Knife Collecting

Knife collecting is an extremely rewarding experience for knife enthusiasts. There truly is a knife for everyone. Many increase or hold their value throughout the years, making collecting knives something to pass on to the next generation of knife collectors.

What Makes A Good Hamon?

Know the visual tells of whether a hamon is done properly or not.

For centuries, the hamon has served as a mark of excellence in the forging of blades.

Conspicuous by its picturesque line generally dissecting the midsection of a differentially heat-treated blade, it demonstrates a skill set highly valued among top bladesmiths and swordsmiths. Moreover, the difference between a good hamon and one that doesn’t hit the mark can help the maker, owner and user in understanding the prospective performance of the blade itself.

Basically, think of a hamon as the equator between the hard and softer or more malleable areas of the blade. Everything above the hamon is softer, which translates as making the back of the blade malleable and thus tougher. In other words, the blade will bend but not break. Meanwhile, everything below the hamon is harder, which is better for holding an edge.

Francesco Piccinin and Denis Mura provide hamon on their bowie collaboration.
Emiliano Carrillo indicated a hamon should be continuous, with no areas falling off the edge of the blade. Francesco Piccinin and Denis Mura provide such a hamon on their bowie collaboration. Blade material is C130 carbon steel, according to Eurotechni (eurotechni.com) a grade that makes it possible to obtain “pretty hamons.” Overall length: 13 inches. (Jocelyn Frasier image)

“There are several things that make the edge pattern successful,” explained bladesmith Emiliano Carrillo of Sun and Stars Forge. “The first two are practical.

The hamon should be continuous; there should be no areas of it that fall off the edge of the blade. It should be high enough that the knife can support a lifetime of sharpening and removal of edge material without biting into soft material. For kitchen knives this can be somewhat low to the edge, as the geometry will have to be adjusted if a large amount of edge material is removed.

“The rest are my own opinion and are purely subjective. I’m a bladesmith who works in the historical tradition and therefore my work draws on traditional Japanese metalwork when it comes to hamon aesthetic and technique.

“I think a good hamon should be active and rippling, showcasing your imagination and artistic vision,” Emiliano continued. “It should have good undulations and look like it’s been drawn on the blade with an ink brush. There should be ashi [legs], which are areas of hardening within the hamon that drip down towards the edge. Sometimes a repeating motif, like sanbonsugi [three cedars] or choji [clove] can be utilized to guide the way you want to design the hamon.”

ABS master smith Mike Quesenberry agrees that there are hallmarks to a good hamon that are readily discernable.

“First and foremost, a good hamon will not come down to the cutting edge,” he remarked. “That is a no-no because it is bringing down soft steel where you want hard steel. I want a bigger transition area, and you can credit the Japanese for starting it. As the technology evolved over hundreds of years, they found bits and pieces coming down from the hamon, giving strength to the edge.”

ABS master smith Brion Tomberlin adds that the proper hamon is visible to the eye even when the maker is finishing the grinding process at 120 grit.

“The Japanese have many terms for effects you see and want to see in a nice hamon,” he commented. “And you can spend years studying these. For our purposes, you want it to be very visible and make a very visible demarcation from the hardened area to the softer area. Additional effects such as ashi, which are wispy cloud-like formations hanging down from the main line, are nice and show control.”

Steel Selection

Brion Tomberlin stated that low-alloy carbon steels such as W2, W1, 1095 and 1075 yield the greatest success in producing good hamons.
Brion Tomberlin stated that low-alloy carbon steels such as W2, W1, 1095 and 1075 yield the greatest success in producing good hamons. ABS apprentice smith Jesse Hu forged the 8.5-inch blade of his classic integral chef’s knife from W1. Overall length: 14 inches. (Jocelyn Frasier image)

Success or frustration in the hamon process begins with the proper steel, and BLADE Magazine Cutlery Hall-of-Fame® member/ABS master smith Steve Schwarzer emphasizes that point.

“Steel selection is critical,” he observed. “You want a simple carbon steel with .70 to 1 percent carbon, and guys are doing ‘gee whiz’ work using a formula with W2 steel, which is a very simple steel. The time-temperature-transformation curve is important, and alloy widens the curve. Too much alloy in the steel won’t transform fast enough to achieve the hamon pattern you want.”

Tomberlin added that low-alloy carbon steels yield the greatest success, and these include W2, W1, 1095 and 1075.

“The maker should look at the certifications for the steel to see the composition,” he recommended. “You want a steel low in manganese, as manganese promotes deep hardening instead of shallow hardening, which we want. We want the transformation of austenite to martensite to be fast upon quenching in order to achieve a hamon, and shallow hardening steels are what is needed. Can you achieve hamons with other steels? Yes, in some cases where the manganese is lower, but they usually do not have the activity or effects you would like to see. My go-to steel is W2.”

Creating A Hamon

Eliott Robinson provides ashi in ample supply on the 5-inch blade of his fighter.
Ashi, which Brion Tomberlin describes as “wispy cloud-like formations hanging down from the main line [of the hamon], are nice and show control.” Eliott Robinson provides ashi in ample supply on the 5-inch blade of his fighter. Blade material: U10A carbon steel. (SharpByCoop image)

After the heat treating and hardening process develops the desired hamon, bringing out the robust visual aesthetic is a process in itself that, according to Carrillo, varies from bladesmith to bladesmith.

“All makers have different ways of polishing out their hamon, and these methods evolve over time or to suit a particular project or aesthetic need,” he observed. “My technique has evolved over time but works for 90 percent of the work I do, and is a good way to practice bringing out all the activity you want to see in the steel.”

For his technique, Carrillo grinds the blade to 220 grit; polishes it to 800 grit using a hard backer for the sandpaper; cleans the blade completely using acetone, dish soap or rottenstone while making sure water does not bead up on it; etches it in ferric chloride; removes oxides completely using fine grit sandpaper; assembles; and then oils.

Quesenberry follows a similar protocol.

“I have a blade in front of me and I’m going to a hammer-in this weekend. I will take it up to 800-grit finish and dip it in ferric chloride,” he said, “and then I’ll wait until it turns black depending on the strength of the ferric. Once it’s black I neutralize it with Windex and then pull with a gray 3M polishing cloth in nice, even and straight lines, removing the black to get the white for the ashi to pop.”

Faux Hamons

Emiliano Carrillo outfitted the blade of his K-Tip Gyuto with a clayed hamon.
Emiliano Carrillo outfitted the blade of his K-Tip Gyuto with a clayed hamon. The handle is bird’s-eye maple, as is the saya (sheath), which includes a black walnut liner and a bamboo menugi (ornament) to keep the blade in place. (SharpByCoop image)

To dispel one common question, bladesmiths confirm that all knives do not have hamons. As Carrillo says, “There may be areas of decarb on the blade that may be mistaken for a hamon, but it is only surface level.”

At the same time, some factory-produced blades may have a fake hamon etched onto the blade to make the piece more attractive to the potential buyer.

“If a hamon has been etched on, a perfectly clean line is generally seen,” he added. “It doesn’t have any of the cloudiness or desired fuzziness seen in the line on a real hamon. The fake ones are generally very white and too regular to be a metallurgical effect.”

