Knife Collecting

Knife collecting is an extremely rewarding experience for knife enthusiasts. There truly is a knife for everyone. Many increase or hold their value throughout the years, making collecting knives something to pass on to the next generation of knife collectors.

Which Knife Collaborations Would You Arrange?

Steve Culver's cut 'n shoot would make a great collaboration with Browning. (SharpByCoop image)
Steve Culver’s cut ‘n shoot would make a great collaboration with Browning. (SharpByCoop image)

Which knife collaborations would you like to see between today’s custom knifemakers and knife and/or gun companies?

There have been many great knife collaborations over the years—from such early ones as those between Smith & Wesson Knives and Blackie Collins and Bob Loveless and Schrade, to those between Spyderco and Bob Terzuola, CRKT and Kit Carson, Benchmade and Mel Pardue and many more—all of which got us to thinking: What great collaborations that never happened would you like to have seen?

Or, perhaps better yet, which ones would you like to see among today’s companies and knifemakers?

Here are a few, first of the former:

Bob Loveless and Marble’s: Hey, the man behind the dropped hunter and one of the leading hunting knife companies of a bygone era. Seems like a natural collaboration;

Bill Moran and Busse Combat Knife Co.: Moran made those big, sweeping fixed blades and Busse does, too;

•Bob Lum and Cold Steel: OK, so it probably never would have happened, but the possibilities for a special American tanto collaboration would have been intriguing.

And now for the latter:

•Wolfgang Loerchner and William Henry Knives: Two great makers of fine knives would make an awesome pairing in anybody’s knife book;

•Joe Keeslar and Spartan Blades: Joe’s a retired Marine and Mark Carey and Curtis Iovito of Spartan Blades are retired Special Forces. I bet they could put their heads together and come up with a really cool combat knife collaboration;

•Steve Culver and Browning: Culver’s cut ‘n shoot is a tour de force of the genre and a collaboration with Browning would be a real breakthrough in terms of a special limited-edition crossover between the knife and gun industries. Browning has experience working with the knife industry—for example, Russ Kommer and Jim Crowell are two makers who have collaborated with Browning on knife projects—so Browning would not have to break new ground.

How about it? What knife collaborations would you like to see/have seen?

Knife Photos: 6 Fetching Custom Hunters

hl holbrook custom knives

The gentle rise of the tip area of the blade is the classic sign of a skinner—or in this instance, the Semi Skinner #2 by H.L. Holbrook. The 3.5-inch blade is CPM 154 stainless and the handle is stabilized maple. Overall length: 8 inches. Contact H.L. Holbrook, Dept. BL3, POB 483, Sandy Hook, KY 41171 606-794-1497. (Chuck Ward image)


custom hunting knife

Scott Gallagher employs a 3-inch damascus blade, a damascus single guard and a handle of Arizona ironwood for his hunter. Overall length: 6.5 inches. Contact Scott Gallagher, Dept. BL3, 335 Winsten Manor Rd., Santa Rosa Beach, FL 32459 850-865-8264. (Chuck Ward image)


custom hunting knife pictures

BLADE Magazine Cutlery Hall-Of-Fame© member D’ Holder outfits his Big Dog fixed hunter in a 5.5-inch blade of 154 CPMV stainless, an ancient walrus ivory handle with scrimshaw by Stan Hawkins, and an engraved buttcap and guard by Bruce Shaw. Contact D’Holder, Dept. BL3, 226 West Blue Wash Rd., New River, AZ 85087 623-742-7399 [email protected] (SharpByCoop image)


ben breda custom knives

A 4-inch clip-point blade of W2 tool steel with hamon and a spalted sycamore handle and fileworked copper spacer distinguish Ben Breda’s hunter. Overall length: 9 inches. Contact Ben Breda, Dept. BL3, 56 Blueberry Hill Rd., Hope, ME 04847 [email protected]. (Caleb Royer image)


