Knife Collecting

Knife collecting is an extremely rewarding experience for knife enthusiasts. There truly is a knife for everyone. Many increase or hold their value throughout the years, making collecting knives something to pass on to the next generation of knife collectors.

Custom Cleavers That Have Culinary Chops

Four custom makers push the boundaries of the tried-and-true cleaver.

An inclination toward the kitchen and a desire to design and deliver cutlery used on a regular basis has spurred a number of custom knifemakers to try their skill with the cleaver. It’s a staple in most kitchens and its uses are as varied as the food prepared there.

Robert Wayman of Middleburgh, New York, sees his cleavers as complementing years of food preparation. “I’ve done a lot of my own food processing, and I spent several years in commercial kitchens when I was younger,” he commented. “So, I’ve always had an affinity for culinary knives and especially cleavers. The cleaver is such an iconic blade. I love to make everything from heavy-duty butcher cleavers to medium-duty kitchen cleavers, Chinese cleavers and lighter-duty veggie cleavers for the kitchen.”

Robert’s featured cleaver is 14 inches in overall length with an 8-inch blade of pattern damascus go-mai five-layer steel. The core is a 100-layer random pattern damascus made of 1084 and 15N20 high-carbon steel and a layer of nickel and matching damascus cladding. The handle includes a damascus collar, stainless steel and G-10 spacers, crosscut carbon fiber, green malachite and blue coral accents, stabilized amboyna burl and a damascus butt cap with stainless mounting pins inset with blue coral framed with green malachite.

“I packed a lot into that one,” Wayman smiled. “As a maker, I’m all about sole authorship. I make all of my own high-carbon damascus steel in-house, and a cleaver provides a great opportunity to showcase that steel. One of my favorite things to forge is a large cleaver with an integral bolster.”

Wayman sees large blades, such as those associated with cleavers, as inherently challenging, while making a task-specific blade, such as a cleaver, adds another layer of complexity. Although they are labor-intensive and involve a lot of time in the shop, performance remains the key.

 “Overall weight needs to be taken into consideration, as well as how that weight is distributed for the style cleaver you are making,” Robert advised. “Ergonomics is an important consideration for any knife or tool, but especially for kitchen cutlery. Whether it’s in a professional or home kitchen, you’re making a handle that a chef or cook could use for hours of food prep on any given day. So, it must be comfortable.”

Edgy Ebony

Having served time in professional food service, practical utility is never far from David Jacobson’s mind. However, he isn’t afraid of adding some flourish to his creations, such as the gold-inlay signature near the spine of his mosaic damascus bladed and ebony scaled cleaver. (SharpByCoop image)
Having served time in professional food service, practical utility is never far from David Jacobson’s mind. However, he isn’t afraid of adding some flourish to his creations, such as the gold-inlay signature near the spine of his mosaic damascus bladed and ebony scaled cleaver. (SharpByCoop image)

David Jacobson’s integral 13-inch cleaver with ebony handle scales sports an 8¼-inch mosaic damascus blade of 1085 and 15N20 steels and a gold inlay signature—his first such accent. He used brass bolt pins to finish the ebony scale attachment.

“I love cooking and making cool chef’s knives and kitchen tools,” Jacobson related from his Felton, California, shop. “Edge geometry for chopping and balance are challenges, and fullers are nice when slicing vegetables for food release. Cleavers are not only for the kitchen. They are great for large fish processing at the dock, chopping through bone and restaurant back-alley butchering. The wide blade shows off the many designs in the damascus steel, and I chose a traditional profile for this particular cleaver. I’ve always liked a black handle with big brass pins—old school.”