Kyle Hanson demonstrates a hamon here on his no-nonsense hunting knife.
The blades even of smaller knives such as folders and hunters provide a solid canvas for a hamon, as Kyle Hanson demonstrates here on his no-nonsense hunting knife. (SharpByCoop image)

Tomberlin has seen a false hamon from time to time and says the technique to achieve one is quite different from the genuine article.

“This is usually done by selective etching or different polishing techniques,” he advised. “It is hard to explain how to tell, but if you see one versus a true hamon it stands out immediately, usually as too regular with no effects at all. Also, there is usually a very sharp demarcation line from highly polished to etched, and this is especially prevalent in some pieces from overseas.”

What Makes A Good And Bad Hamon

Separating the good hamon from the bad hamon may require practice. In some cases the differences are obvious but in others, they are more subtle. The professionals have seen it all.

“The biggest issues of a poorly done hamon are things like fading away in some areas or, yes, going off the edge of the blade,” Tomberlin related. “If the hamon fades off the edge that means your edge is not hard in that area, which is not good. The main causes of this are clay coating being too thick and improper heating of the blade when bringing it up to quench temperature. The main issue I have seen is the hamon going off the edge. As long as you have the edge hard you have a hamon.

Will Newham achieved a hamon on his Best Chef’s Knife winner from the 2023 Sydney Knife Show.
According to Emiliano Carrillo, a hamon should be high enough that the knife can support a lifetime of sharpening and removal of edge material without biting into the soft material above it. Will Newham achieved such a hamon on his Best Chef’s Knife winner from the 2023 Sydney Knife Show. (SharpByCoop image)

“Poorly done polishing will show up also. A well done hamon takes time both before and after quenching. Trying to cut corners on polishing will definitely show. As for a lack of activity in the hamon, such as being straight instead of having hills and valleys, someone told me a number of years ago that one of the hardest things to do well is a simple straight hamon called a suguha.”

Schwarzer sees crispness in the boundaries of a good hamon and acknowledges that heat treating and polishing techniques are critical in bringing that out.

“In the early ABS [American Bladesmith Society] we used an edge quench to get a hamon, and that is the mainstay of the ABS today,” he said. “In testing now you rarely see a hamon because you don’t see as much polishing as necessary to get you through the test. You can’t bring it out with a buffer. It’s almost like a metallurgical polish so you can see the grain in the steel.”

The well done hamon represents an art form in itself, and Quesenberry is impressed with the current wave of artistic impression.

ABS apprentice smith Aidan Garrity outfits the hamon of the 10.5-inch blade of his V-44 repro with hints of ashi
ABS apprentice smith Aidan Garrity outfits the hamon of the 10.5-inch blade of his V-44 repro with hints of ashi. Blade material: W2 tool steel. Handle: carbon fiber. Overall length: 15.5 inches. (SharpByCoop image)

“People have ‘Americanized’ it I guess you could say, and I can do a decent hamon. But some guys out there have absolutely nailed it,” he smiled. “They can paint pictures with theirs using the clay and the heat treating process. You have to be careful not to over-refine the steel grain structure, especially in W2 shallow hardening steel, or you won’t get good results. There is a dance to it.”

The perfection of the hamon process, start to finish, steel and clay, temperature to quench and harden, has fascinated the bladesmith and the admirer of the finished product for centuries. Looking down the road, the possibilities are infinite.

Yet being aware of the good versus the inferior product adds even further to real appreciation of the process.

More On Hamons:

Cool Custom: Lloyd Hale’s Fender Jazzmaster Knife

Lloyd Hale made the singular knife circa 2000 from the neck of a 1960s Fender Jazzmaster.

A self-described child of the ’60s, Larry Hirsch jumped at the chance to buy the DeFender when a collector offered it for sale.

Made by Lloyd Hale a quarter century ago from the neck of a 1960s-era Fender Jazzmaster guitar, the knife did not have a sheath originally, so Hirsch got with Hale earlier this year and brainstormed one in the shape of the main body of the guitar, complete with strap and volume and tone control knobs.

Larry Hirsch rocks his world with the DeFender. (Hirsch image)
Larry Hirsch rocks his world with the DeFender. (Hirsch image)

“I told Lloyd the knobs had to turn because everyone that sees it, the first thing they will do is turn the knobs,” Hirsch said. Sure enough, when Larry displayed the knife at the 2025 Solvang Show, the first person that saw it turned the knobs.

Oh, left whole a 1960s-era Fender Jazzmaster—just the neck alone—would be worth obscene amounts today, but we won’t go there.

More Custom Knives:

Custom Flipper-Folders: Art Of The Flip

Aesthetically and mechanically challenging flipper designs that shine.

The flipper folder is one of those knife designs that continues to delight its makers and its owners with incredible vitality. Not only do the most recent flipper folders fill the traditional bill with great materials, mechanics and mesmerizing beauty, but they further garner high praise with an inherent level of energy.

Combining the attributes of excellence that set standards for custom knives with the sheer pleasure of smooth operation, the latest flipper folders hit the mark in quality and bring attention to their makers amid an ever-growing level of interest in the marketplace.

Scott Gallagher: Feather Damascus

Scott Gallagher says he’s seen an upswing in the interest in flippers in recent years. It makes sense with works like his feather damascus flipper. The feather pattern defines both blade and bolster, and is complemented by a fossilized mammoth ivory handle. (Jocelyn Frasier image)
Scott Gallagher says he’s seen an upswing in the interest in flippers in recent years. It makes sense with works like his feather damascus flipper. The feather pattern defines both blade and bolster, and is complemented by a fossilized mammoth ivory handle. (Jocelyn Frasier image)

Scott Gallagher recently completed a beauty with a 3-inch feather damascus flat-ground blade complemented by a damascus bolster and fossil mammoth ivory handle. With an overall length of 7¼ inches, Scott’s flipper folder features an upswept curve for fantastic visuals and intricate filework along the spine.

“I am receiving more requests for flippers right now,” commented Scott. “They have become very popular. I think the reason why is because they’re fun to use, kind of like a widget—they’re functional, they can be embellished and they are easy to carry.”

The single attribute of fun helps set the flipper folder apart from other designs. Anything incorporating fun into the knife equation is sure to gain increased attention. Still, Scott makes his flipper folders with exacting specifications and attention to detail. “A quality flipper should have a blade steel that performs well—good fit, finish and symmetry,” he explained. “The blade should close in the center of the frame. It should be fast opening and close easily without a sticky lock.”

For Scott, achieving the proper mechanics involves a combination of precise construction with materials that work in concert with each other. “Making the flipper tab is a matter of incorporating it into the design of the knife in the design phase,” he related. “In the closed position, the tab has to sit higher than the frame so your index finger can access it. I use bearings on my flippers. They are ceramic and very fast. To avoid pinching the user’s hand, I use a small tab. It’s only exposed enough to open the blade. My flipper tab is hidden in the frame in the open position. I have finger grooves designed into the frame to avoid fingers slipping forward.”

Alan Hollerbach: Spectre

There’s something ominously attractive about what Alan Hollerbach achieves with this knife. Christened the Spectre—an homage to the nemesis organization of James Bond—the wasp-wasted flipper gets right to the point. Baker Forge TigerMai steel for the blade and Fatcarbon Dark Matter scales add to the knife’s dark good looks. (SharpByCoop image)
There’s something ominously attractive about what Alan Hollerbach achieves with this knife. Christened the Spectre—an homage to the nemesis organization of James Bond—the wasp-wasted flipper gets right to the point. Baker Forge TigerMai steel for the blade and Fatcarbon Dark Matter scales add to the knife’s dark good looks. (SharpByCoop image)

When customers consult with Alan Hollerbach on the attributes of a quality flipper folder, his response is straightforward. “Look for high-quality materials—hardened washers and bearings, a smooth action and a solid detent,” he offered. “I don’t take orders. I make knives I like and hope others do as well.”

