Knifemaking

Knifemaking is the building of a knife, which includes the blade, handle and other accouterments. Blades are made by either removing metal from a steel blank via a grinder – known as stock removal – and the forging to shape of hot steel into a blade in the process known as bladesmithing. Other parts, including bolsters, guards, pommels, etc., are needed to complete the finished knife.

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Knifemaker Steve Fecas Passes at 66

Steve FecasThe world of knives lost a class act when knifemaker Stephen John “Steve” Fecas passed away Feb. 1. He was 66.

A long-time member of the Knifemakers’ Guild and one of the original members of the South Carolina Association of Knifemakers (SCAK), Steve operated out of Anderson, South Carolina. He sold his first knife in 1977 and started making knives full time in 1980. One of the many disciples of Blade Magazine Cutlery Hall-Of-Fame© member George Herron, Steve made tight, clean folders in the stock-removal style and also designed knives for Benchmade.

A Vietnam War-era veteran of the U.S. Air Force, Steve was easy going and always had a joke or kind word to impart in his deep South Carolinian drawl. He and Blade Magazine Cutlery Hall-Of-Fame© member Frank Centofante were good friends and often were seen hanging out together at knife shows.

Steve is survived by his wife, Mary, six brothers, one sister and a number of nieces and nephews. Memorials may be made to the charity of your choice. Condolences may be expressed online at www.robinsonfuneralhomes.com or visit www.legacy.com/obituaries/charleston.

World’s Hottest Knives in April BLADE®

The steel that changed knives forever, the hottest custom makers’ hottest knives, how to build an emergency shelter, Chad Nichols’ MokuTi knife material, how to recognize future knife collectibles, these and much more highlight the new April BLADE®, on most newsstands NOW.

Bill Moran’s introduction of damascus steel at the 1973 Knifemakers’ Guild Show 40 yaers ago this year is the focus of “Steel That Changed Knives Forever.” Find out from those who were there what that was like and from others how the introduction transformed the industry and continues to do so today.

If you were stranded in the woods and needed to build an emergency shelter in a short amount of time, could you do it? James Ayres shows you how in “Shelter From The Storm.”

The custom knives most in demand change at any given moment. Get the latest installment of how they’re changing and what they are in “On The Boil!” The cover knife made by Jim Burke and designed by Tashi Bharucha is one of them.

If somebody asked you what factory knives you should collect now for the future, what would be your answer? See if it gibes with those who know in “Knife Pros Reveal What To Collect.”

There’s much more—a profile of knifemaker Will Zermeno, Ray Kirk’s giveaway knife for the upcoming Arkansas Custom Knife Show, the latest in mid-tech knives, how to clean hunting knives, part two of Ed Fowler’s step-by-step how-to on sheep horn knife handles, a test of Joel Worley’s “Woodsman” brut de forge knife and much more, all in the April BLADE.

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Video: Homemade Hydraulic Press for Knifemaking

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In this video from the American Bladesmith Society (ABS), journeyman smith Karl B. Andersen reviews his homemade hydraulic press. Andersen uses the innovative device to make damascus steel for his blades.

Andersen said he receives questions about what went into his homemade hydraulic press. It’s no wonder. This is one cool piece of knifemaking machinery. While Andersen has made his own modifications, the core design is from the mind of Michael Kanter from Wisconsin. From the video:

“It just doesn’t look like the other presses going…It’s very unique in its structure. Everything is contained within a picture frame. The tubular frame is made up of real high tensile steel.”

Despite being built like tank, Andersen points out that the pressure is all contained inside the homemade hydraulic press. Note the part where the arrow on a postage scale underneath the press doesn’t budge while the machine is running.

What about you? Ever consider building your own homemade hydraulic press? Leave a comment below.

Tips for making damascus knivesSpeaking of damascus, you don’t necessary need a homemade hydraulic press to make those eye-catching blades. Check out this download from BLADE on how to make damascus knives.

Video: New England School of Metalwork Tour

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Here’s a look at the classes offered by the American Bladesmith Society at the New England School of Metalwork.