Cutting Mustard

Given the amount of steel and the need to pay attention to minutia is what Bill Tyc figures steers most makers away from cleavers. Tyc achieves an intricate pattern on his cleaver-chef’s knife set through a simple mustard patina, but applied with a straight edge for a pattern he calls “Lines of Insanity.” (SharpByCoop image)
Given the amount of steel and the need to pay attention to minutia is what Bill Tyc figures steers most makers away from cleavers. Tyc achieves an intricate pattern on his cleaver-chef’s knife set through a simple mustard patina, but applied with a straight edge for a pattern he calls “Lines of Insanity.” (SharpByCoop image)

The pairing in Bill Tyc’s featured ensemble is stunning in its presentation. “The cleaver as well as the chef’s knife are made of 52100 high carbon steel from the NJ Steel Baron,” he remarked. “The handles are stabilized spalted tamarind from Wood Dynamics fastened with brass Corby bolts. The pattern on the steel is a mustard patina done with a ruler edge, hence the name “Lines of Insanity” pattern. The cleaver is 11½ inches overall with a 6¼-inch blade. It’s 3 inches tall and ¾ inches at the heel. I felt the spalted lines of the tamarind wood would look perfect with the mustard patina.”

Tyc, who resides in Waterbury, Connecticut, remembers making kitchen knives that did something no other creations had generated. He got immediate feedback from users.

“In fact, the first ‘kitchen’ knife I sold was a cleaver at the Mystic Knife Show in Connecticut,” Bill remembered. “A gentleman circled the floor three times, every time touching a cleaver I had on the table. Last pass, he picks it up and just says, ‘I’ll take it.’ My wife and I look at each other with a thumbs up, and off he goes. Well, the following year, the gentleman comes into the show, right up to my table, and says, ‘Last year I bought a cleaver from you.’ The wife and I again look at each other because we most certainly remembered. He says, ‘I have so much fun using that cleaver every day!’ I reached across the table, shook his hand and said, ‘I’ve been waiting 20 years to hear that! I could pack up and go home, I feel so good.’”

According to Tyc, many custom knifemakers shy away from cleavers because they require a lot of work. At just about any knife show, only a relative few are seen for sale. But he adds cleavers’ utility far exceeds their supposed kitchen niche, pointing out they are handy for camping, survival exercise, yard work and bushcraft as well.

“The most important things are balance and weight,” Bill observed. “A knife used as often as a kitchen knife or cleaver has to feel good in the hand, not just initially, but long term. You may find yourself using your kitchen knives for many hours through the week. You want it to be comfortable, not a labor.”

Veggies Beware

One of the unique advantages of the cleaver, Dan Tomplins points out, is the large canvas it allows for the steel. In the case of his nakiri—vegetable cleaver—its 81/2-inch copper mai blade can’t help but catch the eye, particularly with the steel’s blacked-out finish enhancing the patina'd copper. Note too, the hybrid octagonal/western-style handle made from amboyna burl. (SharpByCoop image)
One of the unique advantages of the cleaver, Dan Tomplins points out, is the large canvas it allows for the steel. In the case of his nakiri—vegetable cleaver—its 81/2-inch copper mai blade can’t help but catch the eye, particularly with the steel’s blacked-out finish enhancing the patina’d copper. Note too, the hybrid octagonal/western-style handle made from amboyna burl. (SharpByCoop image)

In 2016, Dan Tompkins began making knives, and three years later, he started Evolution Cutlery in Highland, New York. His kitchen knife work began simply because he wanted to make cutlery used on a daily basis, and his cleaver immediately attracts attention.

“The big square profile is a great canvas to show forging skills, especially if using mosaic damascus. It allows a lot of room to see the details in the patterning,” said Dan. The subject steel is Baker Forge copper mai with a blacked-out finish and layers of patina’d copper in the nakiri, or veggie cleaver, design. The handle is Tompkins’ hybrid octagonal/western style made from amboyna burl, heirloom fit to a copper and G-10 bolster. The cleaver blade measures 8½ inches, and the overall length is 13 inches.

“One challenge in making cleavers is getting the edge geometry perfect for the intended purpose,” explained Dan. “There are many different types of cleavers, so the proper geometry is an important consideration. Heavy-duty blades require a heavy convex edge, while veggie cleavers are best with a laser-thin edge. When it comes to kitchen knife ergonomics, not only do you have to have a good feel in the handle’s shape and contour, but you also have to have proper balance to make the knife comfortable to use all day. While cleavers will almost always be slightly blade heavy in balance, they should still be balanced not far in front of the handle … Balance can make a light knife feel heavy or a heavy knife feel light. In my opinion, even a heavy knife with proper balance is far more comfortable to use than a light knife with improper balance.”