The degree of knifemaker proficiency is tested somewhat further with the flipper folder in comparison to other designs. Alan welcomes the opportunity to put his skillset to the test. “It takes some more designing up front to get the layout and how it looks and the action correct,” he related. “The tab needs to be in a comfortable position for one-handed opening, tall enough to engage easily, but not too tall it looks out of place. It needs to have a strong detent to allow proper pressure to fire the blade and a smooth action with the bearings to allow the blade to open with minimum friction.”

Alan achieves his technical and aesthetic objectives in a handsome flipper folder model he has christened the Spectre, in reference to the James Bond feature film series. This example includes a 4-inch hollow ground blade of Baker Forge TigerMai Chevron damascus steel with jeweled and anodized titanium liners and Skiff bearings with hardened washers. Handle scales are Fatcarbon Dark Matter with 18 inlays in nine different sizes of Space Coral. The backspacer is also Fatcarbon Dark Matter, and the screws are black anodized titanium.

Rising interest in flipper folders is a matter of likes and style, as Alan sees the buying landscape these days. “I think it is a personal preference,” he commented. “I like the flippers for easy one-handed opening, but you can do the same with most other ways. It takes some more designing up front to get the layout and how it looks with the correct action. I like the lines as clean as I can make them, so tabs are just to open the knife, as I try to hide as much as I can when the knife is open, just for aesthetics.”

The addition of a hole in the Spectre blade gets attention as well. “You can open the knife with the hole, but it was designed for aesthetics mainly,” Alan noted. “I wanted to smooth the lines of the knife in the closed position and show with the curves of the cutout it was done on a pantograph by hand.”

Robert Champion: Dark Wind

Robert Champion spends plenty of time perfecting the placement of the deployment tab. On his Dark Wind, he employs a low-profile tab to avoid pinching when the blade is deployed. Also noteworthy on this knife, the knock-out engraving by Dale Bass that takes the work to another level. (SharpByCoop image)
Robert Champion spends plenty of time perfecting the placement of the deployment tab. On his Dark Wind, he employs a low-profile tab to avoid pinching when the blade is deployed. Also noteworthy on this knife, the knock-out engraving by Dale Bass that takes the work to another level. (SharpByCoop image)

Examining the locking mechanism is a must for those contemplating an investment in a quality flipper folder, a tip Robert Champion emphasizes. “A 3-point constraint is better than a 2-point constraint,” he said. “A 3-point will lock the knife more securely in the open position as well as in the closed position. The blade should lock solid, not be loose and never have a sticky lock.”

Robert’s Dark Wind model exemplifies his perspective on the flipper folder. Its 6-inch blade features hollow ground Dragonskin Damascus steel from Shaya Forge, while the furniture is in 416 stainless steel and the handle scales are fashioned from giraffe bone. Dale Bass’ engraving complements the piece in its entirety.

“I’m receiving more and more requests for flippers,” Robert remarked, “especially the more dressed and upscale models. Their popularity seems to be trending up. They’re easier to deploy and in regions where automatics are not permitted, the flipper is a great option. The flipper tab is an integral part of the tang design that is easily roughed in while profiling the blade. Thumb pegs and discs are separately fabricated components that require drilling, tapping and a turning process on a lathe. Then, they are attached to the blade. Tab location is important when designing a flipper. Placing it too far forward or too far back on the tang will cause inefficient deployment.”

Bringing all these components together in proper tolerance with respect to the look and feel of the finished product provides a worthy test for the makers of flipper folders. Like any folder, smooth deployment and ease of carry rise to the top. However, the flipper aspect brings another dimension to the requirements for optimal performance.

“Depending on the size of the knife, I use good-quality stainless or ceramic ball bearings,” Robert advised. “I tend to use stainless bearings on my smaller models, but that is just a personal preference. I also use dry slide oil lubricant. I design a low-profile tab to prevent pinching and currently make single-tab models. In the future, I plan to make flipper daggers that will have more of a guard-type tab.”

John Curran: Alpha 3

John Curran has focused much of his work on flipper folders and his experience in this design shows in his Alpha 3. Clean and complex, the knife pairs a titanium handle with an Elmax steel blade, featuring caged bearings for absolute, buttery-smooth deployment. (SharpByCoop image)
John Curran has focused much of his work on flipper folders and his experience in this design shows in his Alpha 3. Clean and complex, the knife pairs a titanium handle with an Elmax steel blade, featuring caged bearings for absolute, buttery-smooth deployment. (SharpByCoop image)

John Curran created a flipper folder in a model he calls Alpha 3 with a flat ground 3-inch blade of Elmax steel and an overall length of 7½ inches with a titanium handle and frame. The flipper design has been a mainstay of his work for some time.

“I’ve predominantly built flipper-style folders over the years, though I’ve done my share of thumb-stud and thumb-hole deployments as well,” he related. “In terms of trends, I haven’t noticed interest in one style rising or falling dramatically. What I have noticed is that customers are spending more carefully. People know what they want and they are choosing their purchases very intentionally.”

As John tries to fulfill his customers’ expectations, he watches the intricacies of the flipper folders he constructs carefully. “From my perspective, flippers don’t necessarily hold an advantage over other deployment methods,” he commented. “It really comes down to personal preference. Some customers want a classic flipper, others ask for a flipper paired with a thumb stud and some want a hole cut into the blade as an alternative opening method. There is no single best option, just what feels right in the user’s hand.

“The complexity of the build depends on the design more than the deployment style,” John continued. “I spend a lot of time sketching concepts only to discover during mock-ups certain ideas don’t translate well in hand. I typically prototype in G-10 or even wood to check ergonomics, mechanics and overall fit. That stage tells me a lot about whether the knife is going to meet my standards.”

John’s basic components include caged bearings and hardened stainless washers for smooth action. “If a customer wants to keep the cost down, I can build the knife without bearings and use phosphor bronze washers instead,” he advised. “Ceramic bearings undeniably offer the smoothest action, but bronze washers still perform well. It ultimately depends on what the customer values most. Milling pockets for the bearings adds time and labor and is reflected in the final price.”

Design concentrations on clean, reliable opening mechanisms and functional finger guards when the blade is deployed are hallmarks of John’s finished product. The challenge is always in the “tweaking” to solidify the geometry, but the result is worth the investment of time and effort.

The flipper folders emerging in the custom knife market today offer diverse profiles, materials and interpretations along with a wide range of price points. Each of these factors influences the consumer and makes the genre vibrant.

More On Flippers:

What Defines The Best Custom Hunting Knives?

What to look for in a custom hunting knife and some sharp examples.

For outdoorsmen, a knife of some kind is almost a constant companion. Most carry a knife that falls into the category of a hunter.

The Merriam-Webster Dictionary defines hunting knife as a large, stout knife used to skin and process game. When I started judging custom knife competitions at knife shows 30 years ago, the category with the greatest number of entries was always the hunter. Why? Because there are so many interpretations of what a hunting knife is. Often the judges refer to their own experience using knives in the category. Entries generally range in blade length from 2.5 to 5 inches. I have seen knives entered in the category with 10-inch blades.

