback whittlers that were striking in appearance and function, Rhidian did some research and recalls, “Like most pocketknife makers, I admire the knives of Tony Bose, Bill Ruple, Ken Erickson and other masters that came before me. I traced photos of their knives and read forum posts that give a few tips, and I asked a few questions from other maker friends that have made lockback whittlers.”
That research led to an opportunity to present a lockback whittler interpretation that resonated with the collector community. “I believe knife collectors like them for their rarity, complexity of mechanism, and interesting function of combining the lockback blade with the slip-joint blades,” Rhidian concluded. “They also look cool with the thick tang on the main blade that steps down thinner and tapers to a point. A locking blade is always a little safer than a slip joint technically, so there’s that for the user. Not many custom makers have made them, and those who do don’t make many!”
Not one of his everyday builds, the Taka v2s by Brian Brown features a notable blade, handle and lock.
Brian Brown likes a good, pointy tanto.
“It’s kind of a straight hollow grind all the way from the choil to the tip in a climbing grind,” he explained of the blade on his Taka v2s dress tactical folder. Grinding it that way helped him keep the blade extremely thin from the recurve edge to the tip. “You’ve got to be really careful [at the edge] because that’s gonna be the lowest spot where it gets thinnest the fastest—and I’ve burned through them before,” he noted.
Brian Brown said he had to be careful grinding/removing the top layer of the Black Top Timascus™ handle material by Alpha Knife Supply or he would expose too much of the titanium and change the color—somewhat visible here on the spine. The 3.125-inch blade is FireClone 2 forged by Mike Norris, which Brian lauded as some of the best stainless damascus anywhere. Closed length: 4.375 inches. (SharpByCoop knife image)
Only the second one he’s done, the folder’s linerlock-like inset lock enabled him to use the fancy handle material paired with a straight, solid piece of Grade 5 titanium for the lockbar. There are several more steps involved but the upshot is the scales are symmetrical as with a linerlock—a symmetry Brian prefers to that of a framelock. Plus, the inset lock results in a thinner handle than with a linerlock because the lock side must be relieved to make room for the lockbar.