 Tompkins sees the cleaver in action in varied settings, not just the kitchen. Camp chores like chopping wood or preparing food outdoors can be handled easily with a cleaver made for such adventures, and he makes the cleaver to fit the anticipated tasks.

Versatility is readily apparent in these custom cleavers, and their functionality is in lockstep with good looks driven by their makers’ creativity.

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Custom Gallery: Customs That Demonstrate Martial Mastery

From historic clashes to modern conflict, these fierce custom blades prove there is still a profound amount of art in the tools of war.

Since the dawn of man, the edge of the blade has been used to hash out disputes between everything from clans and tribes all the way to nations. While not the main battle implement in today’s conflict, the martial nature of the knife remains. This particular collection of fierce customs demonstrates there is a heap of art in war.


Caleb Ledford Long Sword

Caleb Ledford Long Sword

An electric 1084/15N20/mild steel Turkish-twist damascus defines the 31-inch blade of Caleb Ledford’s long sword. Lightening the sizable slicer’s load is a tapered fuller running on its midline. The handle is a pitch-black ebony, and the guard and pommel are cold-blued mild steel.


Jacco Van de Bruinhorst San Francisco Bowie

Jacco Van de Bruinhorst San Francisco Bowie

With matching blade and inserts, Jacco Van de Bruinhorst’s take on the San Francisco bowie is an elegant Barbary Coast brawler. The Canadian maker used ProCut/1084 to create what he calls a “snakeskin pattern.” If you study closely, the inserts harken back to the gold rush days with 24k gold inlay.


Jim Poling Dirk

Jim Poling Dirk

Commissioned by a descendant of King James IV of Scotland, journeyman smith Jim Poling’s walnut-handled dirk appears freshly plucked from the highlands. The dagger boasts a 13-inch 1084/15N20 twist damascus blade, antiqued mild steel fittings and coin-edged nickel spacers.


Andrew Blomfield Pesh Kabz

Andrew Blomfield Pesh Kabz

Master smith Andrew Blomfield has taken more than one stab at the pesh kabz in his career, and lands the blow with this 11.5-inch bladed example. The eye-catching mosaic blade is contrasted by the very conservative tones of the purple gidgee handle and blackened steel bolster. A traditional flourish, brass blossoms are on the handle’s pins.


Michael Deibert Wakizashi

Michael Deibert Wakizashi

Alabama-based journeyman smith Michael Deibert brings traditional Japanese styling to life with this striking Wakizashi. The 18-inch blade features 1,100 layers of 1080/15N20 steel, paired with a wrought iron bolster. A classic stingray and an Ito-wrap handle complete the 28-inch overall build.


Nate “Tuna” Grant Pocket Fixed Blade

Nate "Tuna" Grant Pocket Fixed Blade
Nate “Tuna” Grant Pocket Fixed Blade

Journeyman smith Nate “Tuna” Grant delivers a compact powerhouse with the Defender. This 7.375-inch overall fixed blade features a 4-inch flat-ground blade forged from 1084/15N20 steel in a striking diamond drop pattern. The build is finished with rich Mun ebony scales.


Emmett Eitreim Dagger

Emmett Eitreim Dagger

Emmett Eitreim presents a refined 12-inch overall dagger featuring a 7-inch flat-ground blade. The steel is a striking rose pattern forged from 15N20/1084, complemented by a 954 aluminum bronze guard and pommel. A stabilized spalted maple handle completes this elegant, high-contrast build.


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Colonel Blades Contingency Dagger Review: Sharp Little Backup

Daring little dagger takes a stab as a defensive secondary.

This was a challenging review. Not so much because of the knife, but the usual tests I do. I’ve focused mainly on the cutting ability of knives and a lot of what passes through my hands falls on the larger side. The Contingency Dagger from Colonel Blades is a small knife. On top of that, daggers are made for, err … penetration—I’ll leave it at that.

From my knowledge, the dagger would be excellent for a backup, self-defense blade. It’s light, concealable and with sturdy AUS-8 steel can and will penetrate. Right off, I like the overall feel of the knife, designed by veteran and author* Tom Marshal, and find the handle very well thought out. It comes with a Kydex sheath, fully adjustable for great security. But the way it shipped, it already had excellent positive lockup.