Blade Lengths

Blade lengths are often designed to process a particular bird or animal. Smaller blades in the 2.5-to-3-inch range are primarily used for dressing birds. The short blade length allows the hunter to quickly extract the bird’s breast meat. The most common blade length is 4 to 4.5 inches, a length that will dress out most game hunted regularly in North America. The dropped hunter/drop-point hunter designed by BLADE Magazine Cutlery Hall-Of-Fame® member Bob Loveless (page 26) is the world’s most copied hunting knife. The standard Loveless drop point features a 4-inch blade.


Custom Hunter Kuberski-Nessmuk-Hunter
One of the more popular skinner designs is the Nessmuk, praised for its all-around versatility in the field. Luk Kuberski’s Nessmuk Hunter features Sleipner stainless blade steel with an impeccable satin finish and a mesmerizing handle of maple ash burl. (Luk Kuberski image)

Nessmuk Skinner 
Maker: Luk Kuberski 
Blade Length: 4.75”
Blade Steel: Sleipner stainless
Blade Finish: Satin
Blade Style: Drop point
Handle Material: Ash maple burl
Overall Length: 8.6”
Sheath: Leather pouch/belt model by the maker
Author’s Comments: Full-tang construction; excellent balance and handle ergonomics; serrated thumb ramp enhances control
Maker’s price for a similar knife: $350


When dressing out larger game such as moose or elk, many hunters prefer a longer blade because of the animal’s size. Why is the 5-inch blade the limit? The idea behind the hunting knife is to dress out the animal without losing control and cutting into the animal’s vital areas. Going much past a 5-inch blade can affect the average hunter’s ability to control the cutting edge. 

Blade Steels

Materials for hunting knife blades are primarily stainless and carbon steels, though damascus has been gaining in popularity in recent years. The environment the hunters will be in and their skill level at resharpening a blade will enter into the choice of steel.


Custom Hunting Knife Fisher-Forged-Hunter-Blade-Mag
Wood is a popular handle material for custom hunting knives. Josh Fisher opts for curly maple on his drop-point hunter. And how about those skulls on the tooled-leather sheath by Bob Bobbert? (Robertson’s Custom Cutlery image)

Drop-Point Hunter 
Maker: Josh Fisher
Blade Length: 4.5”
Blade Material: 1084 carbon steel
Blade Style: Drop point
Guard Material: Stainless steel
Handle Material: Curly maple
Overall Length: 9”
Sheath: Tooled-leather pouch/belt model in a skull motif by Bob Bobbert 
Author’s Comments: Excellent handle ergonomics and balance; Josh is an ABS master smith
Maker’s list price for a similar knife: $625


Each steel has its advantage(s) concerning rust resistance, ease of sharpening and edge holding. Carbon steels such as 1084, 5160 and 52100 provide an extremely keen edge and can be easily resharpened. They do, however, require more corrosion maintenance. Stainless steels such as 440C, ATS-34 and CPM 154 make up the bulk of stainless steels used on custom hunters. These can be reasonably simple to sharpen and more forgiving regarding corrosion.  

Whichever steel you choose, the blade should be cleaned after use and a light coat of oil should be applied. It is best not to store your knife long-term in a leather sheath, as the tannic acid found in the leather can rust your blade. Additionally, leather does hold moisture, which can hasten the rusting process of the steel. It is best to store knives in something other than their leather sheaths. 

Handle Materials

A wide variety of handle materials are used for hunting knives. A favorite among makers and outdoorsmen is Sambar stag, either in its natural color or dyed to create amber stag. Stag is favored not only for its looks but because its contours provide an excellent gripping surface, even when wet. Another handle material gaining favor is elk and much for the same reasons. Two advantages of elk are it can be found in larger sizes and is less expensive. 


Custom Hunting Knife Malosh-Forged-Elk-Hunter
Sambar stag and elk are favored for their looks and because they provide an excellent gripping surface, even when wet. Mike Malosh’s Elk Hunter 23 custom hunting knife features elk scales.  (Robertson’s Custom Cutlery image)

Elk Hunter 23
Maker: Mike Malosh 
Blade Length: 47/8”
Blade Material: W-2 tool steel
Blade Finish: Satin
Guard Material: Stainless steel
Handle Material: Elk w/black Micarta® and stainless steel spacers
Overall Length: 9.5”
Sheath: Leather pouch/belt model by the maker
Author’s Comments: This knife is built for serious work; excellent balance and handle ergonomics
Maker’s price for a similar knife: $395


Desert ironwood, curly koa, California buckeye burl and curly maple are among various kinds of popular handle woods used for hunters. Other popular materials are synthetics such as G-10 and Micarta®. The main advantage of these materials is that, for the most part, they are impervious to the elements. As such, they tend not to shrink and crack as some natural handle materials can do over time.  

Guards

Guards are made primarily from either 304 or 416 stainless steel. If the knife features a hidden tang design, the joint between the guard and the blade should be soldered. Sealing the guard helps keep the moisture away from hidden tangs. Because their softness makes them prone to damage, along with their additional maintenance requirements, brass and nickel silver generally are not used for guards.  

Blade Styles

The drop-point hunter is the most commonly made hunting knife. The drop-point blade maintains its thickness along the spine and then gently slopes to the point. Generally, the drop point is slightly thicker than other hunting blade patterns at the point. The blade thickness provides the drop point the versatility not only to skin but to disjoint and pry. These advantages can be critical to the hunter when dressing larger game.


Custom Hunting Knife Cochran-Walnut-Drop-Point-Hunter
The slightly raised blade spine/hump extends the curved part of the semi-skinner blade for skinning while maintaining the drop point to avoid puncturing the abdominal cavity. Brant Cochran covers the pattern in a sturdy lightweight version of 80CrV2 carbon steel and walnut in his custom hunting knife. (Robertson’s Custom Cutlery image)

Semi-Skinner 
Maker: Brant Cochran
Blade Length: 4.25”
Blade Material: 80CrV2 carbon steel
Blade Finish: Satin
Guard Material: Stainless steel
Handle Material: Walnut
Overall Length: 9”
Sheath: Tooled-leather pouch/belt model by the maker 
Author’s Comments: 80CrV2 is a carbon steel that is both tough and provides outstanding edge retention; excellent balance and handle ergonomics; sturdy lightweight knife, perfect for your next hunt; Brant is an ABS journeyman smith 
Maker’s price for a similar knife: $300


The idea of a skinner is basically to remove the skin/fur from the game. The skinning blade shape features a slightly thinner blade and edge meant for a specific purpose. The skinner is designed for elongated cuts and better control of the blade, ensuring the game’s fur maintains its integrity. While primarily intended to remove the fur, a knife with a skinner blade can be used to dress game out, too. One of the more popular skinner designs is the Nessmuk, praised for its all-around versatility in the field. 

The semi-skinner blade is the middle ground between the drop-point and skinner blades. The slightly raised blade spine/hump extends the curved part of the blade for skinning while maintaining the drop point to avoid puncturing the abdominal cavity, which could taint the meat of the animal. 

Conclusion

Picking the right edged companion for your time in the field should require some research. As noted, hunting knives come in various shapes and sizes. This variety enables you to choose the right size, steel and handle material necessary to get the job done. It would benefit you greatly to hold the knife in your hand, primarily for sizing. You must always be able to control the blade’s edge.   


