Knife Collecting

Knife collecting is an extremely rewarding experience for knife enthusiasts. There truly is a knife for everyone. Many increase or hold their value throughout the years, making collecting knives something to pass on to the next generation of knife collectors.

Bowie Knife: Shorter Customs Are Where It’s At

Forget the traditional 10-inch blade, the new sweet spot for a custom bowie knife is now a 9- to 9.5-inch blade!

In July 1990 I was in the Army, home on leave from South Korea and attending The Knifemakers’ Guild Show in Orlando, Florida. While there, I was introduced to the forged blade.

I stopped by the table of ABS Master Smith Jim Crowell. He explained to me what it took to gain the prestigious rating of ABS master smith. It wasn’t just the quality of the knife that impressed me. I was amazed at how a 15-inch knife with a 10-inch blade could be so lightweight. While I was not new to fixed blades, my experience to that point had been with stock-removal knives.

Bad to the bone, Mark Fleming’s forged Southwest Trail Bowie has a 9.5-inch blade made of 1084 carbon and 15N20 nickel-alloy steels in a ladder pattern. The handle is ancient walrus tusk, capped with a damascus pommel, ferrule and guard. Almost a steal, with Fleming marking the price at $1,900 for a similar knife.
Bad to the bone, Mark Fleming’s forged Southwest Trail Bowie has a 9.5-inch blade made of 1084 carbon and 15N20 nickel-alloy steels in a ladder pattern. The handle is ancient walrus tusk, capped with a damascus pommel, ferrule and guard. Almost a steal, with Fleming marking the price at $1,900 for a similar knife.

Jim explained that distal tapering is a procedure to thin the blade from guard to tip and spine to edge. The amount of tapering depends on the purpose of the knife. As I moved through the show, I started paying more attention to the forged blades on the exhibitors’ tables. What I discovered was what was called the ABS Bowie. The dimensions of the knife were a blade of 10 inches in length, 1.5 inches wide and a quarter inch thick, generally with a 5-inch handle.

Development Of The Shorter Custom Bowie Knife

Those who have been involved with custom knives for some years know that the knives tend to move in cycles. Innovation leads to demand from collectors. There’s a lot of “following the leader” in the custom knife business. This could have helped explain why so many knives were dimensionally identical at the ’90 Guild Show. While some had damascus blades and hardware, most were carbon steel. 

In 1992 the custom knife market cycled to a new entry into the custom knife world: the tactical folder. Toward the end of the decade, tactical folders started to wane, and forged blades once again established their prominence in the custom knife world. This time around the cycle began with hunters—basically, those with forged carbon steel blades, stainless guards, and wood or stag handles. The price point was predominantly in the $150-to-$210 range. By 2002, collectors buying hunters were ready to move to the hunter’s “big brother.” Meanwhile, the decade was populated with damascus patterns such as ladder, raindrop and twist, all of which began to show up more regularly.

Another nine-and-a-halfer, Ben Brea’s Forged Stag Bowie has a ladder-pattern damascus blade and a checkered koa handle. The superlatively executed custom bowie knife comes with a custom leather sheath. Breda set the price of a similar knife at $2,000.
Another nine-and-a-halfer, Ben Brea’s Forged Stag Bowie has a ladder-pattern damascus blade and a checkered koa handle. The superlatively executed custom bowie knife comes with a custom leather sheath. Breda set the price of a similar knife at $2,000.

While damascus was in demand by the higher-end collectors, it was W2 tool steel blades with hamons that took center stage for about five years. No two hamons were exactly alike. They looked cool and, for most collectors, were affordable. While antique designs from the mid-1800s were showing up more regularly, the one thing that hadn’t changed was the ABS Bowie, the majority of which continued to have 10-inch blades or longer.

BLADE Magazine Cutlery Hall-Of-Fame® member Jim Bowie was at least 6 feet tall. Depending on your source, the knife he carried had a blade with a length anywhere from 9.25 inches (on the one his brother Rezin stated was made for Jim), to 121/8 inches (the knife known as the Edwin Forrest Bowie), and a handle length of up to 6 inches. For size comparison, the Japanese ko-wakizashi, a short sword that was carried by samurai, started with a 12-inch blade. The ko-wakizashi was worn outside the clothes in a belt at the waist. Current knife laws aside, a knife that long would be difficult to carry and use openly. After all, have you ever tried carrying around a knife with a 12-inch blade? My only experience was a two-week field exercise while I was in the Army. The knife I took with me had only a 10-inch blade. Granted, I am at least 1 inch shorter than Jim Bowie was. But the 10-inch blade was cumbersome to carry and, quite frankly, just too long for what a soldier needed. Also, it would be challenging to deploy the knife without having it in a cross-draw setup similar to what the samurai employed.

Dimensional Changes To Cutom Bowie Knives

While it isn’t much different from the ABS Bowie, the current hot custom bowie features a 9-to-9.5-inch blade. The other difference on many of the blades is that the width has expanded from 1.5 to 1.75 inches. The additional blade width allows makers who so desire to use some curves along the primary edge.

A big boy of the bunch, Brian Sellers’ 9.5-inch custom bowie knife boast a twist-pattern damascus blade (double-edged) with stainless steel liners. The handle is ironwood and features a sub-hilt design, which Sellers would ask $2,400 for a similar creation.
A big boy of the bunch, Brian Sellers’ 9.5-inch custom bowie knife boast a twist-pattern damascus blade (double-edged) with stainless steel liners. The handle is ironwood and features a sub-hilt design, which Sellers would ask $2,400 for a similar creation.