 The Contingency comes with a Kydex sheath with a clip that make inside and outside the waistband carry simple and convenient.
The Contingency comes with a Kydex sheath with a clip that make inside and outside the waistband carry simple and convenient.

All that said, no matter what a knife has to cut. I recommend that everyone test their knives to see how well they perform. It’s like going to a gun range with a new pistol—know its capabilities, both good and bad. I don’t like surprises and do not think you do either. Let’s find out the Contingency Daggers’ cut-abilities.

Light-Duty Cutting Tests

My regular bond paper was soggy after a rainstorm, so I used graph paper. It has the same thickness as 20-pound bonded, so it offers a comparable initial edge test. At first, the dagger ripped the paper, given that I approached the slices at too shallow an angle. Once I corrected for the knife’s steep grind angle, it cleanly shared the paper. The factory edge seemed like a 220-grit, sharp but not fine.

Next on the roster came thin cardboard, single-walled. The dagger quickly sliced through the material without any problems. The cut ends had a full curl to them because of the grind, which was expected. The diamond-shaped texture on the handle proved its worth here, giving the dagger a positive feel and great control.

The dagger quickly sliced through cardboard without any problems. The cut ends had a full curl to them because of the grind, which the author expected.
The dagger quickly sliced through cardboard without any problems. The cut ends had a full curl to them because of the grind, which the author expected.

I grabbed some 8-ounce leather for skiving and the Contingency’s blade made nice crunching sounds as it parted the hide. It was easy to control the thickness of each cut as the AUS-8 blade steel found the medium it liked. While I had the leather out, I did some straight slicing. WOW! Here, the dagger cut aggressively. Again, the handle texturing made control easy.

Heavy-Duty Cutting Tests

I couldn’t resist doing a little whittling with the dagger. It made coarse curly cues after I adjusted the cut angle more steeply. After settling into a rhythm, the dagger comfortably shaved through. Using it in this fashion reminded me of a survival school trick for making the base wood for a hand or bow drill. A dagger excels at making these fast. I carried a small dagger for survival, they are excellent in the role, if you know how to utilize them correctly.

Not exactly designed for making push cuts, the Contingency nevertheless made mincemeat of ½-inch sisal rope.
Not exactly designed for making push cuts, the Contingency nevertheless made mincemeat of ½-inch sisal rope.

I knew I would be taking a chance with 1/2-inch sisal rope, but I had to give it a shot. A lot of pressure is required to get a full cut on the material, and it made the edge prove its retention. The dagger gave a nice sounding crunch with 20 cuts. I switched to 1/4-inch braided cord, where it made 50 cuts in all. Not bad for this small dagger.

Overall Take

As a backup blade, the Contingency Dagger is phenomenal. I really enjoyed the handle’s texturing while cutting. The blade is wide enough to bring down the grind angle for a better cutting edge, or it could be hollow ground.

Contingency Dagger Specs
Blade Length: 3.5”
Overall Length: 75/8”
Steel: AUS8
Grind: Flat
Blade Shape: Dagger
Handles: Textured G-10
Coating: TIN black
Sheath: Kydex
MSRP: $80

*Tom Marshall authored the book Close and Destroy, published by our sister publication, Gun Digest, and is available at GunDigestStore.com.

More Reviews:

50 Years Ago In BLADE: Big Bucks Bowie

Harvey McBurnette etched his name in high-dollar knife sales.

Harvey McBurnette of Piedmont, Alabama, landed in the July-August issue of the 1976 American Blade for somewhat patriotic reasons. Somewhat, because the lead of Harry K. McEvoy’s exposé on the maker was McBurnette’s celebrated Bicentennial Bowies. But there’s more to the matter than a simple commemoration of the nation’s birthday in steel.

McEvoy hooks readers by showing what the artistically talented knifemaker’s work commanded back when your dollar went a long way. In 1976, the exact sum was $4,500. As McEvoy wrote, “[O]ne of his fabulous, hand-crafted Bicentennial Bowie knives appraised at that substantial figure after he had sold the weapon to a collector for $1,300.”