eli jensen custom knives

A gorgeous Arizona ironwood handle with a domed/curved 416 stainless steel butt plate and G-10 spacer, and a 5.75-inch blade of 1084 carbon steel help complete Eli Jensen’s Forester MKII hunting knife. Overall length: 10.75 inches. Contact Eli Jensen, Dept. BL3, 2840 W. Dreamscape Way, Chino Valley, AZ 86323 928-606-0373 [email protected], Facebook/Instagram: Eli Jensen. (Sharp-ByCoop image)


kenneth lange custom knives

Kenneth Lange received an order for this hunter by a family friend whose husband is celebrating 10 years on the police force—thus the thin blue line on the black G-10 handle. The 4.5-inch blade is 1095 carbon steel. Overall length: 9 inches. Contact Kenneth Lange, Dept. BL3, 1200 County Road 5711, LaCoste, TX 78039 210-218-9415 [email protected], Facebook/Instagram: kjl_handmadegoods KJLhandmadegoods. (SharpByCoop image)

Knife Brings World Record Price

Roosevelt's knife
On one side of President Theodore Roosevelt’s knife is a forest scene with two men behind a tree, one standing with rifle in hand, the other crouching.
President Theodore's Roosevelt's knife.
The top of the handle of President Theodore Roosevelt’s knife is carved in the shape of an eagle’s head of solid gold. The eagle’s eyes are garnets.
Roosevelt circa Oct. 1910.
Theodore Roosevelt in October 1910.

A knife presented to President Theodore Roosevelt brought a world record price of $414,000 at auction this past weekend, Sept. 9-11.

It is believed to be the most ever paid for an American knife at auction, according to the auctioneer, Rock Island Auction Co.

The previous world record price for a knife at auction reportedly was $270,000 in 2006 for a piece that was linked to Sam Houston.

Made by J. Russell & Co. of Massachusetts and with an ornate handle of gold and platinum by New York luxury jewelry retailer Dreicer & Co., the knife originally was presented to Roosevelt “to carry with him on his African hunting trip” by James W. Gerard, New York Supreme Court Justice and later ambassador to Germany. The knife was said to have cost $1,250 when it was presented to Roosevelt in 1909, which is about $33,266 in today’s money. The knife had been in the Roosevelt family ever since until this past weekend’s auction.

The 6-inch spear-point blade has a mottled gray patina and is etched on the left side with “PRESENTED TO/THEODORE ROOSEVELT/BY HIS FRIEND/JAMES W. GERARD.” The blade mark is J. RUSSELL & CO./GREEN RIVER WORKS. The “T” guard is bear heads sculpted in gold. The sculpted gold handle has a pommel in the shape of a highly detailed eagle head with red garnet eyes. The left side of the handle has a frontier scene on a platinum background. Overall length: 11.5 inches.

When Roosevelt died in 1919, the knife became part of the estate of his widow, Edith C. Roosevelt. From there it went to Mrs. Roosevelt’s eldest daughter, Ethel Roosevelt Derby, probably sometime around Mrs. Roosevelt’s death in 1948. In 1976, Mrs. Derby presented it as a gift to the knife’s consignor, who wishes to remain anonymous, as the consignor was about to marry Mrs. Derby’s granddaughter. The consignor and Mrs. Derby’s granddaughter used the knife to cut the cake at their wedding ceremony.

In 2013, Stuteville Antiques & Appraisals reportedly valued the knife at a quarter of a million dollars.


Make Your Own Legendary Knife

Best books about making knives and knifemakingThe third edition of BLADE’s Guide to Making Knives gives you all the information you need to start making knives. At less than $20 when you order directly from BLADE, it’s the best investment in your knifemaking career you can make.

Pick up your copy of the best knifemaking book under the sun.