Video: Jigging and Shaping Knife Handle Scales

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American Bladesmith Society master smith Steve Dunn demonstrates how to jig and shape knife handle scales in this video.

The tutorial was shot during the Slip Joint Folding Knife class at Haywood Community College in Clyde, North Carolina, on Dec. 3-7, 2012.

Learn more about knife designs, including handles, in 101 Knife Designs.

Video: How to Select a Milling Vise for Knifemaking

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This demonstration on the selection and use of milling vises is by Dale Schafer, Machine/Tool Technology Instructor at the Washburn Institute of Technology. This was one of the demonstrations at the 3rd Heartland Hammer-In in Topeka, Kansas sponsored by the American Bladesmith Society and hosted by the Kansas Custom Knife Makers Association.


For more about knifemaking, be sure to pick up a copy of BLADE’s Guide to Making Knives. This second edition shows step-by-step the tools and techniques for making a knife.

Click here to order BLADE’s Guide to Making Knives.

Tips for Grinding a Blade

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Editor’s Note: This is an excerpt from Murray Carter’s new book, Bladesmithing with Murray Carter. Click here to learn more from this renowned knifemaker.

The shape of the blade, or profile, must be precisely ground. Grinding is the operation of using files or other abrasives to mechanically shape the steel into a functional blade.

Grinding can be divided into two categories: grinding the blade profile and grinding the blade’s edges (secondary and primary).

Let’s talk about the profile. Grinding a forged blade’s profile can be done with a variety of tools. Heating the blade via friction is not a big concern because this grinding is done prior to heat treating (annealing, quenching and tempering). As you may know, the blade needs to be shaped after a pattern or template. At this stage that template is scribed onto the billet of steel that is to become your knife.

Place the pattern so that it most appropriately covers the billet in relation to the thickness and tang. Be careful on full-tang knife billets to orient the template the correct way. I once made the mistake of switching the tang end of the billet for the blade end and wound up with a blade with way too much taper.

Once the template is in place, secure it with a pair of locking pliers or strong clamps. Any sharp-pointed tool that is harder than the annealed steel will scribe (scratch) lines onto the billet. Trace around the template completely. Examine it before you remove the clamp(s) to make sure you can see the scribe lines clearly. Examine it again, checking it against this list:

* Are the lines clear and not making little “train tracks?”

* Is the blade/tang junction exactly where it should be?

* Is the blade where it should be?

* If you have made a mistake scribing the lines, you can lightly grind the surface and scribe again, but you will now be committed to grinding and polishing the flats of your finished blade.

Also remember that, on a laminated billet, if you grind steel from one side you really ought to grind the same amount from the other side as well, or the steel core will no longer line up in the middle. For blades
that are meant to have a forge finish or a hammer-forged finish, these options will no longer be possible, so take great care when scribing lines on a billet.

There are several methods for removing the excess steel from the billet to produce the perfect profile.

* Steel shears

* Cut-off wheel

* Band saw

* Drill press and hack saw

* Belt sander

* Bench grinder

* Kaiten toishi

As the smith is cutting out or grinding the blade profile, the scribed lines, which should be clearly visible, are the guide. As soon as you are so close to the lines that you are actually touching them in places, it is necessary to employ another “micro observation” technique to be in full control of the profile.

In a good source of natural light, hold the blade at eye height with the flats of the blade horizontal. Instead of focusing your attention on the flats, look closely at the outer edges of the blade. If you hold the blade with the point towards your eye, the spine of the blade should look compressed into a few millimeters.

Compressed like this, every high or low spot on your scribed line will be evident. Similarly, every line on the outer profile of the blade should be examined this way. In the pattern or template you used, every line should be well defined and with a purpose. Ask yourself if the lines you are now looking at were meant to be perfectly straight, curved or pointed. Pinpoint trouble areas, then attempt to grind in a way to affect only those areas and re-examine.

At this stage, the blade should be at 97 percent of its final profile. The other 3 percent will be removed in the final polishing stages.

Click here to get 40% off Bladesmithing with Murray Carter and take the next step in the knifemaking journey.

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