I think that the shorter, wider blade is more aesthetically appealing. It no longer looks long and thin like its lengthier, narrower cousin. Moreover, the additional width results in a more substantial blade. Finally, extending the blade width allows bladesmiths to tweak the accompanying damascus patterns. Mosaic damascus patterns have gained favor among makers and collectors over the past two years. The extended blade width may give rise to new mosaic patterns. At the same time, the extra width may add a fresh take on standard damascus patterns such as ladder and twist.

The Constant Change Of The Bowie Knife

Today, most of us don’t use large bowies to defend our honor or protect our loved ones. Whether antiques or current models, many bowies have been relegated to collections. Given the amount of 10-inch custom bowies made over the past 30+ years, hundreds of them are for sale in the primary market and thousands are available in the aftermarket. Should you want a 10-inch bowie, your choices of materials and combinations are almost limitless. Given the number of 10-inch bowies available in both the primary market and aftermarket, it should be no wonder collectors are looking for something different.

As many of you may know, as a purveyor I keep pretty close tabs on several custom knife market sectors. Damascus bowies is one such sector. Over the past 18 months, I’ve seen both collectors and makers move away from the standard 10-inch bowie. This is not to say such bowies are not being made but that the demand has slowed. Makers are creating new types and patterns of damascus. Is it any wonder then that what were considered standard dimensions over the past 30 years are being revisited? The new sweet spot of the 9-to-9.5-inch blade is appearing more on today’s custom bowies. Eventually, bowie collectors will once again look for something new and different for their collections. As the Greek philosopher Heraclitus said, “The only constant in life is change.” The same is true in custom knives.

More Bowie Knives:

Bachtel’s Bowie With A Pedigreed Background

A study of Michael Price’s work, Nick Bachtel’s reproduction gentleman bowie has the looks to wow.

Bladesmith Nick Bachtel has parlayed his fascination with the knives of 19th-century great Michael Price into a faithful reproduction of a Price-style gentleman’s bowie.

Nick studied every Price knife and other like ones of the genre he could find online and elsewhere to help arrive at the way the 19th-century cutler constructed the gentleman’s bowie. However, it was when he saw a picture of a Price knife in BLADE Magazine Cutlery Hall-Of-Fame® member Bernard Levine’s book, Knifemakers Of Old San Francisco, that “a light went off.”

Nick noticed that the handle had three pins so the knife had to have a full tang, not a hidden tang as he had previously thought, so he forged the knife, heat treated it, fit up the guard and forged the tang wider.

“I call it a captured-guard full tang,” the 24-year-old said of the method that apparently originated among bladesmiths in Ireland, Price’s native country. “It’s such a weird, unique, almost comical way of making a knife—and difficult to do as well,” Nick observed, “but boy, did Price make it!”

Nick Bachtel calls the construction he used to make his reproduction of a Michael Price Gentleman’s Bowie “captured-guard full tang.” For the style to work, it must be forged, Nick stressed. He said another way to do it would be in a frame handle construction and a tapered tang, though a Price aficionado would be able to tell the difference. (SharpByCoop knife images)
Nick Bachtel (inset) calls the construction he used to make his reproduction of a Michael Price Gentleman’s Bowie “captured-guard full tang.” For the style to work, it must be forged, Nick stressed. He said another way to do it would be in a frame handle construction and a tapered tang, though a Price aficionado would be able to tell the difference. (SharpByCoop knife images)

The icing on the cake for Nick was ABS journeyman smith Jordan LaMothe’s story, “How to Make the Price Guard” in the December 2019 BLADE®. As Nick noted, “The Price style is the pinnacle of the traditional forged blade.” What better style is there for a young, up-and-coming bladesmith to explore?

For more information contact N.M. Bachtel Forging Co., attn: Bachtelforgingcompany.com.

Gentleman Bowie Spec Check
Knife name: Michael Price
Style: Gentleman’s Bowie
Maker: Nick Bachtel
Blade length: 5 7/8 inch
Blade material: 52100 carbon steel
Handle: Elk antler and nickel silver
Overall length: 10¾ inch
Sheath: Traditional center-seam vegetable-tanned cowhide w/frog stud
Maker’s List Price For A Similar Knife: $1,100(includes sheath)

More Knife Collecting And Custom Knives

Making A Knife With A Legend Bob Terzuola

The Author Got To Spend A Weekend Making A Custom Knife With Legendary Maker Bob Terzuola

Over 30 years ago when I was just getting into the knife collecting hobby, I was at a gun shop on Long Island. I noticed the knife in the salesperson’s pocket and asked if I could see it. It was a custom Bob Terzuola. 

I had my own Spyderco Terzuola factory/custom reproduction that recently had been introduced and I was amazed to see and handle a custom Terzuola for the first time. I thought to myself that someday I would own a custom Terzuola. Little did I know that one day I’d have a chance to make my own custom knife with Bob as well.

In the course of my “collecting career” I managed to get one Terzuola—to say the least.  Now I have around 75 Terzuola knives! During this journey, I’ve met Bob many times and we’ve become friends. He’s a truly remarkable person who’s been making knives for over 40 years. More than just a knifemaker, he is an artisan, inventor, and craftsman, too. In addition, he has plenty of interesting stories to tell.

This past fall, Bob and his wife, Susan, were in Chicago and we met for dinner. It was around my 50th birthday (which, coincidentally, I share with Susan). As a gift, Bob invited me to come to his shop near San Diego to make my own knife.