Custom Hunting Knife Romeis-Drop-Pt-Hunter
The drop-point hunter is the most commonly made hunting knife. A George Romeis drop point features CPM 154 stainless blade steel and a black G-10 handle. (Robertson’s Custom Cutlery image)

Drop-Point Hunter
Maker: George Romeis
Blade Length: 3.5”
Blade Steel: CPM 154 stainless
Blade Finish: Satin
Guard Material: Stainless steel
Handle Material: Black G-10 w/stainless-steel-lined thong hole
Overall Length: 8”
Sheath: Leather pouch/belt model by the maker
Author’s Comments: Full-tapered tang, excellent balance, very comfortable in the hand
Maker’s price for a similar knife: $300


Remember, the rifle or bow harvests the game but the knife creates what becomes dinner and the trophy.

Check Out More Outdoor Knives And Tools:

Best Steel For Knives: How To Choose

Intended cutting use and blade style help determine the ideal alloy for you and your knives.

Knives Annual
This article is an excerpt from the KNIVES 2025 annual, available at GunDigestStore.com.

Three critical aspects of creating or choosing a quality blade are steel selection, heat treatment and geometry. This feature focuses on the first of these, and the first any aspiring knifemaker or enthusiast will be tasked with—choosing the right blade steel for you and your knives.

To the casual observer, the steel selection process wouldn’t seem like such a big deal, but as in-depth as this article is, it barely scratches the surface of the topic.

Not all steels are created equal. Each varies as much as knife style and is designed for a specific application. So, matching the correct steel to the specific blade, intended use, and maker or user can be critical in creating a quality tool. Choosing the best alloy for your purpose can mean the difference between achieving the highest performance by effortlessly allowing the steel to do what it does best and struggling to pound a square peg into a round hole by forcing it to do something it was never designed to accomplish.

From my observations after a lifetime of providing metallurgical consulting services for various industrial clients and countless knifemakers, the latter rarely select steel with the same analytical vigor as the former. Rather than independent research to match steel chemistry to a process and product, knifemakers often choose whatever alloy everybody else is using.

American Bladesmith Society Journeyman Smith John Schultz chose well with 1075 steel for its natural toughness on his recurved chopper.
American Bladesmith Society Journeyman Smith John Schultz chose well with 1075 steel for its natural toughness on his recurved chopper.

Be it a ubiquitous old favorite or the newest rage in the “steel of the month club,” no single alloy is the best fit for every knife, use or maker. On the other hand, the one area where knifemakers often exceed my industrial clients is letting frugality make the choice. The number of knifemakers who have told me they use a specific type of steel because of their access to a cheap or free supply is unfortunate.

The trouble with these approaches is needlessly steepening the learning curve for many a new maker or knife user. I can’t count the number of times I have heard a frustrated knifemaker state that an alloy they have tried is a bad steel. But there is no such thing as bad steel. Industry wouldn’t bother wasting time, effort or money on steel that wasn’t optimum for its intended purpose. There are poor application choices and bad heat treatments. Any fault lies with the knifemakers or bladesmiths and not the steel.

A36 is an excellent steel choice for use in buildings and bridges, but it is a bad reflection on knifemakers if they insist on making a blade with it. The steel properties of A36 are not conducive to knife blades. Alloys like 1095 or O-1 can make good hunting knife blades, but if the steels are heat treated like 5160, they won’t measure up in edge performance. I can’t tell you how often I’ve bitten my tongue when shown a blade fashioned from steel with barely enough carbon for adequate strength or an abrasion-resistant edge.

If knifemakers have to deviate from standard heat treatment practices with unorthodox extra steps, it is most likely the result of a steel choice that does not match their application or methods. You can under-soak or over-temper a 1% carbon steel sword or use an alloy better suited for such a blade. You can add several steps to heat-treating richly alloyed steel in your forge or choose a steel that readily responds to that heat source.

Intended Knife Use

Rather than using hard and soft layers for damascus, the author, Kevin Cashen, has always combined toughness with abrasion resistance, as in this O1/L6 skinner.
Rather than using hard and soft layers for damascus, the author, Kevin Cashen, has always combined toughness with abrasion resistance, as in this O1/L6 skinner.

The problem is that we often proceed from the wrong direction. Whatever the reason, many knifemakers have already settled on their steel before determining what knife they will fashion, but how can you make the right choice in a material before you even know its intended use?

A better model for success is letting the primary tasks a knife is meant to perform determine needs and goals. Develop a plan to achieve those goals by designing a hand tool that will perform a specific task or even multiple tasks, keeping in mind that the intended uses of a single knife can be much more varied than people think. With the desired tasks for the edged tool in mind, choose the material based on the desired properties inherent to each steel’s specific chemistry. Equally important is recognizing the limits of a maker’s abilities to work with a given chemistry.

To explain how to choose the correct steel for you and your knives, the myriad of blade designs is distilled down to two primary categories. The first group—fine-cutting knives—is designed to perform keen slicing or aggressive slashing. They are most often used in a draw-type cut that is optimized like a saw at the microscopic level. Think of scalpels, skinning and hunting knives, and many kitchen knives. Their edges are thin, flat or hollow ground for cutting various soft, fibrous materials.

This group has a subcategory of blades, including some kitchen knives and razors, that will be identical in many design features and desired properties, but they are used more in a push cut. Regardless, impact toughness is not nearly as crucial as abrasion resistance for knives like this.

The effects of carbon content in a simple steel can be seen on the Iron-Carbon phase diagram.
The effects of carbon content in a simple steel can be seen on the Iron-Carbon phase diagram.

In contrast, the second group—choppers—is used in straight-on, push-type motions, cleaving, or cutting that often involves impact. These knives cut more like a chisel than a blade drawn into a cut like a saw. Camp knives, some bowies, and many swords fall into this category. They benefit from polished, beefier, convex edge grinds that don’t require abrasion resistance as much as impact toughness.

By definition, a knife is a cutting tool. If we should ever find ourselves detracting from a blade’s ability to cut in any part of our plan or execution thereof, we may need to consider whether making a knife or another tool is the better option.

Thus, all the properties discussed herein are relevant to cutting. A fundamental condition for a blade to slice through material is that it must be stronger than the cutting medium. There is tremendous load pressure at the microscopic level, where the cut is initiated. So, almost by definition, strength must be a top priority in any knife edge.

For this article, strength is the ability to resist deformation under load. Opposing this prized quality of strength is ductility, or the ability to easily deform without edge or blade failure. Knifemakers heat treat steel to replace ductility with strength. For millennia, it was the job of the blade maker to find the most acceptable compromise between strength and ductility for their blades to cut while avoiding brittle failure.

Steel Strength

The graph shows the total hardness from proper solution in steels soaked for 1 minute and 10 minutes, respectively, illustrating the effects alloying can have on heating requirements.
The graph shows the total hardness from proper solution in steels soaked for 1 minute and 10 minutes, respectively, illustrating the effects alloying can have on heating requirements.

There are many types of strength in steel. Examples are compressive strength and tensile strength. These and shear strength are not as apparent in general knife use, so knifemakers more easily conceptualize them as hardness.