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Tell BLADE About the Knives You Love the Most

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knife for valentines day gift
Kissing Crane 2018 Valentine’s Day Toothpick Pocket Knife (image via BudK)

Help celebrate Valentine’s Day by telling BLADE about the knife you love the most. Which knife do you love best? It can be one you carry, one from your past, one you wish you had, one someone used to save a life or otherwise do something significant, etc.

Use the form below to explain why the knife is so special to you. Include a picture if you have one.

BLADE will choose the best stories for a feature here on blademag.com.

    Submit a photo

    20th Annual Shenandoah Valley Knife Club Show

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    20th Annual Shenandoah Valley Knife Club Show

    Take the BLADE® Quiz and Get Sharp!

    When knife enthusiasts think Knifemakers’ Guild, thoughts of Blade Magazine Cutlery Hall-Of-Fame© member Buster Warenski cannot be far behind. His gold dagger includes a gold separator band between the guard and also a gold pommel. The handle is carved antique ivory with twisted gold wire. The engraving is by Julie Warenski-Erickson. (from the Dave Nittinger collection; photo by Dave Siegel)

    From One Cutlery Cradle To Another

     

    The first BLADE Quiz focuses on Sheffield and the early days of the Knifemakers’ Guild

     

    ARE YOU UP ON YOUR KNIFE HISTORY, especially the golden age of Sheffield and the beginnings of the Knifemakers’ Guild? Our first installment of a new BLADE® department, the “BLADE Quiz,” should let you know how schooled you are in short order. The answers appear below.

        1) The very early Sheffield knives carried the stamp “GR.” To what/whom did the initials refer and what were the knives better known as? A) Green River and Green River Knives; B) King George and Green River Knives; C) Great Britain and Green River Knives

        2) Knifemaker Ted Dowell served as a gunnery officer on which U.S. Navy ship during the Korean War? A) U.S.S. Minneapolis; B) U.S.S. Missouri; C) U.S.S. Intrepid

        3) How many cutlery factories were in Sheffield in 1910? A) 400; B) 1,400; C) 4,000

        4) Which Guild knifemaker was known early on by the moniker of “El Lobo Solo” (Spanish for “lone wolf”)? A) Chubby Hueske; B) Ruffin Johnson; C) Clay Gault

        5) Upon completion of 50 years of service, each Joseph Rodgers & Sons Ltd., employee was presented with: A) A 5-inch-tall silver statue of Vulcan holding the Rodgers trademark of a six-pointed star and a Maltese cross; B) a replica of the world-famous Rodgers “Year Knife”; C) a gold watch

        6) The obverse side of the blade is: A) the front or display side bearing the maker’s mark; B) the side without the maker’s mark; C) the blade spine

        7) Knifemaker Red Watson’s first name was A) Red; B) Herbert; C) Quinton

        8) In 19th-century Sheffield, the men who worked knife grinders feared: A) grinder’s asthma or grinder’s consumption; B) shattering grindstones, which could kill a worker; C) A and B

        9) Who stated, “Is knifemaking an art? I feel that anything done well is an art, be it a Rembrandt, a custom knife, or the Golden Gate Bridge. In short, what is art? More important, what isn’t?” A) Bud Cronk; B) Buster Warenski; C) Harvey McBurnette

        10) A cross guard has: A) Two quillons; B) one quillon; C) no quillons.

        11) According to The Knifemakers Guild Directory of the Membership, Bob Dozier is the son of: A) a blacksmith; B) an ironworker; C) a farrier

        12) The tool used by many Sheffield cutlers to put inlay holes in mother-of-pearl scales or to drill holes in scales is known as the: A) stidder or stiddy; B) parser or parsey; C) doller or dollie

        13) The first female knifemaker to apply for membership in the Knifemakers’ Guild was Carolyn Tinker, at the 1974 Guild Show. However, there was also another female maker who applied for membership at the ’74 show. Her name? A) Mary Jean; B) Ethel Waters; C) Rita Winter