The lead image of the profile on Harvey McBurnette shows him studying his original knife design and free handing it to the steel. The maker had a strong artistic streak and was known, in part, for the embellishments he etched onto his knives.
The lead image of the profile on Harvey McBurnette shows him studying his original knife design and free handing it to the steel. The maker had a strong artistic streak and was known, in part, for the embellishments he etched onto his knives.

For context, that’s roughly $26,000 in today’s dollars. What likely made the run of 76 bowies desirable was McBurnette’s unique system of adorning the knives—etching. This system, seen on many of his knives, was a very conscious choice on the maker’s part, as the story reports, serving to differentiate his work from other custom craftsmen of the day.

“I wanted to do something unique, or at least different, with my knives,” McBurnette was quoted as saying in the article. “And since I was an artist I thought if I engraved or etched my blade, I would add a touch I felt was needed to make them stand out. I chose the art of etching because there were a few other knife makers who engraved their knives. Besides, even a master engraver cannot do what an etcher can do.”

McBurnette’s Bicentennial Bowies had quite a motif etched on either side of their D2 tool steel blades. On one side of the 16.25-inch knife is an image of the Liberty Bell, and on the other a battle scene depicting Bunker Hill. The images are the same on all 76 knives, and 75 of them had elephant ivory handles. The knife appraised for the then astronomical sum did differ; the No. 1 of the series was a prototype with a walrus ivory handle.

More Knife History:

Knife Shows: Preparing For The Best

Tips and tricks to get the most out of attending a knife show.

Magazines, websites, and social media only give you a two-dimensional look at a knife. Nothing replaces the experience of handling a knife in person. While the internet is convenient, it cannot match the visceral sensation of holding a knife at a show.

There are many knife shows across America. Some are big, like the BLADE Show, while others are smaller, regional events. All shows have one thing in common: custom knives. Makers offer blades in many styles, materials and price ranges. No matter the show’s size, you can gain an advantage—and get the knife or knives you want—by research.

Today, even smaller shows have websites or social media pages listing exhibitors. The exhibitor list will help you identify who will be at the show. Before every show I attend or consider attending, I go through this list, looking for both familiar makers and those of whom I am unfamiliar. In particular, I look for makers from outside the U.S. From this, I create my own list.

For unfamiliar makers, I visit their websites or social media pages to explore their knives. This research allows me to refine my list and home in on those I’m truly interested in. Once my list is complete, I prioritize the makers whose knives I want to see and handle.

The ladder damascus on Steve Randall’s 8” bladed fighter hits the right balance between understated and complexity. (Alison Randall image)
The ladder damascus on Steve Randall’s 8” bladed fighter hits the right balance between understated and complexity. (Alison Randall image)

The floor map is another invaluable tool for show planning. As its name implies, it is a map showing the location of each maker’s table or booth. The combination of the exhibitor list and the floorplan provides me with the first advantage of my show game plan—time management. The other aspect it helps with is money management; researching gives me an idea of how much a specific maker’s knives will cost. I adjust my priorities accordingly.

Bargain Hunting

Knowing who’s at a show out of the way, the next step is to use the various social media platforms again to discover what the makers are bringing to the show. Many show off the knives they are planning on displaying and selling well before the actual event. This helps me identify style, materials and prices of which I’m interested. Often, this information also further helps prioritize my list.  

Note, due to constraints imposed by some social media platforms, pricing is not always included in knife descriptions on these platforms. There’s an easy way around this, given that there is nothing wrong with sending the maker a message asking for the price. Realize, for many makers, pricing the knife can be as challenging as making the knife. But knowing the price allows you to compare other makers’ prices for similar work.

Becoming familiar with pricing across the spectrum of a particular knife sector—say, bowies, EDC or hunting knives—ultimately helps you get the best knife for your money. And the best value often is a new maker discovered during list research. I make it one of my goals to find a new maker whose work I am unfamiliar with at every show I attend. While I am not successful every time, many of the makers I work with today I found exactly through this method.