The other quality prized in a blade is toughness, which should be viewed as the steel’s ability to withstand shock from sudden loads rather than bending in a ductile manner under gradual load. These are two entirely different behaviors, with one being more relevant to a blade used in chopping. Rather than the Faustian bargain of trading strength for ductility, the Holy Grail of blade making is maintaining high strength with impact toughness. In chopping-type blades, impact toughness is almost as valuable as strength.

The next property to consider in a knife blade is abrasion resistance. Microscopically, the knife edge is subjected to tremendous wear, even when cutting seemingly soft materials. It is this wear that results in the tool dulling when used. Abrasion resistance is the steel’s ability to withstand such friction effects. While this property does increase with overall hardness, steel’s unique makeup gives it abrasion resistance above and beyond hardness and even independently from it. Within the steel, there might also be carbide particles with a hardness that far exceeds the overall Rockwell measurement numbers of the blade. Fine cutting and slicing blades benefit more from abrasion resistance than impact toughness.

Although the possible steel choices for modern knifemakers are endless, for simplicity’s sake, this discussion is limited to non-stainless alloys commonly used by forgers and grinders alike. Although many knifemakers have become dependent on AISI (American Iron and Steel Institute) or SAE (Society of Automotive Engineers) steel names, such titles as 1084, W-2 or 80CrV2 lack specificity and meaning compared to studying the individual steel’s chemistry in determining its potential properties.

The more alloying helps us in gentler quenches, the more attention must be paid to proper heating, making some steels a better match for a forge and others a digital oven.
The more alloying helps us in gentler quenches, the more attention must be paid to proper heating, making some steels a better match for a forge and others a digital oven.

I strongly encourage knifemakers to study the chemistry of any potential steel choices to decide which one to use and how to work it. A supplier that provides the chemistry for your steel understands this and is well worth doing business with rather than a source that omits the alloy’s makeup.

Carbon content is the first consideration within a steel’s chemistry and perhaps the most important. Carbon is the main element responsible for strength in steel. The more carbon a steel has, the greater strength can be achieved in hardening. However, this is only true to a certain point; maximum hardness in carbon steel is achieved at around .80% carbon, and beyond this, not much more is gained in that area. Putting more carbon than .80% into the solution during the hardening process can harm a bladesmith’s goals. However, carbon beyond this optimum level will add abrasion resistance if allowed to stay in carbide form.

This sweet spot in carbon levels around .80% is known as the eutectoid. It is the most efficient use of carbon in steel, with no leftover iron (ferrite) or any leftover carbide (cementite). Steels with less than .80% carbon content are inherently tougher and less brittle, while steels with more can have much greater abrasion resistance with a tendency to be less tough. This is important to consider when choosing steel for your intended blade purpose. Does a machete need abrasion resistance? Does a skinning knife need to be tough? Choosing 1075 for one or 1095 for the other could make all the difference in having a steel that will work for you or against you in creating that blade.

In centuries past, bladesmiths had no choice but to compromise between strength and ductility when working with simple iron-carbon material. But then, starting in the early 19th century, alloying changed everything. Finally, with the intentional addition of other elements to steel, bladesmiths could have their cake and eat it, too.

Steel Alloys

Combining it in one chart helps select the correct steel based on knife use and a knifemaker’s heat-treating equipment.
Combining it in one chart helps select the correct steel based on knife use and a knifemaker’s heat-treating equipment.

A sword in the 13th century that had to be kept in the low hardness ranges could now be just as tough at much higher hardness levels. Fine slicing cutters could have an abrasion-resistant carbide boost far exceeding simple cementite abilities. But with these gains in performance came greater demands for more precise controls in heat treating, atmosphere, and more refined blade quenches. Today, even the most basic carbon steels have enough alloys to radically differentiate them from the old steel. Anybody who thought they would water quench 1084, just like traditional tamahagane steel, can attest to this fact.

For this reason, another critical factor must be considered in proper steel selection beyond the type of knife being made. It is why the premise of this article is choosing the right steel for you and your knife. Our modern steel alchemists may have created the perfect high-tech steel for a knifemaker’s application. But if they’re learning the ropes, or all they own is a humble forge, it could still be a terrible choice for their knife.

If your shop is equipped with a digitally controlled oven, all the many modern alloy options are available if you learn the rules each steel choice requires. The same chemistry that makes one steel harden in almost any oil or air makes it much more finicky when heated before being quenched. An alloy steel may have the potential to outperform a simple carbon steel, but not if you lack the equipment necessary to unlock that potential.

Figure 1 shows the as-quenched hardness results of a series of tests involving simple heating versus a standard 10-minute soak on commonly used steels. Here, the effect of increased alloying is plain to see when looking at each steel’s time and temperature requirements, which many open-flame heat sources or forges may struggle to meet. Unless armed with an excellent understanding of the metallurgy, a smith desiring to stick with more traditional tools would be better served by more traditional steels. Simple carbon steels such as “W” or 10XX series are like what forges were initially made for and will allow the traditional smith to produce a fine blade effortlessly.

Knowing what each of the additional alloying elements brings to the table is valuable in knowing what to seek in steel. If you’re looking for impact toughness, consider chemistries that include nickel or silicon. These additions affect the iron’s atomic lattice, which acts like a shock absorber. For a knife needing abrasion resistance, a boost from the more powerful carbide formers can give you longer wear than simple cementite, with two of the most common examples being vanadium (above .25% of overall elements) or tungsten. Chromium will also help in this area to a lesser extent.

If you wish to achieve a fully hardened blade with minimal effort, manganese over 1% or relatively modest additions of chromium are just the ticket for leaving behind your stressful days of the water quench. And, of course, for applications where simple carbon steels would rust too quickly, chromium over 11% will also help resist corrosion.
The chart in Figure 2 brings together all these considerations. On a final note, it must be conceded that a skilled bladesmith with a solid knowledge of heat treatment could push several of these alloys into adjacent categories. Still, here, we’ve focused on the path of least resistance.

By capitalizing on the characteristics of an alloy’s chemistry, a maker can spend less time getting it to behave in the desired manner and more time maximizing its performance.

More On Knife Steel:

Bloodlines: Emerson Knives Is A Family Affair

The Emerson Family shares decades and generations in knives.

Through the years, the name Emerson Knives has come to represent outstanding craftsmanship, quality and overall excellence in the knife industry. And each member of the Emerson family has contributed in his and her own way.

“They grew up in the shop, both Megan and Rachael while my shop was at home, and Lucas was born after we opened our production factory,” Ernest Emerson remembered. “So we fenced off a corner in Mary’s office for him as a baby and a toddler. They have all worked in the company since the beginning, and today Mary is the overall manager, Megan is director of marketing, Rachael is operations director, and Lucas is engineering and is being groomed to run the shop. Me, I’m the government mule.”

For some it would be enough to say with pride that the family has built the Emerson Knives brand together, each contributing in his or her own way. But the Emersons have taken their commitment to excellence and the already incredible story of their enterprise to a new level. Each one of them has completed an Emerson original, a knife of their own from concept to finish, and Ernest has had the pleasure of watching the extraordinary conclusion of this labor of love and pure knifemaking joy.

“I didn’t know any of them would ever want to make a knife,” he confessed, “and with their personal lives being so busy outside of work I didn’t know if they would ever have time to do something else. Megan is busy raising a family and runs a working ranch in Colorado. Rachael is busy with Jiu Jitsu and finishing up her second degree in nutritional therapy. Lucas is hardcore into training and computer programming, and Mary runs our business, which by itself is a 24/7 job, and still manages to cook dinner, keep our house in order, and even fits in a round of golf when she can.”