So in March I flew to San Diego to spend a few days with Bob at his storied “Knife Camp.” I was a bit nervous. I don’t really have any knifemaking or even machinery type experience. My family came along with me—my daughter loves Bob’s dogs, while my wife enjoyed the local botanical gardens with Susan, who is an artist and a master gardener.

Who Is Bob Terzuola?

Bob’s knifemaking journey began in Central America. In the late 1960s, he served in the Peace Corps in Panama. After completing his service, Bob settled in Guatemala, where he managed a jade company. It was there, in the late 1970s, when Bob began to first make knives, mostly for military operatives in Central America. In 1984 he returned to the USA and set up shop in Santa Fe, where things really took off. 

Bob is often referred to as the “father of the tactical folder” and is best known for his ATCF (Advanced Technology Combat Folder) model, which was released in 1985. Wanting to create a discrete yet robust, functional, and easily deployable knife, Bob was one of the first custom knifemakers to use titanium, pocket clips, and G-10. 

He was among the first makers to use a thumb disc and have parts laser cut. Bob is also credited with being the first custom maker to do a knife collaboration with Spyderco. Made in 1989, the knife was the Spyderco C15, which held patents for being the first U.S.-made factory knife using premium steel and G-10, along with a linerlock.

Bob Terzuola’s Shop

Bob shows the author how to grind.

When you first walk into Bob’s shop, you’re immediately struck by how neat and organized it is. As far as equipment, he has all that’s required with over a dozen machines including a band saw, milling machine, grinders, drill presses, and blasting cabinets. 

More than the equipment, though, Bob’s shop is like a history of his knifemaking. The shop is dotted with mementos of his career, gifts from customers, letters of praise, awards, and trinkets from over the years. There’s also a collection of police patches from all over the world, along with hats and photos. On one bench he even has an artillery shell. Of course, the C15 Spyderco knife patent is on display as well. 

Knifemaking With Bob

Using the lathe, Bob helps the author trim the pivot barrel to the proper length.

Time to make a knife! We decided to go with a 3-inch tanto folder, which is one of my favorite overall configurations. Bob suggested basing it on his Mini Athena model. He already had two handle liners cut out that we could use. I had to do the rest.

He explained the basics of operating the machines and got me to work right away. Within 45 minutes of pulling into his driveway, I was using a bandsaw to cut a blade profile drawn on a sheet of MagnaCut steel. Then I was drilling the pivot and screw holes in liners, countersinking holes, and smoothing out edges.

Things got quite serious when Bob had me “practice” taking the blades out of the heat treat oven. It’s pretty crucial to not drop the blades, which are heated to 1900° each when removed from the oven. Oh, and you read right, I did say “blades” as Bob had me cut two in case I screwed one up at some point. Fortunately I didn’t drop the blades after the heat treat, so that was a relief.

Next, I picked out my scale material. I like Micarta® so green canvas Micarta was an easy choice for me. Bob gave me a sheet of the material and off to the bandsaw I went. Same for the backspacer, for which I used some yellow/white Micarta for a bit of contrast.

The next day a lot of time was spent cutting the lockbar—Bob set up the milling machine for me—smoothing out the scales, adjusting stop pin placement, and putting the handles together many times to make sure everything fit just right. 

Of course, all the work was made a bit easier and more efficient by using the tools that Bob has made, often even invented, over the years. His shop is filled with a plethora of tools, devices, holders, clamps, and more, many of which he’s designed and made himself to make his knifemaking process more reliable and efficient.

Next came the grinding, probably what many think of as the hardest and scariest part of making a knife. One of the first things Bob said to me when I arrived at Knife Camp was, “We can always take more away but we can’t put things back.” I think that nowhere is this truer in the knifemaking process than in grinding a blade. If you make a big mistake here, there’s no fixing it. Obviously, there is a practiced art to this. I seemed to do OK on the grinding part—until I wasn’t.

Overall, I ground the blade well but got sloppy on one of my final passes. I started a bit too soon and ground some of the area near the detent hole. When we put the knife together, it was pretty clear that the mistake had implications. Basically, there was no detent. It was pretty disappointing, but then we remembered the second blade I cut in the beginning. Clearly, Bob had been thinking ahead.

Finishing My Blade

The finished knife is based on one of Bob’s Mini Athena models sporting a 3-inch tanto blade of MagnaCut stainless steel and a green canvas Micarta® handle with pocket clip.

On day three I got to work grinding the second blade and managed to not repeat my mistake of the day previous. Then I sandblasted the blade. After that, I began the process of putting the knife together, taking it apart, tweaking it a bit, putting it back together, all over and over again until it worked just right. Finally, the action, lockup, and centering were good. Bob sharpened the knife for me and it was done.

I don’t know that I’ll ever be a knifemaker but I made a knife, and I love it!

Over the years, I’ve gained a lot of knowledge about knives but to actually make one was something else entirely. The amount of planning and work, especially detail work, that goes into a handmade knife is truly remarkable. Being guided by and watching a master like Bob made my experience even more remarkable. He knows what works well functionally and artistically. He thinks several steps ahead and takes the time with each detail. That’s why his knives are highly desirable.

Thank you again Bob—and Susan—for your hospitality and for making this opportunity happen.

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Variations On A Theme

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Knife Collecting Is Different For Everyone. Some Folks Like To Stick With A Theme And Collect Everything They Can.

It’s all about perspective. 