Personal Logistics

An homage to a classic design from BLADE Magazine Cutlery Hall Of Fame® member Bob Loveless. The author contends this is one of those knives you can only appreciate its lightness and quickness when it’s in your hand. (Karis Fisher image)
An homage to a classic design from BLADE Magazine Cutlery Hall Of Fame® member Bob Loveless. The author contends this is one of those knives you can only appreciate its lightness and quickness when it’s in your hand. (Karis Fisher image)

Research shouldn’t solely focus on the who and what at a show’s tables and booths. There is also a bevy of other factors to consider beforehand to make a show more pleasant.

It might sound obvious, but know where the show is located. Some smaller shows I have attended have been off the beaten path and difficult to find. I personally get frustrated having to hunt around for a venue, only to end up there after it’s already open.

Identifying the show hours is also crucial, as is understanding how most events organize their hours of operation. Most shows open earlier on the first day than on the second or third day. The inverse is generally true for closing—the last day usually ends earlier, especially for three-day shows.

It’s a good idea to also consider the restaurants you’ll eat at and the hotels you’ll stay in. The larger the show, the more crowded the restaurants and hotels. This is especially true with a large group; heading to a show with friends, plan on reservations for both room and board.

Don’t assume parking is right outside of the show’s location. That’s a recipe for trouble. Do your research and see if there is plenty of parking, where it’s located and, at some venues, how much it costs.

The final consideration is actually getting into the show—your tickets. If the show offers advance tickets, I recommend you purchase them before you arrive. You don’t want to be standing in line when the doors open.

Show Etiquette

Beautifully spartan, Mike Malosh executes an extremely clean hunter that’s built for dead-serious work. (Robertson's Custom Cutlery image)
Beautifully spartan, Mike Malosh executes an extremely clean hunter that’s built for dead-serious work. (Robertson’s Custom Cutlery image)

It should come as no surprise that those attending a show are focused on the knives they came there to see. But don’t let your focus make you into a poor or even rude show attendee. Here are some recommendations to keep in mind while at the maker’s tables.

When in doubt, ask for permission to handle a knife. Makers want you to; they just want you to do so respectfully.

If you have children with you, watch their little hands. They want to grab the knives just like everyone else.

Replace the knife where you found it. Set the knife down and don’t just drop it on the table.

For those knife fighters out there, limit your moves at the table. Those knives are sharp!

Don’t put your drinks, backpacks, bags, etc., on the maker’s table. Accidents happen, and no one wants a knife scratched or damaged.

Wait for your turn. At a crowded table, more than one person has been cut trying to grab a knife.

 Jason Clack has a lot going on with his liner lock, from it’s 3.5-inch damasteel blade to black Timascus bolster and mammoth ivory scale. (Jocelyn Frasier image)
Jason Clack has a lot going on with his liner lock, from it’s 3.5-inch damasteel blade to black Timascus bolster and mammoth ivory scale. (Jocelyn Frasier image)

Take your non-knife-related conversation away from the front of the table. Don’t block the table from potential customers.

Everyone loves a deal, but no one wants to be insulted by a lowball price. Makers may adjust their price, but ultimately, that is their decision. That said, cash can tip the negotiation in your favor.

Ask as many questions as you like. Education directly from the maker is part of your admission price.

Here’s The Deal

Like the makers, dealers range from brand new to very experienced. Also, like makers, many have specialties. Unlike makers, they deal in the aftermarket. The prices they ask for knives, and are willing to pay for knives, are based on current market prices. Like many collectibles, those prices fluctuate based on several factors.

A stunner from GTC Enigma, the titanium-handled spring-loaded tab opener is lightning fast. Even at first blush, this pocket gem looks like it’s built for speed. (GTC Knives image)
A stunner from GTC Enigma, the titanium-handled spring-loaded tab opener is lightning fast. Even at first blush, this pocket gem looks like it’s built for speed. (GTC Knives image)

Additionally, keep in mind that when trying to sell knives to a dealer, you walked up to their table. The price they offer you may not be what you were hoping for. There is no reason to swear at them, call them names or accuse them of low-balling you. I have turned down thousands of knives because I didn’t think I could resell them. It was as simple as that.