(From left) Megan, Mary, Ernest and Lucas hold their knives at BLADE Show 2025. Megan, Mary, Lucas and Rachael all had their knives debut at the show. Rachael was unable to attend due to a special family event. (BLADE® image)
(From left) Megan, Mary, Ernest and Lucas hold their knives at BLADE Show 2025. Megan, Mary, Lucas and Rachael all had their knives debut at the show. Rachael was unable to attend due to a special family event. (BLADE® image)

Still, with everything else that demands their most precious commodity—time—the Emersons have expressed themselves in the actual completion of the tool that has been the centerpiece of their lives as long as they can remember. It almost feels like destiny, like it had to happen. And despite the headwinds, it has.

Earliest Memories

Twenty-four now, Lucas started making knives officially in January 2023, though he has watched and learned since his earliest memories.

“I have always had a passion for making things, and with my dad as a mentor knifemaking has become second nature to me. For me, making knives was never a question of ‘why?’ but of ‘why not?’”

At BLADE Show 2025, Lucas chose to debut his newly designed MX-400 model. He wanted to produce a compact knife ideal for everyday carry.

“The MX-400 I had on display at the BLADE Show with pearl-handle scales will go into my personal collection,” he said. “I did bring three other MX-400s to the show, which I sold via lottery.”

Lucas makes knives part time and devotes plenty of energy first to the production company, Emerson Knives, Inc. At some point in the future, he may turn to knifemaking full time, but for now he manages the best of both endeavors. The most difficult part of the knifemaking process, he says, is grinding the blades.

Lucas Emerson debuted his MX-400, “a compact knife that is ideal for everyday carry,” at BLADE Show 2025. He put the one in mother-of-pearl scales he displayed at the show in his personal collection.
Lucas Emerson debuted his MX-400, “a compact knife that is ideal for everyday carry,” at BLADE Show 2025. He put the one in mother-of-pearl scales he displayed at the show in his personal collection.

“This is the quickest way to make mistakes,” he advised, “and it tends to be quite time consuming. Luckily, I’m pretty consistent and at this point I’ve got nothing to do but improve. On the other hand, the easiest part of my knifemaking is the hand finishing. This is where I take my time making sure everything is clean, even and symmetrical. I would consider it foundational for the knives I intend to create.”

For his next knife, Lucas intends to design a fixed blade for his own everyday carry. “I want something that I can carry with me at all times,” he noted, “and which I can rely on for any situation that may arise. It will need to be versatile, easy to maintain and easy to conceal on my person.”

Stay tuned!

Iron Lotus

Rachael Emerson Hardin has been making knives for about 20 years now, much of her experience being directly engaged in the business.

“I started assembling knives when I was in high school,” she remembered. “I would leave school after lunch my junior and senior year, drive to work, and assemble until they turned the lights off. I’m still here making knives years later, so I guess you could say I enjoy it.”

For years, the idea of designing and finishing her own knife had been in the back of Rachael’s mind.

“I always had favorite designs of my dad’s and thought how cool it would be to make something like that but with my own flair,” she reflected. “It wasn’t until recently when Lucas began coming up with his own designs that it dawned on me—maybe I can try this too! I’ve been around this my whole life. I know what works and what doesn’t. It couldn’t hurt to try.”

Rachael took the knifemaking plunge with her own design that she calls Iron Lotus, and she is enthusiastic about more knives to come. To date, there are two prototypes. It is her first design, and the plan is for her to keep one and possibly sell the other.
Rachael took the knifemaking plunge with her own design that she calls Iron Lotus, and she is enthusiastic about more knives to come. To date, there are two prototypes. It is her first design, and the plan is for her to keep one and possibly sell the other.

So Rachael took the plunge with her own design that she calls Iron Lotus, and she is enthusiastic about more knives to come.

“It’s hard to say that this is my favorite yet,” she related. “My favorite knives aren’t because of the way they look on paper generally. It comes after the production process. Behind the scenes I experience all the hiccups and fallbacks firsthand. Some knives go together like peanut butter and jelly. Others need tweaking.”

As for her own creations, the 37-year-old Rachael is optimistic about the future.

“Heck yeah, I’m going to make more knives. I live, eat and breathe knives. It’s in my blood. Eventually, the Emerson kids will take over the business. Making knives is fun. There is something very freeing about it. And I have the best teacher in the world.”

To date, there are two prototypes of Rachael’s Iron Lotus. It is her first design, and the plan is to keep one of them and possibly sell the other.

“I’m not sure about carrying it because it is a little fancy,” she observed. “I have a few ideas that I’ve been brainstorming. Currently I’ve been diving deep into Japanese-style blades. I’m a big fan of the Japanese tanto. I love simple designs too, like the gentleman’s folder.”

Paying Tribute

With her completed knife, Megan Emerson Gomez, 41, fulfilled an ambition that had lingered for many years. She has also been captivated by Japanese-style blades and used that energy in her own creation.

“I have always been a big fan of the traditional tanto,” she commented, “so I thought I would design something with that look. My design is called the Shinobi or M-Shinobi [Ninja]. This was the first knife I have entirely designed, but I have been involved and making design suggestions for many years. The CQC-17 model blade design was my idea, and I am sure you can see the similarities in my latest design.”

Megan parlayed her long-time admiration for tantos into the Shinobi/M-Shinobi. Though she has been involved in making design suggestions for many years, it is the first knife she designed entirely by herself. As she noted, “The CQC-17 model blade design was my idea, and I am sure you can see the similarities in [the Shinobi].”
Megan parlayed her long-time admiration for tantos into the Shinobi/M-Shinobi. Though she has been involved in making design suggestions for many years, it is the first knife she designed entirely by herself. As she noted, “The CQC-17 model blade design was my idea, and I am sure you can see the similarities in [the Shinobi].”

Megan was positive about the outcome of her completed project from the moment it began, and she looks back at the experience with quiet confidence.

“I never once doubted that I could finish it, but there was a moment where I had to decide if I was willing to push forward with a design that really didn’t look like a typical ‘Emerson.’”

Staying the course, she produced an exceptional piece and recalls that the most challenging aspect of the experience was paying tribute to history.

“The most difficult part was respecting the traditional tanto shape while still making it feel like mine. The style carries serious weight. It’s steeped in warrior culture, precision and intention. I wanted to channel that strength into something functional, modern and personal. Getting the balance right between tradition, aggression and clean design took the most time and thought. The easiest part then was handing it over to my dad. Once the design was dialed in, I knew exactly who should bring it to life.”

Mom’s Time

Each of the Emerson children accomplished an ambitious task that required a step up in devotion to the art and craft, the imagination and precision, that come together in a completed knife. Then, of course, Mom tried her hand as well, and the effort produced a beauty.

“I just started making knives about a year ago,” Mary remarked. “I have been around knives and knifemaking for years and years, so I kind of had a head start on things. I wanted to make a knife for a long time but it was hard to find the time. I’ve had lots of ideas and designs just sitting on the backburner for quite a few years.”