Everyone agrees that knife collecting is one of the greatest enterprises around. However, there are variations on a theme—if the collection even has one. Probably the biggest variation on the common thread of knife collecting is the existence or absence of a theme, a focus on the collection that revolves around a specific aspect such as an individual custom knifemaker, group of makers, handle material, style of knife, period of time—well, you get the idea.

Theme collecting has its followers and its detractors, and gaining insight into these points of view enriches the collecting experience. First, however, there is a single universally accepted piece of advice regarding the knife collecting adventure: collect the knives that you admire, enjoy, and make you feel good!

“When it comes to collecting, and I mean collecting anything, I think the first rule is to collect what you like,” related long-time knife enthusiast and collector Chris Schluter. “At the end of the day, whatever it is you’ve been collecting might not be worth anything except to you. The collection may go down in value, be obsolete, your kids may not care about it, etc., etc. Collect what you like and can afford. Having fun while doing it is a plus, too!”

Collector J.T. Oldham agrees. “My short answer is to collect what you like,” he said. “I’ve been to enough knife shows and have spoken with many collectors, purveyors, and dealers over the years, and that has been a prevailing sentiment. Collect what you like, with a focus on an element that is interesting or unique.”

Embracing Theme Collecting

If Chris Schluter’s collection of Bob Terzuola tactical folders isn’t comprehensive, it’s the next best thing.

Beyond the “like,” there are those collectors who find a theme and enjoy it for decades, buying, selling, trading, and thoroughly embracing a style or feature. Then it’s always possible to change course, switch ideas around, and find another path.

“I started out collecting hunting knives,” recalled collector Chris Nolen. “This was due to my love of hunting. Later, I learned at gun shows as well as from informative magazines like BLADE® that there were many styles, as well as usages of the knife. I was drawn to bowie knives. I had been introduced to a professional maker, Jerry Berry of Natchitoches, Louisiana, and he was making my hunters because I had switched from commercially made to custom. I drew out a large bowie and sent the plan to Jerry. He built the knife and my theme changed from hunters to bowies. So, I must say, I recommend theme collecting.”

Nolen’s experience is compelling because his investment in that course-changing bowie began with the basics: a drawing. Therefore, the full experience of owning the knife involved an added depth. Nonetheless, other collectors are drawn to aspects of theme collecting that center on different attributes.

“While I do not necessarily collect thematically, upon reflection I realized that my wife, Marlene, does,” advised longtime collector Larry Marton. “Just to clarify the state of affairs in our home with regard to knife collecting, we have two collections—‘ours’ and ‘hers.’ Her collection consists of small knives, predominantly folders, that are about 3.5 inches open. This collection has been accumulated over the past 35-plus years. The knives were crafted by some of the finest knifemakers of our time, both living and unfortunately passed. Marlene convinced each one of them to make her a unique knife, even though most had never made a knife that size before and most would never make one of that size again.”

Oldham takes a long look at trends and depends on the assessments of those close to the industry. “Typically, I have always learned of what is trending in the knife community by reading BLADE Magazine. I’m certain most others do as well. Joe Kertzman has been instrumental in keeping collectors tuned into knife trends for years by editing the annual KNIVES publication. I mostly rely on my network of trusted purveyors. They attend most, if not all, knife shows, do the legwork, speak with makers, and have substantially greater buying power than I do. They tend to focus on particular makers, but due to the large volume of knives they come in contact with, might be able to identify a theme before it exists.”

While Oldham doesn’t consider himself positioned to recommend a theme, he readily admits that he enjoys damascus steel and knives that incorporate embellishments in the shapes/look of human skulls. 

His acknowledgment of the variety of theme options presents the general collector population’s point of view well. There is no right or wrong answer when it comes to collecting with or without a theme, but an eye for certain aspects or commonalities among knives can enhance the effort to grow a collection.

Meeting Other Knife Collectors

This reproduction of a Daniel Searles bowie by Mark Banfield is representative of the period bowie repros in Chris Nolen’s collection. (image courtesy of Chris Nolen)

Among the best features of theme collecting is the opportunity to build relationships as collectors and custom knifemakers interact with one another. 

“Within custom knives, I’ve always gravitated toward tactical folders, so I would say that’s my overall theme,” Schluter explained. “Within that theme, most are from Bob Terzuola, then there are a lot of custom Emersons and at least a dozen knives each from Kirby Lambert and Peter Rassenti, and then numerous knives from Sal Manaro, Mark Roe, Shane Sibert, Chad Nell, and others.

“In any business, if a producer and customer have enough interaction they often become friends, and that may be even more so in the knife hobby. It’s often said that you buy the maker not the knife, and this is absolutely true if you really know the maker. Having the theme I do collecting-wise has certainly produced some lifelong friendships.”

For Larry and Marlene, that premise has held true. “Not only is it exciting to craft a special collection,” Larry commented, “but it is a way to get to know the knifemakers very well and to share the ups and downs of technical and artistic challenges with them. Firm friendships have been molded by this endeavor. Accumulating the collection requires patience, as every knife is made to order. Collecting unique knives that are not today’s momentary trend as an investment is risky, although with patience it can turn into reality.”

According to Nolen, the theme approach applies to whatever the collector’s motivation may be: pure enjoyment, investment, or both. Finding the right balance is a part of the journey, and building a collection that leads to personal satisfaction and lasting value is a powerful combination. 

“There are some collectors that look at knife collecting as an investment,” he said, “and I would still recommend choosing a theme and devoting your collection to that theme. Just remember to get the best possible price. One day you may want to sell, and what you thought may have been a good deal may not have been so swell.”