Plan For Success

Even with a three-day show like the BLADE Show, time quickly slips away. Having a plan to get into the event and to the makers, in turn, the knives you’re interested in ensures you’ll have a good experience. In essence, it comes down to time and money—be sure to get the most out of each!


Maker: Bob Earhart
Model: Frame Handle Fighter
Blade Length: 7.5”
Overall Length: 12.3”
Blade Steel: 5-bar Turkish twist damascus
Guard Material: Blued 1018 Steel
Handle Material: Mammoth ivory
Leather Sheath: Custom-made by the maker
Comments: The knife has excellent balance and handle ergonomics. The frame handle is forged to shape, revealing the pattern. Bob is an ABS master smith. His BLADE Show Table Number is 19S.
Price: $1,700
Email Address: [email protected]

Maker: Steve Randall
Model: Damascus Fighter
Blade Length: 8”
Overall Length: 13”
Blade Steel: Ladder pattern Damascus
Guard Material: Browned carbon steel
Handle Material: Desert Ironwood
Leather Sheath: Custom-made by the maker.
Comments: Contoured guard and handle create a knife with excellent balance and comfort in the hand. Precise ladder pattern damascus, competent work from an ABS master smith. BLADE Show Table Number is 3R.
Price: $1,800
Email Address: [email protected]


Maker: Steve Gatlin
Model: Loveless Style Chute Knife
Blade Length: 4.5″
Overall Length: 9.25″
Blade Steel: CPM 154
Guard Material: Stainless steel
Handle Material: Exhibition-grade Desert Ironwood
Leather Sheath: Custom-made by the maker
Comments: Steve’s exceptional version of the classic Loveless Chute. Light and quick in the hand. BLADE Show Table Number is 7E.
Price: $1,400
Email Address: [email protected]

Maker: Mike Malosh
Model: Bear Hunter II
Blade Length: 4.5”
Overall Length: 9 1/8”
Blade Steel: W-2
Guard Material: Stainless steel
Handle Material: Leather
Leather Sheath: Custom-made by the maker
Comments: Excellent balance and handle ergonomics. Classic look. It is built for serious work. BLADE Show Table Number 6O.
Price: $425
Email Address: [email protected]


Maker: Jason Clark
Model: 77 Liner Lock
Blade Length: 3.5”
Overall Length: 8.12
Closed Length: 4.5”
Blade Steel: Damasteel
Bolster Material: Black Timascus
Handle Material: Mammoth Ivory
Opener: Flipper
Lock: Liner
Clip: Black Timascus tip up
Comments: Sleek and smooth. Great lock up! BLADE Show Table Number is 12E.
Price: $1,550
Email Address: [email protected]

Maker: GTC Knives
Model: Enigma
Blade Length: 4″
Overall Length: 9
Closed Length: 4.5″
Blade Steel: Stainless steel Damascus
Handle Material: Titanium
Opener: SLT (spring-loaded tab)
Lock: Inset liner
Clip: Titanium tip up
Comments: Slick and smooth. Next-level construction and precision. This knife features screwless and toolless construction. WOW. Blade Show Table Number 19A.
Price: $3,500
Email Address: [email protected]


BLADE Show Info:

Rare Bob Loveless Customized Guns Up For Auction

Three highly coveted firearms modified by the Cutlery Hall of Fame® legend—including his “de-fanged” Colt Commanders—head to Rock Island Auction.

Bob Loveless Colt "Old Smoothie" Lightweight Commander semi-automatic pistol with scrimshawed ivory grips, drop-point Loveless Knife and sheath.
Bob Loveless Colt “Old Smoothie” Lightweight Commander semi-automatic pistol with scrimshawed ivory grips, drop-point Loveless Knife and sheath. Rock Island Auction image

While the late Bob Loveless secured his legacy as a titan of the cutlery world, the BLADE Magazine Cutlery Hall of Fame® member also brought his legendary eye for utility to the firearms world. His knives remain some of the most desirable, coveted custom creations on the planet, but a rare trio of his personal, customized handguns are now heading to the auction block at Rock Island Auction in the company’s June 27 American Sale (now live online). The selection highlights how the master craftsman applied his famous Bauhaus-inspired design ethos to custom gunsmithing.