From left at right are Megan, Rachael, Mary with Lucas asleep in the baby carrier and Ernest. Among those in the front of the table at left are knife purveyors Bob and Linda Neal, Karen and Jay Sadow and BLADE Magazine Cutlery Hall-of-Fame® member Dan Delavan.
From left at right are Megan, Rachael, Mary with Lucas asleep in the baby carrier and Ernest. Among those in the front of the table at left are knife purveyors Bob and Linda Neal, Karen and Jay Sadow and BLADE Magazine Cutlery Hall-of-Fame® member Dan Delavan.

At long last, Mary’s time did come.

“I really have liked our CQC-15 and the Persian-esque blade styles, and I liked our Specwar handle,” she noted. “I like the curved and recurved blades, so my two designs, the Denali and the Falcon, reflect my likes in blade designs.

“Grinding the blade was the hardest part. It’s the dirtiest and most gritty part of the process. Getting one side ground the way I wanted it still left the other side to match up. The easiest part was the design. That was an easy day for me.”

During one grinding session, Mary toyed with the idea of halting the project—but only for a moment. “Ernie kept coming in and checking my grind lines. I told him to get out,” she smiled, “and I locked the grinding room door!”

Mary’s next knife adventure, though she will probably never be full time due to all her commitments to the business, is a fixed blade that is small enough to wear on her belt while riding her horse.

Next Mission

Along with Ernest, Mary looks at the body of work that surrounds the family, the business enterprise with so many facets and opportunities, the work of a lifetime, and the possibilities of the future. And yes, there is something else.

“Additionally,” she stated, “I’m very proud that my children are so interested in carrying on the family legacy. My next mission is to get the grandkids interested and involved. I’m very much looking forward to that.”

Mary’s partiality to curved and recurved blades is reflected in her two designs, the Denali and the Falcon, the latter here in two handle iterations. “Grinding the blade was the hardest part,” she noted. “Getting one side ground the way I wanted it still left the other side to match up.” During one grinding session, she considered halting the project—but only for a moment. “Ernie kept coming in and checking my grind lines. I told him to get out,” she smiled, “and I locked the grinding room door!”
Mary’s partiality to curved and recurved blades is reflected in her two designs, the Denali and the Falcon, the latter here in two handle iterations. “Grinding the blade was the hardest part,” she noted. “Getting one side ground the way I wanted it still left the other side to match up.” During one grinding session, she considered halting the project—but only for a moment. “Ernie kept coming in and checking my grind lines. I told him to get out,” she smiled, “and I locked the grinding room door!”

Meanwhile, Ernie surveys the current scene with satisfaction and gratitude. He wanted to be surrounded by a family of knifemakers and that has actually come to pass. His quiet observation has made the situation even more satisfying.

“I never expected any of them to make knives, but deep down of course I wanted them to,” he reflected. “In any endeavor you undertake, if your heart is not in it you will never have the same enthusiasm and drive than when you are doing something you love and want to do. It is very satisfying because I never pushed any of them to pursue the craft. All of them chose to do it of their own accord, and that makes it even better.”

Just to put the experience in perspective, Megan, Rachael and Lucas validate their father’s approach. They confirm that he encouraged, advised and taught but never forced a single grind, pin or hand finish on them.

“I wanted to design a knife for as long as I can remember,” Megan said, “and I think my whole life he has been training me to make knives and run the business. I have been involved in the business since I was a little girl. I watched him grinding knives in our garage, and the ladies we hired assembled knives in our living room.”

Rachael offered, “My dad has always provided feedback to me over the years. His father and sister, my grandpa and aunt, were both teachers. So, it’s always been something he has done.”

Lucas was a hands-on learner.

“From a young age, I remember my dad allowing me to help him with his own custom knives,” he recalled. “This is where I spent most of my time learning, not only the craft but also the principles behind Emerson designs. I work on my own now, but if I ever have any questions my dad is there to provide the best answers he can. He is an excellent teacher in this regard and has always been my go-to person for advice.”

In a most rewarding way, the knife life of the Emerson family has come full circle. The generations have discovered and honored that common thread, one that binds them together like nothing else.

More On Knife Business:

Brazilian Bonanza: A Bevy Of Brazilian-Made Custom Blades

Hot custom knives from Brazilian makers.

There must be something in the Amazonian water. In the global phenomenon of custom knives, there are few geographic locales that sizzle hotter than Brazil. The country has sharp makers and attracts talent, creating some of the world’s most desirable knives. Here is a look at some of the steel expertise emanating from the equatorial nation and its cutlery shows.


Romário Ribeiro Fighter

Romário Ribeiro Fighter

Sleek and dark, Romário Ribeiro’s 12-inch fully integral fighter of 52100 carbon steel won the Best Handle Award at Salão Paulista de Cutelaria 2025. It’s no wonder, with a seamless and intricate keyhole-style construction, and jacaranda wood and 24k gold inlays creating a boundless night sky motif, complete with a rising crescent moon.


Gustavo Schuenck Fighter

Gustavo Schuenck Fighter

Winner of the Best Fighter Knife Award at Salão Paulista de Cutelaria 2025, Gustavo Schuenck’s blade is aggressively beautiful. San mai steel of 9½ inches with a black phosphate finish ties together with the knife’s pitch-colored jacaranda handle. The nuanced recurve toward the heel offers flow in the build, paired with an understated yet sweeping guard.


Alexandre Biguna Bowie

Alexandre Biguna Bowie

Near-perfect symmetry of Alexandre Bigunas’ basketweave mosaic damascus bowie can’t help but fascinate. The meticulous work on the 10-inch blade is contrasted by the striking color of the sub-hilt’s mammoth-molar handle and pair of amethyst stones on either side of the guard. Topping off Bigunas’ work, 24k inlay, including his signature on the blade.


Júlio Cézar Ribeiro Gentleman’s Slip Joint

Júlio Cézar Ribeiro Gentleman's Slip Joint

Simple, clean and classy are the driving ideas behind Júlio Cézar Ribeiro’s gentleman’s slip joint. The Brazilian’s spotless execution also caught the judges’ eyes at Salão Paulista de Cutelaria 2025, with the knife winning Best Traditional Folder. Notable aspects of the knife includes the swooping spine of the RWL 34 steel Wharncliff blade, maintaining the knife’s overall geometry with its teardrop mother-of-pearl handle.


Lizandro Bertoni Bowie

Lizandro Bertoni Bowie

Lizandro Bertoni’s bowie is a study in contrasts. The flats of the 16-inch, 1085 and 15N20 damascus blade dominate with a starburst-like mosaic pattern, but give way to a cross pattern at the edge. Further, the busy ornamentation of the blade is contrasted with the calmer design of its walrus-ivory handle and the smooth lines of its texturing.


Vanuti Fiori Dagger

Vanuti Fiori Dagger

Dang sexy is all that can be said of “Lady of the Night,” a collaboration between knifemaker Vanuti Fiori and engraver Gabriel Krebs. It’s not only the lines of Fiori’s integral dagger that drip sex appeal, but also Krebs’ alluring feminine -form scrimshaw on its mother-of-pearl inserts.


Francisco Wlach Gaucho

Francisco Wlach Gaucho

Francisco Wlach takes the workingman’s gaucho knife to a different level with the execution of his knife’s 10-inch laced mosaic blade. Wlach creates movement on the blade with a very uniform pattern over the majority of the steel, contrasted by a more subtle pattern along the edge. Gold inlay, integral bolster and mammoth-tooth handle would make this blade any gaucho’s pride.


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