Stick With The Knives You Like

Another example of one of Oldham’s knives with a skull theme is this Brian Tighe folder. “This was a very popular knife and was published in one of Dr. David Darom’s books,” Oldham wrote.

At the same time, beware of the trend that may glow white-hot and then fade quickly. Experience and a good sense of direction help prevent a misstep.

Concentrating on a specific theme will help insulate a collection from a haphazard mishmash of “stuff.”  However, a collector may choose to purchase on more of a freestyle basis.

“If one were to follow hot themes exclusively,” Oldham said, “then one’s collection would be all over the place. I feel that it’s best to acknowledge the arrival of the hot themes, and then follow them to see if they become trends. A good example of this is the tactical theme or style. We can all safely attribute that style to Bob Terzuola and Ernest Emerson. As soon as that was considered a thing, makers like Brian Tighe, [the late] Darrell Ralph, and Allen Elishewitz were all over it, and at that point, I enthusiastically embraced it and they have become a major focus of my collection. They have all taken that theme to the next level, again and again, to the point that they’re now what I consider ‘rock star makers’ and have created their own genre, which I call ‘tacti-cool.’”

“I believe collecting bowies is very popular right now due to the Forged in Fire series on the History Channel,” Nolen observed. “This is not always the best path to take due to costs. A custom forged bowie can be very expensive. Collectors must first make sure they can afford the elected theme they choose. Small custom hunters and even fighters will most likely be less expensive. I made sure that I could cover the expense, but I suggest that any theme collector set a ceiling on the funds devoted to their collection.”

While expense is always a consideration and at times a downright barrier to entry in collecting higher-end or theme-related knives, the collectors are forever in charge. They may scale their collection toward the right value range and gradually, perhaps, increase funds devoted to the theme. A word of caution does address a fear factor—the fear of missing out.

“One thing I will say is that if you focus too much on one maker or type of knife you may miss out on others,” Schluter cautioned. “However, if you keep an open mind, go to shows, are active on social media, read BLADE, etc., you will still be exposed to plenty of other work. That said, the big plus, at least for me, of having a significant focus on a few particular makers is that you can really get to know their work and can also get to know them personally.”

Knife collectors, whether or not they are theme enthusiasts, are continually looking for enjoyment and satisfaction. Choosing the collecting path is part of the fun, so remembering the basics of trust, quality craftsmanship, and collecting what you like will always make the love of custom knives worthwhile.

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Unzip ‘Em: Best Gut Hook Hunting Knives

The Gut Hook Is One Of The Most Important Hunting Knives. Finding One That Works For You Can Save Hours On A Hunt

What Is a Gut Hook?

A gut hook on a knife blade is a highly specialized feature designed to open the belly of a downed deer, elk, or other critters; the notion being the gut hook will make the single purpose easier. After opening the belly the hunter would then use the primary edge to dress out the animal.

Best gut hook knives for hunting
The Gerber Myth’s 3.75-inch flat-ground blade of 7Cr17MoV stainless zips through a plastic sheet.

During more than a half-century of hunting on three continents, I have taken more deer, elk, and other large game than I can count—often with a bow or other primitive weapon. I have dressed my game with whatever knife I had at the time, folder or fixed blade, and sometimes with flint or obsidian blades. I have never used a gut hook. When I was assigned to review four knives with gut hooks I thought of it as a learning experience.

4 Best Gut Hook Knives

The four knives are the Camillus Prym1 Veil, Gerber Myth Fixed Blade Pro Gut Hook, the Fremont Knives Hide Glider, and the Outdoor Edge Wild Skin.

The Camillus, Gerber and Outdoor Edge are familiar hunting knives with the gut hook on the spine. The Fremont is a wild card, the blade having no point and a semicircular edge similar to the ulu, an all-purpose knife traditionally used by Inuit and Aleut women to skin and clean animals, cut food, and trim blocks of snow and ice to build an igloo.

Gut hooks
The primary edge of the Gerber Myth slices boot leather with aplomb. Handle: textured rubber. Overall length: 8.5 inches.

Nothing was in season at the time of the assignment. Taking suggestions from my editor and others I assembled a group of materials that would more or less replicate the hide of a freshly killed deer: an old pair of boots with leather about as thick as elk hide, floor mats, plastic sheeting (a bit of a stretch), and scraps of tanned deerskin I obtained from my brother-in-law who uses two or three deerskins a month to make bags and pouches in the Native American style. As an aside, one of his pouches can be seen in the accompanying photos.

None of the gut hooks made the slightest cut into the boot leather. All of the primary edges easily cut into the boot. After having a slit to start with, I inserted each of the gut hooks in turn and attempted to cut the leather—without much success.

Only by exerting considerable effort was I able to get any of the gut hooks to cut the boot leather. I reverted to the primary edges of the four knives to do most of the cutting and found that they sliced boot leather like it was sushi.

Gut hooks for deer hunting
The Fremont Knives Hide Glider primary
edge slices boot leather. Blade length and
steel: 3.375 inches and 4Cr15 stainless.

Next, I tried cutting the floor mats with each gut hook in turn. None would cut the floor mat. All the primary edges cut the floor mats with ease. Then I went at the plastic sheeting, which I had included because it was quite thin but resistant. All four gut hooks sliced the plastic with little effort.

Thinking about the geometry of the gut hooks and wondering if they would perform better on actual deerskin, which is thinner than elk hide or boot leather, I attempted to cut the deerskin scraps my brother-in-law had given me. With much difficulty, I was able to cut deerskin with each of the gut hooks. Again, the primary edges easily cut the material.