Bob Loveless Colt "Old Smoothie" Combat Commander semi-automatic pistol with relief carved ivory grips.
Bob Loveless Colt “Old Smoothie” Combat Commander semi-automatic pistol with relief carved ivory grips. Rock Island Auction image

The lineup features two Colt Commander pistols that Loveless thoroughly “de-fanged,” a signature modification process where he systematically bobbed the hammers, radiused the frames and smoothed away every sharp edge that could gouge a shooter’s hand. The first is a c. 1980 Lightweight Commander, featuring his electro-penciled initials, custom Browning cuts on the slide, and smooth ivory grips scrimshawed with nude artistry. This rare piece is housed in a custom hardwood case alongside a matching 2004 Loveless drop-point hunting knife. It is joined by a scarcer steel-framed Combat Commander variant, a platform Loveless rarely altered because he felt the extra weight defeated the purpose of a carry gun, making this particular build exceptionally rare.

Bob Loveless Smith & Wesson Model 41 semi-automatic pistol with case and signed photographs.
Bob Loveless Smith & Wesson Model 41 semi-automatic pistol with case and signed photographs. Rock Island Auction image

Rounding out the trio is an extensively reworked Smith & Wesson Model 41 target pistol, believed to be one of only 70 ever built by Loveless. This highly modified rimfire pistol features a shortened barrel with a custom vented rib, an exposed hammer conversion, a checked gold-washed backstrap with a lanyard loop, and his personal initials electro-penciled on the slide. Complete with signed photographs of Loveless, a custom leather holster and a glass-topped display case, the group offers collectors a rare look at how one of the greatest knifemakers of all time refined factory firearms into high art.

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Cool Custom: Jesse Hu’s Thorfinn Daggers

Hu takes the Vinland Saga’s famous daggers from screen to steel.

Anime and knifemaking are seldom mentioned in the same sentence. However, with a pair of striking daggers, an online knifemaking sensation has skillfully forged together that creative gap in cold, hard steel.

Jesse Hu is a multiple Forged in Fire champion and a prolific YouTube creator. When his online fans demanded a rendition of Thorfinn’s daggers from the popular animated Vinland Saga series, the adventuresome smith didn’t back down from the challenge. However, he set stringent goals for how he wanted the fictional blades to materialize.

“I have seen a lot of people make their own versions, but I haven’t seen any that truly captured their energy from the anime,” Hu said. “I felt it was possible for me to make a pair of daggers that fans would feel I directly pulled from the screen.”

The results are a spot-on set of daggers boasting 81/2-inch blades of 80CrV2 steel with carved Ringed Gidgee handles and one with a 1/2-inch-thick brass guard. Hu’s carving emulates the animation’s leather-wrapped look. While there is little actual Viking in the daggers’ overall design, the maker’s choice of wood for the handles did inadvertently bring a touch of the historic accuracy to the fantasy knives.

“One thing I discovered from a friend was that there were a bunch of carved wooden handles on Viking-era blades,” Hu related. “But I only heard about this after I had finished the daggers.”

Hu estimates he put two weeks of work into his rendition of Thorfinn’s daggers. In the end, the project was a labor of love, with Hu compensating himself by keeping the daggers. (Jesse Hu image)
Hu estimates he put two weeks of work into his rendition of Thorfinn’s daggers. In the end, the project was a labor of love, with Hu compensating himself by keeping the daggers. (Jesse Hu image)

The greatest challenge in bringing the two-dimensional blades into the physical world came from the inconsistency of the source material. In the anime series, Thorfinn’s daggers can change from scene to scene, forcing Hu to hit a moving target.

“Some pictures made the handle look rectangular in cross section as opposed to ovular; some made the central fuller look really thin and others quite thick,” he said. “I had to pick and choose from all these images to create something that felt accurate to all of them.”

Studying frames from the series and interpreting how the ink daggers’ ratios translate to steel was a painstaking process. Hu estimates he invested two weeks bringing the anime knives to life. Given the dedicated following of Vinland Saga, he figured the time invested would have paid off—had he not decided to keep them for himself.

“A cool piece doesn’t always mean a smart business decision,” he quipped.

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