        14) The term pocketknife originally referred to: A) a knife with blades opening at one end only; B) any knife that could be carried in a pocket; C) a knife that was always handy and could be used for any number of cutting chores

        15) Which of the following is not a founding member of The Knifemakers’ Guild? A) Jon Kirk; B) John Applebaugh; C) John T. Smith

        16) In old Sheffield, a bolster was cast or forged from nickel, iron or brass and had a projection used to tommy it to the liner. In this instance, to tommy means: A) to pin; B) to rivet; C) to solder

        17) Xylonite was the first of many types of imitation: A) bone; B) ivory; C) pearl

        18) Knives with handles made by burning an imitation tortoiseshell pattern into clear horn with lye were known as: A) spotted penknives; B) shell knives; C) turtle blades

        19) The Deguello, the tune Santa Anna adopted to signify no quarter would be given to the defenders of the Alamo, was originally used by: A) the Moorish invaders of Spain; B) Christopher Columbus; C) the Spanish conquistadores

       

     

    Answers: 1) B; 2) B; 3) C; 4) B; 5) A; 6) A; 7) C; 8) C; 9) C; 10) A; 11) A; 12) B; 13) A; 14) A; 15) C; 16) B; 17) B; 18) A; 19) A. Scoring: 0-3—Your tongs just got gonged. 4-7—Have you considered foregoing knives and taking up Farmville? 8-12—You’re spending too much time playing mumbley-peg. 13-16—Your knife neurons are starting to fire. 17-18—You are qualified to run for mayor of The Pit at the BLADE Show. 19—You must be Pete Cohan, curator of the National Knife Museum.

    For more on the latest knives, knife legislation, knifemaking instruction, knife trends, knifemakers, what knives to buy and where and much more, subscribe to BLADE Magazine, the World’s No. 1 Knife Publication. For subscription information click on http://www.shopblade.com/product/blade-magazine-one-year-subscripti…?r+ssfb050512#BL1SU.

     

    10 Little Indians Multi-Blade Knife

    Never having made a knife with over six blades, even multi-blade maestro Gene Shadley was challenged to reproduce a 19th-century sportsman’s knife based on a 10-blader made by Christopher Johnson & Co. of Sheffield, England.

          Engraver Simon Lytton provided the old catalog Shadley selected the pattern from, which Shadley made larger than the original (5 7/8 vs. 3 5/8 inches closed). The knife required a locking master blade and a lockbar—neither were on the original—as per customer order. Hence, Shadley had to redesign the knife from the ground up, making nine blades work in slip-joint fashion along with having to figure out how to make the master blade work as a lockback.

          The band in mid-handle, another first for Shadley, was also by customer request. Shadley had to make new rear bolsters to accept the tweezers and ivory toothpick. Even the file is different than anything he had done, requiring a knurling tool for the double grooves. The customer wanted no blade wobble, so Shadley made the lockback work with minimal tension, and installed bushings for all the blades to control the amount of play in each.

          Shadley said he had orders for two more 10-bladers and planned on making a large exhibition knife with probably somewhere between 12-to-15 blades that he hoped to display at the Solvang Custom Knife Show April 28, 2012.

     

    For more information contact Gene Shadley, 209 NW 17th St., Grand Rapids, MN 55744 218-244-8628 or 218-999-7197 [email protected].

     

    To read like stories like this and the latest on knives, knifemakers, knife news and more, subscribe to BLADE® by clicking on http://www.shopblade.com/category/magazine-issues

     

    PICTURE CAPTION

     

    Gene Shadley took the 10-blader without the sambar stag scales (top) to the 2010 New York Custom Knife Show “to show it off” and for photography, then took the completed version to the ’10 Guild Show, where Point Seven photographed it in a multiple exposure with the scale-less image (you can see the lockbar on the spine of the scale-less version). Blade steel: ATS-34 stainless. His list price for a similar piece: $10,000. (Point Seven photo)

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