History of Gut Hooks

Gut hook knife
The boot leather succumbs to the primary edge of the Camillus Prym1 Veil. Blade length and steel: 4 inches and 420 stainless. Blade finish: Titanium Bonded.

Many hunters use gut hooks. They must be efficient at their designated job or no one would buy them. What was I doing wrong?

Merle Seguine, a custom knifemaker who popularized the gut hook back in the 1960s, reportedly designed it to pick up a coffee pot or small pot by the ladle from the cook fire, and in fact designed some blades for that exact purpose. He later refined the hook and sharpened it for removing animal hides.

I didn’t have a campfire handy or a pot with a bail, but it’s easy to see the Outdoor Edge, Gerber, or Camillus would serve that function. As for the Fremont Knives Hide Glider, being all one piece of steel with no handle, not so much.

And here’s the MSRP for all the blades that were reviewed from least expensive to most:

  1. Outdoor Edge Wild Skin – $18.95
  2. Camillus Prym1 Veil – $30.64
  3. Fremont Knives Hide Glider – $34.99
  4. Gerber Myth Fixed Blade Pro Gut Hook – $54

Hunting Knife Review: The Gut Hook Results, Ranked

The flat-ground Gerber was the best all-around cutter, the flat-ground Outdoor Edge a close second and the hollow-ground Camillus third. The edge of the Fremont was quite sharp and though it placed last in all-around cutting, I suspect that with more experience on my part it would make a good slicer. The Fremont is also an intriguing design and being flat should easily fit into any kit bag.

Sharpening the gut hook would be an exercise in patience. A small, round sharpening tool should serve to get into the tight space.

Are Gut Hooks Necessary?

Gut hooks for skinning game
The Outdoor Edge Wild Skin deconstructs leather boot with the primary edge. Handle material: Rubber TPR. Overall length: 8.5 inches.

I have never found opening the belly of a critter to be especially difficult, though there is some technique required.

The hardest part of opening an elk’s belly is getting the huge critter—elk often weigh 500 to 600 pounds—on its back. Deer, of course, even “mulies,” which can reach 300 pounds, are much easier to manage.

I’m very much old school, as my sons remind me, and have a great deal of experience, so I’ll continue to dress game with whatever knife I have at hand. But if you’re new to dressing game the gut hook can likely do a better job for you.

If you dress out a great deal of game, say as a hunting guide, the gut hook will make your job easier and faster.

Three More Gut Hook Knives Worth A Look

This trio of gut hooks may not have gotten a hands-on review, but they are more than capable of serving you well when dressing a deer.

SharpWorld Beautiful Damascus Gut Hook

SharpWorld Beautiful Damascus Gut Hook
SharpWorld Beautiful Damascus Gut Hook

This knife lives up to the name and then some. The full-tang blade is made from a spectacular damascus alloy that looks even better with the ram horn handle. At eight inches in length it’s long enough to get under the hide without being too big to become cumbersome.

MSRP: $49.99

Buck Zipper

Buck Zipper
Buck Zipper

When it comes to outdoors knives there are few companies better than Buck. And their gut hook, the Zipper, is named based on what it’s designed to do: open animals like a zipper. The drop point is made from 420HC stainless with a Heritage Walnut DymaLux handle and comes with an included leather sheath.

The current CEO and President, CJ Buck, personally helped design the knife after seeing a glut of subpar gut hooks on the market in the early 1990s.

MSRP: $122.99

Case Lightweight Hunter Gut Hook

Case Lightweight Hunter Gut Hook
Case Lightweight Hunter Gut Hook

Case has made an incredibly light and strong gut hook that’s just over four ounces in weight as part of the brand’s Lightweight Hunter line of knives.

The gut hook has a sabre concave grind on the Tru-Sharp surgical stainless steel blade. The steel itself is a high-carbon variety designed to hold an edge longer than more conventional steels. The handle is a ballistic nylon material that increases strength without adding unnecessary weight.

MSRP: $78.99

Editor’s Note: Michael Abelson contributed to this piece.

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Warenski King Tut Dagger For Sale

Perhaps the most iconic handmade knife ever can be yours for the right price

It may be the most iconic custom knife ever and it was made by perhaps the best knifemaker ever. The King Tut Dagger reproduction by BLADE Magazine Cutlery Hall-Of-Fame® member Buster Warenski is available for sale through Exquisite Knives.

Buster Warenski’s reproduction of the King Tut Dagger took over five years to complete and, including the sheath, contains over 32 ounces of gold. (SharpByCoop image)
Buster Warenski’s reproduction of the King Tut Dagger took over five years to complete and, including the sheath, contains over 32 ounces of gold. (SharpByCoop image)

Commissioned by Cutlery Hall-Of-Famer Phil Lobred in 1982, the knife took Warenski over five years to complete. A pioneering collector of custom knives and 19th-century dress bowies and founder/creator/coordinator of the Art Knife Invitational, Phil had kept the dagger in a safe ever since, displaying it on rare occasions at select knife shows or for private viewings. He passed away in 2016. On Aug. 1, his widow, Judy, contacted Dave Ellis of Exquisite Knives and asked him to handle the sale of the famous piece.

Buster Warenski is widely recognized as one of the best knifemakers if not the best ever. He passed away in 2005.
Buster Warenski is widely recognized as one of the best knifemakers if not the best ever. He passed away in 2005.

Once valued at over $1 million, “the most famous contemporary handmade knife ever,” according to Ellis, has an asking price of $500,000.

LEGACY IN STEEL

The first of Warenski’s three “Legacy Knives”—the other two being the Gem of the Orient and Fire and Ice—the King Tut Dagger is a reproduction of the knife from the tomb of the Egyptian boy king, Tutankhamun, uncovered by archaeologist Howard Carter in 1922. It contains over 32 ounces of gold and took Warenski, widely recognized as one of the best knifemakers if not the best ever, over half a decade to build.

During that span he suffered through the trial and challenges of recreating the iconic dagger. Among them was the cold forging and fullering of the knife’s gold blade, learning such ancient techniques as cloisonné—a highly technical enameling process—and the granulation of the handle. The solid gold scabbard rivals the knife in terms of beauty and the many hours it took to make. A special handmade display stand comes with the dagger, both of which are in mint condition.

The King Tut Dagger repro was the cover for the February 1988 BLADE®.
The King Tut Dagger repro was the cover for the February 1988 BLADE®.

PRICED TO SELL

The current sale will be the second time Ellis has had a go at moving the Tut dagger repro.

“A few years before he passed, Phil Lobred asked if I would find a buyer for the Tut. His asking price at the time was $1 million. I had a number of interested parties but Phil was set on his price and I could not swing the sale,” Dave wrote. “Now, over six years since Phil passed, Judy contacted me about selling the King Tut Dagger. After deciding on a more realistic price—not that a million was unreasonable but few if any contemporary knives have attained that lofty status—I am marketing the piece on my Instagram and Facebook pages and on my website.”

An ABS master smith now retired from bladesmithing, Dave is a top collector and dealer of fine custom knives. He stated that to be able to offer his clientele such a special piece is indeed an honor.

Phil Lobred commissioned Buster Warenski to make the King Tut dagger repro in 1982 and Buster completed it in 1987. Phil, here on a dock in San Diego, created/founded the Art Knife Invitational in 1983. He passed away in 2016.
Phil Lobred commissioned Buster Warenski to make the King Tut dagger repro in 1982 and Buster completed it in 1987. Phil, here on a dock in San Diego, created/founded the Art Knife Invitational in 1983. He passed away in 2016.

Perhaps the only things better would be to a) sell it and b) own it.

For more information on the sale of the King Tut Dagger repro, visit exquisiteknives.com and click on ‘art knives’ on the home page.

Read More On Knife Collecting:

Best Knife Case Options To Protect Your Investment [2022]

Hard cases, rolls, soft sides and more … here are some of the Best Knife Cases around.

Safely stowing away one knife is easy. Doing the same for a cornucopia of knives is a challenge.

Given you’ve laid down cold, hard cash on your dream blades, you need a better place than your junk draw to keep them safe. This is where a solid knife case enters the picture … kind of.

It could be a time-tested knife roll or a display case you show off your treasures when not in use. However you cut it, you need somewhere to keep your knives in pristine order.

We’re is here to help. We’ve gathered 9 of the best knife cases and other knife storage solutions to make your hunt easier. By no means is this exhaustive, but gives you a solid start on what you need to stow away your blades.

But before we get to that, you may be asking ….

Why Do I Need A Knife Case?

Good question.

Many casual owners might not need to make the investment. The top of the chest of drawers is a good enough place for a knife when the day is done.

In all likelihood, these are one or two knife owners who pick up whatever works down at the bait shop, hardware store or mega-mart. When you have $20 or $30 wrapped up in a work knife there’s not much call for kid gloves.

Things change when you drop three, four or even five figures on a top-end factory or custom blade. Heck, you might even have a burgeoning knifemaking business and want to take care of your wares. So here are some reasons why you might want to invest in a knife case, roll or other storage/transport system.

Protection: A good knife case needs to protect your knives. They’re investments. They’re tools. They’re a part of you. Making sure they are protected whether you’re traveling or just in the shop is paramount. A case that doesn’t adequately protect your blades isn’t worth the money or the time.

Transportation: Do you really want to trust the luggage throwers at the airport? Or is skimping really worth banging around your beauties? Near or far, if you travel with more than one knife you should really consider a solution above and beyond chucking your knife in a checked bag.

Organization: The best knife cases have beauty in their organization. There’s something incredibly satisfying about opening a case and seeing all your knives cozily tucked exactly where you last left them.

Security: You wouldn’t toss your knives in a shopping bag and leave them outside your door, would you? A quality case provides the necessary security needed to keep your knives safe. Some even have a low-profile appearance so people don’t know what you have under your arm.

What’s The Best Case For You?

The cliche, but true answer, is it depends. If you’re a serious knife collector who crisscrosses the country going to shows, you’re going to want a case that not only locks but is also TSA-compliant so you can fly with as check luggage.

If you’re the type of person who wants something to show off your few prized knives, a display case would be your best bet. It keeps your knives safe while allowing you to be proud of them.

And if you’re someone who regularly stops by the local knife shop to see what new models are available and maybe buy one or two a year, a study roll might be all you’ll need.

What Makes A Good Case?

More than anything, a good knife case is one that’s well made. Kind of obvious, right? But it’s the truth. Here are some of the basic aspects you want your investment to include.

Durable: You want to spend your money on knives, not replacing a knife case. Buy something built for the long haul.

Protective: Hey, this is one of the main reasons you’re buying a knife case. One that doesn’t protect your investment isn’t worth your money.

Convenient: This depends on you, buy the case needs to match your needs. A large hardcase might not prove ideal if you have a small collection. A knife roll might come up short if you fly cross country to shows on a regular basis.

Best Knife Case Options

Spyderco Spyderpac Large

Spyderco Spyderpac Large
Spyderco Spyderpac Large

Large is an understatement. Spyderco‘s pocketknife case holds 30 folders, each secured in a pouch with a clear plastic window. This is a nice touch, allowing you to find a particular knife at a glance. Constructed of black polyester Cordura, the roll is definitely built to last. And the 24- by nearly 8-inch tri-fold is easy to get in and out of thanks to its Velcro fastener. An added bonus is a handy strap for carrying ease or hanging up your collection for easy access. MSRP: $66.

Pelican V100 Vault Knife Case

Pelican V100 Vault Knife Case
Pelican V100 Vault Knife Case

There’s nothing as durable and rugged as a Nalpak Pelican case. Used to keep fragile camera equipment safe on movie sets, it’s up to the task of knife transportation. A crushproof high-impact polymer exterior makes the knife case nearly bulletproof to all but the most extreme abuse. A full O-ring seal around the lid keeps the interior impervious to water and dust, while a purge value ensures the internal environment is ideal. Multiple layer foam dividers keep your knives in place–there’s room for 19 of them–and protects them from typical jostling damage. And twin stainless-steel lock hasps let’s you lock them away and stay TSA compliant. MSRP: $99.99

Hersent Pocket Knife Display Case

Hersent Pocket Knife Display Case
Hersent Pocket Knife Display Case

The budget model on our list of pocket knife cases, Hersent’s display case is no-frills done right. Less than eight inches long, the Display Case has slots for 14 folding knives. Each knife is kept in place by a fabric elastic band. The downside, it is a tight squeeze with seven on each hemisphere, and there aren’t individual pockets. Rougher environments these deficits could potentially could lead to damage. However, with this in mind, the knife case is more than adequate for short excursions where rough and tumble isn’t the norm or if case funds are tight. MSRP: $17.88

Vault Case Secure

Vault Case Secure
Vault Case Secure

Vault’s case is modular and TSA compliant if you need to travel with your knives. Boasting an ample 11- by 6.5-inch interior and utilizing removable foam pannels with a Velco loop system. You get six in all, including one buffer pannel perfect for squirlling away patches (if your into that sort of thing). The advantage of the knife case, it’s extremely flexible, giving you the power to configure it to your needs. And it’s secure, with a TSA-approved combo lock with resetable code on its zipper entry. The one negative, the carbon fiber exterior isn’t actually carbon fiber. Still it looks nice. MSRP: $64.96

Bradley Mountain Field Roll

Bradley Mountain Field Roll
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Bradley Mountain Field Roll

A touch of outdoorsman class, the Field Roll from Bradley Mountain is stylish and functional. Room enough to transport up to seven knives and a sharpening stone the waterproof duck canvas is a classic. At 18 ounces, it’s also little trouble to tote along. Traditional knife roll function, the field roll is simple to access, secured by a stylish leather strap. As for storage, it’s 3.5-inch deep pockets are perfect for to keep your folders, whether a one-of-a-kind slipjoint or the latest tactical flipper. MSRP: $48

Messermeister Preservation Chef Backpack

Messermeister Preservation Chef Backpack1

The ultimate in portability, security, and style, this backpack from Messermeister might be the perfect solution for the mobile chef. It features three multipurpose compartments to orgainze everything from a full-sized chef’s knife to a meat thermometer. Plus, a small front pocket can fit your daily items such as a phone, wallet, and a notebook. It has 12 individual pockets for your cutlery and other tools along with a mesh pocket for anything too wide to fit into the main dozen pockets. The last pocket, closet to the back straps, is a standard backpack pocket, great to tote along whatever you need to bring with you. MSRP: $149.95

Castlecreek Collector’s Cabinet Display Case

Castlecreek Collector’s Cabinet Display Case
Castlecreek Collector’s Cabinet Display Case

Part knife case, part furniture, the Castlecreek Collector’s Cabinet Display Case is an elegant way to show off your knives. This case is a big boy, weighing it at almost 16 pounds, but that’s what you get with a wood and brass construction. Each of the seven draws has a green, felt-lined finish and is completely removable. The top shelf is under glass so your prized knife, or any other possession for that matter, can be seen by all. All of the draws are removable and gold-toned brass hardware. The draws are deep enough to store numerous folders or a good amount of fixed blade knives. At 20 inches long, it’s deep enough to store a large chef’s knife or a Bowie knife or sizable recurve. MSRP: $129.99

QCWN Knife Bag

QCWN Knife Bag

Knife rolls are generally geared toward folders, but QCWN‘s Knife Bag gives fixed-blade fan someplace to look. Primaraly intended for on-the-go culinary types, the roll is versitile enough to handle a wild array of other knives–a long as they don’t exceed 17-inches in length. Made from a thick, waxed canvas, the bag is water resistant and nearly impervious to punctures and cuts. A canvas strap secures the bag into a tidy roll when in route and it’s classic look give the sachale timeless appeal. MSRP: $17.49

Shun 8-Slot Knife Roll

Shun 8-Slot Knife Roll
Shun 8-Slot Knife Roll

Shun makes great knives, and they also make great knife cases. The Knife Roll can hold eight knives in individual elasticized pockets, and there’s a zippered internal net pocket to hold other tools and accessories. The closures are fully zippered and feature Velcro as well, and the padded handle makes for easy travel. Made from 600D polyester, this option also holds up against rough use. As with many of Shun’s knives and other products, there are no fancy bells and whistles on this knife case. It’s just a high-quality utilitarian product that can be used for years. MSRP: $50

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